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174040345PRIMERA EDICION.- Madrid: Por Año 1740-1752.- Diego de Peralta Antonio Marín Juan de Zuñiga y Vda. de Peralta12 Vols. las 3 primeras series y en Madrid: En la Imprenta Real año de 1796-1801.- 3 Vols. la ultima serie ordenada por Godoy desde felipe V hasta el presente. Que conjuntamente forman una OBRA COMPLETA EN 15 VOLUMENES con: 1ª Serie en 2 Vols. de 2 h. XVI 15 h. 602 p.; 2 h. 550 p. 21 h. = 2ª Serie en 7 Vols. de 12 h. 612 p.; 11 h. 608 p.; 11 h. 656 p.; 10 h. 656 p.; 8 h. 472 p.; 7 h. 718 p. 35 h. = 3ª Serie en 3 Vols. de 11 h. 669 p.; 8 h. 521 p.; 11 h. 732 p. 22 h. = Ultima o 4ª Serie de Godoy en 3 Tomos de 2 h. 431 p. 3 h.; 1 h. 431 p. 4 h.; 1 h. 462 p. 2 h. Todas en Folio mayor 333 x 238 cm; Portada a dos tintas en las 3 primeras series; Excelente impresión a dos columnas sobre magnífico papel verjurado intonso conservando todas sus barbas; Encuadernación moderna en Media Piel de banda ancha con filetes dorados en los planos y lomo dorado con 2 tejuelos filetes y florones ejecutada magistralmente por el gran encuadernador Camacho.- Advierte el autor en el primer tomo que "aunque la obra será de mayor amplitud se hará viendo dar principio a la impresión del Reynado del Señor Don Phelipe III". "quando se promete una Colección desde antes del Establecimiento de la Monarchia Gothica se pone presente la Real Orden comunicada à este fin por el Excelentíssimo Señor Marqués de Villarías en Buen-Retiro à 14 de Noviembre del año de 1739 que dice assi: .ha resuelto el Rey que se de principio à la impresión de la mencionada Obra desde el Reinado de Felipe III. Prosiguiendo hasta el presente de S. M. sin que por ello se omita después la de los anteriores". LA PARTE ANTERIOR NO LLEGO A PUBLICARSE CONSIDERANDOSE LO QUE OFRECEMOS COMO LA OBRA COMPLETA CON LOS TRES TOMOS AÑADIDOS DE GODOY. MUY RARO EJEMPLAR COMPLETO. Palau Nos. 1010 y 56691. El Tomo VI. Felipe IV. parte 4ª tiene las últimas 7 hojas magníficamente reparadas de una leve falta en el margen interno que solamente afecta a unas pocas letras de las últimas 3 hojas. POR LO DEMAS EN MAGNIFICO ESTADO EL PAPEL BLANCO Y FUERTE SIN TONSURA CONSERVANDO TODAS SUS BARBAS ORIGINALES Y CON UNA ENCUADERNACION MODERNA IMPECABLE. Monumental obra esencial para el conocimiento de la história de la diplomacia española y del Derecho Internacional de esos tiempos. HISTORIA DEL SIGLO DE ORO ESPAÑOL Libro en español Diego de Peralta, Antonio Marín, Juan de Zuñiga y Vda. de Peralta, y Imprenta Real hardcover
1865B4681Paris: Libreria de Fermin Didot Hermanos 1865. A fine and handsome copy text and plates clean and crisp. Bottom right hand corner of of first four leaves restored. . Edition: First Edition Binding: Contemporary marbled boards rebacked skillfully in half calf. Spine in seven compartments of raised bands and gilt ruling. Gilt title on two. Notes: Text in Spanish. Title in black and red ink. The earliest atlas of Peru including plans views meticulous maps along with statistical and geographical facts on Peru by geographer political figure and most renowned 19th century Peruvian historian Mariano Felipe Paz Soldan 1821-1886. In this atlas Paz Soldan clearly draws inspiration from Humboldt's great atlases of America. A number of the plates here were engraved after daguerreotypes. The atlas depicts Paz Soldán’s hometown of Arequipa in a magnificent large folding lithograph. He published his great atlas of the republic of Peru and in 1868 the first volume of his history of Peru after the acquisition of her independence. A second volume followed and a third bringing the history down to 1839 was published after his death by his son. Size: Folio 530x382mm Illustration: Illustrated with 74 finely hand-coloured plates including maps plans some folded and portraits of Peruvian Indians. Plates 50 and 51 are bound together. Provenance: Ex Libris Antony House. References: Phillips Maps of America p. 696; Sabin 59325 Palau 215886 Pages: Half Title Blank Title 1-82 Plates. Category: Book Plate Books General; Book Plate Books Colour; Libreria de Fermin Didot Hermanos hardcover
186598UC10YNZ8OAParis: Firmin Didot brothers children and comp. 1865. Contemporary black half sheepskin buckram boards with blind fillets and lettering in gold on front board marbled edges. Rebacked. Large folio 51.5 x 37.5 cm. With title-page printed in red and black and 50 engraved maps plans and views including 20 coloured and 24 tinted lithographs by F. Delamare. The first atlas of Peru containing detailed maps plans and fine views together with geographical and statistical information on Peru by the Peruvian historian geographer and statesman Mariano Felipe Paz Soldan 1821-1886. With 3 full-page tinted lithographed portraits of Peruvian Indians. plates 35 35 bis 35 ter. Further with a large magnificent folding lithographed panorama of Paz Soldan's home town of Arequipa plate 42 44 x 154 cm and a large tinted folding lithographed view titled "Cuadro general de alturas comperativas del Peru" plate 63. The large coloured mineralogical map titled "Mapa mineralogico del Peru" plate 62 indicates the gold-mining sites with gold circles. Foxed throughout two small tears in 2 of the folding maps but still in good condition. Spine restored. A magnificent atlas of Peru.l Catalogue of maps of Hispanic America II p. 1; Phillips Maps of America p. 696; Sabin 59325; M. Layland "Cartographic serendipity ." in: The Map Collector 67 1994 pp. 14-18. Firmin Didot brothers, children and comp., hardcover
CA08AA-00812Ireno Paz. Collectible - Good. Mexico: Ireno Paz 1911. 1st edition. Sm 4to. 82pp. Spanish. Good book. Mexico freedom of the press press law books in Spanish Inquire if you need further information. Ireno Paz unknown
20338Limited Editions Club. Fine. 1987. Hardcover. Signed by author and illustrator. Limited edition of 750 copies this being copy #83. Beige cloth cover is flawless. Boards and spine are straight. Binding is tight. Publisher's notes laid-in with thumbprints to cover. Thumbprints to front end sheet. Pages are clean and pristine. Beige cloth clamshell case has a 1" diameter stain on front cover and 1/2" diameter stain on back cover else fine. ; 0 pages; Signed by Author . Limited Editions Club hardcover
007841New York: Limited Editions Club 1988. hardcover. Fine copy in Near Fine original clamshell box with light wear. Robert Motherwell. Large folio 18-1/2" x 22" bound in full Irish linen. Illustrated with 27 original lithographs by Robert Motherwell ranging in size from 8" square to 14" x 10" and with an original lithograph recessed into the front cover. The lithographs were pulled at Trestle Editions of New York on handmade Japanese paper of various contrasting colors and hand-mounted upon the same Magnani Italian mould-made paper used for the text. Copy #457 of 750 numbered copies of this massive book SIGNED by the artist and by the Nobel Laureate. One of the poems is a tribute by Paz to Motherwell. Monthly Letter laid in. With original shipping box. <br/><br/> Limited Editions Club hardcover
lec-0027<p>Octavio Paz "was able to cull from the language of the avant-garde the very best to create a Latin-American poetic language" said Yale professor Gonzales Echevarria. Three Poems are printed in the original Spanish in red alongside English translations in black. Included is "The Skin of the World The Sound of the World" Paz's tribute to Robert Motherwell. " . . . sometimes images may emerge from some chord in my unconscious the way a dream might" declared Motherwell—a statement that resonates like the words of his great friend Octavio Paz.<br /><br />Twenty-seven lithographs by Robert Motherwell.<br /><br />Edition limited to 750 numbered copies.<br /><br />Each book signed by Octavio Paz and Robert Motherwell.<br /><br />The lithographs vary in size up to 14 x 10 inches and were pulled on hand-made Japanese paper of contrasting colors. The book bound by hand with boards of Irish linen has a lithograph that is recessed into the cover. The hinged protective box is covered in the same linen. <br /><br />One Volume 18-1/2 x 21-3/4 inches.<br /><br />As the publisher we unconditionally guarantee that all books are authentic and the condition is As New NOS. <br /><br /></p> Limited Editions Club hardcover
1967579Mexico City: Joaquín Mortiz 1967. First Limited Edition. Very good. 8vo. 9 x 6 3/4 in. 229 x 173 mm; printed in black and red Bodoni type on Antique RLCH paper joined to create a continuous 'concertina' of 32 pages joined every 4 and printed on one side only. Leporello binding with printed boards and cream cloth spine title in black slipcase. The binding is faintly thumbed and slipcase has a closed tear to the base and some rubbing at corners but overall this delicate book is in wonderful condition. One of the 29 lettered and privately circulated copies as stated on the limitation page from a run of 529 500 copies numbered. <br /> EXTRAS: "Aviso al lector" sheet printed on yellow paper. A scarce example of one of the 29 privately circulated lettered copies. The entire run consisted of 529 copies 500 of these being the numbered ones available to purchase. <br /> <br /> Octavio Paz wrote this poem in New Delhi between July and September of 1966 while he was serving as Mexico's Ambassador to India. <br /> <br /> As outlined in the "Aviso al lector" separately printed and included in this copy of the work «Octavio Paz conceives the long poem as a different form and governed by its own logic not as an expansion or extension of the short poem.» He begins experimenting with "poetry of movement signs in rotation" culminating in Blanco. «Appearance disappearance and reappearance of certain themes presences words obsessions the shape of Blanco is that of the spiral. There are two main currents-word and eroticism-that come together separate and come together again. The text allows multiple readings: it is a cluster of meanings a poem that contains several poems. . The same poetic requirement governs the visual conception of the page and explains the particularities of this edition. Typesetting is one aspect of verbal composition. On the one hand it is a kind of punctuation not orthographic but rhythmic; on the other it is the space where the written sign is displayed analogous to the time of elocution.»<br /> <br /> Octavio Paz Lozano 1914 -1998 was a Mexican poet and diplomat. Politically Paz was a social democrat who became increasingly supportive of liberal ideas without ever renouncing his initial leftist and romantic views. Although he broke with the early Marxist/communist beliefs Paz continued to consider himself a man of the left the democratic "liberal" left not the dogmatic and illiberal one. He was also a promoter of incremental change not revolution. In 1968 he resigned from the diplomatic service in protest of the Mexican government's massacre of student demonstrators in Tlatelolco. While participating in the political and diplomatic life of his country Paz was also a prolific author and poet publishing scores of works during his lifetime many of which have been translated into other languages. For his body of work he was awarded the 1990 Nobel Prize for Literature as well as the 1977 Jerusalem Prize the 1981 Miguel de Cervantes Prize the 1982 Neustadt International Prize for Literature. Joaquín Mortiz unknown
N - 2025 - 24<p>Three Poems by Octavio Paz. New York: The Limited Editions Club 1987. This book marks the first collaboration between longtime friends Octavio Paz and Robert Motherwell. It includes 27 lithographs by Motherwell including the cover label each paired with a poem by Paz. The Spanish text is printed in red while the English translation appears in black. The large folio is bound in cloth with a mounted lithograph on the cover and housed in a clamshell box with light wear. This edition is limited to 750 numbered copies each signed by both Paz and Motherwell. Dimensions: 21 3/4 x 18 1/4 x 2 inches</p> The Limited Editions Club
N - 2024 - 132<p>Maeght Editeur. Paris 1978. This book is the original French edition of Petrificada Petrificante which translates roughly to "Petrified Petrifying" a beautifully designed artist's book that combines the work of renowned Mexican poet Octavio Paz and Catalan artist Antoni Tàpies. It includes eight original engravings in etching including the wrapper aquatinte and carborundum one of which is a frontispiece signed by Tapies. The contents is loose as issued in publisher's pictorial wrappers held within a decorated brown cloth-over-board case. Petrificada Petrificante was completed to print on October 20 1978 on the presses of the Atelier Morsang for engravings and from the Fequet and Baudier printing house for typography. This copy is one of 125 copies numbered 122. The book is signed by both the author and the artist on the justification page. In very good condition with some minor scratching on the case.</p> Maeght Editeur
531365no place: no publisher 1976. Unbound. Fine. Pictorial broadside. Silkscreened or lithgoraphed illustration by Jose Luis Cuevas. Measuring approximately 25" x 35¼". Rolled else fine. Number 117 of 500 copies printed Signed by both Paz and Cuevas. A striking pictorial broadside. OCLC locates a single copy at UCSD. no publisher] unknown
1959022019New York: Andre Emmerich Gallery 1959. First Edition. Hardcover. Minor wear to spine tips and corners. Near Fine. Bound in original green leather-backed marbled boards. A collection of poems paired with photographs of Pre-Columbian artifacts edited by Dore Ashton with photographs by Lee Boltin. Of a total of 1500 copies printed this is copy XXV of only 50 SIGNED by each of the 15 contributing poets on separate blank pages bound at the beginning of the book. The poets are Barbara Howes James Wright Louise Bogan Theodore Roethke John Malcolm Brinnin I. A. Richards William Carlos Williams W. S. Merwin Stanley Kunitz C. Day Lewis St.-John Perse William Jay Smith Richard Wilbur Jean Garrigue and Octavio Paz. A superb collection of autographs of some of the most important modern poets. Laid in is a small INSCRIBED card from the gallery owner and his wife stating "Fifteen poets join us in wishing you all the best of the season." <br/><br/> Andre Emmerich Gallery hardcover
160819394Madriti: Apud Alphonsum Martinum Typographum Anno à Iesu nato MDCVIII 1608 Expensis Authoris.- 11 h. 675 p. 41 h. la pag. 245 va numerada 445; las pags. 285 y 286 van repetidas en numeración; de la pag. 446 salta en número a la 449; repite en número la pag. 609; tras esta última van tres páginas sin numerar; PERO EL TEXTO ES COMPLETO TAN SOLO SON ERRORES EN LA NUMERACION DE LAS PAGINAS; folio; texto en latín y parte en castellano impresión a dos columnas letras capitales grabadas en madera; Plena Piel Pergamino flexible época.- Papel limpio con algunas hojas ligeramentes tostadas una firma de la época en la portada que traspasa sin tocar texto. DERECHO ESPAÑOL DE LOS SIGLOS XVI Y XVII Libro en español Apud Alphonsum Martinum Typographum hardcover
1967132640Mexico City: Joaquín Mortiz 1967. First and limited edition number 405 of 579 copies of one of Paz's major works experimental in both form and content which when unfolded "in a certain sense. produces text by transforming the space itself into a text" Sanchez. It was composed while Paz was serving in India as Mexican ambassador; his time there is important in relation to his entire concept of the piece: "The physical presentation of the poem reinforces the Oriental concept of fusion of fragments or opposites both philosophically and graphically in endless succession not impeded by punctuation as in the theory of reincarnation' Kushigian pp. 98-99. At the opening of the poem Paz includes a quote from the Buddhist Hevajra Tantra. "'Blanco' has been described as "an intensely erotic poem as the Tantric Buddhist epigraph together with one from Mallarmé suggests. In it the outside world is reduced to the figure of a poet in a room listening to music playing and the sounds of a woman close by him: the act of writing and the act of love-making become one and the same" Caistor. "'Blanco' is an intricately designed poem that embodies many postmodern traits with its typography emphasizing the poem's visual aspects. The poem begins with the words spread out in three columns across the page. The text then forms a column that proceeds down the page with the occasional staggering of lines. The single column then splits into a bold font on the left accompanied by an italicized font on the right. As the poem progresses this pattern repeats four times with the bold and italicized verses gradually drifting toward and ultimately pressing against one another" Waring p. 27. The 'aviso al lector' explains the conception of the book as a presentation of 'el movimiento de la realidad'. A second edition in this format was issued in 1972; of this first only two copies are cited by Library Hub among British and Irish and institutional libraries Cambridge Oxford; WorldCat adds around ninety copies worldwide a generous portion of the print run of 579 copies. In commerce "Blanco" is decidedly uncommon. Square octavo. Letterpress printed in red and black on a single sheet folded concertina-style unfolding to 5 metres. Original leporello binding white cloth spine lettered in black covers with yellow hollow square motif superimposed on a black background front and white background back perhaps representing the hollow square of the Tibetan Buddhist mandala. With the original slipcase. Small private stamp "VHL" to slipcase title and half-title. Peripheral toning to slipcase which has short splits to head spine of leporello lightly toned same to back cover light abrading to front cover. A very good copy with the original "aviso al lector" loosely inserted. Caistor Nick Octavio Paz Reaktion Books 2007; Kushigan Julia A. "Flowing Rivers and Contiguous Shores: The Poetics of Paz" in Harold Bloom ed. Modern Critical Views: Octavio Paz Chelsea House 2002; Sanchez Alberto Ruy An Introduction to Octavio Paz Mosaic Press 2015; Waring Taylor D. Broken Mirror: A Look into Octavio Paz's "Blanco" Oshkosh Scholar 2013. hardcover
1956535450México D.F.: Fondo de Cultura Economica 1956. Softcover. Very Good. First edition. Tall octavo. 287pp. French-folded wrappers with moderate wear and soil and a toned spine upper gutter neatly strengthened very good. Interior is fine. Warmly Inscribed to noted Spanish philologist librarian and linguist Tomás Navarro on the half-title: "A Tomás Navarro cuyo libro sobre Métrica lamento no haber leído a tiempo con profunda estimación. Octavio Paz" "To Tomás Navarro whose book on Metrics I regret not having read in time with deep appreciation. Octavio Paz". A lovely association. Lengua y Estudios Literarios. With an errata slip laid in. Scarce Inscribed. Fondo de Cultura Economica unknown
1994017972New York: Limited Editions Club 1994. First Edition. Hardcover. Fine in a Very Good folding box with dampstaining. Balthus. Nearly square large folio 22" x 24" bound with a tan goatskin spine and linen boards. Illustrated with three large multicolor woodcuts by Balthus printed on handmade Japanese paper and tipped in. This poem presented in Spanish French and English is dedicated to the artist. Copy #5 of 300 numbered copies SIGNED by the artist and by the Nobel Laureate author. <br/><br/> Limited Editions Club hardcover
1957191420Mexico: Tezontle 1957. First appearance of the Mexican Nobel Prize winner's early masterpiece Signed limited edition number 205 of 300 copies signed by the author. Written as a single 584-line sentence the poem takes its structure from the 584-day cycle of Venus in Aztec calendrical systems. Its closing lines return to the opening creating a circular form centred on time and memory. Octavo. Head- and tailpiece. Original grey wrappers front cover lettered in red and black. Housed in custom folding paper chemise. Mexican bookseller's ticket to final blank. Minor wear to head of spine light rubbing. A very good copy. unknown
115914Santiago de Chile: Editorial Lord Cochrane 1975. Light marginal wear and chipping to edges of cover o/w in vg. b/w plates pict. wrps. First photobook by noted photographer Paz Errazuriz. Inspiring photo-book of the National Plastic Arts Awardee the renowned photographer Paz Errázuriz who reveals the everyday life of a house from the perspective of a hen called Amalia. Paz Errázuriz's b. Chile 1944 career has spanned more than 30 years. Her career began under Pinochet's dictatorship in the 1970s. Co-founder of the Independent Photographer's Association AFI she used black and white portraits to denounce the dictator as well as the social dictates which condemned individuals and groups to a marginalization that rendered them invisible. During the Pinochet dictatorship censorship and burning of books and free access to culture. In this scenario the then young primary school teacher Paz Errázuriz faced with forced confinement and limited access to books for her children dedicated herself to photographing a silky hen from Japan in her house to make a book for the children. A reflection of the dominant patriarchal system a renowned photographer a friend of her family stated that a housewife can never become a photographer. However Paz Errázzuriz was encouraged by the writer Isabel Allende then director of Paula magazine to finish and write the book herself. From the beginning her work which is in the social documentary genre expressed a creative energy and an insatiable curiosity for the human race. Her works broke many of the taboos of the society deprived of liberty that Chile was before the restoration of democracy. Over the years P. Errázuriz has turned her gaze to the most marginal who often have less access to power or even to the means to voice their discontent. Her candid yet poetic black-and-white photographs often take the form of a series at limes accompanied by the writings of other women. RARE. Only one copy in OCLC Tate. REF: https://www.academia.edu/12734527/_Amalia_de_Paz_Errázuriz_aproximación_a_un_fotolibro_infantil_durante_la_dictadura_chilena_1973_1989_. Editorial Lord Cochrane unknown
323980The Limited Editions Club 1995. Edition limited to 300 numbered copies signed by Paz and Balthus. Illustrated with 3 large multicolour woodcuts by Balthus printed on handmade Japanese paper and tipped in. Folio 24 x 22 inches. Original tan goatskin spine and linen boards clamshell case. Fine. Balthus. Edition limited to 300 numbered copies signed by Paz and Balthus. Illustrated with 3 large multicolour woodcuts by Balthus printed on handmade Japanese paper and tipped in. Folio 24 x 22 inches. "In awarding Octavio Paz the 1990 Nobel Prize for Literature the Swedish Academy said that Paz's work "seems to incorporate interpret and reconstrue major existential questions-death time love and reality." Paz dedicated his poem Sight and Touch to his dear friend the Franco-Polish artist Balthus. Balthus reciprocated with three illustrations for this Limited Editions Club book and prints. The poem is about light 'a wavering river that sketches its doubts and turns them to certainties." Writes Paz "Light is time thinking about itself.' The poem is presented in the original Spanish in English and in French" Publisher.<br /> <br /> The three Balthus paintings have been turned into multicolor woodcuts by Keiji Shinohara and printed on Kozo Uwazen paper made by hand in Japan. The text is set in a Monotype version of Lutetia. The Limited Editions Club unknown
lec-0007In awarding Octavio Paz the 1990 Nobel Prize for Literature the Swedish Academy said that Paz's work "seems to incorporate interpret and reconstrue major existential questions-death time love and reality." Paz dedicated his poem Sight and Touch to his dear friend the Franco-Polish artist Balthus. Balthus reciprocated with three illustrations for this Limited Editions Club book and prints. The poem is about light "a wavering river that sketches its doubts and turns them to certainties." Writes Paz "Light is time thinking about itself." The poem is presented in the original Spanish in English and in French.<br /><br />Three color woodcut prints by Balthus.<br /><br />Edition limited to 300 numbered copies.<br /><br />Each signed by Balthus and Octavio Paz.<br /><br />The three Balthus paintings have been turned into multicolor woodcuts by Keiji Shinohara and printed on Kozo Uwazen paper made by hand in Japan. The text is set in a Monotype version of Lutetia–sharp and brilliant in cut crisp and contemporary in feeling. The boards are covered with pure linen on the sides overlapped on the spine with Nigerian oasis goatskin. Set in a linen covered and lined case. <br /><br />One Volume 22-1/2 x 23-1/2 inches. <br /><br />As the publisher we unconditionally guarantee that all books are authentic and the condition is As New NOS. <br /><br /> Limited Editions Club hardcover
1710JC013<p>NO QUAL SE EXPLICÃO BREVE E CLARAMENTE AS REGRAS FUNDAMENTAES DESTA LINGUA POR Fr. FRANCISCO DA PAZ Religioso da Congregação da Terceira Ordem de S. Francisco de Portugal Professor de Escritura e de Lingua Hebraica no Convento de N. Senhora de JESUS de Lisboa. PARA O USO DAS ESCOLAS DA MESMA CONGREGAÇÃO. Vinheta com as armas reais de Portugal. LISBOA NA REGIA OFFICINA TYPOGRAFICA. ANNO MDCCLXXIII 1773.</p>_x000d_<p>In 4º de 21x135 cm com 158 págs.</p>_x000d_<p>Encadernação da época inteira de pele com rótulo vermelho nervos e finos ferros gravados a ouro na lombada com as casas fechadas. Corte das folhas marmoreado.</p>_x000d_<p>Ilustrado com um desdobrável extratexto apresentando tabela impressa com quadrilongos tipográficos e caracteres móveis hebraicos com as sete conjugações desta língua intitulada: «Taboa em que se mostra toda a variedade que há em as conjugações dos verbos hebraicos assim perfeitos como defectivos e quiescentes para se entregarem à memória com maior facilidade».</p>_x000d_<p>1ª edição. Existem 2 exemplares na BNP.</p>_x000d_<p>Exemplar com diversos títulos de posse nomeadamente um título de posse manuscrito do Brabante na Holanda; um ex-libris armoriado com o Cruzeiro do Sul como móvel heráldico e o mote «Nomen Honor Que Meis» de Joaquim Ignacio da Cruz Sobral do Concelho de Sua Majestade do qual existe no acervo da BNP um retrato gravado por João Silvério Carpineti.</p>_x000d_<p>Origem do exemplar no espólio da Biblioteca do Palácio Sobral hoje a antiga Sede da Caixa Geral de Depósitos no Calhariz em Lisboa que foi mandado construir entre 1770 e 1780 por Joaquim Ignácio da Cruz Sobral tendo origem na compra de um velho prédio propriedade de D. Lázaro Leitão Aranha rico e erudito principal da Sé que nesse lugar fez reunir a famosa Arcádia 1764. Neste Palácio deram-se belas festas e concertos a que concorria toda a Corte. Entre elas ficou célebre a esplêndida festa dada por ocasião do nascimento da princesa da Beira D. Maria Teresa no dia 29 de Abril de 1793 onde cantaram artistas estrangeiros especialmente convidados para o evento: Todi Violanti Angelleli e Ferracuti entre outros. Isto no mesmo dia em que se inaugurava o Teatro de São Carlos também ele em homenagem à primeira filha de D. João e de D. Carlota Joaquina.</p>_x000d_<p>EN Dim. : In 4º 21x13.5 cm with 158 pp.</p>_x000d_<p>Binding: Contemporary full calf with red label raised bands and gilt tools on spine. Marbled edges.</p>_x000d_<p>Illustrated with a folded folio hors text with the table of the seven conjugations of the Hebrew verbs titled: «Taboa em que se mostra toda a variedade que há em as conjugações dos verbos hebraicos assim perfeitos como defectivos e quiescentes para se entregarem à memória com maior facilidade» Table where it is shown all the variety of the Hebrew verbs regular irregular and quiescent so that they can be better memorized.</p>_x000d_<p>First edition. There are two copies in BNP.</p>_x000d_<p>Copy with several ownership titles mainly: one handwritten from Barbant in the netherlands; an ex-libris with the Southern Cross in a coat of arms and the motto «Nomen Honor Que Meis» of Joaquim Ignacio da Cruz Sobral do Concelho de Sua Majestade member of the Council of His majesty whose portrait engraved by João Silvério Carpineti belongs to the collection of BNP.</p>_x000d_<p>Origin: This copy comes from the collection of the Library of Sobral Palce nowadays the former head-office of the bank Sede da Caixa Geral de Depósitos in Calhariz Lisbon. This Palace was built between 1770 and 1780 by order of Joaquim Ignácio da Cruz Sobral and was formerly an old building belonging to D. Lázaro Leitão Aranha who gathered there in 1764 the famous Arcádia a famous literary Academy at the time in Lisbon founded in 1759 and closing in 1776. This Palace was famous for its parties attended by the Court members. One of these parties became famous: the celebration of the birth of the Princess of Beira D. Maria Teresa on April 29 1793 with several foreigner guest singers like: Todi Violanti Angelleli and Ferracuti.</p>_x000d_<p>Ref.: Inocêncio III 30: «FR. FRANCISCO DA PAZ Franciscano da Congregação da terceira Ordem Lente de Escritura e Professor da língua hebraica que aprendera com o maronita D. Paulo Hoder. Nasceu em Aveiro em 1731. Sendo chamado pelo bispo de Beja Cenáculo para a sua diocese foi por ele empregado no magistério do Seminário ainda vivia em 1798. E. 1645</p>_x000d_<p>Compendio dos principios da grammatica hebraica no qual se explicam breve e claramente as regras fundamentaes desta lingua etc. Para uso das escholas da mesma Congregação. Lisboa na Regia Offic. Typ. 1773. 4.º de 158 pag. e no fim uma taboa de conjugações. Foi reimpresso em Coimbra na Imp. da Universidade 1826 com a indicação de «segunda edição correcta e accrescentada com muitas regras necessarias para a intelligencia da dita lingua.»</p>_x000d_<p>Esta declaração não é de todo exacta segundo acaba de constar-me por informação devida ao actual professor de hebraico no Lycêo de Coimbra o sr.dr. Joaquim Alves de Sousa de quem tratarei no lugar competente: pois que a dita segunda edição só se avantaja á primeira na correcção e esmero tipográfico na melhor redacção de algumas regras relativas á conjugação dos verbos irregulares e da tradução portuguesa de varias palavras e frases hebraicas que não vinham traduzidas na primeira. Não há porém as regras novas que parecem inculcar aquela declaração. Fr. Francisco da Paz compôs mais algumas obras em hebraico e latim as quais se podem ver mencionadas no Catalogo dos Escriptores da Ordem Terceira por Fr. Vicente Salgado manuscrito que existe na livraria do extinto convento de Jesus».</p>_x000d_<p> </p> M-15-B-24 hardcover
19891640761989. GERZSO Gunther. The Besieged/El Sitiado. By Octavio Paz translated by Eliot Weinberger. With an etching by Gunther Gerzso. 4to. cloth covered board in cloth covered slipcase. San Francisco: Limestone Press 1989. Gunther Gerzso has created a stunning frontispiece color etching for Octavio Paz's poem. Printed in letterpress Paz's poem is presented in both English and Spanish. The English is printed in black while the Spanish is printed in scarlet red creating a very dramatic visual effect since the two languages are each printed on the same page. Signed on the colophon by Gerzo and Paz. One of an edition of 200. hardcover
1957535916Paris: Falaize 1957. Softcover. Very Good. First edition. Translated by Jean-Clarence Lambert. Illustrated by Bona. Octavo. 97pp. Parallel Spanish and French text. Denise Levertov's embossed owner label inside front wrap. Wrappers modestly soiled and irregularly toned with a faint horizontal crease and a stain at the crown that only lightly affects the first and last leaves top corner a bit creased throughout just about very good. Inscribed to poet Denise Levertov on the half-title: "A Denise Levertov con la properda estimación poetica de Octavio Paz" "To Denise Levertov with the proper poetic appreciation of Octavio Paz". An unnumbered copy of a publication with a limitation of only 35 copies. A very nice association. Falaize unknown
1963535909Paris: Jean Hugues 1963. Softcover. Fine/Very Good. First edition. Translated by Carmen Figueroa. Octavo. Parallel Spanish and French translations. Tiny inked note on front blank tiny bit of wear at the corners else fine in printed French-folded wrappers and very good somewhat edgeworn glassine dust jacket with a tiny cover stain and Levertov's embossed owner label on the upper flap. Inscribed to Levertov: "A Denise Levertov Cordialmente Octavio Paz. Delhi a 10 de octubre de 1963." Number 168 of 300 copies of 325 total. A nice association between two major poets. Jean Hugues unknown
2015115858Gingko Press Inc. New. 2015. Hardcover. 1584236132 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . Gingko Press Inc. hardcover
