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174040345PRIMERA EDICION.- Madrid: Por Año 1740-1752.- Diego de Peralta Antonio Marín Juan de Zuñiga y Vda. de Peralta12 Vols. las 3 primeras series y en Madrid: En la Imprenta Real año de 1796-1801.- 3 Vols. la ultima serie ordenada por Godoy desde felipe V hasta el presente. Que conjuntamente forman una OBRA COMPLETA EN 15 VOLUMENES con: 1ª Serie en 2 Vols. de 2 h. XVI 15 h. 602 p.; 2 h. 550 p. 21 h. = 2ª Serie en 7 Vols. de 12 h. 612 p.; 11 h. 608 p.; 11 h. 656 p.; 10 h. 656 p.; 8 h. 472 p.; 7 h. 718 p. 35 h. = 3ª Serie en 3 Vols. de 11 h. 669 p.; 8 h. 521 p.; 11 h. 732 p. 22 h. = Ultima o 4ª Serie de Godoy en 3 Tomos de 2 h. 431 p. 3 h.; 1 h. 431 p. 4 h.; 1 h. 462 p. 2 h. Todas en Folio mayor 333 x 238 cm; Portada a dos tintas en las 3 primeras series; Excelente impresión a dos columnas sobre magnífico papel verjurado intonso conservando todas sus barbas; Encuadernación moderna en Media Piel de banda ancha con filetes dorados en los planos y lomo dorado con 2 tejuelos filetes y florones ejecutada magistralmente por el gran encuadernador Camacho.- Advierte el autor en el primer tomo que "aunque la obra será de mayor amplitud se hará viendo dar principio a la impresión del Reynado del Señor Don Phelipe III". "quando se promete una Colección desde antes del Establecimiento de la Monarchia Gothica se pone presente la Real Orden comunicada à este fin por el Excelentíssimo Señor Marqués de Villarías en Buen-Retiro à 14 de Noviembre del año de 1739 que dice assi: .ha resuelto el Rey que se de principio à la impresión de la mencionada Obra desde el Reinado de Felipe III. Prosiguiendo hasta el presente de S. M. sin que por ello se omita después la de los anteriores". LA PARTE ANTERIOR NO LLEGO A PUBLICARSE CONSIDERANDOSE LO QUE OFRECEMOS COMO LA OBRA COMPLETA CON LOS TRES TOMOS AÑADIDOS DE GODOY. MUY RARO EJEMPLAR COMPLETO. Palau Nos. 1010 y 56691. El Tomo VI. Felipe IV. parte 4ª tiene las últimas 7 hojas magníficamente reparadas de una leve falta en el margen interno que solamente afecta a unas pocas letras de las últimas 3 hojas. POR LO DEMAS EN MAGNIFICO ESTADO EL PAPEL BLANCO Y FUERTE SIN TONSURA CONSERVANDO TODAS SUS BARBAS ORIGINALES Y CON UNA ENCUADERNACION MODERNA IMPECABLE. Monumental obra esencial para el conocimiento de la história de la diplomacia española y del Derecho Internacional de esos tiempos. HISTORIA DEL SIGLO DE ORO ESPAÑOL Libro en español Diego de Peralta, Antonio Marín, Juan de Zuñiga y Vda. de Peralta, y Imprenta Real hardcover
1865B4681Paris: Libreria de Fermin Didot Hermanos 1865. A fine and handsome copy text and plates clean and crisp. Bottom right hand corner of of first four leaves restored. . Edition: First Edition Binding: Contemporary marbled boards rebacked skillfully in half calf. Spine in seven compartments of raised bands and gilt ruling. Gilt title on two. Notes: Text in Spanish. Title in black and red ink. The earliest atlas of Peru including plans views meticulous maps along with statistical and geographical facts on Peru by geographer political figure and most renowned 19th century Peruvian historian Mariano Felipe Paz Soldan 1821-1886. In this atlas Paz Soldan clearly draws inspiration from Humboldt's great atlases of America. A number of the plates here were engraved after daguerreotypes. The atlas depicts Paz Soldán’s hometown of Arequipa in a magnificent large folding lithograph. He published his great atlas of the republic of Peru and in 1868 the first volume of his history of Peru after the acquisition of her independence. A second volume followed and a third bringing the history down to 1839 was published after his death by his son. Size: Folio 530x382mm Illustration: Illustrated with 74 finely hand-coloured plates including maps plans some folded and portraits of Peruvian Indians. Plates 50 and 51 are bound together. Provenance: Ex Libris Antony House. References: Phillips Maps of America p. 696; Sabin 59325 Palau 215886 Pages: Half Title Blank Title 1-82 Plates. Category: Book Plate Books General; Book Plate Books Colour; Libreria de Fermin Didot Hermanos hardcover
1967013366Genève Claude Givaudan 1967 In-8 Broché, étui de l'éditeur Ed. originale
1967100095Paris Claude Givaudan 1967 24x18cm Genève, Editions Claude Givaudan, 1967, 240x180mm, 106 pages, broché, étui de l’éditeur.Traduit de l’espagnol par Monique Fong-Wust ; 12 reproductions d’œuvres de Marcel Duchamp et 14 pages de notes provenant de la “Boîte Verte”; 16 sérigraphies d’ombres portées formées par la Roue de Bicyclette et le Porte Bouteille imprimées en blanc en sérigraphie. sur Rhodoïd.Tirage total de 606 exemplaires numérotés ; un des 101 comportant la suite des 16 sérigraphies dans un portefeuille séparé, signé par les auteurs et numéroté au colophon. Petite rousseur en couverture.Schwarz, n° 641. Naumann 9.31. (100095)
196320515Paris Jean Hugues 1963 In-8, box tte-de-ngre, plats incrusts d'une forme centrale en bois teint mosaque en creux et traverse par deux jeux de six listels gains en mme box en lger relief, noms de l'auteur et de l'illustrateur et titre de l'ouvrage pousss or sur le dos; doublures serties d'un filet dor et gardes de daim havane, tranches dores sur tmoins, couverture imprime. Chemise, tui (Renaud Vernier, 1987).Edition originale. Tirage limit 300 exemplaires sur vlin de Rives. Un des 75 premiers exemplaires numrots et signs par l'artiste, seuls comporter les 3 eaux-fortes originales hors texte par Enrique Zanartu.
186598UC10YNZ8OAParis: Firmin Didot brothers children and comp. 1865. Contemporary black half sheepskin buckram boards with blind fillets and lettering in gold on front board marbled edges. Rebacked. Large folio 51.5 x 37.5 cm. With title-page printed in red and black and 50 engraved maps plans and views including 20 coloured and 24 tinted lithographs by F. Delamare. The first atlas of Peru containing detailed maps plans and fine views together with geographical and statistical information on Peru by the Peruvian historian geographer and statesman Mariano Felipe Paz Soldan 1821-1886. With 3 full-page tinted lithographed portraits of Peruvian Indians. plates 35 35 bis 35 ter. Further with a large magnificent folding lithographed panorama of Paz Soldan's home town of Arequipa plate 42 44 x 154 cm and a large tinted folding lithographed view titled "Cuadro general de alturas comperativas del Peru" plate 63. The large coloured mineralogical map titled "Mapa mineralogico del Peru" plate 62 indicates the gold-mining sites with gold circles. Foxed throughout two small tears in 2 of the folding maps but still in good condition. Spine restored. A magnificent atlas of Peru.l Catalogue of maps of Hispanic America II p. 1; Phillips Maps of America p. 696; Sabin 59325; M. Layland "Cartographic serendipity ." in: The Map Collector 67 1994 pp. 14-18. Firmin Didot brothers, children and comp., hardcover
CA08AA-00812Ireno Paz. Collectible - Good. Mexico: Ireno Paz 1911. 1st edition. Sm 4to. 82pp. Spanish. Good book. Mexico freedom of the press press law books in Spanish Inquire if you need further information. Ireno Paz unknown
20338Limited Editions Club. Fine. 1987. Hardcover. Signed by author and illustrator. Limited edition of 750 copies this being copy #83. Beige cloth cover is flawless. Boards and spine are straight. Binding is tight. Publisher's notes laid-in with thumbprints to cover. Thumbprints to front end sheet. Pages are clean and pristine. Beige cloth clamshell case has a 1" diameter stain on front cover and 1/2" diameter stain on back cover else fine. ; 0 pages; Signed by Author . Limited Editions Club hardcover
19889027279New York: Limited Editions Club. 1988. Hardcover. Fine condition in a fine clamshell box. Robert Motherwell. Bound in publisher's original tan Irish linen with original lithograph by Robert Motherwell printed in black on red paper recessed into the front cover. Spine printed in black. Matching drop-back folding clamshell slipcase with spine printed in black. Illustrated by Robert Motherwell with 27 original lithographs in various sizes. One of 750 copies signed by the author and artist. There were also 20 additional exhibition sets of the illustrations and 50 signed numbered portfolios both in wooden boxes. This large folio measures 18 1/2 x 22 inches. Published at $8000.00. This copy has been kept in a vinyl and felt lined pouch and is flawless. <br/><br/> Limited Editions Club. hardcover books
007841New York: Limited Editions Club 1988. hardcover. Fine copy in Near Fine original clamshell box with light wear. Robert Motherwell. Large folio 18-1/2" x 22" bound in full Irish linen. Illustrated with 27 original lithographs by Robert Motherwell ranging in size from 8" square to 14" x 10" and with an original lithograph recessed into the front cover. The lithographs were pulled at Trestle Editions of New York on handmade Japanese paper of various contrasting colors and hand-mounted upon the same Magnani Italian mould-made paper used for the text. Copy #457 of 750 numbered copies of this massive book SIGNED by the artist and by the Nobel Laureate. One of the poems is a tribute by Paz to Motherwell. Monthly Letter laid in. With original shipping box. <br/><br/> Limited Editions Club hardcover
lec-0027<p>Octavio Paz "was able to cull from the language of the avant-garde the very best to create a Latin-American poetic language" said Yale professor Gonzales Echevarria. Three Poems are printed in the original Spanish in red alongside English translations in black. Included is "The Skin of the World The Sound of the World" Paz's tribute to Robert Motherwell. " . . . sometimes images may emerge from some chord in my unconscious the way a dream might" declared Motherwell—a statement that resonates like the words of his great friend Octavio Paz.<br /><br />Twenty-seven lithographs by Robert Motherwell.<br /><br />Edition limited to 750 numbered copies.<br /><br />Each book signed by Octavio Paz and Robert Motherwell.<br /><br />The lithographs vary in size up to 14 x 10 inches and were pulled on hand-made Japanese paper of contrasting colors. The book bound by hand with boards of Irish linen has a lithograph that is recessed into the cover. The hinged protective box is covered in the same linen. <br /><br />One Volume 18-1/2 x 21-3/4 inches.<br /><br />As the publisher we unconditionally guarantee that all books are authentic and the condition is As New NOS. <br /><br /></p> Limited Editions Club hardcover
1967579Mexico City: Joaquín Mortiz 1967. First Limited Edition. Very good. 8vo. 9 x 6 3/4 in. 229 x 173 mm; printed in black and red Bodoni type on Antique RLCH paper joined to create a continuous 'concertina' of 32 pages joined every 4 and printed on one side only. Leporello binding with printed boards and cream cloth spine title in black slipcase. The binding is faintly thumbed and slipcase has a closed tear to the base and some rubbing at corners but overall this delicate book is in wonderful condition. One of the 29 lettered and privately circulated copies as stated on the limitation page from a run of 529 500 copies numbered. <br /> EXTRAS: "Aviso al lector" sheet printed on yellow paper. A scarce example of one of the 29 privately circulated lettered copies. The entire run consisted of 529 copies 500 of these being the numbered ones available to purchase. <br /> <br /> Octavio Paz wrote this poem in New Delhi between July and September of 1966 while he was serving as Mexico's Ambassador to India. <br /> <br /> As outlined in the "Aviso al lector" separately printed and included in this copy of the work «Octavio Paz conceives the long poem as a different form and governed by its own logic not as an expansion or extension of the short poem.» He begins experimenting with "poetry of movement signs in rotation" culminating in Blanco. «Appearance disappearance and reappearance of certain themes presences words obsessions the shape of Blanco is that of the spiral. There are two main currents-word and eroticism-that come together separate and come together again. The text allows multiple readings: it is a cluster of meanings a poem that contains several poems. . The same poetic requirement governs the visual conception of the page and explains the particularities of this edition. Typesetting is one aspect of verbal composition. On the one hand it is a kind of punctuation not orthographic but rhythmic; on the other it is the space where the written sign is displayed analogous to the time of elocution.»<br /> <br /> Octavio Paz Lozano 1914 -1998 was a Mexican poet and diplomat. Politically Paz was a social democrat who became increasingly supportive of liberal ideas without ever renouncing his initial leftist and romantic views. Although he broke with the early Marxist/communist beliefs Paz continued to consider himself a man of the left the democratic "liberal" left not the dogmatic and illiberal one. He was also a promoter of incremental change not revolution. In 1968 he resigned from the diplomatic service in protest of the Mexican government's massacre of student demonstrators in Tlatelolco. While participating in the political and diplomatic life of his country Paz was also a prolific author and poet publishing scores of works during his lifetime many of which have been translated into other languages. For his body of work he was awarded the 1990 Nobel Prize for Literature as well as the 1977 Jerusalem Prize the 1981 Miguel de Cervantes Prize the 1982 Neustadt International Prize for Literature. Joaquín Mortiz unknown
613México, Ediciones Era, 1968. 26 x 26 cm pour les quatre disques, dans une chemise cartonnée toilée à compartiment d’édition titrée au plat et au dos, avec quelques traces d’usure, le compartiment est en partie décollé, les disques en excellent état. Édition originale de cet impressionnant livre d’artiste, avec un envoi autographe signé d’Octavio Paz au graphiste Robert Massin, bien complet des quatre disques en sérigraphie dessinés par Vicente Rojo. « Los Discos visuales proponen una lectura no lineal que cancela nuestra pasividad de lectores y nos permite participar en el proceso creador ». Tirage annoncé à 1000 exemplaires.
N - 2025 - 24<p>Three Poems by Octavio Paz. New York: The Limited Editions Club 1987. This book marks the first collaboration between longtime friends Octavio Paz and Robert Motherwell. It includes 27 lithographs by Motherwell including the cover label each paired with a poem by Paz. The Spanish text is printed in red while the English translation appears in black. The large folio is bound in cloth with a mounted lithograph on the cover and housed in a clamshell box with light wear. This edition is limited to 750 numbered copies each signed by both Paz and Motherwell. Dimensions: 21 3/4 x 18 1/4 x 2 inches</p> The Limited Editions Club
N - 2024 - 132<p>Maeght Editeur. Paris 1978. This book is the original French edition of Petrificada Petrificante which translates roughly to "Petrified Petrifying" a beautifully designed artist's book that combines the work of renowned Mexican poet Octavio Paz and Catalan artist Antoni Tàpies. It includes eight original engravings in etching including the wrapper aquatinte and carborundum one of which is a frontispiece signed by Tapies. The contents is loose as issued in publisher's pictorial wrappers held within a decorated brown cloth-over-board case. Petrificada Petrificante was completed to print on October 20 1978 on the presses of the Atelier Morsang for engravings and from the Fequet and Baudier printing house for typography. This copy is one of 125 copies numbered 122. The book is signed by both the author and the artist on the justification page. In very good condition with some minor scratching on the case.</p> Maeght Editeur
1987171031013New York: The Limited Editions Club 1987. Limited Edition. Hardcover. Fine. Motherwell Robert. No. 351 of 750 820 total elephant folio size unpaginated signed by Octavio Paz and Robert Motherwell fine book in a near fine box. Octavio Paz 1914-1998 Mexican poet and diplomat won many awards including the Miguel de Cervantez Prize the Neustadt International Prize and the Nobel Prize in Literature. Critic Ramón Xirau wrote "The poetry of Octavio Paz does not hesitate between language and silence; it leads into the realm of silence where true language lives." Paz's literary career helped define modern poetry and the Mexican personality N. B. info from The Poetry Foundation. <br/><br/>Possessing perhaps the best and most extensive formal education of all the New York School painters Robert Motherwell 1915-1991 was well versed in literature philosophy and the European modernist traditions. His paintings prints and collages feature simple shapes bold color contrasts and a dynamic balance between restrained and boldly gestural brushstrokes. They reflect not only a dialogue with art history philosophy and contemporary art but also a sincere and considered engagement with autobiographical content contemporary events and the essential human conditions of life death oppression and revolution N. B. info from The Art Story.<br/><br/>___DESCRIPTION: Bound in natural linen with pictorial pastedown of red and black twenty-seven original lithographs printed at Trestle Editions on various hand-made Japanese papers with tissue guards Spanish text in red and English in black; hand-set Bauer Bodoni Bold and Italic type printed on mould-made paper from Cartiere Enrico Magnani; first poem was printed at Wild Carrot Letterpress second poem has been printed at Stamperia Valdonega and the last poem at Heritage Printers; elephant folio approximately 21.75" tall unpaginated; limited edition this number 351 of 750 an additional 70 copies were issued in various formats unbound signed by Artist Robert Motherwell and Poet Octavio Paz. Protected in a clamshell box bound in the same natural linen with black lettering on spine.<br/><br/>___CONDITION: Volume is fine; clean bright as new. The clamshell box is overall fine with professional repairs done to a small tear approximately 0.75" on the lower left corner the lower right corner of the box bumped a few other extremely small areas of bumping for so large and heavy an item.<br/><br/>___POSTAGE: Due to large size and weight additional postage will apply; we are happy to ship at cost for both domestic and international customers please inquire for details.<br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Limited Editions Club hardcover books
1987289181New York. : The Limited Editions Club. 1987. Limited edition #171 of 750 copies. . Full tan linen lithograph panel on cover black spine title matching clamshell case. . Fine in a fine clamshell case. . Elephant folio. Spanish and English text. Signed by Paz and Motherwell on the colophon. Very large heavy book requires extra postage. Translated by Eliot Weinberger. Illustrated with lithographs by Robert Motherwell. The Limited Editions Club. books
531365no place: no publisher 1976. Unbound. Fine. Pictorial broadside. Silkscreened or lithgoraphed illustration by Jose Luis Cuevas. Measuring approximately 25" x 35¼". Rolled else fine. Number 117 of 500 copies printed Signed by both Paz and Cuevas. A striking pictorial broadside. OCLC locates a single copy at UCSD. no publisher] unknown
196651764Paris Gallimard 1966 In-12, demi-maroquin noir fines bandes, plats de papier marbr noir et argent, dos sans nerfs portant le nom de l'auteur, le titre de l'ouvrage et la date de l'dition pousss or et palladium; doublures et gardes de papier noir, tte dore, non rogn, couverture imprime. Etui (Jean-Paul Miguet).Edition originale de la traduction franaise par Jean-Clarence Lambert, premier traducteur du pote en France et qui signe galement l'introduction. Libertad bajo palabra est le premier grand recueil potique d'Octavio Paz, publi compte d'auteur Mexico en 1949. Le texte en franais est imprim en regard du texte en espagnol. Un des 31 exemplaires numrots sur vlin Lafuma- Navarre, seul tirage sur grand papier.
1959022019New York: Andre Emmerich Gallery 1959. First Edition. Hardcover. Minor wear to spine tips and corners. Near Fine. Bound in original green leather-backed marbled boards. A collection of poems paired with photographs of Pre-Columbian artifacts edited by Dore Ashton with photographs by Lee Boltin. Of a total of 1500 copies printed this is copy XXV of only 50 SIGNED by each of the 15 contributing poets on separate blank pages bound at the beginning of the book. The poets are Barbara Howes James Wright Louise Bogan Theodore Roethke John Malcolm Brinnin I. A. Richards William Carlos Williams W. S. Merwin Stanley Kunitz C. Day Lewis St.-John Perse William Jay Smith Richard Wilbur Jean Garrigue and Octavio Paz. A superb collection of autographs of some of the most important modern poets. Laid in is a small INSCRIBED card from the gallery owner and his wife stating "Fifteen poets join us in wishing you all the best of the season." <br/><br/> Andre Emmerich Gallery hardcover
1865WRCAM41059Paris 1865. 2pp. Sixty-eight plates including forty- one maps and plans many colored or tinted. Lacks four or six plates see note below and the entirety of the accompanying text 81pp. Large folio. Contemporary half calf and red boards spine gilt. Slight worming to imprint on titlepage; publication date effaced. Moderate to heavy foxing to three plates but generally quite clean. Very good. This magnificent atlas by Peru's most eminent 19th-century historian contains numerous maps city plans views groups scenery etc. The author obviously drew inspiration from both Alexander von Humboldt's grand works on America as well as contemporary daguerreotypes from which many of the plates were made. Mariano Felipe Paz Soldan 1821- 1886 was a Peruvian historian and geographer. He was born at Arequipa Peru and one of the stunning plates in the ATLAS is a large folding view of that city. Phillips calls for seventy-two plates while Palau calls for seventy-four; copies on OCLC are listed with seventy-two seventy-three and seventy-four plates. PALAU 215886. PHILLIPS ATLASES 2769. SABIN 59325. hardcover books
195751767Paris Falaize 1957 In-8 carr, reliure encadrement maroquin ocre, plats recouverts d'une composition de quatre carrs accols les uns aux autres, encadre d'un filet dor; dos sans nerfs portant le nom de l'auteur, le titre de l'ouvrage et la date de l'dition pousss or; doublures et gardes de papier jaune, tt dore, non rogn, couverture imprime (Jean-Paul Miguet).Edition originale de cette traduction par Jean-Clarence Lambert, imprime en regard du texte espagnol et illustre par Bona de dessins en noir. C'est le premier recueil d'Octavio Paz traduit en langue franaise, reprenant des pomes dans les ditions espagnoles de Libert sur parole (1949), Aigle ou Soleil ? (1951) et Semences pour un Hymne (1954). Bona, peintre d'origine italienne, fut proche des surralistes et l'pouse d'Andr Pieyre de Mandiargues. Un des 5 premiers exemplaires numrots sur papier de Hollande van Gelder, signs par l'artiste la justification de tirage. Bel exemplaire dans une reliure dcore de Jean-Paul Miguet.
160819394Madriti: Apud Alphonsum Martinum Typographum Anno à Iesu nato MDCVIII 1608 Expensis Authoris.- 11 h. 675 p. 41 h. la pag. 245 va numerada 445; las pags. 285 y 286 van repetidas en numeración; de la pag. 446 salta en número a la 449; repite en número la pag. 609; tras esta última van tres páginas sin numerar; PERO EL TEXTO ES COMPLETO TAN SOLO SON ERRORES EN LA NUMERACION DE LAS PAGINAS; folio; texto en latín y parte en castellano impresión a dos columnas letras capitales grabadas en madera; Plena Piel Pergamino flexible época.- Papel limpio con algunas hojas ligeramentes tostadas una firma de la época en la portada que traspasa sin tocar texto. DERECHO ESPAÑOL DE LOS SIGLOS XVI Y XVII Libro en español Apud Alphonsum Martinum Typographum hardcover
1967132640Mexico City: Joaquín Mortiz 1967. First and limited edition number 405 of 579 copies of one of Paz's major works experimental in both form and content which when unfolded "in a certain sense. produces text by transforming the space itself into a text" Sanchez. It was composed while Paz was serving in India as Mexican ambassador; his time there is important in relation to his entire concept of the piece: "The physical presentation of the poem reinforces the Oriental concept of fusion of fragments or opposites both philosophically and graphically in endless succession not impeded by punctuation as in the theory of reincarnation' Kushigian pp. 98-99. At the opening of the poem Paz includes a quote from the Buddhist Hevajra Tantra. "'Blanco' has been described as "an intensely erotic poem as the Tantric Buddhist epigraph together with one from Mallarmé suggests. In it the outside world is reduced to the figure of a poet in a room listening to music playing and the sounds of a woman close by him: the act of writing and the act of love-making become one and the same" Caistor. "'Blanco' is an intricately designed poem that embodies many postmodern traits with its typography emphasizing the poem's visual aspects. The poem begins with the words spread out in three columns across the page. The text then forms a column that proceeds down the page with the occasional staggering of lines. The single column then splits into a bold font on the left accompanied by an italicized font on the right. As the poem progresses this pattern repeats four times with the bold and italicized verses gradually drifting toward and ultimately pressing against one another" Waring p. 27. The 'aviso al lector' explains the conception of the book as a presentation of 'el movimiento de la realidad'. A second edition in this format was issued in 1972; of this first only two copies are cited by Library Hub among British and Irish and institutional libraries Cambridge Oxford; WorldCat adds around ninety copies worldwide a generous portion of the print run of 579 copies. In commerce "Blanco" is decidedly uncommon. Square octavo. Letterpress printed in red and black on a single sheet folded concertina-style unfolding to 5 metres. Original leporello binding white cloth spine lettered in black covers with yellow hollow square motif superimposed on a black background front and white background back perhaps representing the hollow square of the Tibetan Buddhist mandala. With the original slipcase. Small private stamp "VHL" to slipcase title and half-title. Peripheral toning to slipcase which has short splits to head spine of leporello lightly toned same to back cover light abrading to front cover. A very good copy with the original "aviso al lector" loosely inserted. Caistor Nick Octavio Paz Reaktion Books 2007; Kushigan Julia A. "Flowing Rivers and Contiguous Shores: The Poetics of Paz" in Harold Bloom ed. Modern Critical Views: Octavio Paz Chelsea House 2002; Sanchez Alberto Ruy An Introduction to Octavio Paz Mosaic Press 2015; Waring Taylor D. Broken Mirror: A Look into Octavio Paz's "Blanco" Oshkosh Scholar 2013. hardcover
1956535450México D.F.: Fondo de Cultura Economica 1956. Softcover. Very Good. First edition. Tall octavo. 287pp. French-folded wrappers with moderate wear and soil and a toned spine upper gutter neatly strengthened very good. Interior is fine. Warmly Inscribed to noted Spanish philologist librarian and linguist Tomás Navarro on the half-title: "A Tomás Navarro cuyo libro sobre Métrica lamento no haber leído a tiempo con profunda estimación. Octavio Paz" "To Tomás Navarro whose book on Metrics I regret not having read in time with deep appreciation. Octavio Paz". A lovely association. Lengua y Estudios Literarios. With an errata slip laid in. Scarce Inscribed. Fondo de Cultura Economica unknown
