2 726 résultats
4190SUR, n° 211-212, Buenos Aires, mai-juin 1952. In-8, broché.
198713653Mexico 1987. Soft cover. Very Good. Single issue 70 pp containing the title article by Paz and others. Light shelfwear. Clean tight unmarked. paperback books
1990R100060735Gallimard. 1990. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 159 pages.. . . . Classification Dewey : 860-Littératures espagnole et portugaise
1980R100075211Des femmes. 1980. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Papier jauni. 222 pages.. . . . Classification Dewey : 972-Amérique centrale
1996R100060763Gallimard. 1996. In-12. Broché. Etat d'usage, Tâchée, Dos satisfaisant, Papier jauni. 145 pages.. . . . Classification Dewey : 860-Littératures espagnole et portugaise
1982R300268970Flammarion. 1982. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 157 pages - nombreuses photos et illustrations en noir et blanc et en couleurs dans et hors texte.. . . . Classification Dewey : 900-GEOGRAPHIE, HISTOIRE, SCIENCES AUXILIAIRES DE L'HISTOIRE
1972R300322952Skira. 1972. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 167 pages - nombreuses photos et illustrations en noir et blanc et en couleurs dans et hors texte. Le film plastique sur les plats se décolle.. . . . Classification Dewey : 860-Littératures espagnole et portugaise
1995R100075341Gallimard. 1995. In-8. Broché. Etat d'usage, Tâchée, Dos satisfaisant, Intérieur frais. 189 pages - couverture contrepliée - nombreuses reproductions et photos en noir et blanc dans et hors texte - traces de moisissures sur la couverture, les tranches, les contre plats et sur les pages du livre ne gênant pas la lecture - une étiquette collée sur le 2ème plat.. . . . Classification Dewey : 700-LES ARTS
1966R240163456Gallimard. 1966. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 257 pages. Plats contrepliés en trois rabats.. . . . Classification Dewey : 860-Littératures espagnole et portugaise
1990RO80247534Gallimard. 1990. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 81 pages. Texte en espagnol et en français, traduction en regard.. . . . Classification Dewey : 860-Littératures espagnole et portugaise
1962R300323751Gallimard. 1962. In-12. Broché. Etat d'usage, Couv. légèrement pliée, Dos satisfaisant, Papier jauni. 53 pages. Texte en espagnol avec sa trad. française en regarde.. . . . Classification Dewey : 860-Littératures espagnole et portugaise
1988RO80212318Folio. 10-1988. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 248 pages.. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne
1969RO60092315BARRAL EDITORES. 1969. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos fané, Intérieur frais. 266 pages. Premier plat illustré en couleurs. Texte en espagnol. Couverture plastifiée.. . . . Classification Dewey : 860-Littératures espagnole et portugaise
51010aafLugduni (Lyon), apud Horatium Cardon, / Moguntiae (Mainz), sumptibus Antonii Hierati, excudebat Ioannes Volmari, 1613 / 1619, gr. in-4to, 2 col., II) 25 leaves (of 26, title leaf is lacking, library stamp on letter of dedication). margin cut short (part of outer ruling lines cut off in places), light browning.1666 columes + 13 leaves (Index; Printer's mark on last page: Lugduni, typis Ioannis Iullieron, Anno MDCXIII)III) 18 leaves, title with woodenggraved printer's device + 1940 col. + 17 leaves, ruled columns and overall type area, browning strong in places, library-stamp and hw. library name, two early 19th century half leather bindings on raised bands and with corners, boards covered by ordinary marbled paper, some rubbing and scrapes, mainly to borders and corners, one hinge starting, gilt title and vol. number on spines, vol. III with original wooden boards, original blindstamped losange in the center distinguisable on both boards but covered by marbled paper (apart from this difference both bindings are looking identical).
200819623EuroVideo Medien GmbH, 10.01.2008. Auflage: Standard Version 1 DVD DVD
2017x-3319608150Springer-Verlag New York Inc 2017. Paperback. New. 348 pages. 9.25x6.10x0.79 inches. Springer-Verlag New York Inc paperback
1960141701960 Edition: Museo Nacional De Bellas Artes. Very Good. 1960. First Edition. Softcover. Illustrated covers are bright mild general age toning and shelf wear to edges. - 1960 Edition - stated on title page. Book is firm in binding b&w color and duotone plates throughout; text is in Spanish. Free of any markings not ex-library.; 4to 11" - 13" tall; Unpaginated pages . Museo Nacional De Bellas Artes paperback
200055316Buenos Aires: Centro de Arte Moderno 2000. b/w plates illus. pict. wrps. with collage on rear wrp. Photocopy production. Leading visual poetry serial in Argentina by two founding proponents of the artist book movement in Argentina: Juan Carlos Romero and Hilda Paz. Full run sold as set. Centro de Arte Moderno unknown
1876RO30331593Apud Ludovicul Vivès. 1875-1876. In-4. Relié. Etat passable, Coins frottés, Dos frotté, Papier jauni. 776+700 pages. Texte en latin. Nombreuses rousseurs. Tampons en page de titre. Texte sur deux colonnes.Auteur, titre, tomaison,dorés sur le dos. Dos à 4 nerfs. Etiquette au dos.. . . . Classification Dewey : 470-Langues italiques. Latin
2008x-3540858601Springer Verlag 2008. Paperback. New. 1st edition. 254 pages. 9.00x6.00x0.50 inches. Springer Verlag paperback
2008Adhya-9783540858607SPRINGER 2008. Paperback. New. SPRINGER paperback
2008Adhya-9783540858607SPRINGER 2008. Paperback. New. SPRINGER paperback
197416567Cambridge MA: Carpenter Center for the Visual Arts Harvard University 1974. Boards. Near Fine. Toshi Katayama. #22 OF ONLY 150 COPIES within a larger limitation of 1000 copies SIGNED BY BOTH THE POET OCTAVIO PAZ AND THE ARTIST TOSHI KATAYAMA. 3 brightly-colored laminate geometric boards plus one board containing the signatures and limitation the copyright information and a brief background to this project are sandwiched between 2 blank pieces of cardboard. They all measure 11 1/4" x 11 1/4" and are housed inside of a printed white laminate box. The 3 geometric boards with their moveable parts are designed by Toshi Katayama and each includes cryptic Octavio Paz text. These boards are titled "Bread or Riddle" "Two in One" and "Portrait" and along with the "copyright" or "signed/limited" board are in bright Near Fine condition. Just a touch of very light soiling to the "copyright" board otherwise they're all as clean as could be. The fragile publisher's box is very presentable as well but does show some spotting and soiling to the front panel and edges. A bit of clear tape as well discreetly reinforces all of the corners. The background offered on the "copyright" board: "The interrelatedness of form and meaning in art has been a special concern of several major writers. Octavio Paz first explored the effect of visible shape on verse in BLANCO. Written in India in 1966 this poem is composed of words arrayed in columns which the author intended to be read independently and in combination. The idea derives he has told me partly from admiration for Mallarme but mainly from pondering on permutation integration continuity and other aspects of Tantric thought to which his mind had recently turned. In 1968 he wrote the TOPOEMS a sequence of six more explicitly concrete poems. Whereas the effect of BLANCO's design is conveyed typographically in these the words are manipulated topographically. Later the same year Paz decided to see how movement might affect a poem's purpose. The idea came as he played with a timetable made of two superimposed and rotating discs which divulged through slotted openings flights distances and time between the world's major cities. These experiments led to the design and publication of DISCOS VISUALES. During his stay at Harvard in 1971/72 Paz met Toshihiro Katayama the graphic artist who had joined the faculty of Visual and Environmental Studies at rhe Carpenter Center in 1966." This wonderful collaboration of poet and artist not only yielded an important example of early 70s graphic design but also an ambitious artist's book that resonates on a number of levels. <br/><br/> Carpenter Center for the Visual Arts, Harvard University hardcover books
2014x-3319075802Springer-Verlag New York Inc 2014. Paperback. New. 2014 edition. 294 pages. 8.75x6.00x0.75 inches. Springer-Verlag New York Inc paperback
2015x-3319197754Springer-Verlag New York Inc 2015. Paperback. New. 2015 edition. 148 pages. 8.98x6.06x0.47 inches. Springer-Verlag New York Inc paperback
