Regnard, Jean-FrancoisBiblio.com
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1750005493360Aux depens de la Compagnie 1750. Leather Binding. Good/No Jacket. 12mo - over 6¾" - 7¾" tall. 4 volumes complete as issued. Bound in period full brown French calf spines with raised bands two brown morocco labels and gilt floral tooling within gilt-bordered compartments marbled edges and endpapers chipping and stains to spines; lacking one spine label; rubbing to boards; some foxing to text some evideence of old dampstaiining to text. This edition is not to be confused with the Paris editions of the same year.B/w Illustrations. Aux depens de la Compagnie unknown
1836009310Paris: Ches Ledentu 1836. Text in French. Half purple morocco leather with comparmented spine raised bands leather has faded to a brown as is common with books this age. Pattered purple cloth boards marbled endpapers all edges marbled overall in VERY GOOD condition. A good gift. Half Morocco Leather. Very Good. 4to - over 9¾" - 12" tall. Hardcover. Ches Ledentu Hardcover
1801_202401168Paris, De l'imprimerie et de la fonderie stéréotypes de Pierre Didot l’aîné, 1801 ; petit in-12 (88 x 137 mm), XXIV-276 pp., 260 pp., [4]-268 pp., 268 pp., [4]-252 pp., reliures plein cuir moucheté (veau), coloris naturel, dos lisses ornés de filets, de frises et de fleurons, pièces de titre et de tomaison ocre rouge, tranches jaspées (nombreuses rousseurs dans les tomes 3e et 5e) (coiffes usées, légers frottements, cuir sec). Les 5 volumes. Édition stéréotype, d’après le procédé de Firmin Didot. Sommaire: Tome 1er: Notice sur Régnard.– Catalogue des comédies de Regnard. – La Sérénade, comédie. – Le Bal, comédie. – Le Joueur, comédie. – Le Distrait, comédie. Tome 2e: – Attendez-moi sous l’orme, comédie. Démocrite, comédie. – Le Retour imprévu, comédie. – Les Folies amoureuses, comédie. – Le Mariage de la folie, comédie. Tome 3e: – Les Ménechmes, ou Les Jumeaux, comédie. – Épître à M. Despréaux. – Prologue. – Le Légataire universel, comédie. Avertissement. Extrait des notes qui suivent la tragédie des Jammabos. – La Critique du Légataire, comédie. – Les Souhaits, comédie. – Les Vendanges, ou le Bailli d’Anières, comédie. Tome 4e:– Sapor, tragédie. – Le Carnaval de Venise, ballet. Prologue. – Orfeo nell’ inferno, opera / Orphée aux Enfers, opéra. – Le Bal, dernier divertissement. – Poésies diverses. – Epître I. A M. le marquis de ***. – Epître II. A M. l’abbé de Bentivoglio. – Epître III. A M. Quinault. – Epître IV. A M. du Vaulx. – Epître V. A M…… – Epître VI. A M. ***. – Sur le Mariage, stances. – Sonnet. – Divertissement à mettre en musique. – Pour Mademoiselle L…… Air. – Pour la même, sur sa maladie. – Chanson pour mesdemoiselles Loyson. – Autre couplet pour les deux sœurs. – Chanson faite à Grillon, pour mesdemoiselles Loyson. – Satire contre les Maris. Préface. – Le Tombeau de M. B… D…– La Provençale, œuvre posthume. Avertissement. – Voyage de Normandie. Lettre à Artemis. – Voyage de Chaumont. Tome 5e: Voyage de Flandre et de Hollande. – Du Danemarck. – De la Suede. – Voyage de Lapponie. – Voyage de Pologne. – Voyage d’Allemagne.
63472Eds Reinwald Paris 1894 In-8 21 cm xxv- 546pp. illustr. portrait en frontispice reliure demi-basane de l'epoque dos a nerfs orne couverture conservee Nb-0222 unknown
182012728Paris 1820. Bonded Leather. <b>Livre en français</b>. Couverture rigide. Avec des avertissements et des remarques sur chaque pièce par M. Garnier. 6 volumes. Reliure demi-basane. 420489467454429340 pages. Quelques mors un peu fatigués. <i>ref. 12728</i> Paris hardcover
1760003355Amsterdam 1760 Au Depens De La Compagnie Full-Leather Good
699786De Bure Paris 1825 4 volumes in-16 ( 135 X 85 mm ), demi-chagrin framboise, dos à nerfs ornés de filets à froid, têtes dorées. Gravure en frontispice. Quelques rousseurs claires, jolie série, bien complète, dans des reliures décoratives.TOME I: La Sérénade, Le Bal, Le Joueur. TOME II: Démoctrite, Les Folies Amoureuses, Le Retour Imprévu. TOME III:Les Ménechmes, Le Légataire Universel, Les Souhaits. TOME IV: Le Carnaval de Venise, Orphée aux Enfers, Le Bal, Poésies diverses.
609214De Bure Paris 1825 4 volumes in-16 ( 125 X 80 mm ), demi veau blond, dos à nerfs ornés de caissons dorés et filets droits et perlés dorés, pièces de titre de maroquin grenat et de tomaison de maroquin olive, têtes dorées ( Reliures de l'époque ). Quelques rousseurs claires, jolie série, bien complète, dans des reliures très décoratives en très bel état.TOME I: La Sérénade, Le Bal, Le Joueur. TOME II: Démoctrite, Les Folies Amoureuses, Le Retour Imprévu. TOME III:Les Ménechmes, Le Légataire Universel, Les Souhaits. TOME IV: Le Carnaval de Venise, Orphée aux Enfers, Le Bal, Poésies diverses.
1801165227Pierre Didot Paris Pierre Didot An x 1801, 5 tomes In-12 reliés pleine basane blonde, dos lisses à filets et fleurons dorés, pièces de titre et de tomaison vertes, filets dorés sur les coupes, guirlande d'encadrement dorée sur les plats, gardes de papier marbré. XXIII + 275 + 258 + 265 + 265 + 252 pages. Edition stéréotype d'après le procédé de Firmin Didot. Légers frottements sans gravité et trois épidermures en parties inférieures de deux plats, des coins un peu émoussés. Très bon exemplaire néanmoins.
224543Jouaust - Librairie Des Bibliophiles Paris 1876 2 volumes in-12 ( 180 X 115 mm ) de XXIV-287 et 367 pages, cartonnage de fine percaline marron glacé à la bradel, dos lisses ornés de fleurons et filets dorés avec date dorée en queue, non rognés ( Reliures signées de PIERSON ). Portrait gravé en frontispice. Belle impression de Jouaust. Exemplaire sur papier de Chine. Bel exemplaire. De la bibliothèque D. JOUAUST ( Ex-Libris gravé contrecollé sur chaque contreplat ).- Tome I: Le Joueur - Le Distrait - Le Retour impreveu. - Tome II: Les Folies amoureuses - Les Menechmes - Le Légataire - La Critique du Légataire.
Facciata della Chiesa del Gesù. In alto l'iscrizione in latino: "Facies Externa cum Prospectu Interiori Templi ab Alexandro Cardinali Farnesio Soc. Iesu Aedificati". Acquaforte, stampata su carta vergata coeva, buone condizioni. Poco si sa di Regnard, se non che fu un incisore francese che trascorse gran parte della sua vita lavorativa a Roma realizzando belle incisioni dei magnifici edifici e delle antichità. Quest'opera di Regnard fu pubblicata a Roma da Francois Collignon nel 1650, senza titolo, ma in un insieme noto come Praecipua urbis templa. Le tavole mostrano prospetti, sezioni e piante di chiese romane del XVI e XVII secolo, con didascalie che le identificano e i loro architetti (con occasionali attribuzioni errate). Includono lavori di Carlo Maderno, G. della Porta, F. da Volterra, la famiglia Longhi, G.B. Soria e molti altri. Rara. Chiesa del Gesù. Above the inscription in Latin: "Facies Externa cum Prospectu Interiors Temples ab Alexandro Cardinali Farnesio Soc. Iesu Aedifici". Etching, printed on contemporary laid paper, good condition. Little is known about Regnard, except that he was a French engraver who spent much of his working life in Rome making fine engravings of the magnificent buildings and antiquities. This work by Regnard was published in Rome by Francois Collignon in 1650, without a title, but in a set known as Praecipua urbis templa. The plates show elevations, sections and plans of 16th- and 17th-century Roman churches, with captions identifying them and their architects (with occasional misattributions). They include work by Carlo Maderno, G. della Porta, F. da Volterra, the Longhi family, G.B. Soria and many others. Rare.
Facciata della Chiesa di Sant'Atanasio de' Greci. In alto l'iscrizione in latino: "Facies Externa Templi Sancti Athanasii a Gregorio XIII Pont. Opt. Max. Graecorum Nationi Exaedificati". Acquaforte, stampata su carta vergata coeva, buone condizioni. Poco si sa di Regnard, se non che fu un incisore francese che trascorse gran parte della sua vita lavorativa a Roma realizzando belle incisioni dei magnifici edifici e delle antichità. Quest'opera di Regnard fu pubblicata a Roma da Francois Collignon nel 1650, senza titolo, ma in un insieme noto come Praecipua urbis templa. Le tavole mostrano prospetti, sezioni e piante di chiese romane del XVI e XVII secolo, con didascalie che le identificano e i loro architetti (con occasionali attribuzioni errate). Includono lavori di Carlo Maderno, G. della Porta, F. da Volterra, la famiglia Longhi, G.B. Soria e molti altri. Rara. Chiesa di Sant'Atanasio de' Greci. Above the inscription in Latin: "Facies Externa Templi Sancti Athanasii a Gregorio XIII Pont. Opt. Max. Graecorum Nationi Exaedificati". Etching, printed on contemporary laid paper, good condition. Little is known about Regnard, except that he was a French engraver who spent much of his working life in Rome making fine engravings of the magnificent buildings and antiquities. This work by Regnard was published in Rome by Francois Collignon in 1650, without a title, but in a set known as Praecipua urbis templa. The plates show elevations, sections and plans of 16th- and 17th-century Roman churches, with captions identifying them and their architects (with occasional misattributions). They include work by Carlo Maderno, G. della Porta, F. da Volterra, the Longhi family, G.B. Soria and many others. Rare.
2195257Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1636. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2193318Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1636. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2193410Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1636. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2194984Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1636. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2195153Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1636. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2194958Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1636. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2193492Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1636. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2194854Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1636. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2195244Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1636. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2194971Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1636. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2194997Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1636. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2194004Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1636. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2194086Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1636. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
