192 résultats
1891228426Boston: James H. Earle 1891. Hard Cover. Very Good binding. Bound in publisher's red cloth title blocked in gold on the front cover and the spine; scattered silverfishing to the covers; blindstamped at the top of the frontispiece; front free endpaper has been mended at the hinge; pages toning and somewhat brittle; endpapers chipped; digital images can be made available upon request. Very Good binding. James H. Earle unknown books
P6364Moscow: Tip. "Sovremennaia kul'tura" 1928. Single leaf printed to recto with partial text to lower verso once folded measuring 35 Ã 21 cm. Very good. This prospectus addressed to heads of public educational institutions and educational inspectors announces the new subscription year of two chief publications of the League of Militant Atheists a volunteer based organization that served as the spearhead of Soviet anti-religious activism. Founded in 1925 the organization counted three million members by 1940. The League held educational congresses and workshops at schools factories and in the countryside published periodicals such as Bezbozhnik and Antireligioznik. Its activities also enabled the persecution and exile of clergy and religious communities by the Soviet government throughout the 1920s and 1930s. The sternly worded memo notes that despite a number of recent educational decrees many educational institutions still do not subscribe to the publications "which causes a disruption of anti-religious work" and advises that all educational institutions comply with the new directives. The memo is signed by the head of the organizational division of the union one Oleshchuk. Fedor Nesterovich Oleshchuk himself a son of a priest joined the party in 1921 and headed the committee for many years. The memo also provides all relevant subscription information. unknown books
177130804London: Printed by W. Strahan and M. Woodfall for William Owen 1771. 1st Edition in English Marvin p. 299. Period full brown calf binding with gilt lettered maroon leather title label to spine. Binding leather darkened. Vertical creases to the 2 preliminary blanks. Old pos to t.p. one lined out dated 1780 & 1801. The occasional period marginal note. A solid VG copy. xxii 14 vii 1 480 pp. 4to: A4 a - c4 d2 B - 3Q4. <br/><br/> Printed by W. Strahan and M. Woodfall, for William Owen hardcover books
193552764New York: Samuel French 1935. First Edition. First Printing. Octavo 19.5cm; vertically-ribbed green cloth boards and black cloth backstrip with titles stamped in gilt on spine; red topstain; deckle edges; dustjacket; xiv89-223pp. Spine ends gently pushed light rubbing to the gilt titles with a few faint partial ring marks on front cover; Very Good. Dustjacket is unclipped priced $2.00 edgeworn gently sunned and dust-soiled with a 1" loss at crown affecting two words in the title and several smaller losses at heel and corners; just Very Good. <br/><br/>Author of The Jazz Singer. Accent on Youth was the basis for three films: the first directed by Wesley Ruggles 1935 starring Astrid Allwyn and Lon Chaney Jr.; Mr. Music 1950 directed by Richard Haydn starring Bing Crosby Nancy Olson and Charles Coburn; and But Not for Me 1959 directed by Walter Lang starring Clark Gable Carroll Baker Lilli Palmer and Lee J. Cobb. Samuel French unknown books
166925695Paris: Chez Pierre Mariette 1669. Copper-engraved map period hand colouring in outline. The most important French map of North America of its generation produced by the country's most esteemed family of cartographers.<br/> <br/>This very influential map was the official successor to Nicolas Sanson's 1650 map of North America. When Nicolas Sanson regarded as the father of the renaissance of cartography under Louis XIV died in July 1667 he left his flourishing business in the care of his eldest son Guillaume. The younger Sanson continued his father's partnership with the Mariette family who were prominent Parisian printers. Guillame was determined to publish a new updated edition of his father's Cartes Generales de toutes parties du Monde the first French general atlas originally published in 1657. The map of North America that appeared in the atlas although masterful was now considered to be geographically outdated. The present map which appeared in the second edition of the atlas featured updated toponymy and is geographically based on Nicolas Sanson's wall map of 1666 of which only two copies survive. While California is shown to be an island in line with popular perception unlike the map from 1650 it no longer attempts to build a geographical mythology in the place of the Pacific Northwest which was then totally unknown. Appropriately the magnificent baroque title cartouche which features swags and ribbons held aloft by putti has been placed to fill this enigmatic space. Cartographically the map appears to be based on Sanson's maps of "Le Canada ou Nouvelle France" and "Le Nouveau Mexique et La Floride." Lake Erie is shown in a recognizable form and the entire Great Lakes network is shown in greater detail than his father's map although the western lakes are still open-ended. On the East coast Long Island is shown and the shape of the Outer Banks is improved. Several Indian tribes are identified in New Mexico where the R. del Norte Rio Grande mistakenly flows from an interior lake and empties into the Mar Vermeio ou Mer Rouge Gulf of California. Iceland now appears in the Atlantic as well as a bit of Britain. The map proved to be highly successful and was sourced on numerous occasions by other mapmakers. The present copy is an example of Burden's first state of the map; a second state would be issued in 1690.<br/> <br/>Burden The Mapping of North America I 404; first state McCorkle New England in Early Printed Maps 669.4; McLaughlin California as an Island 45; Wagner Cartography of the Northwest Coast of America 399; Tooley "California as an Island" 8 in TooleyThe Mapping of America. Chez Pierre Mariette unknown books
169025648Paris: Chez Pierre Mariette 1690. Copper-engraved map period hand colouring in outline. Among the most important French maps of North America of the second half of the 17th century produced by the country's most esteemed family of cartographers.<br/> <br/>This very influential map was the official successor to Nicolas Sanson's 1650 map of North America. When Nicolas Sanson regarded as the father of the renaissance of cartography under Louis XIV died in July 1667 he left his flourishing business under the charge of his eldest son Guillaume. The younger Sanson continued his father's partnership with the Mariette family who were prominent Parisian printers. Guillame was determined to publish a new updated edition of his father's Cartes Generales de toutes parties du Monde the first French general atlas originally published in 1657. The map of North America that appeared in the atlas although masterful was now considered to be geographically outdated. The present map which appeared in the second edition of the atlas featured updated toponymy and is geographically based on Nicolas Sanson's wall map of 1666 of which only two copies survive. While California is shown to be an island in line with popular perception unlike the map from 1650 it no longer attempts to build a geographical mythology in the place of the Pacific Northwest which was then totally unknown. Appropriately the magnificent baroque title cartouche which features swags and ribbons held aloft by putti has been placed to fill this enigmatic space. Cartographically the map appears to be based on Sanson's maps of "Le Canada ou Nouvelle France" and "Le Nouveau Mexique et La Floride." Lake Erie is shown in a recognizable form and the entire Great Lakes network is shown in greater detail than his father's map although the western lakes are still open-ended. On the East coast Long Island is shown and the shape of the Outer Banks is improved. Several Indian tribes are identified in New Mexico where the R. del Norte Rio Grande mistakenly flows from an interior lake and empties into the Mar Vermeio ou Mer Rouge Gulf of California. Iceland now appears in the Atlantic as well as a bit of Britain. The map proved to be highly successful and was sourced on numerous occasions by other mapmakers. The present copy is an example of Burden's second state of the map with the date changed to 1690 in the cartouche and with additional place names and other changes: ".with minor alterations Terre de Jesso and Conibas inserted but without a coastline. Detroit d'Anian placed immediately above California and a few changes in spelling . New Albion is inserted in the north of the island and New York replaces New Amsterdam" Tooley.<br/> <br/>Burden The Mapping of North America 404 second state; McCorkle New England in Early Printed Maps 669.4; cf. McLaughlin California as an Island 45; cf. Wagner Cartography of the Northwest Coast of America 399; Tooley "California as an Island" 9 in TooleyThe Mapping of America. Chez Pierre Mariette unknown books
165124777Paris: N. Sanson & P. Mariette 1651. Copper-engraved map with original outline colour. The rare second state of this highly important map of North America by the founder of the French School of cartography.<br/> <br/>This very rare map is the most geographically progressive portrayal of the continent made at its time and was not superseded until Vincenzo Maria Coronelli's map of 1688. Importantly it is the first map to depict the Great Lakes in a recognizable form and the first to name Lake Ontario and Lake Superior. In his rendering of the region Sanson benefited from having received a copy of The Jesuit Relations published in Paris in 1649 a detailed account by French missionaries who had traveled in the region. Most notably this included Father Paul Ragueneau's account of his visit to Niagara Falls and Jean Nicollet's discovery of Lake Michigan "Lac des Puans" in 1634. Down the St. Lawrence River from the lakes Montréal is named the settlement having been founded by the Sieur de Maisonneuve in 1642. Elsewhere to the north a mysterious strait weaves over "New South Wales" on Hudson's Bay terminating in the interior of the continent a blank space labeled as "Mer Glaciale". This alludes to the existence of a much hoped-for Northwest Passage. On the eastern seaboard the map notes "Nouvelle Amsterdam" in the place of present day New York and is the first printed map to label "Nouvelle Suede" referring to the Swedish colony centered on Fort Christina founded on the site of present-day Wilmington Delaware in 1638. To the far southwest Sanson based his depiction on the Father Alonso Benavides Memorial a travel account of New Mexico published in Madrid in 1630. It is the first printed map to label "Santa Fe" which is incorrectly shown to be on the banks of the Rio Grande and the domains of various native tribes such as the "Apache" "Navajo" and the "Taosij" Taos. To the west California is shown as a large island and features some of the same nomenclature as found on Johannes de Laet's map of 1630. A striking aspect of the map is the sinusoidal projection employed by Sanson that essentially places the globe on an elliptical graticule creating a very pleasing aesthetic. The composition is finished by an extremely elegant Baroque title cartouche featuring swags of fruit and vegetation. Nicholas Sanson was born in the town of Abbeville in Picardy. Something of a child prodigy by the age of eighteen he could already be found in Paris drafting his own maps. There he quickly rose to become Royal Geographer to Louis XIII in 1630. He maintained the position upon the ascension of the "Sun King" Louis XIV in 1643 and later served as tutor to the ambitious young monarch. In 1644 he formed a lucrative partnership with Paris publisher Pierre Mariette with the objective of producing a great atlas that could rival those of the Amsterdam houses such as Blaeu and Jansson. The present map was devised as one of the most important maps in the atlas. The first state of the map was printed in 1650 and the present second state appeared a year later. The atlas itself entitled Les Cartes Générales de toutes les parties du Monde was not finally assembled until 1658. It was however a landmark moment in the history of French cartography being the first folio atlas produced in that country. The extremely high quality of Sanson's work motivated other French mapmakers to improve the standard of their production. Sanson also greatly influenced Louis XIV's chief minister Jean-Baptisite Colbert to heavily fund cartographic projects. This gave rise to a great French School of cartography that was to eventually wrest dominance of the mapmaking market from the Dutch by the 1680s. After Sanson's death in 1667 his work was continued by his sons Guillaume d.1703 and Adrian d.1708. The first state of this map is extremely rare with Burden citing but two copies in private American collections. This second state is also quite rare and can be recognized by addition of a coastline north west of California but with Lake Ontario unshaded and with the appearance of a river system. "With his 1650 Map of North America Sanson had introduced a great deal of information concerning the nomenclature of American Indians with words such as Apache and Navajo appearing on printed maps for the first time. He was also the first cartographer to show Santa Fe as the capital of New Mexico . an extraordinary document of the cultural and geographical resources known in the centers of learning in Europe" Martin & Martin.<br/> <br/>Burden The Mapping of North America I 294 state 3; Leighly California as an Island p.33 pl.7; McLaughlin The Mapping of California as an Island 12; Pastoreau Les Atlas Français XVIe-XVIIe Siècles p.387-9; Wagner The Cartography of the Northwest Coast of America to the Year 1800 360 pp.130-2; Wheat Mapping of the Transmississippi West I p.39; cf. Martin & Martin Maps of Texas and the Southwest p. 83 plate 10. N. Sanson & P. Mariette unknown books
165924778Paris: N. Sanson & P. Mariette 1659. Copper-engraved map with original outline colour. The third state of this highly important map of North America by the founder of the French School of cartography.<br/> <br/>This very rare map is the most geographically progressive portrayal of the continent made during its generation and was not superseded until Vincenzo Maria Coronelli's map of 1688. Importantly it is the first map to depict the Great Lakes in a recognizable form and the first to name Lake Ontario and Lake Superior. In his rendering of the region Sanson benefited from having received a copy of The Jesuit Relations published in Paris in 1649 a detailed account by French missionaries who had traveled in the region. Most notably this included Father Paul Ragueneau's account of his visit to Niagara Falls and Jean Nicollet's discovery of Lake Michigan "Lac des Puans" in 1634. Down the St. Lawrence River from the lakes Montréal is named the settlement having been founded by the Sieur de Maisonneuve in 1642. Elsewhere to the north a mysterious strait weaves over "New South Wales" on Hudson's Bay terminating in the interior of the continent a blank space labeled as "Mer Glaciale". This alludes to the existence of a much hoped-for Northwest Passage. On the eastern seaboard the map notes "Nouvelle Amsterdam" in the place of present day New York and is the first printed map to label "Nouvelle Suede" referring to the Swedish colony centered on Fort Christina founded on the site of present-day Wilmington Delaware in 1638. To the far southwest Sanson based his depiction on the Father Alonso Benavides Memorial a travel account of New Mexico published in Madrid in 1630. It is the first printed map to label "Santa Fe" which is incorrectly shown to be on the banks of the Rio Grande and the domains of various native tribes such as the "Apache" "Navajo" and the "Taosij" Taos. To the west California is shown as a large island and features some of the same nomenclature as found on Johannes de Laet's map of 1630. To the north an entirely unknown realm is named "Conibas" a mythical land that lay between North America and Asia. A striking aspect of the map is the sinusoidal projection employed by Sanson that essentially places the globe on an elliptical graticule creating a very pleasing aesthetic. The composition is finished by an extremely elegant Baroque title cartouche featuring swags of fruit and vegetation. Nicholas Sanson was born in the town of Abbeville in Picardy. Something of a child prodigy by the age of eighteen he could already be found in Paris drafting his own maps. There he quickly rose to become Royal Geographer to Louis XIII in 1630. He maintained the position upon the ascension of the "Sun King" Louis XIV in 1643 and later served as tutor to the ambitious young monarch. In 1644 he formed a lucrative partnership with Paris publisher Pierre Mariette with the objective of producing a great atlas that could rival those of the Amsterdam houses such as Blaeu and Jansson. The present map was devised as one of the most important maps in the atlas. The first state of the map was printed in 1650 a second state appeared a year later and the third state in 1659. The atlas itself entitled Les Cartes Générales de toutes les parties du Monde was not finally assembled until 1658. It was however a landmark moment in the history of French cartography being the first folio atlas produced in that country. The extremely high quality of Sanson's work motivated other French mapmakers to improve the standard of their production. Sanson also greatly influenced Louis XIV's chief minister Jean-Baptisite Colbert to heavily fund cartographic projects. This gave rise to a great 'French School' of cartography that was to eventually wrest dominance of the mapmaking market from the Dutch by the 1680s. After Sanson's death in 1667 his work was continued by his sons Guillaume d.1703 and Adrian d.1708. The first state of this map is extremely rare with Philip Burden citing only two copies in private American collections; this third state can be recognized by the addition of hachuring around Lake Ontario.<br/> <br/>Burden The Mapping of North America I 294; Leighly California as an Island p.33 pl.7; McLaughlin The Mapping of California as an Island 12; Pastoreau Les Atlas Français XVIe-XVIIe Siècles p.387-9; Wagner The Cartography of the Northwest Coast of America to the Year 1800 360 pp.130-2; Wheat Mapping of the Transmississippi West I p.39. N. Sanson & P. Mariette unknown books
18458605Paris 1845. Pen ink and watercolour. Good condition apart from some overall light soiling. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/>This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown books
184513938Paris 1845. Pen ink and watercolour. Very good condition apart from some overall light soiling and minor foxing. A rare example of an original watercolour design based on an 18th-century Delft vase in the Musée des Arts Décoratif by the Samson factory of Paris.<br/> <br/>This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown books
184514128Paris 1845. Pen ink and watercolour. Good condition apart from some overall light soiling and minor foxing. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/>This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown books
18458602Paris 1845. Pen ink and watercolour. Very good condition apart from some overall light soiling. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/>This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown books
18458610Paris 1845. Pen ink and watercolour. Good condition apart from some overall light soiling minor foxing. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/>This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown books
18458611Paris 1845. Pen ink and watercolour. Good condition apart from some overall light soiling minor foxing. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/>This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown books
18458603Paris 1845. Pen ink and watercolour. Good condition apart from some overall light soiling and a watermark in the lower half of the image. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/>This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown books
184514122Paris 1845. Pen ink and watercolour. Good condition apart from some overall light soiling minor foxing a few brownish stains at the top of the image and a skillfully repaired small tear in the top left margin. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/>This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown books
184513967Paris 1845. Pen ink and watercolour. Very good condition apart from some light soiling and minor foxing. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/>This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown books
184513949Paris 1845. Pen ink and watercolour. Very good condition apart from some light soiling. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/>This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown books
184513950Paris 1845. Pen ink and watercolour. Very good condition apart from some light soiling minor foxing and a small brown stain left by a paperclip at the top edge of the image. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/>This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown books
184513990Paris 1845. Pen ink and watercolour. Good condition apart from some overall light foxing. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/>This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown books
184513948Paris 1845. Pen ink and watercolour. Very good condition apart from some light soiling and a small brown stain at the right edge of the sheet. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/>This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown books
184513952Paris 1845. Pen ink and watercolour. Very good condition apart from some light foxing a 3/8" tear in the right margin two small water stains in the top left corner of the sheet and a few tiny pinholes in the margins. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/>This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown books
184513953Paris 1845. Pen ink and watercolour. Very good condition apart from some overall light foxing a 3/8" tear in the right margin and a few tiny pinholes in the margins. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/>This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown books
184513942Paris 1845. Pen ink and watercolour. Very good condition. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/>This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown books
184515918Paris 1845. Pen ink and watercolour. Very good condition apart from some overall light soiling and mild foxing. There is mild creasing in the corners. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/>This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown books
