FAULKNER, William as Ernest V TruebloodBiblio.com
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1991589354Iowa City: University of Iowa Windhover Press 1991. Softcover. Fine. First separate edition. Introduction by Carol de Saint Victor. Octavo. Gray flexible wrappers. A fine copy. The first separate appearance of this story by Faulkner's alter-ego Ernest V. Trueblood. Curiously the story appeared in French in an Algerian magazine before appearing in the American literary magazine Furioso in 1947. One of 200 copies nicely printed on Johannot. University of Iowa Windhover Press unknown
139485Three original typed drafts of William Faulkner's parodical short story "Afternoon of a Cow. By Ernest V. Trueblood." Two complete copies each 17 leaves; bound with brass clasps in green folders with the third copy lacking the first leaf; with 49 strikethroughs in Faulkner's hand throughout most excising a single word. When Faulkner returned to Oxford at the end of World War I he was writing poetry much of it under the influence of the French Symbolists. In the summer of 1919 he borrowed Mallarmé's title "L'Après-midi d'un Faune" for a 40-line poem of frustrated love. The poem appeared in The New Republicon 16 August was a revised version appeared in The Mississippian at Ole Miss in the fall. Early the next year he was to publish in Oxford a poem inviting comparison with François Villon "Une Ballade des Femmes Perdues." As Joseph Blotner says diplomatically "Such poetry unsurprisingly provoked various responses." Parodies began to appear in The Mississippian. One was "Une Ballade d'une Vache Perdue" signed by "Lordgreyson." The poem described the heifer Betsey lost and wandering far from home. "It was an amusing tour de force which Faulkner may have had in mind seventeen years later 'one afternoon' he recalled 'when I felt rotten with a terrible hangover.' He was then working unhappily at Twentieth Century-Fox" Blotner. "The story generates interest because it uses Faulkner himself as a character much in the manner of a post-modernist writer such as Paul Auster. The story reports on a frightened cow that has fallen into a ditch during a fire. The character Faulkner along with Oliver a black butler and Ernest V. Trueblood the first-person narrator of the tale rush to rescue the cow but they are at first unsuccessful. In its fear and distress the cow empties its bladder and bowels upon Faulkner shattering the dignity of the scene. The story ends with Faulkner stripping in the door of the stable and washing. Latter wrapped in a horse blanket he and his friends drink to the cow" Fargnoli & Golay. Faulkner was very fond of this story and thought it particularly funny. On 25 June 1937 he read the story to his guests after dinner in Los Angeles telling them it was the work of a talented boy named Ernest V. Trueblood. The only person who seemed to appreciate the story was his house guest and French translator Maurice Coindreau. The Frenchman was in Los Angeles to discuss his translation of The Sound and the Fury which became one of the most influential and celebrated literary translations of the century. Faulkner gave Coindreau a carbon typescript of the translation as a souvenir. In 1939 Faulkner was to appropriate elements of the story for the mock chivalric romantic treatment of Ike Snopes's love for Jack Houston's cow in The Hamlet. During the war Faulkner approved Coindreau's translation of the story published in the June/July number of Fontaine in Algiers. It first appeared in English in Furiosoin 1947 and was anthologized by Dwight Macdonald in a collection of parodies in 1950. In very good condition. unknown
1991132980N.P.: Windhover Press The 1991. stiff paper wrappers. Windhover Press. 8vo. stiff paper wrappers. vi vi 151 pages. Limited to 200 copies. Berger p.101. The story is written under the pseudonym Ernest V. Trueblood and was originally received poorly by American audiences in 1937 but was later published for an Algerian magazine in 1947. An introduction by Carol de Saint Victor. Printed on Johannot paper using Romanée types. In pristine condition. Windhover Press, The unknown books
199197140N.P.: Windhover Press The 1991. stiff paper wrappers. Windhover Press. 8vo. stiff paper wrappers. vi vi 151 pages. Limited to 200 copies. Berger p.101. The story is written under the pseudonym Ernest V. Trueblood and was originally received poorly by American audiences in 1937 but was later published for an Algerian magazine in 1947. An introduction by Carol de Saint Victor. Printed on Johannot paper using Romanée types. In pristine condition. Windhover Press, The unknown books
2012x-0415678277Routledge 2012. Paperback. New. reprint edition. 193 pages. 8.50x5.50x0.50 inches. Routledge paperback
2012DADAX0415678277Routledge 2012-11-22. 1. paperback. New. 5.43x0.50x8.50. Buy with confidence. Excellent Customer Service & Return policy. Routledge paperback
12275953like new. unknown
12275953-nnew. unknown
2011__0415676010Routledge 2011. Hardcover. New. 1st edition. 194 pages. 8.58x5.67x0.71 inches. Routledge hardcover
0415678277.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ria9780415678278_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Students new to the work of William Morris will find the full range of his achievements covered here. The author has carefully placed Morris in the context of the Victorian age but has also suggested the relevance of his ideas today. T paperback
19007060-nnew. unknown
19007060like new. unknown
ria9780415676014_inpHardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Students new to the work of William Morris will find the full range of his achievements covered here. The author has carefully placed Morris in the context of the Victorian age but has also suggested the relevance of his ideas today. T hardcover
B9780415678278Paperback / softback. New. paperback
A9780415678278Paperback / softback. New. paperback
637443521Taylor & Francis Group pp. 208 1st Edition . Papeback. New. Taylor & Francis Group unknown
20241798311Brepols Publishers 2024. 1st. hardcover. New. 0x0x0. Brepols Publishers hardcover
1111S.l. (Paris), NRF / Gallimard, s.d. (1995). Petit in-8°, pleine peau d'éditeur brune, dos lisse orné de titre et fers dorés, rhodoïd, tranchefiles, signet, emb. pelliculé illustré.
1995866521995 Paris, NRF, Gallimard (Album de la Pléiade n°34), 1995, in 12 relié plein cuir de l'éditeur, jaquette rhodoïd, étui illustré, 300 pages ; 318 illustrations dont 8 en couleurs.
19958938Paris, nrf, Gallimard, "Bibliothèque de la Pléiade", 1995. 168 x 105 mm, 289-(5) pp., 328 illustrations n/b et couleurs in-texte et en pleine page, iconographie choisie et commentée par Michel Mohrt. Reliure plein cuir d'éditeur, dos lisse orné de filets dorés, sous rhodoïd et étui cartonné. Très bel exemplaire.
199513503Paris, Gallimard, coll. Albums de la Pléiade, 1995. In-12 pleine peau dorée à l'or fin, rhodoïd, étui photographique.
199516381Gallimard, collection Album de la Pléiade, 1995. Petit in-8, plein cuir d'éditeur, titre et filets dorés au dos, rhodoïd, étui illustré. Etiquette de librairie à l'étui, pour le reste en belle condition.
1846Paris, Gallimard, 1995. Bibliothèque de la Pléiade. 17 cm 289, (4) pages, 328 illustrations. Reliure plein chagrin en très bel état sous rhodoïd et étui d'édition illustré.
ORD-3812Gallimard. 1995. In-12 cartonnage éditeur sous emboîtage, rhodoïd conservé, 300 pages, 318 illustrations dont 8 couleurs. Bel exemplaire. (2).
