1 814 résultats
1965117901Librairie d'Amérique et d'Orient Adrien-Maisonneuve 1965 Librairie d'Amérique et d'Orient Adrien-Maisonneuve, 227p, 1965, in-8 broché
ABE-12518435211REVUE SCIENTIFIQUE,ARCHEOLOGIQUE ET AGRICOLE-26 PAGES FORMAT IN 8-OBSERVATIONS SUR LA MONNAIE BARBARINE DE LIMOGES,4P PAR J.ADRIEN BLANCHET-PERIODE ROMAINE EPOQUE LUGDONIENNE LE TUMILUS DE BARD,5P PAR A.MASFRAND-UNE ANCIENNE AURIERE PRES DE ROCHECHOUART,4P PAR A.PRECIGOU-CONFERENCE DE MONSEIGNEUR ROUGERIE,SUR LA FORMATION DES COURANTS MARINS,2P PAR CH.A.COLIN-NOTE SUR UNE HACHE NEOLITHIQUE TROUVEE A ARLIQUET D'AIXE,1P PAR O.D'ABZAC-SEANCE DU 3 JUILLET 1893,2P-SEANCE DU 7 AOUT 1893,4P (CPP1)
1977106688Olten, Walter Verlag, 1977. 335 S. 8° Oktav, Softcover/Paperback
1937ABE-220371623616 PAGES-LA TRISTE HISTOIRE DES GRANDS TRAVAUX/EN QUEUE DE POISSON PAR ANDRE TARDIEU-DESSIN DE ROGER ROY/"TOUTE LA TIRELIRE POUR LE MARXISTE!."/REFUGIES ESPAGNOLS/BLUM-LA RADIO FRANCAISE SOUS LA BOTTE-LE JAPON ET L'ARTICHAUT CHINOIS PAR RAYMOND RECOULY-PORTRAIT/GEORGES AURIC PAR RENE KERDYK-ATTRACTIONS/MOULIN ROUGE PAR PIERRE DE REGNIER-LA COUPE AMERICA-PIPELETTERIES PAR ELSEN/DESSINS PLEINE PAGE-CINEMA/SARATI LE TERRIBLE PAR RENE BARD-UNE COMEDIENNE/CONTE INEDIT D'ARTHUR SCHNITZLER-QUELQUES ROUSSEURS
1936ABE-1612424522614 PAGES FORMAT 43 CM X 60 CM-UN HOMME QUI S'ENGAGE, PAR HENRI BERAUD, ESPAGNE, "LE POPULAIRE"-L'ACCORD DE SALONIQUE ET L'EUROPE, PAR ANDRE TARDIEU-LE SCANDALE CONTINUE, GREVE DES DOCKERS A MARSEILLE-LA RADIO FRANCAISE SOUS LA BOTTE-POPU-CAMPING, PAR ROGER ROY, 7 DESSINS-LE GENIE DE LA CONQUETE, PAR ROBERT BRASILLACH-VARIETE: FREUD OU LE "CLIMAT" VIENNOIS, PAR RAYMOND RECOULY, DESSIN DE PEDRO-PORTRAIT: DOUMEL, PAR GABRIEL REUILLARD, DESSIN DE BIB-LA "PETITE REVENGE", NOUVELLE INEDITE D'ANDRE SAVIGNON-PREMIERE SEMAINE A DEAUVILLE, PAR PIERRE DE REGNIER, 3 DESSINS DE TIGRE-LISZT OU LES AMOURS ROMANTIQUES, RECIT INEDIT PAR PAUL REBOUX, DESSIN DE PEDRO-BIDASSOA 1938, NOUVELLE INEDITE DE FERRI-PISANI ET M.-M. CHANTAL-COMEDIENNE, ROMAN INEDIT DE SOMERSET MAUGHAM-LE CINEMA PAR RENE BARD, COMIQUE D'ETE, JOE E. BROWN PAR PEDRO, "LE JOYEUX REPORTER"-MEMORIAL DE LA LIGNE JEAN MERMOZ, RECIT INEDIT PAR JEAN-GERARD FLEURY
1941ABE-153125213354 PAGES FORMAT 43 CM X 60 CM-P1: CULPABILITE DU CAPITALISME, PAR RENE CHATEAU-VERS UNE RUPTURE DES RELATIONS DIPLOMATIQUES NIPPO-AMERICAINES?-LES AGRESSIONS ANGLAISES CONTRE LA FRANCE-UN APPEL DU PREFET DE POLICE A LA POPULATION PARISIENNE-NOUVELLES ATTAQUES AERIENNES SUR MOSCOU ET LENINGRAD, SUITE P3-RENE BARD PRESIDENT DE LA FEDERATION DES MINEURS QUITTE LE CONSEIL NATIONAL-DEMAIN, PORTE D'ORLEANS JEAN TRANCHANT, AIMOS JIMMY GAILLARD ET FRANCIS MONY AUX "TRETEAUX CHANTANTS", PHOTO AIMOS 4,5X11,5-ON A CELEBRE HIER LE 150e ANNIVERSAIRE DE LA MORT DU COMPOSITEUR MOZART, PHOTO MAISON NATALE-P2: QUAND REGLEMENTERA-T-ON EQUITABLEMENT LA PROFESSION DE CONCIERGE?-P3: TOKIO REMET SA REPONSE A WASHINGTON AU SUJET DE L'INDOCHINE-LA FINLANDE REJETTE L'ULTIMATUM ANGLAIS.-ON VA REORGANISER LA POLICE NATIONALE-LES AGRESSIONS ANGLAISES CONTRE LA FRANCE-P4: LES RATIONS ENTIERES DE VIANDE DANS LES COMMUNES RURALES
198098331980 Maisonneuve, Paris, 1979. Un volume in-8 broché, 227 pp. et catalogue, illustrations en n&b. Mouillure sur la couverture, intérieur frais, non coupé.
36559Paris. Librairie d'Amérique et d'Orient. Adrien Maisonneuve. 1979. In-8. Br. 227 p. BE.
1930ABE-148922313467188 PAGES-27CM X 37 CM-COUVERTURE ENCOULEURS D'ANDREINI, ROIS MAGES-LE NOEL D'"AMILE"? 3P, 5 DESSINS NOIR ET BLANC D'ALEXNDRE LIPPMANN-JOUETS, TEXTE ET DESSINS DE RAYMOND GID, 4P-PAS D'ARMES DE NOEL DE BOISSY-SANS-AVOIR, 4P, DESSINS COULEURS DEROBERT MATHIEU-L'EVOLUTION DU CIRQUE ET DE L'HIPPODROME, 6P PAR HENRY THETARD-LE TIGRE BORGNE, 4P PAR MAURICE LARROUY-LA DANSE, ECOLE DE BEAUTE, 5P PAR SIMONE MORTANE-LES COSTUMES REGIONAUX BRETON, 5P PAR CHARLES CHASSE, PLOUGASTEL-LESGRANDS PRIX LITTERAIRES, 2P PARMAURICE BOURDET, 6 PHOTOS, FAUCONNIER, GERMAINE BEAUMONT, MARC CHADOURNE-"FEMME DE MINUIT" OPERETTE D'ANDRE BARDE MUSIQUEDE RAOUL MORETTI? 1P, 1 PHOTO-"LA DROGUE" DE RENE BERTONAU GRAND GUIGNOL, 1 PHOTO-
1907ABE-151896505258832 PAGES-27,5 CM X 35,5 CM-EN COUVERTURE MME DELNA ROLE DE MARION DANS LA VIVANDIERE-MMLE BARELLI DU THEATRE REJANE, PLEINE PAGE BISTRE-EN COUVERTURE INTERIEURE MMLE SYLVIE DANS LES PLUMES DU PAON, BUSTE NOIR ET BLANC-LES PLUMES DU PAON, ALEXANDRE BRISSON ET BERR DE TURIQUE, 6P-LA MAITRESSE DE PIANO, DE FELIX DUQUESNEL ET ANDRE BARDE, PHOTO GABRIELLE DORZIAT PLEINE PAGE NOIR ET BLANC, 7P-MADAME MARIE DELNA, 2P PAR HENRI DE CURZON-LA VIVANDIERE, DE HENRI CAIN, MUSIQUE DE BENJAMIN GODARD, 6P PAR LOUIS SCHNEIDER-MLLE DUSSANE, PHOTO NADAR PLEINE PAGE NOIR ET BLANC-PHOTO MLLE DE RAISY, PLEINE PAGE BISTRE-(EMCA)
1971ABE-9419264857EDITION SAINT MALO-18 PAGES-EN UNE IRLANDE DU NORD-GORSEDD DES DRUIDES, BARDES ET OVATES A CARNAC/PHOTO-ATHLETISME HELSINKI 71 BEDFORD BATTU, VAATAINEN (1ER) ET HAASE (2E)-JEU DE MAINS.JEU DE GARDIENS./PHOTO MARCEL AUBOUR ET PANTELIC-
200232421Neuilly sur Seine Grande Loge Nationale de France 2002 in-8° Numéro 51
lc_76271Skira, 1944
1927225931Carmel Calif 1927. Vintage gelatin silver print bust portrait in profile. Signed and dated in pencil "Johan Hagemeyer 1927" on the mount. 1 vols. 22 x 16.5 cm. 8-3/4 x 6-1/2 inches. Matted. Fine. Docketed on verso of mount in pencil "#3. Vintage gelatin silver print bust portrait in profile. Signed and dated in pencil "Johan Hagemeyer 1927" on the mount. 1 vols. 22 x 16.5 cm. 8-3/4 x 6-1/2 inches. Magnificent portrait of the great suffragist reformer activist free-thinker and poet Sara Bard Field 1882-1974. Field was also the passionate lover of the anarchist C.E.S. Wood and the couple lived together in a celebrated "free union" first in San Francisco then in Los Gatos "where they built a house . that became a gathering place for Bay area writers artists and political activists" American National Biography; and where the famous Bay area photographer Johan Hagemeyer 1884-1962 made this fine indelible portrait in the year her first volume of poems appeared THE PALE WOMAN.<br /> <br /> According to THE BANCROFT LIBRARY'S on line "Guide to the Johan Hagemeyer Photograph Collection":<br /> <br /> "In late 1916 just prior to Hagemeyer's return to California - and despite having had little photographic experience - Hagemeyer visited Stieglitz's 291 salon in New York City. The two developed an immediate rapport and the meeting proved to be decisive for Hagemeyer. "We talked" Hagemeyer later recalled "and he practically by way of speaking made me follow photography. I had already gone overboard for it" OHT 22.<br /> <br /> "Back in California Hagemeyer first apprenticed with a Berkeley-based commercial portrait photographer named McCullagh. Soon afterwards he moved south to Pasadena and in early 1918 met Edward Weston already by then an accomplished photographer based in Tropico now Glendale. The two took an immediate liking to each other and formed a friendship and working partnership that was of mutual benefit: Weston opened his home and studio to the upstart Hagemeyer and Hagemeyer introduced the relatively unschooled Weston to new worlds of intellectual and aesthetic learning. The two would have a profound influence on each others' artistic development for years to come. Arch. see essays by Lorenz and Schaefer<br /> <br /> "Hagemeyer's talent developed rapidly and by the early 1920s he was exhibiting his work in many important photographic salons and garnering much popular and critical acclaim. After moving to San Francisco at the end of World War One Hagemeyer soon discovered the intellectual and artistic colony of Carmel-by-the-Sea. In 1923 he established his first studio in Carmel and would remain anchored there for over 20 years. In 1924 he established the town's first art gallery - based out of his studio - where he exhibited the works of local painters sculptors and photographers and hosted very popular musical performances. Shortly thereafter Hagemeyer opened a second studio in San Francisco whose clientele could be rivaled by that of Carmel only during the smaller town's summer vacation season. In 1927 he was appointed staff photographer of the artistic/literary magazine The San Franciscan . unknown
19586139071958. Unbound. Very Good. A small collection of correspondence between Yale professor and Ezra Pound scholar Donald Gallup and writer editor and friend of Pound Joseph Bard including an excerpt of a talk Bard gave involving personal anecdotes of Pound.<br /> <br /> At the center of the collection is a mimeographed excerpt of an address given by Bard at the Institute of Hispanic Studies in Puerto de la Cruz Tenerife on the 28th of February 1957 titled "The Dynamism of a New Poetry"; the excerpt includes the "central section containing reminiscences of Pound from total of 15 numb. leaves" Gallup's typed note. The excerpt contains pages five to nine five leaves each printed on the recto with about a paragraph of text on the versos with the addition of a cover sheet and a page of typed notes only partially related to the address some of the notes here appear in Gallop's bibliography on Pound. This was sent along with a short typed letter dated October 3 1958 "Dear Mr. Gallup at the request of Mr. Charles Hamilton I am sending you a copy of my lecture in Spain on 'New Poetry.' It was discussed on Madrid Radio and . Ezra said in a letter which you probably possess that it was the best introduction to m.p. yet. Sorry about this torn copy but it is the only one I have." The letter is signed by Bard and in his hand is written "N.B. Hurrah! I have found a clean copy!" though this copy is not present here.<br /> <br /> The excerpt speaks of Bard's time spent with Pound and their correspondence. Bard writes "I had an introduction to him from a literary friend but this was never used because on seeing me on the sea-shore he greeted me at once as a long-lost brother.†He goes on to describe how Pound wore a black corduroy suit gifted to him by W.B. Yeats. He briefly describes walks he Pound and Yeats would take in Rapallo and describes Pound's bluntness and passion for intellect "But above all things he Pound was interested in living and dedicated minds and had but contempt for the average commercial man and said with Machiavelli: li uomini vivono in pochi gli altri son pecorelli" which roughly translates to "A few men live the rest are sheep."<br /> <br /> Bard goes on to discuss his correspondence with Pound which began in 1927 shortly after Bard's marriage fell apart Bard describes his mood as "greatly perturbed" and that Pound's advice at the time was simply "Joseph practice polygamy." In another letter Pound writes "‘Oh if only you had translated Frobenius when it was offered to you in 1932 you would have saved the lives of two million human beings†this refers to the work of ethnologist Leo Frobenius who Pound would eventually meet and become "great friends" with. The most colorful anecdote in the talk does not involve Pound but rather someone Pound introduced Bard to the writer Natalie Barney:<br /> <br /> "Such was the introduction to Natalie Barney's salon in the Rue Jacob Paris this Lady being the well-known 'Amazon' the friend of Remy de Gourment's a salon where our Junoesque hostess ruled supreme over the lions and lionesses of art letters and drama—and where we were ceremoniously taken to the 'Temple d’Amour' and where the very sacharin sic was taken out from a book-shaped little etui by chubby Salomon Reinach" Reinach was an influential French archaeologist and religious historian. It's likely that Bard made a mistake here though and was actually referring to Barney's "Temple d’Amitie" which translates to "Temple of Friendship."<br /> <br /> The address continues to quote Bard's correspondence with Pound before getting into Pound's actual work at which point the excerpt cuts off. Included is a copy of Gallup's reply to Bard dated October 14 1958 expressing his delight at receiving a copy and commenting on Pound's recent hospital release "What a relief it is to have Pound out of St. Elizabeth's and at Brunnenburg! The change will of course have a tremendous influence on his work." Also included is a Spanish newspaper clipping discussing Bard's talk and a second letter from Bard dated October 27 1958 asking Gallup if he "could put me in touch with somebody in the U.S.A. who would be interested in the broadcasting of short-stories already produced by the B.B.C. Third." Enclosed is a clipping from Radio Times with the title "A Boyhood by the Danube" discussing the broadcast presentation of Bard's story "The Tale of a Child" which tells of Bard's childhood growing up in Hungary.<br /> <br /> Altogether the collection consists of two short typed letters a one page letter 5¼" x 6¾" and a two-page letter on a single leaf 5¼" x 7" when folded from Joseph Bard both Signed both include newspaper clippings; the mimeographed excerpt 8½" x 11"; a short one-page typed letter from Donald Gallup 5½" x 8½"; two envelopes addressed to Gallup and a typed receipt of the lecture "Gift of Dr. Joseph Bard . for the Ezra Pound Collection in the Y.C.A.L."<br /> <br /> OCLC locates two holdings of this talk under its Spanish title "El Dinamismo de Una Nueva Poesia" at Yale and UT-Austin but they date the conference as being held on March 8 1957. The publication of this talk is listed at B59 in Donald Gallup's bibliography of Pound which states "Published March 1957; number of copies unknown." The entry goes onto describe a reproduction of a letter from Pound to Bard dated December 17 1932 that apparently goes with the published talk; part of that entry is found in the additional page of notes included here in the mimeographed excerpt.<br /> <br /> All of the material has some toning and light wear a paperclip mark and tearing at the top of the mimeograph excerpt overall very good; though it should be noted that towards the bottom of each page is an additional layer of text printed in blue ink upside down and mirrored reproducing a portion of the text found elsewhere on the page.<br /> <br /> An interesting bit of writing concerning Ezra Pound along with the brief correspondence of two men of letters both connected to Pound in different ways. unknown
193620679Eschig Max 1936
193629278Eschig Max 1936
193622030Eschig Max 1936
193629277Eschig Max 1936
193618821Eschig Max 1936
193629273Eschig Max 1936