887 résultats
1935JC10683New York: Harrison Smith and Robert Haas 1935. First Edition First Printing Stated. Hardcover. Very Good/Good. Cloth; illustrated dust jacket; 8vo; pp. 315. Spine lettering faded; spine tips and corners lightly bumped; boards lightly rubbed. Dust jacket a bit tanned; some light scuffing and chipping along the edges; front panel neatly separated along front joint but appears whole under mylar. Certainly not pristine but still a nice place-holder copy. <br/><br/> Harrison Smith and Robert Haas hardcover books
19359017961New York: Harrison Smith & Robert Haas 1935. Hardcover. Near fine. Bound in the publisher's original brown cloth spine stamped in black. Minimal wear to extremities. Lacks dust jacket. <br/><br/> Harrison Smith & Robert Haas hardcover books
193517565New York: Harrison Smith and Robert Haas 1935. First Edition. Limited Issue one of 310 numbered copies signed by the author. Octavo 19.5cm; silver foil boards back in light blue cloth with title stamped in gilt on spine and pictorial device stamped in blue on front board; top edge gilt; 3153pp. Bookplate to front pastedown spine cloth faded and lightly soiled minor offsetting to gutters and a tiny patch of foil skinned at right edge of rear panel; Very Good in a like example of the scarce original slipcase; toned worn with minor splitting along edges but perfectly sound with the original title labels intact. Harrison Smith and Robert Haas unknown books
193517607London: Chatto & Windus 1935. First UK Edition. First Impression. Octavo 19cm; thin red boards with titles stamped in white on spine; dustjacket; 318pp. Upper corners very slightly splayed with two tiny stains to text edges; Near Fine. Dustjacket is unclipped lightly edgeworn with an old faint stain at the base of the spine most evident on verso and sunning to spine panel; Very Good. Chatto & Windus unknown books
19353291New York: Harrison Smith & Robert Haas 1935. First Edition. Hardcover. Fine/Very Good. Handsome copy in a very good pictorial dust jacket with a few shallow chips along its top portions. <br/><br/> Harrison Smith & Robert Haas hardcover books
193545169NY: Harrison Smith and Robert Haas 1935. First printing. 8vo pp. 315.Blue cloth stamped in black and gilt. Donor's presentation on flyleaf cover faded and worn at corners and ends of spine o/w a VG tight copy. The novel was the basis for the 1958 Douglas Sirk film The Tarnished Angels featuring Rock Hudson Robert Stack and Dorothy Malone. Harrison Smith and Robert Haas unknown books
1935236389New York: Harrison Smith and Robert Haas Inc 1935. First edition. 315 pp. 1 vols. 8vo. Black cloth; very good with some loss to gilt lettering. In very good dust jacket with faded spine and edgewear. First edition. 315 pp. 1 vols. 8vo. Faulkner's novel about an airplane contest in New Orleans during Mardis Gras. Harrison Smith and Robert Haas, Inc unknown books
1935219662New York: Smith and Haas 1935. First edition NO. 267 OF 310 COPIES NUMBERED AND SIGNED by Faulkner. Folding frontispiece facsimile of a page of manuscript slightly creased at lower edge. 1 vols. 8vo. Blue cloth stamped in silver with silver-coated boards. Spine is evenly faded as usual slight scuffing to silver paper endpapers with slight browning; the scarce publisher's box present only in front and rear panels. First edition NO. 267 OF 310 COPIES NUMBERED AND SIGNED by Faulkner. Folding frontispiece facsimile of a page of manuscript slightly creased at lower edge. 1 vols. 8vo. One of 310 Copies Signed. Smith and Haas unknown books
19519159NY: Signet Book by the New American Library 1951. Second American edn first paper back edn. Pictorial wraps little worn pages browned good copy. Massey 176. Signet Book by the New American Library unknown books
1935WN44725New York: Harrison Smith & Robert Haas 1935. Original blue cloth boards and black wrap around band with gilt lettering. Top edge stained black. Spine panel heavily browned crumpled at ends and with 2 small punctures near bottom. Upper and foreedges of boards a little browned. Internally clean and good. First Printing. Cloth. Good/No Jacket. 8vo - over 7¾" - 9¾" tall. Trade. Harrison Smith & Robert Haas Hardcover books
1935WRCLIT46126New York: Smith & Haas 1935. Cloth. First edition trade printing. Spine sun-spotted through jacket with gilt lettering flaked binding edges and endsheet gutters a bit darkened just a good copy in spine-tanned edgeworn dust jacket with some shallow loss at head and toe of spine. Smith & Haas hardcover books
1935010544Harrison Smith and Robert Haas 1935. Book. Fine. Hardcover. 2nd Edition. Beautiful Fine Copy In Like Jacket.Fresh Copy.2nd Edition Stated.1/8 tiny chip near Crown.Gorgeous Copy. Harrison Smith and Robert Haas Hardcover books
19721297454Lexington: The University Press of Kentucky 1972. Hardcover. Octavo; VG/VG-; grey sun toned spine green lettering; dust jacket has some shelfwear general edgewear small closed tears on hinge head edges and spine head edge open tear on spine tail edge small open tears on head fore corners light tearing on rear fore edge damp staining on spine sun toning around edges and spine price cut; boards strong some edgewear rubbing on fore corners and spine edges age toning in interiors penciling on front end paper; text block age toned; xi 142pp. 1297454. Rockville Non-Retail Listings. The University Press of Kentucky hardcover books
1954238379New York 1954. Vintage gelatin print. 1 vols. 252 x 196 mm 9-7/8 x 7-7/8 in. With Van Vechten's embossed stamp at lower right corner atelier-stamped on verso: "Photograph by Carl Van Vechten/146 Central Park West /Cannot be reproduced without permission" and with Van Vechten's ms. date "December 11 1954 and the number of the negative "VII - mm - 5". Slight oxidation at lower and left edges. Van Vechten Carl. Vintage gelatin print. 1 vols. 252 x 196 mm 9-7/8 x 7-7/8 in. unknown books
1961WRCLIT69886Los Angeles: Zanuck/Twentieth Century-Fox 1961. Folio 56 x 35 cm. Mild tanning of stock patch of surface abrasion on blank verso but very good or somewhat better. A pictorial window card issued to promote the second film adaptation of Faulkner's novel based on a screenplay by James Poe directed by Tony Richardson and starring Lee Remick Yves Montand Bradford Dillman Odetta and Strother Martin. SANCTUARY was previously filmed in 1933 as the highly controversial pre-code THE STORY OF TEMPLE DRAKE. Faulkner's Nobel laureateship is included in the promotion. Zanuck/Twentieth Century-Fox unknown books
2018265022San Francisco: Bob Mizer Foundation 2018. Magazine. 100p. 6.5x9 inches stories interviews memoirs explicit b&w and color nude male photos near-fine limited edition of 1000 copies numbered & signed by the editor paperback magazine/newsletter in pictorial French-fold wraps and original mylar resealable bag. Fourteen pages of biography of and illustrations by Harry Bush. Revival of the digest magazine of bodybuilders and posing pouch models thirty years after issue #41 marked the end of the road for Mizer's Athletic Model Guild. Now with color shots and maily new photos and models. Great history biography and background information as well as facsimiles of ephemera like Mizer's notebook. Bob Mizer Foundation unknown books
197913864New York Taplinger Publishing Company 1979. 1979. First American edition so stated. 8vo. Foreword by Liv Ullmann author's note and acknowledgments. Illustrated with 68 b/w photographs 1 facsimile. Film and theatre chronology. Dust jacket unclipped; few nicks. Very good. 312 pages. No signatures or bookplates. 1st Edition. Hardcover. Very Good/Very Good. New York, Taplinger Publishing Company [1979]. hardcover books
19803130Chicago: Joseph Faulkner - Main Street Galleries 1980. Softbound. VG. Brown wraps. 32 pp. 5 color 35 bw plates. Catalogue lists 42 works by artists whose works were included in the 1890 Inter-state Industrial Exposition in Chicago. Short essay on the subject followed by the illustrations. A very nice reference relative to these seldom mentioned but very important exhibitions. Joseph Faulkner - Main Street Galleries unknown books
195513956JOxford Mississippi: 1 page quarto July 20 1955. Typed Letter Signed from William Faulkner to Warner Brothers Pictures allowing the use of his name and to quote from his writings in a scene in their film – “Toward the Unknown.†Accompanied by three pages of the film script which contains the scene in which Faulkner is named and quoted. The finished film was directed by Mervyn Le Roy and starred William Holden Lloyd Nolan James Garner in a drama set among the world of U.S. Air Force test pilots. 1 page, quarto unknown books
195213974JNew York: 1 page quarto April 11 1952. Original Typed Letter Signed from Harold Ober to William Faulkner asking for changes in the commencement date of payments by Lemuel Ayers for his intended play production of “Requiem For a Nun.†Signed by William Faulkner at the bottom agreeing to the changes and countered by Lemuel Ayers. Faulkner wrote “Requiem For a Nun†specifically for his actress friend and fellow Mississippian Ruth Ford. In turn Ford spent the next eight years attempting to mount a production of the play on Broadway production which she did not succeed at doing until 1959. During this process Lemuel Ayers eventually bowed out as producer and was replaced. 1 page, quarto unknown books
195613975JNew York: 3 pages quarto October 23 1956. Original Typed Letter Signed by William Faulkner and Typed Document Signed by Albert Camus – Typed Letter Signed from William Faulkner and signed as well by Harold Ober authorizing Albert Camus to stage his own production of “Requiem For A Nun†attached to a copy of the contract written in English. Signed by Albert Camus 3 pages October 23 1956. Camus created his own French adaptation and staged it in 1956 entitled “Requiem Pour Une Nonne†and later Camus wrote the preface to the published French translation of Faulkner’s original work. 3 pages, quarto unknown books
141913976JNew York: 16 pages November 14 1955 & April 26 1956. Original Typed Letter Signed and Printed Document – Typed Letter Signed from William Faulkner to Roger Stevens and Oliver Smith asking that they send all payment checks due to him to be paid to his agents Harold Ober Associates attached to a copy of the contract between Roger Stevens and William Faulkner for a play production of “Requiem For a Nun†in which Stevens will act as producer and the contact is signed by Faulkner’s Random House editor Saxe Commins who held Faulkner’s power of attorney. Signed by William Faulkner in the letter. 16 pages, unknown books
195613967JLos Angeles: 11 pages quarto March 1 1956. Original Typed Document Signed – Contract between Universal Pictures Company and William Faulkner purchasing the film rights to Faulkner’s novel - “Pylon.†11 pages March 1 1956. Signed twice by William Faulkner and initialed 4 times by him in the margins and additionally signed by Faulkner’s wife Estelle Oldham Faulkner and his daughter Jill Faulkner Summers. Universal Pictures eventually produced the film as “The Tarnished Angels†directed by Douglas Sirk and starring Rock Hudson Robert Stack and Dorothy Malone. 11 pages, quarto unknown books
196013978JNew York: 7 pages quarto April 5 1960. Original Typed Document Signed by William Faulkner – Contract between Samuel French Inc. and William Faulkner giving French the right to license stock and amateur acting rights for play productions of “Requiem For a Nun.†7 pages, quarto unknown books
193322729ECulver City CA: Metro-Goldwyn-Mayer 1933. Original Typed Document Signed by William Faulkner – the Agreement of Sale Contract with Metro-Goldwyn-Mayer Studios to purchase the rights to an untitled Faulkner short story set in a mythical Latin American Kingdom. Single sheet signed on the verso by William Faulkner and dated by him “30 August 1933â€. With the blindstamp and signature of the Notary Public in Lafayette Mississippi. Near fine with slightly torn punch holes at top and very faint paper clip mark. In the early 1930s MGM Studios offered Faulkner work as a screenwriter in Hollywood. As literary critic and noted authority on Faulkner’s work Andre Bleikasten put it he “was in dire need of money and had no idea how to get it…So he went to Hollywood.†He arrived in Culver City California in May 1932 experiencing a fair share of ambivalence for both the movie culture and the studio system. He did enjoy a personal and professional relationship with director Howard Hawks whose brother William Hawks became Faulkner's Hollywood agent. Metro-Goldwyn-Mayer unknown books