Marguerite YOURCENARBiblio.com
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196890004Paris: Gallimard 1968. Fine. Gallimard Paris 1968 13.8 x 20.5 cm Relié sous étui First edition one of 45 numbered copies on Holland paper the deluxe issue.Full chocolate-brown morocco binding spine with five raised bands framed with black fillets date gilt at foot gilt rolls on the caps marbled paper endpapers and doublures gilt double fillet borders on the doublures gilt fillets along the edges original wrappers and spine preserved all edges gilt slipcase edged with matching chocolate morocco sides in marbled paper interior lined with grey felt. A splendid binding signed by Semet & Plumelle.A very handsome copy perfectly bound in full morocco by Semet & Plumelle. Gallimard hardcover
196890004Gallimard | Paris 1968 | 13.8 x 20.5 cm | Relié sous étui
195182198Sous étui bordé. Reliure postérieure plein box vert. Tête dorée. Doublure et gardes de suédine verte. Couverture et dos conservés. Reliure signée DEVAUCHELLE.
195180408Paris: Plon 1951. Fine. Plon Paris 1951 14 x 20.50 cm broché First edition one of 115 numbered copies on alfa paper the only deluxe copies aside from 35 on pure thread.Two small spots of foxing on the front cover a discreet crease a handsome copy as issued. Rare and highly sought after in deluxe paper. Plon unknown
195180408Plon | Paris 1951 | 14 x 20.50 cm | broché
198277884Sous étui bordé, chemise en demi-maroquin à petits recouvrements. Reliure maroquin bleu à encadrement. Plats ornés de papier dactylographié : sur fond de papier vert clair, un sillon incisé bleu et vert partage chaque plat en zone de quatre nuances de gris. Comme sur une île, le nom de l'auteur est frappé en noir sur le plat supérieur. Au dos, le titre en oeser vert vif sur quatre lignes diagonales suit la direction du graphisme. Tête dorée. Gardes de papier vert et bleu. Couverture et dos conservés. Reliure signée HONNELAITRE, 1985.
196859294Paris: Gallimard 1968. Fine. Gallimard Paris 1968 14.50 x 20.50 cm broché First edition one of 95 copies on pur fil the only deluxe issue after 45 copies on Hollande. A slight vertical crease on the front cover. A handsome copy. Gallimard unknown
196345797Paris: Plon 1963. Fine. Plon Paris 1963 12 x 19 cm broché First edition one of 25 numbered copies on pur fil paper the only large paper copies A very good copy. Plon unknown
1374727Paris: Au Sans Pareil, 1929 in-8, 183 pages. Broché, couverture de papier bleu, dos légèrement plissé et un peu passé, un des 75 exemplaires sur papier d'Arches. Envoi au Dr. José Antonio Ferreira de Almeida. Bel exemplaire.
196859294Gallimard | Paris 1968 | 14.50 x 20.50 cm | broché
196345797Plon | Paris 1963 | 12 x 19 cm | broché
1969674Paris, Gallimard, 1969 ; in-8 carré de 118 pp., [2] ff., reliure en box café au lait, dos lisse avec titre en lettres mordorées en long, plats ornés de 7 pièces de placage en bois sombre disposées géométriquement laissant apparaître le box en bordure, tête dorée, couverture orange, chemise à bandes de box, étui (Miguet, 1991).
1957845871957. Fine. ""L'époque est à la violence"" 'These are times defined by violence.' 23 janvier 1957 16.20 x 23.50 cm 2 pages sur un feuillet - enveloppe jointe Autograph letter signed by Marguerite Yourcenar dated 23 January 1957 two pages in black ink on a single sheet with the original envelope included. On two densely written pages Yourcenar confides her editorial frustrations to her close friend the painter Elie Grekoff recounting the blasphemous act of her publisher who had torn in ""en deux ou plutôt en quatre"" two or rather four the dedicated copy of her poetry collection Les Charités dAlcippe 1956 and returned it to her by post. She discusses joint projects with Grekoff and requests that he accept the profits from a work he illustrated for her. Yourcenar writes from the United States which she joined in 1939 with her companion Grace Frick then a professor of British literature in New York. From 1950 onwards they settled on Mont Déserts Island bordering Canada in a house named Petite-Plaisance which she mentions in the handwritten letterhead. Amidst the wild nature and crystalline lakes she would write there some of her most celebrated works including The Abyss. Through the text we catch fleeting images of the authors reclusive existence: « Ici travail abrutissant favorisé par les grands froids qui font qu'on ne sort qu'un bref moment ou quand on y est obligé. Correction d'épreuves correspondance en retard depuis des mois traduction et enfin le livre en train . les journaux arrivent très régulièrement et si vite dans le cas du Monde que j'apprends par lui les nouvelles de New York avant d'avoir le temps d'aller au village acheter le New York Times » The work here is grueling compounded by the bitter cold so that one ventures outside only for a short while or out of necessity. Proofreading months of overdue letters translation and finally the book underway the newspapers come so promptly and consistently particularly Le Monde that I hear the New York news from it before I even manage to go to the village and buy the New York Times. The most poignant passage of the letter concerns her stormy dealings with her publisher Curvers regarding her neoclassical-spirited poetry collection Les Charités d'Alcippe. Yourcenar recounts the publishers unforgivable act enraged by her reproaches over the premature release of the collection: ""Toute la légalité et le sens commun sont de mon côté mais cela n'a pas empêché l'irascible liégeois de me renvoyer un ex. des 'Charités d'Alcippe' déchiré en deux ou plutôt en quatre. L'époque est à la violence All legality and common sense was on my side yet that irascible man from Liège still sent me back a copy of Les Charités d'Alcippe torn in two-or rather in four. These are times defined by violence. The affair of the gentleman from Liège as mentioned in the letter ultimately resulted in a full-fledged legal dispute through attorneys. The writers uncompromising standards and constant concern for copyright earned her several disputes including two lawsuitsone with the director Jean Marchat and another with her publisher Plon. The letters recipient Élie Grekoff 19141985 painter illustrator and master bookbinder remained a close confidant of the writer for decades and collaborated with her on several editorial and theatrical projects. Among his contributions he designed the scenery for her Sartre-inspired play Electre ou la chute des masques which premiered at the Théâtre des Mathurins. The letter also bears witness to two of their artistic collaborations: the edition of a Latin classic and of a renowned Hindu poem the Gita-Govinda both annotated by Yourcenar and illustrated by Grekoff. In a few beautifully gracious lines Yourcenar entreats him to accept the proceeds probably stemming from the 1956 publication of Laeviuss Bagatelles dAmour: ""merci Elie et je vous en prie considérez les trente huit mille qui unknown
3541985. 3 pages manuscript letter in ink on two leaves. Folded twice. In fine condition. 3 pages manuscript letter in ink on two leaves. Folded twice. 150 × 225 mm. Yourcenar reports about the tragically declining health of her last lover and travel companion Jerry Wilson the young American gay photographer. They were in India on a trip to Nepal when Jerry “fall dangerously ill around Jan. 25 from what we thought was malaria†but a doctor in India diagnosed “that it had to do with lungsâ€. “Jerry thought that a stay at the sea-shore at Goa would help him†so the two stayed there for about 2 month and arrived back to New York in mid March. “Since than an advanced tuberculosis of both lungs has been diagnosedâ€. Yourcenar mentions that Jerry undergoes a “strong chemical treatment which makes him awfully weak†and writes that she won’t “give his ‘phone no since he is so tired that he begged me not to give it to anyoneâ€. She provides Jerry’s mother’s address to send letter to him through her. Yourcenar closes her letter with good wishes to Bernard and Jimmy Baldwin who she hopes “is full of energy as usualâ€. Jerry Wilson died of AIDS on February 8 1986 in Paris at the age of 37.<br /> <br /> Marguerite Yourcenar 1903–1987 was a Belgian-born French author who was the first women elected to the Académie française in 1980. Bernard Hassell 1930–1991 was an American actor and dancer James Baldwin’s 1924–1987 companion. Baldwin was an African American gay writer and civil rights activist. He and Yourcenar were good friends and in 1982 Yourcenar translated his play “The Amen Corner†into French. unknown
195465149Paris: Plon 1954. Fine. Plon Paris 1954 12 x 19 cm broché First edition one of 30 numbered copies on pur fil paper this copy one of 10 hors commerce the only grand papier deluxe copies. A nice copy despite the very slightly sunned spine. Autograph inscription dated and signed by Marguerite Yourcenar to Maurice Bourdel director of publishing house Plon and his wife : "". cette Electre perdue dans ""un monde où l'ordre n'est pas"" Plon unknown
196884645Paris: Gallimard 1968. Fine. Gallimard Paris 1968 14 x 20.50 cm broché First edition a Service de Presse advance copy. Handsome copy despite the spine very lightly sunned without any consequence Precious autograph inscription signed by Marguerite Yourcenar to Maurice Nadeau: ""Hommage attentif. Marguerite Yourcenar. Vox specie interioritatis."" ""Attentive tribute. Marguerite Yourcenar. Voice of inner contemplation."" Gallimard unknown
197376417Sous chemise et emboîtage d'éditeur. Broché, sous couverture rempliée. Contient un album de photographies sur 16 ff. recto-verso ayant servi à l'auteur pour la rédaction de l'ouvrage. Non coupé.
201142936Saint-Clment Fata Morgana 2011 In-12, veau recouvert sur les plats et le dos d'une composition abstraite inspire du graphisme de Philippe Hlnon, imprime en noir et beige sur un fond marbr rose, avec sur le premier plat le nom de l'auteur en petites capitales pousses au palladium et le titre de l'ouvrage l'oeser rouge; doublures de papier grenat, gardes de daim vert bouteille, non rogn, couverture imprime. Bote-tui (Annika Baudry, 2018).Edition originale de ce rcit allgorique crit par l'auteur l'ge de 23 ans, empreint selon ses propres mots, d'un radicalisme encore juvnile et publi dans L'Humanit le 13 juin 1926. Elle est illustre de 6 dessins de Philippe Hlnon dont un sur la page de titre, 3 hors-texte et 2 in-texte. Tirage limit 500 exemplaires numrots. Un des 30 premiers exemplaires sur vlin de Bangor, seuls comporter un dessin original excut l'encre de Chine et monogramm par Philippe Hlnon.
196829647Exemplaire sur pur fil Paris, Gallimard, (26 avril) 1968. 1 vol. (135 x 205 mm) de 340 p., [2] et 1 f. Broché. Édition originale. Un des 95 exemplaires sur vélin pur fil (n° 140) - après 45 exemplaires sur vergé de Hollande.
29647Paris Gallimard 26 avril 1968. 1 vol. 135 x 205 mm de 340 p. 2 et 1 f. Broché. . Édition originale. Un des 95 exemplaires sur vélin pur fil n° 140 - après 45 exemplaires sur vergé de Hollande. . Prix Femina décerné à l'unanimité l'ouvrage connaît un grand succès public dès l'année de sa parution. « La formule ‘L'OEuvre au noir' donnée comme titre au présent livre désigne dans les traités alchimiques la phase de séparation et de dissolution de la substance qui était dit-on la part la plus difficile du Grand OEuvre. On discute encore si cette expression s'appliquait à d'audacieuses expériences sur la matière elle-même ou s'entendait symboliquement des épreuves de l'esprit se libérant des routines et des préjugés. Sans doute a-t-elle signifié tour à tour ou à la fois l'un et l'autre ». De cet étonnant voyage intérieur la revue de Maurice Nadeau donnera un long compte-rendu à parution ainsi qu'un long entretien avec C.J. Bjurstrom Quinzaine littéraire n° 57 septembre 1968 le traducteur suédois de l'oeuvre de Camus Céline Michaux Foucault Gracq jusqu'à Le Clézio. Elle s'y pose consciemment en marge de tout ce qui a affaire avec les modes et surtout de « ne pas de parler de soi à travers ses propres personnages ni de déverser sur eux l'idée que l'on a de soi-même mais de les nourrir de sa propre substance pour leur prêter l'épaisseur de la vie » Rencontre avec Marguerite Yourcenar Portrait d'une voix p. 60. Bon exemplaire. Paris, Gallimard, (26 avril) 1968. 1 vol. (135 x 205 mm) de 340 p., [2] et 1 f. Broché. unknown
195465149Plon | Paris 1954 | 12 x 19 cm | broché
196884645Gallimard | Paris 1968 | 14 x 20.50 cm | broché
234Paris: Gallimard 1980. Presentation copy. Inscribed to Bernard Hassell. In original illustrated paper. In fine condition. Presentation copy. Inscribed to Bernard Hassell. In original illustrated paper. 282 6 p. <p><br /> The dedication reads: à Bernard Hassel! en souvenir de notre rencontre à Paris et de deux bonnes soirées à Vence dans la maison entourée de beau jardin. Bien sympathiquement Marguerite Yourcenar. 18 fév. 1981.â€<br /> <p><p><br /> Marguerite Yourcenar 1903–1987 was a Belgian-born French author who was the first women elected to the Académie française in 1980. <br /> <p><p><br /> Bernard Hassell 1930–1991 was an American actor and dancer James Baldwin’s companion. Baldwin 1924–1987 was an African American gay writer and civil rights activist. He and Yourcenar were good friends and in 1982 Yourcenar translated his play “The Amen Corner†into French. Gallimard unknown
192142359Paris: Perrin & Cie 1921. Fine. Perrin & Cie Paris 1921 13.50 x 17.50 cm broché First edition small printrun of the first work by Marguerite Yourcenar written under her semi-pseudonym of Marg Yourcenar A very good and rare copy of this work of which there were no large paper copies. Perrin & Cie unknown
195448650Paris: Plon 1954. Fine. Plon Paris 1954 12 x 19 cm broché First edition one of 30 numbered copies on pur fil paper the only large paper copies. A very good copy. Plon unknown
