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1623ABC_46765Middelburg: Jan Pietersz. van de Venne 1623. Contemporary gold-tooled vellum with the title and imprint lettered in gold on the spine the spine divided in compartments by single fillets with an ornament in each compartment red and blue sprinkled edges. 4to. With a large woodcut printer's device on the title page of each part a woodcut headpiece with a view of Middelburg at the start of each part a full-page engraved emblematic coat of arms and 7 large emblems by D. van Bremden W. de Passe P. de Jode C. van Queboren and P. Serwouter after designs by Adriaen van de Venne in the first part; 8 large engravings in the text showing witty scenes designed and engraved by Adriaen van de Venne in the second part. 2 works in 1 volume. With: 2 VENNE Adriaen van de. Tafereel van sinne-mal.Middelburg Jan Pietersz vande Venne 1623. Rare first edition of the "Zeeland Nightingale" perhaps the most intriguing Dutch songbook of the early 17th century both from the literary point of view as from the point of view of book illustration and printing. The work was intended to spread the glory of the province of Zeeland and includes contributions of 18 poets born or living in Zeeland. Produced by the literal society of Middelburg it showcases the cultural identity of Zeeland through love lyrics devotional poetry and moral verse. The work continued to inspire for many centuries as the present copy was owned by the English explorer Frank Linsley James 1851-1890 and the Frysian art collector and notary Nanne Ottema 1874-1955.The nightingale was a symbol for talented poets and this work was to show the world that Zeeland was the place to be for modern artists. The initiator was most likely Jacob Cats. Contributions came from Cats himself Anna Roemer Visscher Philibert van Borssele Adriaen Valerius Johannis de Bruyne and many others. Adriaen van de Venne contributed a love song Zeeusche Mey-clacht accompanied by a beautiful illustration of a well-dressed young man leaning over a stream and mirroring himself in the water engraved by W. de Passe. At the end to promote sales a newly finished work by Adriaen van de Venne the brother of the publisher was added Tafereel van Sinne-Mal. In this work is found the beautiful engraving of the "Middelburgsche Lauwerhof" the fine garden at the back of his brother's printing office and in the accompanying song all things sold at his brother's bookshop are listed such as maps and prints paintings and lacquered ware compasses and nautical instruments watches etc. Other fine and interesting plates are the mussel-seller and the knife-grinder especially dedicated to Magdalena de Passe.From the early days the province of Zeeland represented within the new Dutch Republic a cultural centre of its own. At the time the most popular and respected Dutch poet Jacob Cats resided in Zeeland and declared himself very satisfied with his Middelburg printer. Afterwards Huygens had some of his works printed at Zeeland then Anna Roemer Visscher came to visit and exchanged poems with the Zeeland poets. Cats' brilliant illustrator Adriaen van de Venne also moved to Middelburg. His brother Jan Pietersz van de Venne had already established a flourishing business there as publisher and bookseller allowing the Zeeland intellectuals poets and artists to meet. With the bookplate of explorer Frank Linsley James 1851-1890 and the manuscript ownership annotation of Rev. Henry White of Lichfield dates unknown dated 1819 on the front pastedown the ex libris stamp of Nanne Ottema 1874-1955 on the second flyleaf. The vellum is slightly soiled. The leaves are lightly browned occassionally slightly foxed in the margins the lower corner of the last 2 pages has been restored. Otherwise in good condition.l Landwehr Emblem and fable books 588; Praz 540; Scheurleer pp. 149; STCN 831125780; USTC 1026749; Waller 1256; cf. Nagtglas pp. 818-22 on the Vande Venne family. Jan Pietersz. van de Venne, hardcover
16071417LUGDUNENSEM (LYON). APUD FRANCISCUM FABRUM. 1607. (TEXTE EN FRANÇAIS DE CHAQUE QUATRAIN, SUIVI DE SA TRADUCTION EN LATIN PUIS EN GREC PAR FLORENT CHRESTIEN). RELIE AVEC :- MATTHIEU PIERRE (1563-1621). CENT QUATRAINS DE LA VIE ET DE LA MORT COMPOSEZ EN FRANÇOIS PAR P.M. CENTUM TETRASTICHA DE VITA & MORTE LATINE E GALLICO FACTA A JOANNE JACOMOTO BARRENSI. GENEVE. 1607. (TEXTE EN FRANÇAIS ET EN LATIN).DEUX OUVRAGES RELIÉS EN UN VOLUME IN-16 (11,5 X 8 X 2, 5 CENTIMETRES ENVIRON) DE 208 + 57 PAGES, RELIURE PLEIN VÉLIN IVOIRE.EX-LIBRIS MANUSCRIT «EX LIBRIS F. MARCELIER».QUELQUES LÈGÈRES TRACES DE MOUILLURES, DES DÉFAUTS EXTÉRIEURS, SINON TRÈS BON EXEMPLAIRE, RARE.
1685323Paris, Guillaume de Luynes, 1685 ; in-12 de [5] ff., 187-[2] pp., reliure de l'époque basane granitée, dos à nerfs orné, tranches marbrées.
1650112278Amstelodami, Apud Ioannem Iansonium 1650 In-18 13,5 x 8 cm. Reliure de l’époque vélin crème, dos muet, 284-[15]-XXXII-[5]-142 pp. Exemplaire en bon état.
1697867London: J. Tonson 1697. Second Edition. Three quarter cloth. Very good. Scarce. A very good second edition of Mr. Congreve's famous work. WING C5858 Blue three quarter cloth over maroon and blue marbled boards. Appears to be missing the first free endpaper otherwise complete and collated. Loss to page 1 not affecting text. Pencilled marginalia and previous owner's bookplate on front pastedown. Soft cotton paper. Toning to pages and pastedowns. Contents: 11'"1: half-title verso blank. 11'"2: title verso blank. Al: dedicatory epistle om. initial4. A3V: prologue cap2. A4V; dramatis personae with cast. Bl: HT with text cap4. K2: epilogue cap2. 6 /2 x 8 3/4 inches tall octavo. The Mourning Bride is a tragedy written by British playwright William Congreve. It premiered in 1697 at Betterton's Co. Lincoln's Inn Fields. The play centres on Zara a queen held captive by Manuel King of Granada and a web of love and deception which results in the mistaken murder of Manuel who is in disguise and Zara's also mistaken suicide in response. There are two very widely known quotations in the play; from the opening to the play: Music has charms to soothe a savage breast The word "breast" is often misquoted as "beast" and "has" sometimes appears as "hath". Also often repeated is a quotation of Zara in Act III Scene VIII: Heav'n has no rage like love to hatred turn'd Nor hell a fury like a woman scorn'd. This is usually paraphrased as "Hell hath no fury like a woman scorned." --- Wikipedia J. Tonson hardcover books
1640c0037Lugduni Batavorum: Wilhelme Christian. G : in Good condition without dust jacket. Cover worn with splits to hinges. Title pages inscribed. Some foxing and marks within. 19th century rebind and eps. 1640. First Edition. Brown hardback quarter-leather cover with marbled boards. 120mm x 70mm 5" x 3". xx 76pp. Supplement to the Pharsalia of Lucan. . Wilhelme Christian hardcover
1670010073Published by In the Savoy Printed by T.N. for Henry Herringman at the Blew Anchor in the Lower Walk of the New Exchange London 1670. Book. Near Fine. Full Calf. Second Edition. 12mo - over 6¾" - 7¾" tall. Frontispiece 16 208 28 67 pages. Two volumes bound in 18th c. calf with royal coat-of-arms stamped center of front board bordered with triple rules in blind with acorn decorations stamped at corners edges dyed red. Near Fine the label perhaps refreshed at a later date with the bookplate of Gower Earl Gower front paste down and Gower's coat-of-arms printed verso of title page of Steps to the Temple Lord Gower having obviously had this copy bound to his specifications. TWO VOLUMES bound as one. "Steps to the Temple" and "The Delights of the Muses" are actually the 3rd editions even though stating second edition while "Carmen Deo Nostro" and "Poemata et Epigrammata Quae Scripsit Latina & Graeca" are both second editions. John Leveson-Gower 1st Earl Gower PC 1694 -1754 was an English Tory politician and peer who twice served as Lord Privy Seal from 1742 to 1743 and 1744 to 1754. Leveson-Gower also served in the Parliament of Great Britain where he sat in the House of Lords as a leading member of the Tories prior to switching his political affiliation and serving in various Whig-led government ministries until his death in 1754. A quite handsome copy Crashaw's early editions are uncommon. Published by In the Savoy, Printed by T.N. for Henry Herringman at the Blew Anchor in the Lower Walk of the New Exchange, London Hardcover
16902111902160200587Shorin Shorin Genbei Murakami 1690. Soft Cover. Fine. Volume: 12 volumes Shorin Shorin Genbei Murakami paperback
168545099Parisiis : Leonard, MDCLXXXV (1685). p. 388 - 795 & index. 4°. Franzband mit Rückengildpräg.
1662D18780Antwerp: ex officina Plantiniana Balthasaris Moretus 1662. Hardcover. Very Good. 8vo. Poems by a group of friends of Pope Alexander VII woodcut printer's mark to title early ownership inscription to ffep Jesuit institutional stamps and bookplates section near the end illustrated with text engravings; bound in full contemporary parchment over boards ruled in gilt damage to parchment at foot of spine. <br/><br/> ex officina Plantiniana Balthasaris Moretus hardcover
166626441Paris, Louys Bilaine, 1666, in-12 relié de LXXXIV et 572 pages à tranches jaspées, demi-veau marbré, titre et filets dorés sur dos lisse. Coins et bord des plats frottés, intérieur frais. Edition contenant les 18 chants. Père Pierre Le Moyne (1602-1671) était un prédicateur jésuite, l'auteur de Les Peintures morales (1640) et d'autres oeuvres -350g.C. - Peu courant, bon état
16251234291625 Procure de Musique, Saint-Leu-la-Forêt - sd - In-16, relié, couverture cartonnée illustrée - 258 pages - Nombreuses partitions
16143766IN VICENZA (VICENCE). PRESSO GIO. DOMENICO RIZZARDI LIBRARO IN PADOUA. 1614. IN-12 (7,5 X 13,5 X 1 CENTIMETRES ENVIRON) DE 100 + (1) PAGES, RELIURE D’EPOQUE PLEIN VEAU HAVANE, DOS A QUATRE NERFS ORNE DE CAISSONS A FLEURONS DORES, TITRE DORE SUR ETIQUETTE MAROQUIN BRUN, DOUBLE FILET DORE ENCADRANT LES PLATS, TRANCHES ROUGES. ERREUR DE NUMEROTATION D’ORIGINE : LA DERNIERE PAGE NUMEROTEE 88 AU LIEU DE 100. ILLUSTRE DE LA MARQUE DE L’IMPRIMEUR GRAVEE SUR BOIS SUR LE FEUILLET DE TITRE. PETITS DEFAUTS EXTERIEURS SANS AUCUNE GRAVITE, SINON BEL EXEMPLAIRE.
1700fl1658Paris, chez Denys Thierry, ruë S. Jacques, devant les Mathurins, à la Ville de Paris Relié 1700 In-12 (10 x 17 cm), reliure plein veau, dos à 5 nerfs orné de caissons dorés, 608 pages, tome 7 seul ; petits manques de cuir aux coiffes, cuir craquelé au dos, mors frottés, mors inférieur fendu aux coiffes, ex-libris et notes manuscrits au 2e plat, par ailleurs assez bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
165316177Lyon, Claude La Rivière, 1653. Petit in-8 (16,6 x 10,4 cm) de (12)-275 pp., maroquin La Vallière, dos orné à nerfs, filets d'encadrement à froid, dorés et noir, motifs floraux dans les angles et au centre des plats, dentelle intérieure, tranches dorées (Chambolle-Duru).
1606107481606 P., Morel, 1606, petit in 8°, 3ff. n. ch.-464pp.-4ff. n. ch., plein veau marbré ancien (XVIIIème siècle), dos lisse très orné, tranches jaunes ; marge de tête un peu courte ; petits frottis.
169515681695 Couverture rigide Lyon, Jean-Baptiste et Nicolas de Ville, 1695. Un volume in-12 (15,5 x 9 cm), reliure pleine basane brune de l'époque, dos à nerfs orné, restaurations sur les plats, coins émoussés, manque de cuir au bas du dos, quelques frottements aux charnières. Portrait de Scarron gravé en frontispice, 420 pages, ex-libris manuscrit à la page de titre, déchirure page 25, avec petite atteinte au texte ; relié à la suite : Typhon ou la Gigantomachie, feuillet de titre, 74 (8) pages. Tchemerzine, V, 728. Magne n°128. Le portrait en frontispice a été réalisé d'après une estampe de Daret. En dehors des défauts mentionnés, bon état intérieur.
160211208A Paris, Par la Veusve Mamert Patisson Imprimeur ordinaire du Roy, 1602. Petit in-8 (156 x 96 mm) de (4)-87 ff. 1 f.bl., maroquin rouge, dos lisse orné d'un double filet doré d'encadrement, double filet répété sur les plats, tranches dorées (reliure de l'époque).
1661110432Paris chez Estienne Loyson 1661 1 vol. relié 2 tomes reliés en 1 vol. in-12, plein vélin ivoire moderne, (12) + 165 + (3) + 168 pp. Nouvelle édition sous un nouveau titre du recueil de Chamboudry publié en 1657 : Tristan L'Hermite, Scarron, Paul Sarrasin, Jean-François Sanguin-Pavin, Denis Montreuil, Mathieu de Ménage, etc. Ex-libris gravé : Ad. Van Bever.
1661110432Paris chez Estienne Loyson 1661 1 vol. relié 2 tomes reliés en 1 vol. in-12, plein vélin ivoire moderne, (12) + 165 + (3) + 168 pp. Nouvelle édition sous un nouveau titre du recueil de Chamboudry publié en 1657 : Tristan L'Hermite, Scarron, Paul Sarrasin, Jean-François Sanguin-Pavin, Denis Montreuil, Mathieu de Ménage, etc. Ex-libris gravé : Ad. Van Bever.
1699WOC-2726Avec plusieurs Discours qui ont été prononcez dans l'Académie en différentes occasions. Paris, Chez Jean Baptiste Coignard, 1699. In-12 (15x1,5x9cm) relié plein veau de l'époque, dos à nerfs orné de caissons et de fleurons dorés, tranches marbrées et manque les contre-plats des pages de gardes. 158pp.
1698191947Paris, Cavellier, 1698. 1 Bl., 286 S. Ldr. d. Zt. m. Rsch., Rverg. u. Rsign. Einbd. berieben u. bestoßen. Hint. Vorsatz fehlt. Name von alter Hd. a. Tit.
16941658981694 RECUEIL DE CHANSONS CHOISIES Divisé en deux parties.P , Benard,1694 , in12(10x16)plein veau ,293pp.Ex libris manuscrit sur les pages de garde.Dos recollé avec petits manques,un manque de papier à un coin de la p 141.Bien complet des 2 parties.
164311127Amstelodami (Amsterdam), J. Janssonius, 1643. 145 g Petit in-12, plein vélin, 283-[5] pp. y compris le titre frontispice gravé. Jolie édition contenant les notes de John Bond. Les feuillets mesurent 12.9 cm de hauteur et la reliure 13,4x8 cm. Schweiger, Lateinische, I, 404. Ex-libris manuscrit de F. G. de Hencxthoven daté de 1663, qui était probablement un médecin d'Anvers. . (Catégories : Poésie, Antiquité latine, )
1607112125Antverpiae, ex officina Hieronymi Verdussen, Auctoris aere et cura 1607 In-4 26,5 x 20 cm. Reliure postérieure XVIIIe siècle, plein veau fauve glacé, dos à nerfs encadrés de fers dorés, pièce de titre maroquin grenat, la page de titre présente en son centre le portrait stylisé du poète latin, vu de profil, à la manière d’une médaille antique, 212 pp., 102 gravures sur cuivre d’après les poèmes d’Horace. Très bon exemplaire d’un ouvrage rare dans l’édition originale anversoise. Petits accrocs en tête et en pied de dos, coins légèrement émoussés, auréole sur chaque plat, planches très fraîches avec infimes rousseurs marginales.