BERTAUT (Jean).Livre Rare Book
147 résultats
160211208A Paris, Par la Veusve Mamert Patisson Imprimeur ordinaire du Roy, 1602. Petit in-8 (156 x 96 mm) de (4)-87 ff. 1 f.bl., maroquin rouge, dos lisse orné d'un double filet doré d'encadrement, double filet répété sur les plats, tranches dorées (reliure de l'époque).
1607112125Antverpiae, ex officina Hieronymi Verdussen, Auctoris aere et cura 1607 In-4 26,5 x 20 cm. Reliure postérieure XVIIIe siècle, plein veau fauve glacé, dos à nerfs encadrés de fers dorés, pièce de titre maroquin grenat, la page de titre présente en son centre le portrait stylisé du poète latin, vu de profil, à la manière d’une médaille antique, 212 pp., 102 gravures sur cuivre d’après les poèmes d’Horace. Très bon exemplaire d’un ouvrage rare dans l’édition originale anversoise. Petits accrocs en tête et en pied de dos, coins légèrement émoussés, auréole sur chaque plat, planches très fraîches avec infimes rousseurs marginales.
1623ABC_46765Middelburg: Jan Pietersz. van de Venne 1623. Contemporary gold-tooled vellum with the title and imprint lettered in gold on the spine the spine divided in compartments by single fillets with an ornament in each compartment red and blue sprinkled edges. 4to. With a large woodcut printer's device on the title page of each part a woodcut headpiece with a view of Middelburg at the start of each part a full-page engraved emblematic coat of arms and 7 large emblems by D. van Bremden W. de Passe P. de Jode C. van Queboren and P. Serwouter after designs by Adriaen van de Venne in the first part; 8 large engravings in the text showing witty scenes designed and engraved by Adriaen van de Venne in the second part. 2 works in 1 volume. With: 2 VENNE Adriaen van de. Tafereel van sinne-mal.Middelburg Jan Pietersz vande Venne 1623. Rare first edition of the "Zeeland Nightingale" perhaps the most intriguing Dutch songbook of the early 17th century both from the literary point of view as from the point of view of book illustration and printing. The work was intended to spread the glory of the province of Zeeland and includes contributions of 18 poets born or living in Zeeland. Produced by the literal society of Middelburg it showcases the cultural identity of Zeeland through love lyrics devotional poetry and moral verse. The work continued to inspire for many centuries as the present copy was owned by the English explorer Frank Linsley James 1851-1890 and the Frysian art collector and notary Nanne Ottema 1874-1955.The nightingale was a symbol for talented poets and this work was to show the world that Zeeland was the place to be for modern artists. The initiator was most likely Jacob Cats. Contributions came from Cats himself Anna Roemer Visscher Philibert van Borssele Adriaen Valerius Johannis de Bruyne and many others. Adriaen van de Venne contributed a love song Zeeusche Mey-clacht accompanied by a beautiful illustration of a well-dressed young man leaning over a stream and mirroring himself in the water engraved by W. de Passe. At the end to promote sales a newly finished work by Adriaen van de Venne the brother of the publisher was added Tafereel van Sinne-Mal. In this work is found the beautiful engraving of the "Middelburgsche Lauwerhof" the fine garden at the back of his brother's printing office and in the accompanying song all things sold at his brother's bookshop are listed such as maps and prints paintings and lacquered ware compasses and nautical instruments watches etc. Other fine and interesting plates are the mussel-seller and the knife-grinder especially dedicated to Magdalena de Passe.From the early days the province of Zeeland represented within the new Dutch Republic a cultural centre of its own. At the time the most popular and respected Dutch poet Jacob Cats resided in Zeeland and declared himself very satisfied with his Middelburg printer. Afterwards Huygens had some of his works printed at Zeeland then Anna Roemer Visscher came to visit and exchanged poems with the Zeeland poets. Cats' brilliant illustrator Adriaen van de Venne also moved to Middelburg. His brother Jan Pietersz van de Venne had already established a flourishing business there as publisher and bookseller allowing the Zeeland intellectuals poets and artists to meet. With the bookplate of explorer Frank Linsley James 1851-1890 and the manuscript ownership annotation of Rev. Henry White of Lichfield dates unknown dated 1819 on the front pastedown the ex libris stamp of Nanne Ottema 1874-1955 on the second flyleaf. The vellum is slightly soiled. The leaves are lightly browned occassionally slightly foxed in the margins the lower corner of the last 2 pages has been restored. Otherwise in good condition.l Landwehr Emblem and fable books 588; Praz 540; Scheurleer pp. 149; STCN 831125780; USTC 1026749; Waller 1256; cf. Nagtglas pp. 818-22 on the Vande Venne family. Jan Pietersz. van de Venne, hardcover
162942097Paris, Mathurin Hénault, Samuel Thibout, Rolin Baraigne, 1629-1630. 11 tomes en 5 vol. petit in-12, [vol. 1] (20)-680-(18) pp. sans le dernier feuillet blanc, frontispice, table ; [vol. 2] 917-(5) 1 f.bl., frontispice, table ; [vol. 3] 724-(6) pp., sans le dernier feuillet blanc, frontispice, table ; [vol. 4] 687-(9) pp., frontispice, table ; [vol. 5] 855-(11) pp., frontispice, table, caractères italiques, maroquin rouge, dos à nerfs orné à petits fers, inscription en pied "Paris 1630", double encadrement de filets dorés, fleurons aux angles sur les plats, dentelle intérieure, tranches dorées sur marbrure (Allô).
1670010073Published by In the Savoy Printed by T.N. for Henry Herringman at the Blew Anchor in the Lower Walk of the New Exchange London 1670. Book. Near Fine. Full Calf. Second Edition. 12mo - over 6¾" - 7¾" tall. Frontispiece 16 208 28 67 pages. Two volumes bound in 18th c. calf with royal coat-of-arms stamped center of front board bordered with triple rules in blind with acorn decorations stamped at corners edges dyed red. Near Fine the label perhaps refreshed at a later date with the bookplate of Gower Earl Gower front paste down and Gower's coat-of-arms printed verso of title page of Steps to the Temple Lord Gower having obviously had this copy bound to his specifications. TWO VOLUMES bound as one. "Steps to the Temple" and "The Delights of the Muses" are actually the 3rd editions even though stating second edition while "Carmen Deo Nostro" and "Poemata et Epigrammata Quae Scripsit Latina & Graeca" are both second editions. John Leveson-Gower 1st Earl Gower PC 1694 -1754 was an English Tory politician and peer who twice served as Lord Privy Seal from 1742 to 1743 and 1744 to 1754. Leveson-Gower also served in the Parliament of Great Britain where he sat in the House of Lords as a leading member of the Tories prior to switching his political affiliation and serving in various Whig-led government ministries until his death in 1754. A quite handsome copy Crashaw's early editions are uncommon. Published by In the Savoy, Printed by T.N. for Henry Herringman at the Blew Anchor in the Lower Walk of the New Exchange, London Hardcover
165316177Lyon, Claude La Rivière, 1653. Petit in-8 (16,6 x 10,4 cm) de (12)-275 pp., maroquin La Vallière, dos orné à nerfs, filets d'encadrement à froid, dorés et noir, motifs floraux dans les angles et au centre des plats, dentelle intérieure, tranches dorées (Chambolle-Duru).
1673AMO-4528Suivant le Copie imprimée à Paris, chez Claude Barbin, 1673 (Tome I et II et III). [Hollande ou Bruxelles ? Elzéviers ou Vleugart ?] A Paris chez Claude Barbin, 1674 (en réalité même imprimeur que les trois tomes précédents). [Hollande ou Bruxelles ? Elzéviers ou Vleugart ?] 4 tomes reliés en 2 volumes in-12 (13,3 x 9 cm | Hauteur des marges : 130 mm) de (12)-108 ; (18)-102 ; 125-(5) ; 1 feuillet blanc ; (4)-114 pages. Collationné complet. Joli frontispice gravé Reliure plein maroquin bleu nuit, dos à nerfs, chiffre couronné répété (voir provenance) dans les caissons aux dos et dans les angles des plats, encadrement intérieur composé de roulettes et filets dorés, doublures et gardes de papier peigne, non rogné (ébarbé), relié sur brochure. Splendide exemplaire parfaitement établi par Capé au milieu du XIXe siècle. reliures fraîches malgré quelques légères décolorations du maroquin sur le pourtour des plats, sans gravité. Intérieur frais malgré quelques petits manques angulaires à quelques feuillets et une petite réparation ancienne dans l'angle inférieur d'un feuillet, sans manque).
1663biblio17<p>Butler Samuel. "Hudibras. The First Part. Written in the time of the late Wars". 4 268 pages. First Authorized Edition first issue with "Saint" in imprint spelled out in full; errata is present lacking the imprimatur leaf dated Nov. 11 1662 and all textual errors uncorrected. London: Printed by J.G. for Richard Marriot 1663. bound with "Hudibras. The Second Part. By the Author of the First". 4 216 pages. Also third part dated 1678. Bound in exceptionally fine binding and in very good condition with the bookplates of Daniel Henry Holmes an avid book collector. This edition certainly is one of the rarest being that it is a first issue. A pirate copy came out the year before in 1662 and all proceeds from the sale of the book by the thief were recovered by Butler. Collation is as follows: 2 blank TP A3-8 B8-I8 K-R8 2nd TP B-I8 K-O8 P4 3rd TP A-I8 K-R8 S7 2 Blank.</p><p>Hudibras by Samuel Butler is a critique of the English Civil War and pokes at the Puritans and their military zeal to spread the word of God with Bible and Pike. This attractive printing and wonderfully bound copy of Butler's mock epic in octosyllabic couplets its three parts first published in 1663 1664 and 1678. Modeled after Don Quixote the work satirizes the hypocrisy and self-seeking of the Presbyterians and independents represented by the title character Hudibras and his servant Ralpho demonstrating the pairs greed stupidity cowardice and duplicity. Butler a Colonel in the Cromwellian army is involved in any number of various comic misadventures and Butler is squarely pointing at Oliver Cromwell and his lot as Butler was and remained a confirmed Royalist and Anglican King Henry VIII's Anglican Church.<br /><br />This mock epic became the rage of its time and was followed by nearly 27 editions that included later engraved illustrations to highlight the comedic adventures of the two. In the end of this volume are also <br />found the Letter from the Knight to his Lady and a corresponding letter from the Lady to the Knight. </p> Marriot, Richard hardcover
160939867Paris, Nicolas Buon, 1609-1610. 11 tomes reliés en 6 volumes petit in-12 (78 x 139 mm), frontispice et treize portraits dans le texte, vélin ivoire à rabats, dos à nerfs ornés de filets et fleurons dorés (reliure de l’époque pour le volume I et reliure à l'imitation pour la suite).
160343271(Paris), Abel L'Angelier, sans date, (1603-1604). 2 parties en 1 vol. in-12 réglé de (2) ff. dont titre-frontispice, 187 ff. (saut de pagination 1-132/233-287) (8) ff. de table, (1) f. bl., 23 ff. dont titre, (1) f. bl., 17 ff., (1) f. de table, maroquin fauve entièrement décoré à petits fers, dos lisse orné de caissons en long décor de feuillages et rinceaux dorés, double frise d'encadrement et décor de feuillages et rinceaux dorés sur les plats, grand fleuron central avec ovale en réserve, tranches dorées, traces de lacets (reliure de l'époque).
161243000A Paris, Par Fleury Bourriquant, au mont sainct-Hilaire, près le puits Certain, sans date, 1612 vers. In-12 de 64-23 pp., texte encadré, maroquin brun janséniste, dos à nerfs, titre doré, dentelle intérieure (Hardy).
1646182261646 1 volume, reliure demi-veau havane in-douze (binding half calfskin in-12) (8,5 x 14,8 cm), reliure tardive (XVIIIème), dos 5 nerfs (spine with raised band) décoré or (gilt decoration) filets et filets perlés or (gilt lines and gilt beaded lines) - titre frappé or (gilt title), filets perlés or en place des nerfs entouré de part et d'autre d'un double dilet or, papier peigné aux plats (cover with painting paper), toutes tranches lisses (all smooth edges)rouges (red sedges), EX-LIBRIS : manuscrit au crayon bleu par le Baron Gaetan de Wismes : " au Baron de Wismes, acheté chez Gaizen, Hiver 1872 ", orné d'une gravure-titre gravée sur bois en noir+ 24 gravures hors-texte en noir + 6 vignettes et bandeaux dans le texte et 3 lettrines, le tout gravé à l'eau-forte par Abraham BOSSE d'après les compositions de Jacques STELLA, manque les feuillets 241/242, 393/394, 395/396, 399/400, 459/460, 475/476, 513/514 et 515/516 correspondant aux gravures manquantes, 566 pages + 3 p. de privilège, 1646 [Paris] : Pierre Des Hayes Editeur,
160344677Paris, Abel L'Angelier, 1603. 2 parties en 1 vol. in-8 de (3)-210-(6)-47-(1) ff., titre-frontispice signé Thomas de Leu, veau brun, dos lisse orné de caissons en long et fleurons dans les angles, sur les plats instruments de la Passion du Christ dans un double encadrement de filets dorés, fleurons dans les angles, tranches dorées (reliure de l'époque).
16902111902160200587Shorin Shorin Genbei Murakami 1690. Soft Cover. Fine. Volume: 12 volumes Shorin Shorin Genbei Murakami paperback
166644563Paris, Louys Billaine, 1666. In-12 de (10)-80-(4) pp. veau fauve, dos orné à nerfs orné, pièce de titre, tranches marbrées (reliure de l'époque).
16600053861660 Lyon, François Demasso, 1660. In-12 (113 X 169 mm) maroquin rouge, encadrement de triple filet doré sur les plats, dos à nerfs orné de caissons dorés et mosaïques de maroquin vert, titre doré, large bordure intérieure de dentelle dorée, doubles gardes de papier marbré, tranches dorées (Petit-Simier) ; frontispice, (15) ff., 3 gravures hors-texte (la gravure du blason se trouve au verso du feuillet de titre), 434 pages [i. e. 420 pages], (5) ff. de table et avis. Des feuillets légèrement roussis, infime trace de choc à un caisson.
166214621Paris, Nicolas Pepingue, 1662. In-18 de 239-[1]-250-[2] pages, plein maroquin vert, dos à nerfs orné de filets et fleurons dorés, triple filet doré encadrant les plats, filet doré aux coupes, roulette dorée intérieure, tranches dorées sur marbrure. Une tache sur trois feuillets. Etiquette de la librairie E. Noury. Reliure signée Duru, datée de 1849.
162014714Paris, Toussainct Du Bray, 1620. In-8 de (16)-672-(8) pp., maroquin noir, dos à nerfs, double encadrement de filets à froid, tranches rouges (reliure de l'époque).
1660ST19567-160Paris: Chez Pierre Lamy 1660. FIRST EDITION. 179 x 120 mm. 7 x 4 3/4". 10 p.l. 496 35 1 pp. <br/> EXTREMELY FINE 19TH CENTURY RED MOROCCO BY HARDY stamp-signed in gilt on front turn-in covers with gilt coat of arms and French fillet border raised bands compartments ruled in gilt and with elegant gilt floral and foliate tooling gilt lettering gilt dentelles all edges gilt. Front free endpaper with bookplate of poet Auguste P. Garnier 1885-1966. Tchemerzine IX 332. ◆Trivial imperfections only: A VERY FINE COPY INSIDE AND OUT.<br/> <br/> In a very handsome binding by one of the most widely sought-after binders of the turn of the 20th century this is a beautifully preserved volume of verse by a founding member of the Académie française. A protégé of Malherbe Honorat de Bueil Seigneur de Racan 1589-1670 is primarily known for his elegant pastoral and religious poetry which as Britannica notes succeeds at "preserving the elegiac lyricism of an earlier age and foreshadowing the gentle melancholy of Alphonse de Lamartine." According to Tchemerzine the present work is "the most complete edition of Racan's religious works" and is in large part composed of his verse interpretations of the Psalms. The Hardy atelier produced luxurious volumes many of them armorial for a range of 19th century connoisseurs. Although we have not been able to identify the coat of arms on the covers the crown with pearls indicates that the owner bore the title of "Comte." Among other connections in the bibliopegic world Henri Hardy employed Jean Marius Michel as a gilder near the start of his career; he also worked with Charles Meunier and Émile Mercier before meeting Robert Hoe in Paris and agreeing to come to New York in early 1896 to serve as foreman of the newly established Club Bindery. In 1917 Hardy along with his compatriots Leon Maillard and Gaston Pilon formed the French Binders with the stated intention of "bringing together distinguished members of the craft to afford them opportunity to work under the most advantageous conditions." The present item is an excellent example of Hardy's earlier work is in outstanding condition inside and out and makes an excellent impression on the shelf. The bookplate on the flyleaf indicates that it was once owned by the French poet Auguste P. Garnier 1885-1966 who later ran the Garnier publishing house established by his family in 1833. Chez Pierre Lamy unknown
1669009971Paris: Gabriel Quinet 1669. Book. Very Good. Full Calf. First Edition. 16mo - over 5¾" - 6¾" tall. 14 234 1 pages. Illustrated title page Laurent Weyan sculpt. followed by title page with vignette Full page illustrations before pp. 1 and 107 also by L. Weyen. Headbands initials and tailpieces engraved on wood. SCARCE the original edition of the translation into French verse by Thomas Corneille of the first two books of the Metamorphoses of Ovid. Bound in contemporary full calf gilt back marbled end papers edges red ribbon marker. Very Good rubbed at edges and corners. Small early bookplate front paste down "Ex Libris Le Sestre Canon." and the not much larger bookplate of Ludovic Halevy 1834-1908 French author and playwright best known for his collaboration with Henri Meilhac on Georges Bizet's CARMEN and on the works of Jacques Offenbach. An edition with notable French literary provenance and made desirable by its typography and ornamentation. Gabriel Quinet Hardcover
162416367Grenoble, Pierre Verdier, 1624. 3 parties en 1 vol. in-4 de (8)-461-(5) pp. 1 f.bl., vélin souple, titre de l'auteur manuscrit sur le dos (reliure de l'époque).
17000051901700 Paris, Jean Anel, 1700. Petit in-quarto (151 X 198 mm) veau fauve marbré, dos cinq nerfs, caissons dorés ornés, pièce de titre, tranches mouchetées en rouge (reliure de l’époque); (1) f. de titre, 507 pages [1 carton page 50], (7) pages de table. Petit travail de ver en fond de cahier avec parfois quelques atteintes au texte (mais sans caractère de gravité et tout à fait acceptable), quelques cernes de mouillure et salissures, coiffes et un coin anciennement et habilement restaurés, craquelure à un nerf, sans le feuillet de faux-titre et les feuillets blancs. Ex-libris manuscrit ancien «Caiatte » en marge du titre, un autre biffé.
16821883Paris : Denis Thierry, Claude Barbin 1682 In-12, 154 x 87 Maroquin vert foncé, triple filet doré en encadrement sur les plats, dos à nerfs orné, dentelle dorée intérieure, tranches dorées sur marbrures (Chambolle-Duru 1869). (2 ff.), 242 pp.
165011861Paris, Augustin Courbé, 1650. 2 tomes en 1 vol. in-12. Plein maroquin rouge, triple filet doré en encadrement, dos à nerfs orné, titre, lieu et date dorés, double filet sur les coupes, roulette intérieure, tranches dorées. [CAPÉ]. Frontispice, titre, [4]ff, 161pp, [2]ff tables ; [1]f blanc, frontispice, titre, [3]ff avis au lecteur, [1]f blanc, 253pp, [4]ff table et privilège.
166111946Paris, Guillaume de Luyne, 1661. In-12 de (14)-173-(1) pp., maroquin rouge à grains longs, dos orné à nerfs, tranches dorées (reliure du début XIXe siècle).
