6 849 résultats
196740138Paris Gallimard 1967 In-8, broch, couverture imprime.Edition originale. Un des 60 premiers exemplaires numrots sur papier de Hollande. Neuf, non coup.
45429Paris Gallimard 1946 et 1953 2 volumes in-12, brochs, couvertures imprimes.Edition originale. Un des 50 premiers exemplaires numrots sur vlin Lafuma-Navarre.
196540139Paris Gallimard 1965 In-8, broch, couverture imprime.Edition originale. Un des 50 premiers exemplaires numrots sur papier de Hollande. Neuf, non coup.
EXE-485Paris, Gallimard, 1960. In-4° broché.
24991Paris, Gallimard, 20 juillet 1967. Fort in-8, broché, non coupé, 520 pp.
19280053151928 Paris, Éditions de la Nouvelle Revue Française, 1928. In-quarto (170 X 218 mm) broché ; 236 pages, (1) f. (errata).
33666Paris, Du n° 1, [mars 1921] au n° 16, été 1924. Directeurs : Georges Duvau, Gérard Rosenthal, Pierre Villoteau, Jean Albert-Weil. Collection complète. 16 numéros en 17 livraisons in-8 agrafées, sous emboîtage. Éditions Au Sans pareil son dépositaire général, à partir du n° 13. Textes de Louis Aragon, Marcel Arland, Henri Béraud, Francis Carco, Blaise Cendrars, Jean Cocteau, Maurice David, Joseph Delteil, Tristan Derème, Pierre Drieu La Rochelle, Georges Duvau, Francis Gérard [Gérard Rosenthal], Max Jacob, Valery Larbaud, Mathias Lübeck, Pierre Mac Orlan, Maurice Martin du Gard, Paul Morand, Pierre Naville, Pascal Pia, Léon Pierre-Quint, Jacques Porel, Raymond Radiguet, Pierre Reverdy, André Salmon, Marcel Sauvage, Camille Schuwer, Philippe Soupault, André Spire, etc. Bien complet des deux numéros 12, lun daté décembre 1922, comprenant un texte de Henri Béraud : « La Nature a horreur du Gide », lautre janvier 1923, un poème de Jacques Porel remplaçant le texte de Béraud. Joint le Supplément au n° 14, 1 f. recto-verso sur papier rose. Faibles traces de rouille au niveau des agrafes sur les premiers n°, très bel état par ailleurs.
196780665Sous étui-chemise cartonné avec dos en cuir signé elbel-libro. Couverture souple à rabats.
196766840Gallimard | Paris 1967 | 14 x 21 cm | broché
323979The Limited Editions Club 1994. Edition limited to 300 numbered copies signed by Cartier-Bresson. Translated by Simon Watson Taylor. Illustrated with seven original lithographs and a photogravure by Henri Cartier-Bresson. 1 vols. Folio 12 x 16 inches. Original blue-grey silk over boards matching slipcase. Fine. CARTIER-BRESSON Henri. Edition limited to 300 numbered copies signed by Cartier-Bresson. Translated by Simon Watson Taylor. Illustrated with seven original lithographs and a photogravure by Henri Cartier-Bresson. 1 vols. Folio 12 x 16 inches. "Just twenty‑eight when he wrote this magical novel he compares a poet's love for his city to a peasant's love for his land. A leading Surrealist writer Aragon was keenly aware of the hidden life concealed by every object great and small. The Peasant of Paris combines minute descriptions of scenes and objects humorous anecdotes and philosophical reflections: all to create a reality that goes far beyond the literal or visual. Another love affair with Paris: that of the renowned artist and photo- grapher Henri Cartier‑Bresson who chose this book to illustrate with seven enchanting lithographs of Paris and a photogravure portrait of Louis Aragon" Publisher.<br /> <br /> The Lithographs were pulled by Bruce Porter at his Trestle Editions studio in New York. The photogravure was printed by Jon Goodman on French-made Arjo Wiggins stock. The Limited Editions Club unknown
EXE-123Paris, Nouvelle Revue Française, 1926. Grand in-8° demi-maroquin noir, dos & couverture conservés (Duhayon). Edition Originale. L'un des 170 exemplaires numérotés sur vergé d'Arches.PENSÉE AUTOGRAPHE SUR LE DEUXIÈME PLAT DE LA COUVERTURE : " Si je mourrai un vendredi, ça me porterait la guigne: il y à peut être un dieu. Larcenaire".
194421641S.l. Paris: Éditions F.T.P.F. Francs-Tireurs et Partisans Français 1944. Limited Edition. Near Fine. <br /> THE EMBOSSED TYPOGRAPHY OF THE RESISTANCE PRESS HE SURREALIST TRANSFORMED INTO A WITNESS OF WAR.<br /> A primary artifact of the French literary Resistance this copy is the premiere example No. 1 of 25 of the special issue on Papier Alfa. <br /> <br /> Composed during the German occupation Aragon's poem is a harrowing and defiant invocation of national identity notable for its early and direct naming of the deportations and Auschwitz. Published by the Éditions F.T.P.F.-an imprint of the armed Resistance-this pamphlet was produced under the semi-clandestine conditions of the Liberation era. <br /> <br /> The title typography is executed in a distinctive tactile relief reflecting the urgent and irregular printing constraints of wartime France.<br /> <br /> CONDITION: Near Fine -- An exceptional survival for such a fragile pamphlet. The octavo is tight and square with a clean text block showing only light even age-toning. A small chip is noted at the lower edge of the rear wrap and a faint pencil notation appears at the lower corner of the final page. The original glassine wrapper is present and well-preserved having been stored separately to protect the tactile embossed title.<br /> <br /> SCHOLARLY INFLUENCES: <br /> The Witness of Auschwitz: Composed during the German occupation Aragon's poem is notable for its early and direct naming of the deportations and the camps. It represents a critical juncture where Surrealist poetry transformed into political testimony. <br /> Tactile Typography: The title is executed in a distinctive tactile relief reflecting the urgent and irregular printing constraints of wartime France. This 'raised printing' is a physical fingerprint of clandestine production. <br /> The No. 1 Specimen: As the first copy of the most limited state this specimen was likely intended for a high-ranking member of the Resistance or a central figure in Aragon's immediate Surrealist circle.<br /> Author: Louis Aragon was the leading poetic voice of the clandestine Resistance. Je vous salue ma France was written as the "Chant National" for the Liberation.<br /> <br /> Bibliographic Scarcity: While major institutions hold the standard issue this tirage de tête of 25 copies is effectively unrecorded in major bibliographical databases. It represents a foundational acquisition for any archive specializing in WWII Clandestine Imprints or French Modernism.<br /> While OCLC records 7 institutional holdings for the standard issue none specify this limited 25-copy state.<br /> <br /> KEY FEATURES<br /> Limitation: Copy No. 1 of only 25 numbered copies on Papier Alfa.<br /> Visuals: Unique embossed and tactile title typography; raised printing visible on recto.<br /> Imprint: Éditions F.T.P.F. affiliated with the Forces Françaises de l'Intérieur.<br /> Historical: Direct references to the Resistance imprisonment and Auschwitz.<br /> Specs: In-8° 8 unnumbered pages; 21 cm. HISTORICAL SIGNIFICANCE --<br /> Louis Aragon was the leading poetic voice of the clandestine Resistance. Je vous salue ma France was written as the 'Chant National' for the Liberation. <br /> <br /> This specific printing by the F.T.P.F. the armed wing of the Communist Resistance highlights the intersection of political militancy and high-art production. As Copy No. 1 this specimen was likely intended for a high-ranking member of the Resistance or a central figure in the Surrealist/Communist circle.<br /> <br /> SUBJECTS: Aragon Louis FranceHistory - German occupation 1940-1945; World War II Literature and the war French Resistance Imprints Clandestine publishing France Poetry Resistance Literature Wartime Printing French Modernism.<br /> <br /> BIBLIOGRAPHIC REFERENCE: FRBNF31726841 standard issue. Éditions F.T.P.F. (Francs-Tireurs et Partisans Français) unknown
1942CAT001047Mexico: Publicacaciones Herrerieas 1942. First Edition. Hardcover. Very Good Condition. 3 volumes rebound in green cloth backed marbled boards with a bit of wear at corners. Modest browning to pages chips to final pages in vol 2 stains to endpapers; very good or better overall. 992pp; 959pp; 284pp. Dated 1942 1943 1943. Illustrated with photos and drawings including detailed step by step instructions in a number of instances.<br /> <br /> Arranged alphabetically but idiosyncratically vol 1 is A vol 2 B-Z vol 3 added recipes. A mammoth collection of recipes collected under the supervision of journalist editor film maker he was the assistant director on Eisenstein's ¡Que viva Mexico! in 1932 and gastonome Agustín Aragón Leiva who was a dedicated enthusiast for regional Mexican cuisine later credited by Diana Kennedy with introducing her to many local foods and allowing her the use of his library -reportedly the most extensive culinary library in Mexico and a sort of Grimod de la Reyniere figure in Mexican cuisine in his later years. Rare with the third volume - 6 copies in OCLC none with the final volume. Size: 8vo. 3-volume set complete. Quantity Available: 1. Shipped Weight: 2-3 kilos. Category: Cooking Wine & Dining; Inventory No: CAT001047. Publicacaciones Herrerieas hardcover
21718Paris, NRF, 1928. In-4, 236 pp., broché, couverture originale imprimée (minuscule manque au premier plat de couverture).
22746Paris, Edité pour la Libre pensée révolutionnaire de France par le Bureau d'éditions et de diffusion, 1932, in-8, br. sous couv. illustrée, n.p. Edition originale. 16 images de Georges Adam. Violent pamphlet antireligieux d'Aragon publié peu après la parution de* Front rouge*, dont Breton avait encore pris la défense dans "Misère de la poésie", et de celle du tract "Paillasse" dans lequel Aragon fut cette fois accusé par les surréalistes de "lâcheté intellectuelle et d'arrivisme". Très peu diffusé pour des raisons circonstancielles, "Aux Enfants rouges" ne fut intégralement republié qu'en 2007 (*Œuvres poétiques complètes*, Pléiade, t. I). Rare.
1967115739Paris Gallimard 1967 1 vol. relié in-8, demi-maroquin rouge à coins bordé d'un filet doré, dos à fins nerfs, tête dorée, couvertures et dos conservés (Alix), 515 pp. Édition originale de ce roman hétérogène qui mêle fiction, poèmes en prose, souvenirs, critiques, journal intime... Le narrateur, linguiste à la retraite, tente de reconstituer l'image de son ex-femme. Mais le souvenir faisant défaut, il donne vie à un double allégorique de sa mémoire, Marie-Noire... Un des 160 exemplaires numérotés sur vélin pur fil Lafuma-Navarre, dans une parfaite reliure signée.
1967115739Paris Gallimard 1967 1 vol. relié in-8, demi-maroquin rouge à coins bordé d'un filet doré, dos à fins nerfs, tête dorée, couvertures et dos conservés (Alix), 515 pp. Édition originale de ce roman hétérogène qui mêle fiction, poèmes en prose, souvenirs, critiques, journal intime... Le narrateur, linguiste à la retraite, tente de reconstituer l'image de son ex-femme. Mais le souvenir faisant défaut, il donne vie à un double allégorique de sa mémoire, Marie-Noire... Un des 160 exemplaires numérotés sur vélin pur fil Lafuma-Navarre, dans une parfaite reliure signée.
1924115714Paris Gallimard 1924 1 vol. relié in-4 tellière, demi-maroquin bordeaux à coins, dos à fins nerfs, tête dorée, non rogné, couvertures et dos conservés (Semet & Plumelle), 254 pp. Édition originale de ce recueil de contes et saynètes surréalistes qui s'ouvre sur une fantaisie, "Quelle âme divine !", rédigée par Aragon à l'âge de huit ans. Un des 108 exemplaires de tête réimposés sur vergé Lafuma-Navarre et parmi ceux-ci un des 100 réservés aux bibliophiles de la Nouvelle Revue française (n° XXXIII, imprimé pour le libraire Camille Bloch). Très bel exemplaire, parfaitement relié.
1924115714Paris Gallimard 1924 1 vol. relié in-4 tellière, demi-maroquin bordeaux à coins, dos à fins nerfs, tête dorée, non rogné, couvertures et dos conservés (Semet & Plumelle), 254 pp. Édition originale de ce recueil de contes et saynètes surréalistes qui s'ouvre sur une fantaisie, "Quelle âme divine !", rédigée par Aragon à l'âge de huit ans. Un des 108 exemplaires de tête réimposés sur vergé Lafuma-Navarre et parmi ceux-ci un des 100 réservés aux bibliophiles de la Nouvelle Revue française (n° XXXIII, imprimé pour le libraire Camille Bloch). Très bel exemplaire, parfaitement relié.
196246499Paris.: Au Cercle du Livre Précieux. 1962. Original publisher's full white vellum title and vignette in blind to front cover reduced matching title and vignette in gilt to spine grey endpapers white silk placemarker t.e.g. vellum-edged grey paper board slipcase; spine with wear and discolouration. 8vo. 252 x 168 mm. Half-title in red and black leaf with original engraving by Hans Bellmer verso as frontispiece printed title in red and black 5 leaves with Préface by André Pieyre de Mandiargues and text of 'Le Con d'Irène' leaf with justification and final leaf with achevé d'imprimer recto and publisher's credit verso. Louis Aragon's 'Le Con d'Irène' with Hans Bellmer's original engraving.From the edition limited to 700 numbered copies on vélin d'Arches pur Chiffon each with the frontispiece engraving by Hans Bellmer; several hors commerce copies were also issued.First published pseudonymously in 1928 with etchings by André Masson 'Le Con d'Irène' has been described as 'un essai sérieux de prose pornographique' Cramer. A second edition designed and illustrated by Hans Bellmer was published in 1952 after a facsimile of the first was issued in 1948 before the present edition also illustrated by Bellmer. Of considerable notoriety the novel's pseudonymous Albert de Routisie was identified as Louis Aragon adding to his oeuvre of erotic works that also included - with Benjamin Péret - the explicit '1929'.'Pendant trois mois l'auteur a parcouru notre grande colonie interrogeant administrateurs officiers colons. Pour la clarté de ses exposés comme par la valeur de sa documentation ce livre intéresse le spécialiste et le profane. Selon le mot d'un grand emmerdeur 'Le Con d'Irène' devrait être mis entre les mains de tous nos futurs administrateurs éducateurs et officiers coloniaux.' Aragon writing in André Breton's copy of the first edition. Au Cercle du Livre Précieux. hardcover
18812Paris, Librairie José Corti, Juillet 1930 à mai 1933. 6 volumes reliés, demi-maroquin parme à coins, non rognés, couvertures conservées.
1931014802Paris José Corti 1931 In-12 Agrafé Ed. originale
19801033571980 Paris, Gallimard, 1980, In-8, 543 pp., plein cuir rouge, dos à 5 nerfs, étui (D.H. Mercher).Edition originale exemplaire n°2/65 sur vergé blanc de Hollande Van Gelder, premier papier.(103357)
194684242Paris: Gallimard 1946. Fine. Gallimard Paris 1946-1953 12 x 19 cm 2 volumes brochés First edition one of 55 numbered copies on vellum for each volume deluxe copies. Spines very lightly sunned without detriment handsome set. Gallimard hardcover
