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197285357Harcourt Brace Janovich. As New. 1972. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - - Corresponds to ASIN: B001F3Q1SQ. TWO 2 VOLUME SET. -- with a bonus offer-- . Harcourt Brace Janovich hardcover
197285356Harcourt Brace Janovich. As New. 1972. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - - Corresponds to ASIN: B0012G6AXM. TWO 2 VOLUME SET. -- with a bonus offer-- . Harcourt Brace Janovich hardcover
197285359Harcourt Brace Janovich. As New. 1972. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - - Corresponds to ASIN: B000M0XPVY. TWO 2 VOLUME SET. -- with a bonus offer-- . Harcourt Brace Janovich hardcover
198879925University of Nebraska Press. New. 1988. Hardcover. 0803210213 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 102 pp. Description: "Published in 1922 and modeled on Fénelon's seventeenth-century epic of the same name Aragon's work parodies its heroic models didacticism psychological stability and descriptive and narrative balance." -- with a bonus offer-- . University of Nebraska Press hardcover
1921CLL-849Paris, Éditions de la Nouvelle Revue Française, 1921 Grand in-8 (215 x 165mm) de 197 pp. (tables au verso), (1)f. d'achevé d'imprimer, broché sous couvertures imprimées, non rogné, boîte percaline bleue avec pièce de titre de maroquin grège.
1928CLL-863Paris, Éditions de la Nouvelle Revue Française, 1928 Grand in-8 (210 x 165mm) de 236pp., (1)f., 1 f. bl., broché sous couvertures imprimées, non rogné, boîte percaline bleue avec pièce de titre de maroquin grège.
28817Paris Gallimard 28 avril 1928. 1 vol. 120 x 190 mm de 236 p. 1 et 1 f. BrocheÌ. . Édition originale. Un des 25 premiers exemplaires hors commerce sur papier vert n° 22 réservés à l'auteur. . Le Traité du style est dans la continuité des textes polémiques chers au surréalistes : son déclenchement vient d'un article de Marcel Arland dans La Nouvelle Revue française qui assimilait le surréalisme à un « truc » littéraire. Aragon réplique. Rien de nouveau certes tant les réponses aux opposants au mouvement furent courantes mais la démesure et l'excès prennent ici une proportion inédite et cela sous la couverture blanche des Éditions de la Nrf elle-même largement brocardée. Plusieurs écrivains s'en émeuvent et la fronde couve mais Gaston Gallimard défendra son auteur contre Paul Valéry et André Gide textuellement traités d'« emmerdeurs ». Rare tirage sur papier vert deux ans après Le Libertinage. Ce tirage est annoncé comme limité à 25 exemplaires hors commerce « pour l'auteur ». Breton et Éluard dans ces mêmes années auront également droit à ces tirages spécifiques et colorés sur papier vert jonquille ou saumon. Notons également que Gallimard pour ces papiers verts décline le raffinement jusqu'aux couvertures : l'habituel double liseré d'encadrement sur le premier plan habituellement rouge est ici imprimé en vert. Paris, Gallimard, (28 avril) 1928. 1 vol. (120 x 190 mm) de 236 p., [1] et 1 f. BrocheÌ. unknown
23078Paris, NRf, 1924. In-4, 254 pp., demi-maroquin bordeaux de Hauttecoeur, dos à nerfs orné de filets dorés et à froid, tête dorée, couverture conservée (1 mors fendu, petits frottements et épidermures, quelques petites taches éparses).
21676Paris, Denoël et Steele, 1934. In-8, 441 pp., broché, couverture originale imprimée (quelques minuscules rousseurs au premier et au dernier ff.).
192828817Exemplaire de tête sur papier vert Paris, Gallimard, (28 avril) 1928. 1 vol. (120 x 190 mm) de 236 p., [1] et 1 f. Broche. Édition originale. Un des 25 premiers exemplaires hors commerce sur papier vert (n° 22), réservés à l'auteur.
19713Paris Gallimard - NRF 1967 in 8 (20,5x14) 1 volume broché, couverture imprimée à rabats, 520 pages [3], non coupé. Collection blanche. Edition originale tirée à 220 exemplaires numérotés, celui-ci un des 60 exemplaires sur vélin de Hollande van Gelder (1er grand papier). Etat de neuf ( Photographies sur demande / We can send pictures of this book on simple request )
19712301Francfort, Propyläen, 1971. Un album in-plano (500 x 335 mm), en feuilles, sous couverture de papier vergé rouge lavande avec titre imprimé sur le front. Emboitage de l'éditeur en polycarbonate blanc sérigraphié du titre sur le premier plat. ÉDITION ORIGINALE. - Tirage : 140 ex. (Série A1, 70 ex.sur Japon et série A2, 70 ex. sur Arches). Celui-ci un des 70 exemplaires de la série A1, celui-ci le n°35/70, comprenant 5 gravures originales inédites de Hans Bellmer, tirées sur Japon Nacré, toutes justifiées 35/70 et signées par Hans Bellmer, chacune sous bifolio imprimé d'un texte de l'artiste en guise d'introduction à l'image. Les textes sont en allemand d'origine. Dimensions: feuilles : 50 x 33,5 cm ; les cuivres variant de 31 x 22,5 cm à 22 x 17 cm.
1948YQV-22Petit in-12 (170 × 110 mm) de 180-[4] pp. ; broché, couverture imprimée, non rogné.
52229New York: The Limited editions Club 1994. One of 300 copies signed by Cartier-Bresson. Illustrated with Seven Original Lithographs and a Photogravure by Henri Cartier-Bresson. The Lithographs were pulled by Bruce Porter at his Trestle Editions studio in New York. The photogravure was printed by Jon Goodman on French-made Arjo Wiggins stock. 1 vols. Folio 12 x 16 inches. Grey-Green silk. In slip case. Fine. CRTIER-BRESSON Henri. One of 300 copies signed by Cartier-Bresson. Illustrated with Seven Original Lithographs and a Photogravure by Henri Cartier-Bresson. The Lithographs were pulled by Bruce Porter at his Trestle Editions studio in New York. The photogravure was printed by Jon Goodman on French-made Arjo Wiggins stock. 1 vols. Folio 12 x 16 inches. The Limited editions Club unknown
19943115950New York: Limited EDITIONS CLUB. Fine with no dust jacket. 1994. First Edition; First Printing. Hardcover in Slipcase. Limited edition. Copy number 3 out of 300 SIGNED by Cartier-Bresson on colophon. Illustrated with 7 original Lithographs and a Photogravure by Henri Cartier-Bresson. The Lithographs were pulled by Bruce Porter at his Trestle Editions studio in New York. The photogravure was printed by Jon Goodman on French-made Arjo Wiggins stock. Folio 12 x 16 inches. Laid-into grey-green silk slip case with interior felt linin. Book and slipcase are fine. The Photogravure frontispiece by Henri Cartier-Bresson is a portrait of writer Louis Aragon. A lovely production. ; 12" x 16" . Limited EDITIONS CLUB hardcover
39062Neuchâtel, Baconnière (coll. "Les Poètes des Cahiers du Rhône"), 1942. In-8°, 56p. Broché, couverture rempliée.
192647918Paris.: Librarie Gallimard. 1926. Original publisher's cream wrappers with typographic design printed in blue rear wrapper with a manuscript 'pensée' by Péret in Aragon's hand within blue three-dimensional box design. 4to. 237 x 187 mm. Title page repeating cover design with justification verso dedication and frontispiece by Max Morise verso half title and Aragon's poems pp. 9 - 95 printed with one full page illustration by Morise for the section 'Les Destinées de la Poesie' printer's credit to rear. The first edition of Aragon's second poetry collection with original manuscript 'pensée'.From the edition limited to 268 copies this one of 170 printed on Arches.The cover features a superb mirrored typographic design by Aragon himself. The boxed phrase 'Voir au dos la pensée' leads us to the rear cover where a quote by Benjamin Péret here in Aragon's hand reads: 'Ah que le charbon est beau sur / les routes tournesol / Tournesol et carré / Si je tourne c'est que le sol est carré' an extract with one variation from Péret's poem 'Dormir dormir dans les pierres' 1927.'Je dédie ce livre a la poésie et merde pour ceux qui le liront.' Librarie Gallimard. unknown
8877New York: The Limited Editions Club 1994. Hardcover. NF. Signed by Illustrator. Near Fine. #189 of 300 copies signed by Henri Cartier-Bresson. Designed by Dan Carr and printed on Velin Arches paper and printed by Wild Carrot Letterpress. Type set in Monotype Plantin Light by Dan /carr and Julia Ferrari at Golgonooza Letter Foundry with additional hand work by Art Larson at Horton Tank Graphics. This copy is NF with some slight fading on the spine but otherwise in fine condition. Original monthly letter #573 laid in. NF slipcase Print info from 1985 Bibliography and Snyman - Grossman LEC Checklist #573. The Limited Editions Club hardcover
1924CLL-108Paris, Éditions de la Nouvelle Revue Française, 1924 Grand in-8 (215 x 165mm) de 1f. bl., 254pp., (2)ff., broché sous couvertures imprimées, non rogné, boîte percaline bleue avec pièce de titre de maroquin grège.
196766840Paris: Gallimard 1967. Fine. Gallimard Paris 1967 14 x 21 cm broché First edition one of 60 numbered copies on Hollande deluxe issue. Minor insignificant spotting to the spine. A handsome copy. Gallimard unknown
lec-0011Just twenty eight when Louis Aragon wrote this magical novel he compares a poet's love for his city to a peasant's love for his land. A leading Surrealist writer Aragon was keenly aware of the hidden life concealed by every object great and small. The Peasant of Paris combines minute descriptions of scenes and objects humorous anecdotes and philosophical reflections: all to create a reality that goes far beyond the literal or visual. Another love affair with Paris: that of the renowned artist and photographer Henri Cartier-Bresson who chose this book to illustrate with seven enchanting lithographs of Paris and a photogravure portrait of Louis Aragon.<br />Seven lithographs and a photogravure by Henri Cartier-Bresson.<br />Edition limited to 300 numbered copies.<br />Each signed by Henri Cartier-Bresson.<br />The text and seven lithographs are printed on mould-made paper from the Arches mill in Epinal France. The photogravure plate was made and the photogravures were editioned by Jon Goodman at his studio in Hadley Massachusetts. The book and slipcase are bound in gray-green Japanese fabric. <br />One Volume 12 x 16¼ inches. <br /><br />As the publisher we unconditionally guarantee that all books are authentic and the condition is As New NOS. Limited Editions Club hardcover
19217771921 [Paris : 1921] Tract affichette (27,7 x 22,5 cm). Imprimé en noir et bleu, recto seul. Petit manque angulaire sinon bel état. Édition originale. Une réimpression a été faite en 1966 mais le texte y est encadré avec une grande marge. Rare tract original dada annonçant une excursion, signée par, entre autres, Aragon, Arp, Breton, Éluard, Péret, Picabia, Soupault, Tzara... Ce prospectus dada de la visite de l'église St-Julien-le-Pauvre, fut réalisé dans le cadre d'une série d'excursions et visites à travers Paris, dans des lieux volontairement dérisoires. Georges Ribemont-Dessaignes servit de guide, improvisant des lectures devant une colonne ou sculpture d'articles pris au hasard dans un gros dictionnaire Larousse. La visite, qui se déroula sous la pluie, ne compta qu'une cinquantaine de participants et fut considérée comme un échec scellant la fin de ces "happenings" dadaïstes.
003046Paris, Louis Janet, libraire-éditeur (ca 1825)
194724152Paris: Maeght Editeur 1947. Illustrated Wraps. Near Fine/Very Good . Henri Matisse. A very presentable copy of the 1947 1st edition. #004 of 950 copies issued on "Velin superieur". The book consists of the "5-color cover and the 17 full-page illustrations including 1 frontispiece and 1 original out-of-text lithograph 1 wood gouge and 14 unpublished heliogravures composed and laid out by Matisse. The printing of the illustrations and texts was done by Draeger Freres". Clean and Near Fine. And in a crisp Near Fine dustjacket AND a VG to Near Fine example of the outer glassine dustjacket with just a touch of chipping at the lower-edges. And finally sturdy examples of the unprinted gray card chemise and slipcase. Maeght Editeur unknown
199452229New York: The Limited editions Club 1994. One of 300 copies signed by Cartier-Bresson. Illustrated with Seven Original Lithographs and a Photogravure by Henri Cartier-Bresson. The Lithographs were pulled by Bruce Porter at his Trestle Editions studio in New York. The photogravure was printed by Jon Goodman on French-made Arjo Wiggins stock. 1 vols. Folio 12 x 16 inches. Grey-Green silk. In slip case. Fine. CRTIER-BRESSON Henri. One of 300 copies signed by Cartier-Bresson. Illustrated with Seven Original Lithographs and a Photogravure by Henri Cartier-Bresson. The Lithographs were pulled by Bruce Porter at his Trestle Editions studio in New York. The photogravure was printed by Jon Goodman on French-made Arjo Wiggins stock. 1 vols. Folio 12 x 16 inches. The Limited editions Club unknown books