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Swiss Graffiti. Graffiti aus der Schweiz
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2019CBS-9783030111830Springer 2019. New. Springer unknown
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194011189Madrid 1940.- 320 p. 1 h.: mapas plegados y láminas; 4º. GUERRA CIVIL 1936-1939 Y EXILIO Libro en español Sin editorial paperback
2014022298Barcelona: UAM-A/Editorial Reverte 2014 Este texto ha sido diseñado para formar ingenieros capacitados en las aplicaciones contemporáneas de la potencia fluida con las aptitudes para concebir la neumática e hidráulica como partes de un campo tecnológico unificado. Las máquinas que funcionan con base a la transmisión de energía por medio de un vehículo fluido se han aplicado industrialmente durante más de 200 años. En el siglo XXI la importancia tecnológica de las máquinas hidroneumáticas es irrefutable. Con este libro se pretende contribuir a la formación de nuevos ingenieros que al incorporarse a la actividad profesional ya posean las habilidades para accionar dispositivos basados en aire y aceite presurizados. La obra también está dirigida a los profesionales que deben tratar con alguno de los muchos procesos de manufactura en los que las máquinas automáticas ejecutan ciclos de trabajo repetitivos precisos veloces y fiables. Ahí es donde la potencia fluida establece la mejor interrelación con el control electrónico. UAM-A/Editorial Reverte hardcover
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1943111647México D.F.: Publicaciones Herrerias S.A. bajo la supervisión del profesor Agustín Aragón Leiva Relator y Censor de la H. Academia Mexicana de Gastronomia 1943. Rebound without original covers; normal yellowing of paper; o/w tight clean and vg. illus. tbls. recipes quarter marbled endpapers green calf with leatherette embossed covers raised bands on spine with gold lettering. One of the Mexican men who contributed his gastronomic knowledge through his profession journalism was Agustín Aragón Leyva proof of this are the publications the culinary promotion and the banquets he prepared for friends and neighbors in the colonia Santa María la Ribera . He inhabited the house on Calle Doctor Atl 215 formerly called Pino in that tradition colony. "Agustín Aragón Leyva not only had a taste for cooking he was also a positivist scholar with the most complete library in Latin America. "He always showed his love for gastronomy and more for Mexican food" explains Alejandro Céssar Rendón assistant to the late sybarite. One of the most important cooking books that the journalist introduced is the Dictionary of Recipes for Cooking Pastry Ice Cream and Drinks published in 1942 in two volumes which show the trends of that time in Mexican cuisine. He was one of the pioneers of the gastronomic critic with the weekly participation in his column El Pan de Cada Día published in the newspaper Ovaciones. Another of its gastronomic activities was to found the Academy of Gastronomy and Bromatology a science that studies food. "He also collaborated in campaigns to increase the consumption of fish products and the culinary use of the rabbit" commented Puig and Stoppen in one of the publications published by the Franz Mayer Museum: History of Mexican Cuisine through its Publications. One of his favorite dishes were the chiles en nogada that every August 28 the day of San Agustín he tasted to celebrate his saint.<br /> Ref: Historia de la Cocina México a través de sus publicaciones Puig y Stoppen Museo Franz Mayer. Publicaciones Herrerias, S.A., bajo la supervisión del profesor Agustín Aragón Leiva, Relator y Censor de la H. Academia Mexi unknown
PJH56641Skira 1969. Ownsership Signatre of Roger Cardinal on endpaper VG bright copy in publishers wrappers with film covering peeling. 1st edition. Roger Cardinal was one of Britains most distinguished art historians best known for defining what is generally known as Outsider Art - that is art by people with no formal training. He began his career as a lecturer at the French department of the University of Manitoba Canada subsequently moving to Warwick University and finally to the University of Kent at Canterbury where he taught for fifty years and held a professorship. Roger Cardinal was not only a leading authority on Outsider Art but also on Surrealism. He was a prolific writer and a master of literary style. His eloquent percipient writings include several books on a wide range of subjects such as Outsider Art 1972 German Romantics in Context 1975 Figures of Reality 1981 Expressionism 1984 The Landscape Vision of Paul Nash 1989 The Cultures of Collecting 1994 and Kurt Schwitters 2011. He also acted as a curator and was a regular contributor to art-historical publications. CardinalÕs interest in art lay in its margins - the neurodiverse psychotic uneducated autistic self-taught and ÔotherÕ. His fascination with artists such as the violently psychotic Adolf Wlfli lay in their creativity rather than in the sensationalism of their lives. Certainly it did not lie in the resale value of their work. That outsider art should have its own multimillion-dollar annual fair in New York and specialist departments at ChristieÕs auctioneers ran quite contrary to CardinalÕs thinking. ISBN B0018JO5E4 Skira 1969 unknown
PJH55582Gallimard Paris 1965. Ownership Signature of Roger CardinalVG in creased publishers decorated wrappers. 1st edition. Roger Cardinal was one of BritainÕs most distinguished art historians best known for defining what is generally known as Outsider Art - that is art by people with no formal training. He began his career as a lecturer at the French department of the University of Manitoba Canada subsequently moving to Warwick University and finally to the University of Kent at Canterbury where he taught for fifty years and held a professorship. Roger Cardinal was not only a leading authority on Outsider Art but also on Surrealism. He was a prolific writer and a master of literary style. His eloquent percipient writings include several books on a wide range of subjects such as Outsider Art 1972 German Romantics in Context 1975 Figures of Reality 1981 Expressionism 1984 The Landscape Vision of Paul Nash 1989 The Cultures of Collecting 1994 and Kurt Schwitters 2011. He also acted as a curator and was a regular contributor to art-historical publications. CardinalÕs interest in art lay in its margins - the neurodiverse psychotic uneducated autistic self-taught and ÔotherÕ. His fascination with artists such as the violently psychotic Adolf Wlfli lay in their creativity rather than in the sensationalism of their lives. Certainly it did not lie in the resale value of their work. That outsider art should have its own multimillion-dollar annual fair in New York and specialist departments at ChristieÕs auctioneers ran quite contrary to CardinalÕs thinking. Gallimard (Paris) 1965 unknown
61087Eds Stock 1997 In-8 24 cm 90pp. Nb-0355 unknown
61233Gallimard - Nrf - édition originale In-8-carré 24 cm 220pp. Nb-0129 unknown
PJH55844Prentice - Hall 1970. Ownership Signature of Roger Cardinal on endpaper with some of his marginal markings in the text VG bright tight copy in cloth backed decorated boards in like slightly dusty dustjacket. 1st edition. Illustrated throughout. In the New Library of French Classics Series. Roger Cardinal was one of BritainÕs most distinguished art historians best known for defining what is generally known as Outsider Art - that is art by people with no formal training. He began his career as a lecturer at the French department of the University of Manitoba Canada subsequently moving to Warwick University and finally to the University of Kent at Canterbury where he taught for fifty years and held a professorship. Roger Cardinal was not only a leading authority on Outsider Art but also on Surrealism. He was a prolific writer and a master of literary style. His eloquent percipient writings include several books on a wide range of subjects such as Outsider Art 1972 German Romantics in Context 1975 Figures of Reality 1981 Expressionism 1984 The Landscape Vision of Paul Nash 1989 The Cultures of Collecting 1994 and Kurt Schwitters 2011. He also acted as a curator and was a regular contributor to art-historical publications. CardinalÕs interest in art lay in its margins - the neurodiverse psychotic uneducated autistic self-taught and ÔotherÕ. His fascination with artists such as the violently psychotic Adolf Wlfli lay in their creativity rather than in the sensationalism of their lives. Certainly it did not lie in the resale value of their work. That outsider art should have its own multimillion-dollar annual fair in New York and specialist departments at ChristieÕs auctioneers ran quite contrary to CardinalÕs thinking. Prentice - Hall 1970 hardcover
65187Les Editions Surrealistes - edition originale In-4 83pp. un des exemplaires numerotes sur velin bibliophile complet de son feuillet d' errata quelques marques d' usage au dos B62 publication dédiée à Elsa Triolet contient le poeme: Front Rouge unknown
PJH55663University of Nebraska Press 1988. Ownership Signature of Roger Cardinal Signed Presentation to him on title page from Translator Renee Riese Herbert VG in publishers cloth in like dustjacket faded evenly to spine. 1st edition. Roger Cardinal was one of Britains most distinguished art historians best known for defining what is generally known as Outsider Art - that is art by people with no formal training. He began his career as a lecturer at the French department of the University of Manitoba Canada subsequently moving to Warwick University and finally to the University of Kent at Canterbury where he taught for fifty years and held a professorship. Roger Cardinal was not only a leading authority on Outsider Art but also on Surrealism. He was a prolific writer and a master of literary style. His eloquent percipient writings include several books on a wide range of subjects such as Outsider Art 1972 German Romantics in Context 1975 Figures of Reality 1981 Expressionism 1984 The Landscape Vision of Paul Nash 1989 The Cultures of Collecting 1994 and Kurt Schwitters 2011. He also acted as a curator and was a regular contributor to art-historical publications. CardinalÕs interest in art lay in its margins - the neurodiverse psychotic uneducated autistic self-taught and ÔotherÕ. His fascination with artists such as the violently psychotic Adolf Wlfli lay in their creativity rather than in the sensationalism of their lives. Certainly it did not lie in the resale value of their work. That outsider art should have its own multimillion-dollar annual fair in New York and specialist departments at ChristieÕs auctioneers ran quite contrary to CardinalÕs thinking. ISBN 0803210213 University of Nebraska Press 1988 hardcover
SB05P-00962Edito service / La bibliothèque des arts. Used - Acceptable. Acceptable condition. No Dust Jacket Two volume set in slipcase. French. Volume 2: Spine is cracked. Slipcase Acceptable. dogs animals NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES. Edito service / La bibliothèque des arts unknown
S01OS-00449Edito service / La bibliothèque des arts. Used - Good. Good condition. Edges foxed. 2 Volume set. Slipcase Acceptable. dogs chiens NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES. Edito service / La bibliothèque des arts unknown
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20152-8446042282Ediciones Akal 2015. Hardcover. New. Spanish language. 9.53x8.03x0.94 inches. Ediciones Akal hardcover
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