Luis Cardoza y AragonBiblio.com
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lom-ZLO000899Monegal Emir Rodriguez The Borzoi anthology of Latin American literature. Vol. 1 1977 New York. In Spanish. Please feel free to contact us for a detailed description of the copies available. SKUZLO000899 unknown
1246746496Editions Gallimard. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket in good condition. Complete 2 volume set. Shelf and handling wear to cover and binding with general signs of previous use. Includes slipcase in good condition. Text is in French. The text block includes extensive photographs to supplement the text. The bindings suffer moderate loosening due to age and wear but remain secure and in-tact; the pages are clean and unmarked. Secure packaging for safe delivery.Dust jacket quality is not guaranteed. Editions Gallimard hardcover
BN83250Wege zu Giacometti <br/><br/> unknown
1948871601948. Fine. ""Pour moi l'amitié des assasins n'est pas l'amitié . tant pis si l'on me juge esclave et qu'on me juge sans coeur !"" For me the friendship of assassins is not friendship . too bad if I am judged a slave and judged heartless! s. d. 1948 21 x 30 cm 8 pages et demi sur 9 feuillets Exceptional autograph manuscript by Louis Aragon entitled ""Chronique de la pluie et du beau temps pour Europe mai"". 8 and a half pages in blue ink on 9 uniformly browned leaves. Numerous deletions and rewritings. Published in Europe no 29 May 1948 and does not appear in the book collecting these chronicles E.F.R. 1979. Superb nine-page militant profession of faith published in the anti-fascist literary review Europe. Aragon finds himself courted after the war in the name of ""friendship"" and ""freedom"" by various reviews but categorically refuses to publish alongside writers with Pétainist tendencies. The writer delivers his impressions after a radio interview in Belgium and meditates on ""two abstract monsters: freedom and friendship"" perverted at will in this early Cold War period when Sovietism becomes - to his great dismay - the new fascism. Very attached to the unified discourse advocated by communism which he calls ""national truth"" this notion serves as the guiding thread of his chronicle. Aragon writes in the midst of the Kravchenko affair and remains convinced by Sovietism which remains for him the great victor over Nazism. As a great literary witness to the suffering endured during the Occupation he is alarmed by the editorial choices of reviews seeking to obtain contributions from him: one shamelessly publishes a text by Montherlant totally oblivious to the Parisian martyrs during the war while the other affectionately justifies the allegiances of many French people to Marshal Pétain. It is also the occasion for a long and beautiful analysis of the idea of nation by Aragon who is unquestionably the national poet of this century. We find there in his inspired tirades the Aragonian ideal of healthy emulation among nations turned toward progress. Beautiful pages by Aragon in the midst of the crystallization of the Eastern and Western blocs. Aragon's ambition is to honor the memory of the Resistance by choosing to ""trust words when they are used for peace"". ""La Nation qui me paraît aujourd'hui encore être le groupe le plus étendu qui puisse se porter garant d'une vérité . la radio peut et doit transmettre à son public la vérité nationale . 'Qu'entendez-vous concrètement par vérité nationale ' Me demande-t-il comme il m'aurait sûrement demandé : qu'entendez-vous en disant qu'il fait grand jour en plein midi si je l'avais dit. C'est là le mécanisme des interviews. J'ai donc pris deux exemples concrets pour expliquer à quoi sert le maniement des abstractions. Deux cas récents où j'ai eu à me mesurer avec deux monstres abstraits : la liberté et l'amitié. La liberté d'abord. On sait comment les pires ennemis de la liberté font usage d'un livre qui s'appelle : J'ai choisi la liberté donnant le bénéfice d'un préjugé favorable de ce mot à tous ceux qui trahissent leur pays quand c'est pour choisir le système capitaliste . . Une revue qui s'édite à Montréal m'avait récemment écrit pour me demander ma collaboration. Son directeur littéraire faisait appel à l'homme libre l'italique est sienne que je suis. Cette façon de distinguer par la typographie en moi la possibilité d'être parfois un homme libre parfois non m'avait un peu inquiété. J'ai voulu voir sa revue . Mon Dieu le fait que ce numéro s'ouvre par un texte de M. de Montherlant me laisse libre de ne pas parler du contexte. On sait et j'imagine que M. Victor Barbeau de Montréal n'ignore pas que M. de Montherlant est sur la liste des écrivains avec lesquels les membres du Comité National des Ecrivains se refusent à collaborer. Ce qui doit sans doute m'expliquer pourquoi M. Barbeau s'adresse en moi à l'homme libre : c'est- unknown
439758Weidenfeld and Nicolson. Hardcover. Poor. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. Octavo hardback d/j missing rubbing and staining to the original black cloth binding back hinge a bit loose foxing to the text block edges text clean and unmarked. Weidenfeld and Nicolson hardcover
71-02403KEDROS. Book. Good. Good condition. Dust jacket shelf wear. Clean inside. KEDROS unknown
192187382Paris: Nrf 1921. Fine. Nrf Paris 1921 13 x 19 cm broché First edition one of 940 numbered copies on wove paper the only deluxe copies with 120 reimposed. Spine and boards very slightly sunned as often some minor foxing. Nrf hardcover
192172673Paris: Nrf 1921. Fine. Nrf Paris 1921 13 x 19 cm broché First edition one of 940 numbered copies on pure thread the only deluxe copies with 120 reimposed. Spine and covers very marginally sunned as often. Nrf unknown
192164382Paris: Nrf 1921. Fine. Nrf Paris 1921 13 x 19 cm broché First edition one of 940 numbered copies on pure laid paper the only deluxe copies along with 120 reimposed. Spine and boards marginally sunned as often small tears at head and foot of spine as well as in margins of boards. Nrf hardcover
192117138Paris: Nrf 1921. Fine. Nrf Paris 1921 13 x 19 cm broché First edition one of 940 numbered copies on pur fil the only deluxe copies with 120 reimposed. Scattered foxing. Nrf unknown
0428375960.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
20032-2070115291Gallimard 2003. Leather Bound. New. 1740 pages. French language. 6.85x4.57x1.65 inches. Gallimard hardcover
1990I-006-711Seghers 1990. Paperback. Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations. Seghers paperback
BN327341Seghers. Softcover. Aragon parle avec Dominique Arban <br/><br/>Aragon parle avec Dominique Arban Louis Aragon et Dominique Arban Seghers paperback
1946991Y38London: Pilot Press Ltd 1946. First edition. Cloth. Near Fine/Very Good Indeed. 7.5" by 5". None. The first English edition of Louis Aragon's sweeping novel set against the backdrop of the Roaring Twenties with the very scarce unclipped dust wrapper. The first English edition.With the publisher's very scarce original unclipped dust wrapper. Aurelien follows the titular bourgeois hero as he navigates life post-First World War. The action unfolds against a backdrop of the famous Roaring Twenties as he becomes swept up in an all-consuming love for Berenice a young woman fresh from the provinces.The novel was ranked 51st in Le Mondes's 100 Books of the Century. From French poet and leading voice of France's surrealist movement Louis Aragon. He was a co-founder of the surrealist review Litterature and from 1959 he was a frequent nominee for the Nobel Prize in Literature. In the original cloth binding. With the original unclipped dust wrapper. Externally excellent with mild shelf wear and slight fading to the spine gilt. Dust wrapper is very smart with handling marks and mild edge wear. Internally firmly bound. Pages are bright and generally clean with spots to the fore edge affecting the occasional page. Light scattered spots to the endpapers. Near Fine Pilot Press Ltd hardcover
2-2070202186GALLIMARD 1944. Paperback. New. 584 pages. French language. 7.80x5.51x1.57 inches. GALLIMARD paperback
194479256Paris: Gallimard 1944. Fine. Gallimard Paris 1944 14.50 x 21 cm broché First edition one of 88 numbered copies on pur fil paper deluxe copies after 13 on Holland paper. Rare and very handsome copy. Gallimard unknown
198081311Paris: Les Editeurs Français Réunis 1980. Fine. Les Editeurs Français Réunis Paris 1980 10.50 x 13.50 cm reliure de l'éditeur First collected edition of which there were no deluxe copies. Publisher's full beige cloth binding smooth spine green paper endpapers and pastedowns. Work illustrated with drawings by Alexandre-Alecos Fassianos. Handsome copy. Autograph inscription signed by Louis Aragon to Christian Giudicelli: ""A Christian Giudicelli de la part de deux amis de l'Italie."" ""To Christian Giudicelli from two friends of Italy."" enriched with the signature of Hamid Foulâdvind. Les Editeurs Français Réunis hardcover
19572092902143901235Shinchosha 1957. Soft Cover. Fine. Number of books: 2 Shinchosha paperback
19572092902143801234Shinchosha 1957. Soft Cover. Fine. Number of books: 2 Shinchosha paperback
196774631Paris: Gallimard 1967. Fine. Gallimard Paris 1967 14.50 x 21 cm broché First edition one of 160 numbered copies on pur fil the only deluxe copies with 60 on Holland paper. Handsome copy despite some worming to the spine. Unsigned autograph inscription from Louis Aragon to Jacques Blumenthal. Gallimard unknown
196766840Paris: Gallimard 1967. Fine. Gallimard Paris 1967 14 x 21 cm broché First edition one of 60 numbered copies on Hollande deluxe issue. Minor insignificant spotting to the spine. A handsome copy. Gallimard unknown
feb97867Used. For more details please contact me unknown
19762091202133212860Maeght Editor 1976. Soft Cover. Fine. Volume: 1 Maeght Editor paperback
1972Q-207036791610/18 1972-12-01. Mass Market Paperback. New. New. In shrink wrap. Looks like an interesting title! 10/18 paperback
