Louis ARAGONBiblio.com
830 résultats
194987699Paris: La bibliothèque française 1949. Fine. La bibliothèque française Paris 1949-1951 11.50 x 18.50 cm 6 volumes brochés First edition on ordinary paper for each of the volumes. Complete set in 6 volumes. Handsome copy despite small corner lacks of no consequence to the boards considering the poor quality of this paper. On the first volume autograph inscription signed by Louis Aragon to Jacqueline Gillet enriched with the manuscript signatures of Yves Robert and Daniel Delorme. La bibliothèque française hardcover
1989H-185-410Digraphe 1989. Paperback. Very Good. Ammareal gives back up to 15% of this item's net price to charity organizations. Digraphe paperback
BN314716Digraphe. Softcover. Les Communistes : février 1939 - juin 1940 coffret de 2 volumes <br/><br/>Les Communistes : février 1939 - juin 1940 coffret de 2 volumes Louis Aragon Digraphe paperback
195025234Paris: La Bibliothèque Française 1950. Fine. La Bibliothèque Française Paris 1950 12 x 19 cm broché First edition one of 535 numbered copies on pur fil the only deluxe copies. Light sunning partially affecting the spine otherwise a handsome copy. La Bibliothèque Française unknown
194763183Paris: Editions sociales 1947. Fine. Editions sociales Paris 1947 12 x 15 cm broché First edition. A photograph of Gabriel Péri as frontispiece. Editions sociales unknown
196057183Paris: Gallimard 1960. Fine. Gallimard Paris 1960 18.50 x 23.50 cm broché First edition one of 125 numbered copies on wove paper the only deluxe copies after 30 Holland. A crease mark on the back cover otherwise a handsome copy. Gallimard unknown
191475566Grandcamp-les-Bains Grandcamp-Maisy 1914. Fine. Grandcamp-les-Bains Grandcamp-Maisy s. d. ca 1914-1920 13.50 x 21 cm une page sur un feuillet remplié Autograph letter signed addressed to a correspondent whom we have not been able to identify. Written from the Grand Hôtel de Grandcamp-les-Bains Calvados in blue ink on a folded sheet of white paper. A transverse fold inherent to the posting of the letter and four small perforations affecting the text but not impeding its reading. The mention of Grandcamp-les-Bains - where Aragon seems to have been only once during the summer of his seventeenth year - and the signature - of an early form - lead us to think that the letter could have been written in the summer of 1914. Philippe Forest in his biography of Aragon confirms that it was indeed at Grandcamp-les-Bains where his family had rented fifty rooms in a large seaside hotel to accommodate family and friends that the future poet learned the news of mobilization. The handwriting less rounded than on manuscripts prior to the 1920s however seems to us later and we are therefore not in a position to confirm the date of 1914. unknown
19562111902154606772Aoki shoten 1956. Soft Cover. Fine. The book is in fine condition. Aoki shoten paperback
1950872201950. Fine. It has to be said that we are publishing here this masterpiece deliberately ignored by those who write literary history and which makes existentialist teeth grind or simply spoilt teeth as an example sure that it will not be in vain. s. d. circa 1950 21 x 30 cm une page sur un feuillet Autograph manuscript by Louis Aragon one page in blue ink on a leaf. Precious study by Louis Aragon accompanying the serial publication in Les Lettres Françaises of Marceline Desbordes-Valmore's novel L'Atelier d'un peintre 1833. Aragon rehabilitates the female poet-novelist canceled from the history of literature and snubbed by Existentialists placing her in the tradition of socialist realism. Autograph manuscript by Louis Aragon one page in blue ink on one leaf. Numerous crossed out words and rewritings. Slight rusting due to a paper clip slight shadows of an ink transfer from another page. Published in Les Lettres Françaises episode 16 23 February 1950. In 1949 Aragon chose to publish 'L'Atelier d'un peintre' serially with his own comments. The Cold War made socialist realism the official literary genre for Communist cultural policy: 'For Aragon reading Marceline Desbordes-Valmore is above all reading the history of a generation of a people. More precisely he made Marceline an incarnation of the unfinished Republic of a world still under construction and one that was tending towards freedom. To understand Marceline Aragon invites us to 'date her writings' and not be content to confine her to a single period of her life but to try to find an explanation for her stances which were as different as the regimes during the gestation of the Republic in the nineteenth century'. Aghbarian Lina 'Aragon éditeur de Marceline Desbordes-Valmore' Recherches croisées Aragon - Elsa Triolet no. 14. Of all his comments accompanying 'L'Atelier d'un peintre' this is one of his most polemical: Aragon opposes the Surrealists by contesting Lautréamont's distate of the Romantics with whom Desbordes-Valmore was associated. The writer criticizes the hasty rejection of her work which nevertheless has counterparts in modern literature: 'The Atelier that Aragon reopens with the publication of this novel to rework it to reveal it to give it a second life closer to his own concerns after having disentangled it from its time and emptied it of its Romantic religiosity to lay bare its richness which lies in the feminist cause defended by Marceline Desbordes-Valmore . . For her Ondine the literary character was a transposition of the missing child her son the son of Henri de Latouche her lover. Ondine is thus three times hybrid androgynous real and imaginary daughter and mother at the same time and Léonard her inverted double the one she would have liked to be in order to succeed in the forbidden world of painting. Aragon doubles androgyny with homosexuality as seen in Yorick's phrase 'Talma doubles my existence'. Among other allusions he refers to Henri Miller's Sexus an allusion is made about this work in this manuscript Aragon cultivates the theme of duality on which the whole novel is built. Without abandoning the imaginary world of the novel he seeks to bring out the realistic side of this romantic novel hidden in the shadow of the lyrical novel. In a word Aragon reverses the order of the foreground and background: the romanticism of Marceline Desbordes-Valmore's novel becomes secondary and the historical background takes precedence' ibid. 'We have now come to the night scene in the Place Vendôme which is one of the most intense the most beautiful minutes of the novel of the other century. I know that not everyone will agree. It's come to my attention that there are people who are superbly distracted from L'Atelier d'un peintre and find it wrong that we should publish a story in which there is absolutely nothing of what THEY are looking for in novels and it's possible that those who c unknown
19512082402113505673Nippon News Co. Ltd. 1951. Soft Cover. Fine. Volume: 1 Nippon News Co., Ltd. paperback
1943B-2022-0939<p>Paris: Martin Fabiani 1943. Preface Matisse-en-France by Louis Aragon. Limited numbered edition in 950 copies of which this is copy N 404. Loose as issued in the original publisher's lace-up hard chemise. Illustrated by Matisse with an original linocut on a black background in frontispiece three lithographs and 158 reproductions of drawings in full page and hors-texte. Ref: C. Duthuit Les Livres Illustres No. 9.; Monod 7847.Chemise is missing spine and is detached some of the reproductions are lightly tanned but linocut is in very good condition.</p> Martin Fabiani Editeur
195445570Paris: Seghers 1954. Fine. Seghers Paris 1954 14.50 x 19 cm broché First edition one of 40 numbered copies on Hollande the only large paper copies. A good copy. Seghers unknown
20072-2070113280Editions Gallimard 2007. Leather Bound. New. 1744 pages. French language. 6.93x4.65x1.73 inches. Editions Gallimard hardcover
20072-2070118908Editions Gallimard 2007. Leather Bound. New. gallimard edition. 3520 pages. French language. 8.19x4.80x3.31 inches. Editions Gallimard hardcover
20082-2070115305French and European Publications Inc 2008. Leather Bound. New. gallimard edition. 7.10x4.60x1.70 inches. French and European Publications Inc hardcover
19972-2070115097Gallimard 1997. Leather Bound. New. 5 pages. French language. 6.93x4.57x1.50 inches. Gallimard hardcover
2070115305.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
20072-2070115100Gallimard 2007. Leather Bound. New. 1552 pages. French language. 6.85x4.65x1.57 inches. Gallimard hardcover
20122-2070134113Gallimard 2012. Leather Bound. New. 1616 pages. French language. 7.24x4.88x1.34 inches. Gallimard hardcover
2004Q-1878972103Exact Change 2004-02-02. Paperback. New. New. In shrink wrap. Looks like an interesting title! Exact Change paperback
19562092902143900746Shinchosha 1956. Soft Cover. Fine. Number of books: 5 Shinchosha paperback
19562092902143800746Shinchosha 1956. Soft Cover. Fine. Number of books: 5 Shinchosha paperback
194583581Paris: La Bibliothèque Française 1945. Fine. La Bibliothèque Française Paris 1945 14.50 x 21 cm broché First edition one of 535 numbered copies the only deluxe copies. Spine slightly sunned small marginal tears to boards a full-margined copy. La Bibliothèque Française hardcover
194516146Paris: La Bibliothèque Française 1945. Fine. La Bibliothèque Française Paris 1945 14.50 x 21 cm broché First edition one of 535 numbered copies the only large paper copies. A very good copy with good margins. La Bibliothèque Française unknown
1965086273Harry N. Abrams 1965. Hardcover. Good/Fair. Pablo Picasso. Good clean tight condition - jacket has some spotting etc. Limited copy 283/1000. Text free of marks. Professional book dealer since 1999. All orders are processed promptly and carefully packaged. <br/> <br/> Harry N. Abrams hardcover
