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Copper Relief. 6 X 9 Inches. Framed with Red-Felt Matting. This Merzer relief depicts an older man with outstretched arms, possibly euphoric upon arriving in Israel. Artist Arieh Merzer was born in 1905 to a Hassidic family in a town not far from Warsaw. Studied in a Heder and Beit Midrash. In 1927 started to create copper reliefs with Jewish motifs and in 1928 exhibited his works for the first time in an exhibition in Warsaw. In 1930 he moved to Paris where he studied and varied his creations which now included universal motifs. Merzer was a committee member of the Jewish Artists Society in Paris. In 1943 moved to Switzerland where he published an album of graphic works around Jewish motifs. In 1945 he immigrated to Eretz Israel and started right away to exhibit his works. During the Independence War he was one of the first artists to settle in Safed where he lived for the rest of his life. Signed by the Artist in both Hebrew and English. (PAINT-1-17)
Copper Relief. 5 X 9 Inches. Framed on Wooden Panel. This Merzer relief depicts a young Jewish boy holding his books with a shtetl in the background. Artist Arieh Merzer was born in 1905 to a Hassidic family in a town not far from Warsaw. Studied in a Heder and Beit Midrash. In 1927 started to create copper reliefs with Jewish motifs and in 1928 exhibited his works for the first time in an exhibition in Warsaw. In 1930 he moved to Paris where he studied and varied his creations which now included universal motifs. Merzer was a committee member of the Jewish Artists Society in Paris. In 1943 moved to Switzerland where he published an album of graphic works around Jewish motifs. In 1945 he immigrated to Eretz Israel and started right away to exhibit his works. During the Independence War he was one of the first artists to settle in Safed where he lived for the rest of his life. Signed by the Artist in both Hebrew and English. (PAINT-1-16)
First edition. Original paper wrappers. 8vo. 11 pages; 22 cm. In German with some Hebrew. Title translates to The Candlestick: Celebratory Sermon On the Occasion of the Jubilee of the Government of His Majesty the Emperor and King Wilhelm II. Wilhelm II was the last German Emperor (Kaiser) and King of Prussia, ruling the German Empire and the Kingdom of Prussia from 15 June 1888 to 9 November 1918...Wilhelms biographer Lamar Cecil identified Wilhelms curious but well-developed anti-Semitism, noting that in 1888 a friend of Wilhelm declared that the young Kaisers dislike of his Hebrew subjects, one rooted in a perception that they possessed an overweening influence in Germany, was so strong that it could not be overcome (Wikipedia, 2017) . SUBJECT(S) : Sermons, German -- Jewish authors, Wilhelm II. OCLC and WorldCat list 5 holdings worldwide (Harvard, HUC, National Library of Israel, Staats & Universitatsbibliothek Hamburg, Deutsche Nationalbibliothek, Leipzig) . Slight toning. Minimal edgewear. Slight dampstaining and rubbing. Minimal markings. Very good condition. (GER-51-72A) xx
1st edition. Later boards. 8vo. 304 pages in Hebrew and 112 pages in English, 24cm. In Hebrew and English. The title translates to Niv Ha-Midrashiyah: A Journal Devoted to Halacha, Jewish Thought and Education. An early edition of Niv Ha-Midrashiyah from the months immediately following the Six Day War and the Israeli occupation of Jerusalem. This topic is apparent in the opening pages of the English and Hebrew sections making this a particularly important volume. SUBJECTS: Jewish law -- Periodicals. Judaism -- Periodicals. Jewish religious education -- Periodicals. Ex-library with usual, minimal marking. Otherwise Very Good Condition. (RAB-64-6)
1st edition. Original illustrated cloth, 8vo, 176 pages. In Yiddish. Includes modernist typeface by Zuni Maud (initialed in the print) on title page, which is repeated on the cloth cover. Illustrated with line drawings and woodcuts, including several by Zuni Maud, and a photograph. Born in the district of Grodno, Lithuania, Zuni Maud Immigrated to the U. S. In 1905. Maud was an artist, cartoonist, puppeteer, playwright, writer and poet. He studied at the Cooper Union Art School, Baron de Hirsch Art School and National Academy of Art, New York. And did illustrations for Der Kibitzer and stage and costume design for productions by Maurice Schwartz in the Yiddish Art Theater. He contributed articles to Der Kundes (N. Y. ) , The Jewish Daily Forward (N. Y. ) , Di Tsayt (N. Y. ) , Kinderland (N. Y. ) , The Kinder Zhurnal (N. Y. ) , and The Frayhayt (N. Y. ) . Maud was also an ilustrator of a number of books and wrote plays, children's stories and poems. In 1925, together with Yosel Cutler, he founded the "Modicot" marionette theater. Lacks blank front endpaper, wear PR
1st edition. Later Paper wrappers, 8vo, 147 pages. In Yiddish. Title translates as, Calendar and Alamach for the Fifth Anniversary Celebration of the [Jewish Daily] Forward: A Collection of Accurate Assessments: April 22, 1897 - April 22, 1902. Bound with approximately 45 other pages from incomplete issues of other period Yiddish periodicals including Die Likhtige Tsayt (with 5 pages of photos and illustrations) , Der Pinkos, and Der Yidisher Farmer. The Forverts (The Forward) , of course, is a legendary name in American journalism and a revered institution in American Jewish life. Launched as a Yiddish-language daily newspaper on April 22, 1897, the Forward entered the din of New Yorks immigrant press as a defender of trade unionism and moderate, democratic socialism. The Jewish Daily Forward quickly rose above the crowd . The Forward came to be known as the voice of the Jewish immigrant and the conscience of the ghetto. It fought for social justice, helped generations of immigrants to enter American life, broke some of the most significant news stories of the century, and was among the nations most eloquent defenders of democracy and Jewish rights. By the early 1930s the Forward had become one of Americas premier metropolitan dailies, with a nationwide circulation topping 275, 000 and influence that reached around the world and into the Oval Office . The newspapers editorial staff included, at one time or another, nearly every major luminary in the then-thriving world of Yiddish literature, from the beloved poet of the sweatshops, Morris Rosenfeld, to the future Nobel laureates Isaac Bashevis Singer and Elie Wiesel (The Forward, 207) . SUBJECT(S) : Theater, Yiddish -- United States -- Periodicals. OCLC/Worldcat lists only 3 copies anywhere (Yiddish Book Center, NYPL, Amer Jewish U) . Paper remains surprisingly bright and strong. A touch of staining, About Very Good- Condition Very rare and important. (yid-29-12)
19849287Reinbeck bei Hamburg, Rowohlt Taschenbuch Vlg., 1984. Kl. 8°. 183 S. Original Kartonage.
198328896Gütersloh [u.a.] : Bertelsmann-Club [u.a.], 1983. 79, [1] S. : überw. Ill. Gr. 4°. Lizenzausg. OPpbd. mit Rückengoldpräg. u. SU.
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198541574München ; Wien : Langen Müller, 1985. 279 S. 8°. Bibl.- Einbd.
19808965München [u.a.] : Langen-Müller, 1980. 541 S. 8°. OLwd mit SU.
19808063Freiburg [u.a.] : Herder-Buchgemeinde [u.a.], [1980 ?]. 511 S. : Ill. 8°. Lizenzausg. OLwd mit SU.
195917172Berlin : Evang. Verl.-Anst., 1959. 202 S. 8°. OLwd mit Goldpräg.
19814316Weinheim [u.a.] : Beltz, 1981. [175] S. 8°. 6. Auflage, 33.-36. Tsd. OBroschur.
20022606München : Dt. Taschenb. Verl., 2002. 171 S. ; 18,7 cm. 8°. Bearb. Neuausg. - 48. Aufl. OKt. (Tb). (dtv junior ; 7800)
19623094Bonn : Borromäus-Verein, 1962. [104] S. Zahlr. Ill. 4°. Ohlwd ohne SU