53 résultats
19861287081986. First Edition. Signed. BUKOWSKI Charles. You Get So Alone at Times That It Just Makes Sense. Santa Rosa: Black Sparrow Press 1986. Octavo original half violet cloth original acetate dust jacket. $2200.Signed limited first edition number 34 of only 100 special copies handbound in boards by Earle Gray and featuring an original signed silkscreen print of an illustration by Charles Bukowski additionally signed by Bukowski on the limitation page.In this collection of poetry an aging Bukowski looks back on his childhood recounting some of its most poignant moments in his characteristic style. Bukowskis work is a natural culmination of the ongoing revolt against formalism the academic and the intellectual that has periodically energized American poetry since its inception His effects are primarily narrative and involve the collision of his own gruff funny idiomatic voice with the random incidents of his daily life Hamilton 76. Published simultaneously with a paperback issue 500 hardcover trade copies and 401 hardcover signed copies. The colophon cites ""126 numbered copies"" but the actual numbering states ""34/100"" and Krumhansl agrees with 100 copies. Krumhansl 100d. A very nearly fine copy with minor spotting to text block edges. paperback
197731211Santa Barbara: Black Sparrow Press. 1977. First Edition; First Printing. Hardcover. Handbound handlettered 1 of 50 numbered and signed by the author. Lettered calligraphically in green ink over a blue circular design. Handbound in green silk cloth covered boards . A white vellum label hand-lettered by Roger Marcus mounted on the front cover. Marbled endpapers. In unprinted glassine dust jacket. Krumhansl 57.; 2 1/8 x 2" 6.6 x 5.1cm; Unpaginated pp . Black Sparrow Press hardcover books
1968031618Los Angeles: Black Sparrow Press 1968. First Edition. Octavo. #6 of 75 copies signed and numbered and with an inscription on flyleaf: "For Lee Rolland wife of Richard Roland co-owners of Either/Or Books Shop Hermosa Beach direct from Terror Street Charles Bukowski 5-7-68". This copy is in a mixed state: While it does contain the original tipped in painting by Bukowski a double tan paper spine label printed lengthwise in red and the colophon has Bukowski's name above the colophon and with the number 6 in red below the colophon it also contains the Zinc cuts used for the blind stampings of an excerpt of a Bukowski letter "l.a. Sunday August 20 hello Mike…." excerpted from a letter to Michael Forrest. The excerpts read from tail to head on the verso of the third leaf recto of the title page and the recto of the last leaf. Zinc cuts were also used for blind stampings of illustrations by Bukowski located on the sixth leaf verso of the half-title and the leaves between pp. 42-43 and pp. 66-67 and the last page. Verso of the title page printed is a 13 line introduction by the author. Hardbound in multicolored blue red violet green and yellow cloth. What makes this one of the most important of Bukowski's books is found in his printed letters Screams from the Balcony pp. 327-330 Bukowski to John Martin publisher of Black Sparrow May 20 1968 "Your beautiful check and the 20 copies of Terror Street.check $460 from his letter on June 4 1968 to Jon and Louise Webb was more than I expected. In a previous letter to Carl Weisner early May 1968 he writes: "I have been doing paintings in the kitchen….this bird Martin wants 75 small paintings which will be mounted in the back of the special hardcover copies of Terror Street. I've made about 60 paintings up to now and he wants 20 more and he says he can pick them up Monday. I've done 6 these editors just don't realize that paintings can't just be made up….each painting must come from the balls like a f.k few men can f.k six times a night 20 i.e. paintings is just impossible. To make it an especially nice copy the Either/Or Book Store was frequented by Bukowski Pynchon and a host of people who loved small press poetry and counterculture books. A fine and desirable association copy. Krumhandsl #27. Black Sparrow Press unknown