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[REVUE]. CONTEMPORAINS. " Revue mensuelle de critique et de littérature ".Livre Rare Book

[WOOLF, Virginia, Charles MAURON (<i>translator<i>), <i>et al<i>.]Biblio.com

Commerce. Cahiers trimestriels . hiver 1926.

192621219051926. Paris: Librairie Henri Leclerc. 1926. 4to. Original brown printed wrappers uncut; pp. 200 2 colophon blank; creasing and minor chipping to spine; old repaired tear to head of front wrapper with small trace of adhesive a few nicks to edges; very light creasing to a handful of leaves; a very good copy; bookplate of William Beekman to inner front cover.First edition no. 1020 of 2500 copies on Alfa paper from a total edition of 2900 of the tenth issue of the Parisian literary review Commerce containing the first published excerpt of Woolf's To the Lighthouse predating its publication in book form by five months.The extract is a French translation 'Le temps passe' of 'Time Passes' the experimental middle portion of To the Lighthouse completed in draft form in English by the end of May 1926 pp. 89-133 here. Woolf's diary makes clear that it was a piece of writing that gave her more than usual trouble. Recording the passage of ten years between the two outer sections of the novel set pre- and post-war the central presence is the Ramsays' holiday house on the Isle of Skye where the events of the outer sections takes place now empty with the objects inside the house as 'minor characters' all subjected to the passage and erosion effected by time.The literary critic and aesthetician Charles Mauron a close friend of Roger Fry began translating works by Virginia Woolf and E.M. Forster in 1925 at Fry's suggestion; Mauron had been suggested to Woolf as a translator of 'Time Passes' by Forster in October 1926 who as Woolf writes in a letter to Mauron 'so much admires your translation of the Passage to India'. Fry who had collaborated with Mauron on the translation of A Passage to India was 'forced to reconstruct' his translations of Mallarme's poems with Mauron's help after they were 'lost in a stolen suitcase in June 1933 . Mauron co-edited them with Julian Bell for publication after Fry's death' King's College Cambridge Roger Eliot Fry. Mauron would later translate Woolf's Orlando and Flush into French as well as works by Katherine Mansfield D.H. Lawrence T.E. Lawrence and Laurence Sterne.Commerce had been established in 1924 by Marguerite Caetani Princess of Bassiano in collaboration with Paul Valery Leon-Paul Fargue and Valery Larbaud and initially Adrienne Monnier publishing twenty-nine issues between 1924 and 1932. The first issue had featured the first fragments of Joyce's Ulysses translated into French and 'overseen by Adrienne Monnier who had to resign her position as administrator of the journal in August 1924 due to overwork. Monnier's exhaustion was not due to Joyce's demands on her time but rather to Leon-Paul Fargue's strange working habits. He claimed he could contribute poems to the review only by dictating them at night after Adrienne had spent a long and fatiguing day in the bookshop' Benstock Women of the Left Bank 1986 p. 226.'It is noteworthy that Woolf's middle section of To the Lighthouse was issued in a French translation before the original published in 1927 in Great Britain - partly because Commerce only accepted unpublished literary texts and partly because of Woolf's connections: not only had T.S. Eliot the editor of the Criterion to which Woolf regularly contributed shared interests with Commerce but Valery Larbaud who had discovered James Joyce played a major role in the diffusion of anglophone literature including the work of Virginia Woolf' Rigeade p. 190.Here 'Time Passes' appears as a free-standing text more overtly experimental than the modified version that would appear as part of the complete novel in 1927. The French translation is without any allusion to the rest of To the Lighthouse: mentions of the Ramsays have been omitted as has the first portion of the text describing William Bankes's return from the terrace and the lamps in the Ramsay house being extinguished one by one. In his useful introduction to a reprint of Mauron's translation together with a recently discovered intermediate English typescript James M. Haule proposes that 'Woolf saw periodical publication as a way to present a version of the entire section in a form that conveyed her original intention: a separate but important statement of belief and unbelief. It had not become the ""corridor"" between the two large sections of the novel that she sketched in her notebooks. It had become something more. By publishing this section with the help of Roger Fry and by publishing it in translation she not only saw it into print but also accomplished something else. She put it in the hands of a critic she admired and owing to her severe misgivings about this section reduced her risk of unfavourable impact from what she feared was a ""hopeless mess"" by publishing it in a language other than English'.One hundred copies of this issue of Commerce were printed on Hollande Van Gelder paper and three hundred on Pur fil Lafuma. Other contributions include Valery's 'Oraison funebre d'un fable' Fargue's 'Second recit du naufrageur' and a translation of Nietzsche's Greek Music Drama by Jean Paulhan director of the Nouvelle Revue Francaise.Provenance: From the library of William Beekman noted collector of Woolf's works. The William Beekman Collection of Virginia Woolf and Her Circle is now held at the New York Public Library featuring numerous books originally owned or gifted by Virginia Woolf and Leonard Woolf. Kirkpatrick D44. See Haule 'Virginia Woolf and Charles Mauron' in Twentieth Century Literature 29.3 Autumn 1983; Hutcheon Formalism and the Freudian Aesthetic: the Example of Charles Mauron 2010 appendix B; Rigeade 'To the Lighthouse: Recycling Remixing Iconising' in Recycling Virginia Woolf in Contemporary Art and Literature 2021. unknown

Henry Sotheran Ltd. · Royaume-Uni475,00 £GB≈ 542,36 €

[Woolf, Virginia & Leonard / Hogarth Press] Fry, RogerBiblio.com

Cézanne - A Study of his Development.

192732156AB1927. First Edition. London Published by Leonard & Virginia Woolf at The Hogarth Press 1927. Quarto 20 cm wide x 25.5 cm high. 88 pages text plus XL plates with art / paintings of Cézanne. Original illustrated Hardcover. Very good condition with only minor signs of wear to the beautifully firm binding. Paul Cézanne Occitan: Pau Cesana; 19 January 1839 22 October 1906 was a French Post-Impressionist painter whose work introduced new modes of representation influenced avant-garde artistic movements of the early 20th century and formed the bridge between late 19th-century Impressionism and early 20th-century Cubism. While his early works were influenced by Romanticismsuch as the murals in the Jas de Bouffan country houseand Realism Cézanne arrived at a new pictorial language through intense examination of Impressionist forms of expression. He altered conventional approaches to perspective and broke established rules of academic art by emphasizing the underlying structure of objects in a composition and the formal qualities of art. Cézanne strived for a renewal of traditional design methods on the basis of the impressionistic colour space and colour modulation principles. Cézanne's often repetitive exploratory brushstrokes are highly characteristic and clearly recognizable. He used planes of colour and small brushstrokes that build up to form complex fields. The paintings convey Cézanne's intense study of his subjects. His painting initially provoked incomprehension and ridicule in contemporary art criticism. Until the late 1890s it was mainly fellow artists such as Camille Pissarro and the art dealer and gallery owner Ambroise Vollard who discovered Cézanne's work and were among the first to buy his paintings. In 1895 Vollard opened the first solo exhibition in his Paris gallery which led to a broader examination of Cézanne's work. Both Henri Matisse and Pablo Picasso are said to have remarked that Cézanne "is the father of us all". Wikipedia hardcover

Inanna Rare Books Ltd. · Irlande375,00 €

Woolf virginia

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Ajouté

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Catalogues

CONTEMPORAINS. N° 1. (Novembre 1950).

FONTAINE. N° 37-40. 1944. " Aspects de la littérature anglaise de 1918 à 1940 ".

LA TABLE RONDE. // N° 3. Juillet 1945.

RENCONTRE - N° 9 - Juillet 1962

ROMAN. N° 1. (Janvier 1951).

TEL QUEL. N° 1. Printemps 1960.

ÉCHANGES. N° 1. (Décembre 1929).

The Mott Street Poker Club: The Secretary's Minutes

A LIBRARY OF ONE'S OWN: THE LIBRARY OF LEONARD AND VIRGINIA WOOLF

BLOOMSBURY A PLAY IN TWO ACTS

LE ROMAN PSYCHOLOGIQUE DE VIRGINIA WOOLF. THE PSYCHOLOGICAL NOVEL OF VIRGINIA WOOLF

LE ROMAN PSYCHOLOGIQUE DE VIRGINIA WOOLF. THE PSYCHOLOGICAL NOVEL OF VIRGINIA WOOLF

THE BLOOMSBURY GROUP IN VENICE

THE LIFE AND DEATH OF ASHAM: LEONARD & VIRGINIA WOOLF'S HAUNTED HOUSE

VIRGINIA WOOLF THE UNCOMMON BOOKBINDER

VIRGINIA WOOLF IN CAMERA

WINKING BUZZING CARPET-BEATING: READING JACOB'S ROOM

Virginia Woolf ou l'aventure intérieure. Biographie

Virginia Woolf ou la dame sur le piédestal.

'The Moment and other Essays' some previously unpublished Virginia 1882-1941 née Stephen wife 1912 of Leonard 1880-1969

Photograph of Virginia Woolf

A WRITER'S DIARY BEING EXTRACTS FROM THE DIARY OF VIRGINIA WOOLF

Commerce. Cahiers trimestriels . hiver 1926.

Cézanne - A Study of his Development.

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