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1933acs 1130London: Published by Leonard and Virginia Woolf at The Hogarth Press 1933. First printing of the Uniform Edition Kirkpatrick A9d. Hardcover Octavo bright jade green cloth hardcover 1 half title 2 list of books in Uniform Edition’ 3 Title 4 printing information 5-291 numbered 7-293 text p. 291 is numbered 293 and has printer’s imprint. Near-fine with some foxing to edge of text block in a dust jacket that is whole but has toning to spine in a mylar protector. Published by Leonard and Virginia Woolf at The Hogarth Press, 1933. First printing of the Uniform Edition, Kirkpatrick A9d. [Har hardcover
1990622063London: The Hogarth Press 1990. Hard cover with a plastic-coated clipped dust jacket all in very good condition. Light shelf and handling wear including minor tanning to dust jacket spine small bump to boards at head and slight colour loss to board edges at base. Pageblock head is dyed a complementary hue; minor tanning present. Within pages are tightly bound content is unmarked and the original green page-marker ribbon remains in place. CN. Hardcover. Very Good/Very Good. The Hogarth Press Hardcover
132104150015Harcourt Brace 1925-01-01. Hardcover. Good. Hardcover. No dust jacket. Pages are clean and unmarked. Covers show light edge wear with rubbing/light scuffing. Binding is tight hinges strong.; 100% Satisfaction Guaranteed! Ships same or next business day! Harcourt Brace hardcover
1999Q-0140282548Penguin Books Limited UK 1999-02-25. Paperback. New. In shrink wrap. Looks like an interesting title! Penguin Books, Limited (UK) paperback
3596900387.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
193387319NLeonard & Virginia Woolf at the Hogarth Press 1933. Hardcover. Good/None. Contains a few markings in pencil throughout. Contains an ex-libris sticker with some markings on the sticker. The pages don't have soiling and the page edges have some light soiling and foxing. The cover has bumping and light wear to the edges. The cover has rubbing and discoloration along the edges and ont he spine. The cover has some scuffing and rubbing. Leonard & Virginia Woolf at the Hogarth Press hardcover
1925140946015London: The Hogarth Press 1925. First Edition. Very Good. First edition first printing. Bound in publisher's brick red cloth lettered in gilt; lacking the dust jacket. Very Good with fading to spine with chipping ends; uneven sunning to boards. Offsetting to endsheets and contents lightly tanned. Virginia Woolf's best-known works published by Virginia and her husband Leonard at their Hogarth Press. The Hogarth Press unknown
2021x-1774762676Royal Classics 2021. Hardcover. New. 148 pages. 6.00x0.50x9.00 inches. Royal Classics hardcover
198110566New York: Harcourt Brace Jovanovich 1981. First Edition. Hardcover. Near Fine. Foreword by Maureen Howard. Near Fine in a Near Fine slipcase some fading and stains. Purple cloth faded at the spine. Square and firmly bound clean internally. Harcourt Brace Jovanovich hardcover
2021SKU0654189W. W. Norton & Company 2021-02-28. paperback. New. 5x0x8. New Textbook Ships with Tracking W. W. Norton & Company paperback
2012SKU0654186Broadview Press 2012-12-28. paperback. New. 5x0x8. New Textbook Ships with Tracking Broadview Press paperback
2005SKU0654185Mariner Books 2005-08-01. paperback. New. 5x0x7. New Textbook Ships with Tracking Mariner Books paperback
2021SKU0654190W. W. Norton & Company 2021-09-01. paperback. New. 5x0x7. New Textbook Ships with Tracking W. W. Norton & Company paperback
196312233New York: Brace and World 1963. Hardcover. Octavo blue cloth boards titles to spine and front board in dark blue pattern endpaper in the dust jacket. A fantastic vintage copy which resembles the first American printing in 1925. A bright copy with original booksellers ticket to front pastedown dust jacket with a faint residue mark to rear flap and just a very faint bit of fading along top edge else an excellent copy. Brace and World hardcover
194283450London: The Hogarth Press 1942. Pages clean and bright previous owner inscription dated 1943 on front endpaper light spotting on closed edges binding firm sunning to spine and edges of boards light shelf wear to boards. New Edition. Hard. Good. 12mo. The Hogarth Press Hardcover
DADAX1107028787Cambridge University Press 2014-12-22. Reprint. hardcover. New. 6.00x1.25x8.75. Buy with confidence. Excellent Customer Service & Return policy. Cambridge University Press hardcover
192851589New York: Modern Library. Near Fine in Good dust jacket. 1928. Early Edition. Hardcover. Small chips/cracks/toning to jacket edges else a tight square unmarked copy in unclipped dust jacket in archival sleeve; contains new intro by Woolf; early edition if not a first thus with 95 cent price listed for this and other Modern Library's; lists 309 other ML titles on the jacket verso; photos available . Modern Library hardcover
1998621871.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
192569152 Tavistock Square London: Leonard and Virginia Woolf at The Hogarth Press 1925. Near fine / Fine. <p>Octavo. Beautifully bound by Sangorski and Sutcliffe of London in twentieth century 3/4 red morocco and red cloth back in six compartments gilt lettered in the second and third dated "1925" in sixth five raised bands top edge gilt cream endpapers portion of original front board and spine bound in at conclusion of text. Minor foxing to prelims a near fine copy in a gorgeous contemporary binding. <br /> <br /> First edition first impression. Published 14 May 1925; c. 2000 copies printed and sold at 7s. 6d. "We find it in Woolf's decision to turn Clarissa Dalloway a minor character in her first novel The Voyage Out 1915 into the main character of her story 'Mrs. Dalloway in Bond Street' 1923 - and then after discovering that Clarissa clamored for more life in her slow surrender to the novel. We find it stitched through her largest revision to the book: the creation of Septimus as Clarissa's double so as to entwine the story of an aging wealthy vivacious woman with the story of the First World War and its consequences. Her most famous diary entry about Mrs. Dalloway presents the two characters as metaphysical and political extremes: 'I want to give life & death sanity & insanity; I want to criticise the social system & to show it at work at its most intense.' Yet as soon as she voiced this she retracted it. 'But here I may be posing' she wrote." - Merve Emre The New Yorker 28 August 2021. I think not.</p> . KIRKPATRICK & CLARKE A9a; WOOLMER 82. Leonard and Virginia Woolf at The Hogarth Press unknown
2021G1803021527I4N00FeedARead.com 2021. Paperback. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. FeedARead.com paperback
1925140947609London: The Hogarth Press 1925. First Edition. Near Fine. First edition first printing. Bound in publisher's rust cloth with spine lettered in gilt; lacking the dust jacket. vi 293 2 pp. Near Fine with trace fading to spine and upper edge of rear board light rubbing at spine ends and corners former owner's bookplate at front pastedown and foxing to front and rear signatures. Offsetting to endsheets and bookseller's ticket at rear pastedown. A fantastic copy of Woolf's best-known work that follows the main character Clarissa Dalloway through one day of her life in upper class London society. Kirkpatrick & Clark A9.a. The Hogarth Press unknown
1925181601London: Hogarth Press 1925. Can't we exchange cages for a lark How horrified all the professors would be! First edition Hugh Walpole's copy with his morocco bookplate and ownership signature dated May 1925 to the front endpapers. The two writers had a long affectionate friendship often reading each other's novels and discussing their writing over tea or in letters. They first met in 1928 when Walpole presented Woolf with the Femina Vie Heureuse Prize for To the Lighthouse a novel Walpole wrote had "liberated" him. After the ceremony she invited him to dinner at Tavistock Square an occasion he recorded in his journal. "Evening enchanting - with the Woolfs and Lydia Lopokova. It had a kind of fairy quality about it. I was diffident but Virginia encouraged me talking about writing as though we were on a level" quoted in Hart-Davis p. 289. Woolf and Walpole came from different literary schools which made for lively conversation and correspondence - Walpole's biographer Rupert Hart-Davis counted 60 letters from Woolf among his papers. In one memorable exchange Woolf contrasts their different styles. "Well - I'm very much interested about unreality and The Waves - we must discuss it. I mean why do you think The Waves unreal and why was that the very word I was using of Judith Paris. You're real to some - I to others. Who's to decide what reality is. Lord - how tired I am of being caged with Aldous Joyce and Lawrence! Can't we exchange cages for a lark How horrified all the professors would be!" Letters vol. 4 p. 402. In another Woolf praises Walpole's autobiographical novel The Apple Trees which took its title from a passage in The Waves. "Of all literature yes I think this is more or less true I love autobiography most. In fact I sometimes think only autobiography is literature - novels are what we peel off and come at last to the core which is only you or me. And I think this little book - why so small - peels off all the things I don't like in fiction and leaves the thing I do like - you" Letters vol. 5 p. 142. The two saw one another for the last time on 30 April 1940. Walpole movingly recorded the meeting in his journal: "Virginia Woolf had tea alone with me yesterday. She looked like a beautiful Victorian lady of fifty years ago. She had been lecturing in Brighton on the novel and had said that I and my contemporaries with our roots in the old pre-1914 world had been like men on a tower firmly placed. I said that I had loved her always. She asked why. I gave my reasons and she seemed pleased" quoted in Hart-Davis p. 422. Following Woolf's death the following year Walpole set down his final thoughts on his friend's writing "I think Mrs. Dalloway her best novel and The Waves her most beautiful poem" and on their friendship: "I told her more than I ever told any other human being more than I shall ever tell any human being again. I discovered that beneath the mocking humour the sometimes stern enquiry the sharp wonder the restless investigation there was a kindness of heart and tenderness of feeling rich with an intense personal charity. I shall miss her all my life" quoted in Stape pp. 187 190. His own death followed just two months later. Octavo. Original dark red cloth spine lettered in gilt. Housed in a custom green cloth folding box. Minimal rubbing to cloth a little foxing to text block edges. A near-fine copy. Kirkpatrick A9a; Woolmer 82. Rupert Hart-Davis Hugh Walpole 1952; J. H. Stape Virginia Woolf: Interviews and Recollections 1994; Virginia Woolf The Letters 1975-80. hardcover
1925140948483New York: Harcourt Brace and Company 1925. First American Edition. Very Good. First American edition first printing. 296 pp. Bound in publisher's orange cloth with title label on spine; lacking the dust jacket. Very Good with lean to binding toning to spine and label spotting to cloth and dust-soiling to top edge. Minor foxing to preliminaries and several pages roughly opened. The author's introspective and best-known work which follows a single day in the life of Clarissa Dalloway a high-society woman as she prepares to host a party later that evening. Kirkpatrick & Clarke A9b. Harcourt, Brace and Company unknown
1285-25New York The Modern Library 1928. Introduction by Virginia Woolf. 8°. 2 Bll. IX 296 S. Blauer OLn.-Bd. mit goldgeprägtem Deckel- u. Rückentitel. Kapitale leicht berieben Ecken bestoßen und leicht gestaucht sonst gut erhalten. 2. Auflage des erstmals 1925 erschienenen Werkes von Virginia Woolf 1882-1941. Hier erstmals mit der Einleitung von Virginia Woolf. New York, The Modern Library (1928). unknown
1923140948611Greenwich CT: The Dial Publishing Company 1923. First Edition. Near Fine. July 1923 issue of The Dial featuring a short story by Virginia Woolf that would be the precursor to her novel and best-known work Mrs. Dalloway. Found on page 20-27 the eight page short story entitled "Mrs. Dalloway in Bond Street" is an early draft of the novel's opening sequence one in which the London hostess Clarissa Dalloway sets out to buy gloves rather than flowers on the morning of her party. Bound in publisher's salmon wraps printed in black. i-xii 104 xiii-xx. Near Fine with light edge wear several small partially-erased pencil markings to covers. A fragile production of this important milestone uncommon in such nice condition. The Dial Publishing Company unknown