Woolf, VirginiaBiblio.com
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1933140938227London: The Hogarth Press 1933. New Edition. Very Good. Second printing of the new edition. Signed by Virginia Woolf on the front free endpaper. Bound in publisher's green cloth with spine titled lettered in gilt; lacking the dust jacket. Very Good with light wear at extremities light soiling to cloth and endsheets foxed. While limited editions signed by Virginia Woolf are somewhat common signed trade editions have become quite scarce. The Hogarth Press unknown
193116707London: The Hogarth Press 1931. First Edition First Issue. Cloth. Near fine/near fine. The first edition first issue of The Waves by Virginia Woolf in the publisher's first state dust jacket. Octavo 325pp 3. Purple cloth title stamped in gilt on spine. The first issue with "First Published in 1931" statement on the copyright page. Glue remnant on both endpapers where dust jacket protector was previously attached. Solid text block laid paper internally clean. In the publisher's first issue dust jacket "7s. 6d." retail price on front flap light toning to spine a bright near fine example. Jacket designed by her sister Vanessa Bell. Kirkpatrick A16a A bright near fine example of the author's most experimental work. The Hogarth Press unknown
1930140937947New York: Rimington & Hooper 1930. First Separate Edition. Fine. Signed limited edition. Copy #469 of a limited 550 signed by Virginia Woolf in her customary purple ink. Bound in publisher's gray paper-covered boards over a red cloth spine with titles stamped in gilt; in publisher's slipcase. Fine with slight fading to the spine cloth in a Near Fine slipcase with light rubbing. A beautiful copy of the first separate edition of Woolf's essay on Beau Brummel signed by the author. Rimington & Hooper unknown books
10833Collection complète, du n° 1 (été 1924) au n° 29 (printemps 1932). Nous joignons l'Index des années 1924-1928, paru sous forme de tiré-à-part joint au n° 22 (Hiver 1929). TOUS LES NUMEROS FONT PARTIE DU TIRAGE SUR VELIN PUR FIL LAFUMA (2e papier dont le nombre d'exemplaires est compris entre 150 et 300) et sont tous en bon ou très bon état. // Le n° 1 porte la mention manuscrite " Exemplaire sur Lafuma ", apposée par Auguste Morel qui a également signé cet exemplaire de ses initiales ; ce détail fait de cet exemplaire une belle pièce joycienne puisque dans ce premier numéro de " Commerce " paraît la première traduction en français d'un extrait d'ULYSSE de Joyce - traduction justement due au même Auguste Morel et à Valery Larbaud. // Rare et belle collection sur grand papier.
1930140937948San Francisco: The Westgate Press 1930. Signed Limited Edition. Near Fine/Fine. Signed limited edition. Copy #482 of a limited 500 signed by Virginia Woolf. Bound in publisher's patterned paper-covered boards over green morocco spine; in publisher's slipcase. Sunning to spine else Fine in a Fine slipcase. Woolf guides the reader on walk down wintry London streets dipping in and out of the minds of the people passing by. A beautiful copy signed by the author. Signed limited edition. Copy #482 of a limited 500 signed by Virginia Woolf. Bound in publisher's patterned paper-covered boards over green morocco spine; in publisher's slipcase. Sunning to spine else Fine in a Fine slipcase. Woolf guides the reader on walk down wintry London streets dipping in and out of the minds of the people passing by. A beautiful copy signed by the author. The Westgate Press unknown books
1931140940176London: The Hogarth Press 1931. First Edition. Near Fine/Very Good. London: Hogarth Press 1931. First edition first printing. Bound in publisher's purple cloth with spine lettered in gilt. Near Fine with cloth faded at boards and strip along bottom edge spine ends lightly worn and faded though gilt stamping remains sharp and bright. Foxing heaviest at textblock edge preliminary and terminal pages; pages toned. In a Very Good dust jacket designed by Vanessa Bell with light chipping at corners spine ends and a small interior chip to the spine joint; light toning to spine and heavier toning to top and fore edge of front panel. An absolute gem of a novel tracing six friends lives' spanning from youth to old age told through soliloquies interwoven with the arching rise and fall of the sun over the endless waves. The Hogarth Press unknown books
193029275NY: Rimington & Hooper. Fine with No dust jacket as issued. 1930. Limited Edition. First Printing. Hard Cover. Signed limited edition No. 55 of an edition of 550. Signed on the verso of the half-title by Virginia Woolf in her characteristic purple ink. Quarter bound in publisher's red cloth over gray boards gilt lettering on spine Dwiggins illustration on paste-down on cover t.e.g. Illustrated with drawings and page decorations by W. A. Dwiggins. Printed and bound by The Printing House of William Edwin Rudge. This is Woolf's celebrated and amusing account of the 19th-century English dandy and arbiter of fashion and his unfortunate end. Woolf's essay was first published in the Nation & Athenaeum a British weekly newspaper on September 28 1929. This is the first edition in book form. In its original green slipcase with a Dwiggins paste-down on cover. . The volume is in perfect pristine condition unmarked tight square and clean. The slipcase is worn and soiled and beginning to separate at some seams but holding. FINE. Drawings and Decoration. 4to 11" - 13" tall. iv 8 2 pp. Signed by Author . Rimington & Hooper hardcover
1930565424New York: Rimingtom & Hooper 1930. Hardcover. Fine. First edition. Folio. Quarter linen gilt and paper covered boards with paper label on front board. Spine slightly sunned else about fine in fine publisher's batik paper over card slip case with printed applied illustration. Copy number 354 of 550 copies designed by W.A. Dwiggins and Signed by Virginia Woolf. A nicer than usual copy of a fragile volume. Rimingtom & Hooper hardcover
NE5Hogarth Book. Good. Hardcover. First Edition. Decorations by Vanessa Bell. 4to pictorial boards; spine-ends and joints repaired generally clean and sound internally. ONE OF 500 NUMBERED COPIES First Edition Thus. First fully illustrated edition third overall copy 436 of a limited 500 hand-numbered by Virginia Woolf in her distinctive purple ink. Hogarth Hardcover
192177554Richmond:: Published by Leonard & Virginia Woolf at The Hogarth Press 1921. First edition; one of 1000 copies printed. publisher's cloth-backed boards designed by Vanessa Bell. A very good copy with a little of the usual use to the edges of the boards and some slight soiling to the rear panel. 12mo. With woodcuts by Vanessa Bell. Woolmer 17. Kirkpatrick A5 Published by Leonard & Virginia Woolf at The Hogarth Press, hardcover
192171916New York:: Harcourt Brace and Company 1921. First American edition. publisher's cloth-backed decorated paper-covered with printed paper label on spine in dust jacket. A very near fine copy in a near fine jacket with the slightest of use to the top of the backstrip. . 12mo. Kirkpatrick A5b. Harcourt, Brace and Company, hardcover
192734222London: Duckworth 1927. Early Edition. Hardcover. Very Good Plus/Very Good Plus. Early Edition. Hardcover. Woolf Virginia. THE VOYAGE OUT. In Dustwrapper. London: Duckworth 1927. 8vo. 375pp. Early Edition 2nd impression of Woolf's first novel in dustwrapper. Original navy blue cloth with gilt titles to spine and debossed logo on the back. From the Doran sheets printed in the United States. In a very good example of the rarely seen dustwrapper showing minor loss. Binding near fine text block tight & clean signature of "Lloyd L Rollins London 1929". An excellent copy. Kirkpatrick & Clarke A1c - The sheets were supplied by Doran 10 March 1927 Harcourt supplied another 1000 & issued June 1927 at 5s. 500 copies were taken over by the Hogarth Press from Duckworth - February 1929 who issued American sheets with a cancel-title as the Third Impression. Duckworth hardcover
1931140946249London: The Hogarth Press 1931. First Edition. Near Fine/Near Fine. First edition first printing. Bound in publisher's purple cloth with spine lettered in gilt. Near Fine with darkening to spine light bowing to front board. Light wear at extremities with moderate foxing to all edges. In a Near Fine unclipped dust jacket designed by Vanessa Bell with toning light foxing and moderate edge wear and slight chipping. Offsetting and foxing to verso with small patches of bleed from purple dye. <p>Woolf's surreal and most experimental novel tracing six friends lives' spanning from youth to old age told through soliloquies interwoven with the arching rise and fall of the sun over the endless waves. The Hogarth Press unknown
72063London: Duckworth and Co. 1915. Modern Literature FIRST EDITION first impression. Octavo 19 x 13cm pp.538 2. Publisher's dark grey lettered in pale blue to spine and front cover. Contents clean some minor toning/soiling to fore-edge. No inscriptions inside paper joints discreetly tightened cloth shows light handling only. A near fine copy. Author's second novel. 2000 copies published. Set in Edwardian London 'Night and Day' contrasts the daily lives of two friends Katharine Hilbery and Mary Datchet examining the relationships between love marriage happiness and success. Kirkpatrick A2a. London: Duckworth and Co., 1915 unknown
19281771<p>Book very good fresh inside some small foxing and small tanning on spine but very good tight binding no writing inside. The jacket is good but has probably from being glued earlier glue marks on inner-flaps one thin long ones on both flaps. It is completely free now though and is not stuck to book and book has no damage. It has loss on front of jacket but jacjet holds well. Both jacket and book are first prints</p> Hogarth hardcover
192979287Sous coffret toilé. Reliure bradel plein papier d'aluminiun froisé, teinté et verné. Dos lisse muet. Décor mosaiqué sur les plats. Doublures et gardes en agneau velour. Couverture et dos conservés. Reliure signée Sophie QUENTIN 2020.
1931141454London: The Hogarth Press 1931-39. The psychology of man as a social animal First edition first impression of Woolf's psychological study of the growth of democracy in the 18th and 19th centuries seldom seen with the dust jackets. "Woolf's main theme is the contrast between the structure of society and the 'communal psychology' of Europe before and after the Revolution of 1789. His argument was that before this crucial date political power was a form of personal property. Woolf's conclusion was that by 1832 the idea of political equality had been temporarily and de facto rejected" Wilson p. 218-9. 2 vols octavo. Original orange cloth spines lettered in gilt. With dust jackets. Extremities rubbed and gently bumped marks to edges foxing to vol. II; jackets unclipped chips and short closed tears to extremities panels toned vol. II foxed: a very good set in like jackets. Luedeking A27 & A31; Woolmer 278. hardcover
19311694<p>The dust-jacket is in really good shape with no restaurations. It is not clipped and has a 2-3 cm tear on by front-flap and a few only but smaller closed tears. Some loss on upper part of spine on jacket. Two small holes on jacket spine. Jacket is in great condition. Book is tanned on spine and has writing. The gilt can still be made out with the title but it in quite faint. Fresh inside on all pages but has writing inscription on front-free endpage</p> hogarth press hardcover
1927018496Leonard & Virginia Woolf at the Hogarth Press 1927. 1st Edition 1st Printing. Hardcover. Very Good. 1st Edition Blue Hardcover. Book Condition: Spine ends rubbed and slightly darkened. Corners bumped missing light foxing throughout Missing Half Title page. To the Lighthouse is at once a vivid impressionistic depiction of a family holiday and a meditation on marriage on parenthood and childhood on grief tyranny and bitterness. For years now the Ramsays have spent every summer in their holiday home in Scotland and they expect these summers will go on forever; but as the First World War looms the integrity of family and society will be fatally challenged. The novel's use of stream of consciousness reminiscence and shifting perspectives gives it an intimate poetic essence and at the time of publication in 1927 it represented an utter rejection of Victorian and Edwardian literary values. <br/> <br/> Leonard & Virginia Woolf at the Hogarth Press hardcover
19311646<p>The dust-jacket is very good and has some loss but is overall very good. It has some wear at parts. It has gone up around 3-4cm on back-flap. But the dust-jacket holds together very good. Dust-jacket is completely unrestored: <br />The books title on spine has lost most of its gilt but can still be made out if one looks carefully. The jacket has a few creases too. It has had a previous ex-library patch on inner-part of front-board that has now been taken away but has left some marks there.</p> hogarth press hardcover
20009177Northampton MA: Oxingale Press 2000. Limited Edition. Hardcover. Fine in Near Fine Archival Box. Very minor shelf/edge wear and a hit of sun else tight bright and unmarred. Quarterbound gold cloth spine blue paste paper boards red and black ink label copperplate etching onlay; drop spine clamshell box audio cd fits into space in box. 4to. Illus color and b/w plates. Numbered limited edition this being 53 of 70. Signed by the artists. Publisher's prospectus laid in. <br/><br/>The innaugural publication of the Oxingale Press. A musical collaboration with cellist Matt Haimovitz and composer Luna Woolf performed by soprano Eileen Clark and Haimovitz. The music of the album inspired the book of poems featuring original color etchings by Kuch whose interpretations create a visual counterpoint to the compositions. Oxingale Press hardcover books
20009177Northampton MA: Oxingale Press 2000. Limited Edition. Hardcover. Fine in Near Fine Archival Box. Limited Edition. Hardcover. The innaugural publication of the Oxingale Press. A musical collaboration with cellist Matt Haimovitz and composer Luna Woolf performed by soprano Eileen Clark and Haimovitz. The music of the album inspired the book of poems featuring original color etchings by Kuch whose interpretations create a visual counterpoint to the compositions. Very minor shelf/edge wear and a hit of sun else tight bright and unmarred. Quarterbound gold cloth spine blue paste paper boards red and black ink label copperplate etching onlay; drop spine clamshell box audio cd fits into space in box. 4to. Illus color and b/w plates. Numbered limited edition this being 53 of 70. Signed by the artists. Publisher's prospectus laid in. Oxingale Press hardcover
1921320623Hogarth House Richmaond: Hogarth Press 1921. First edition one of 1000 copies. Four full-page woodcuts by Vanessa Bell. 91 1 1 ads 1 pp. 12mo. Publisher's white paper boards and brown cloth spine black woodcut design on front cover by Vanessa Bell. Repair to upper cover. Signed E. Sideboshane Etaples May 1921 on ffep. First edition one of 1000 copies. Four full-page woodcuts by Vanessa Bell. 91 1 1 ads 1 pp. 12mo. First edition of Woolf's fifth book and the twelfth book of the Hogarth Press a collection of eight short stories. "Leonard Woolf stated that this works was printed by F.T. McDermott of the Prompt Press Richmond who used to give him advice on printing problems when he and Mrs. Woolf first started the Hogarth Press Kirkpatrick. Kirkpatrick A5a; Woolmer 17 Hogarth Press unknown books
192130530Richmond: Leonard and Virginia Woolf at the Hogarth Press 1921. First edition. Bell Vanessa. Printed boards cloth back issued without dust jacket. Slight wear to corners light toning/hint of foxing to endpapers a nearly fine copy containing four full-page woodcuts by Vanessa Bell. One of 1000 copies hand set and printed with Leonard Woolf's assistance at the Prompt Press. Kirkpatrick A5a; Woolmer 17. <br/><br/> Leonard and Virginia Woolf at the Hogarth Press hardcover books
1927129080London: Duckworth 1927. Early printing of Woolf's first novel. Octavo original cloth. Very good in the rare original dust jacket which has been restored. Uncommon in the original jacket. Woolf began work on The Voyage Out by 1910 and had finished an early draft by 1912. The novel had a long and difficult gestation; it was not published until 1915 as it was written during a period in which Woolf was especially psychologically vulnerable. She suffered from periods of depression and at one point attempted suicide. The resultant work contained the seeds of all that would blossom in her later work: the innovative narrative style the focus on feminine consciousness sexuality and death. Writing in 1926 E. M. Forster described it as ". a strange tragic inspired book whose scene is a South America not found on any map and reached by a boat which would not float on any sea an America whose spiritual boundaries touch Xanadu and Atlantis". Reviewing the book a decade earlier he wrote this: "It is absolutely unafraid. Here at last is a book which attains unity as surely as Wuthering Heights though by a different path. Duckworth hardcover
