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2003066422Norwalk Conn.: The Easton Press 2003. Book. Near Fine. Hardcover. 4 Volume Set. Collector's Edition. Bound in matching full hunter green leather boards with gilt lettering and designs. Silk moire inside covers and endpapers full gilt page edges bound silk ribbon bookmarks. All volume published in 2003 except for To the Lighthouse which was published in 1999. Minor shelfwear some light scuffing along gilt page edges. Tight bindings no marks. Set is in Near Fine condition. The Easton Press Hardcover
192732156AB1927. First Edition. London Published by Leonard & Virginia Woolf at The Hogarth Press 1927. Quarto 20 cm wide x 25.5 cm high. 88 pages text plus XL plates with art / paintings of Cézanne. Original illustrated Hardcover. Very good condition with only minor signs of wear to the beautifully firm binding. Paul Cézanne Occitan: Pau Cesana; 19 January 1839 22 October 1906 was a French Post-Impressionist painter whose work introduced new modes of representation influenced avant-garde artistic movements of the early 20th century and formed the bridge between late 19th-century Impressionism and early 20th-century Cubism. While his early works were influenced by Romanticismsuch as the murals in the Jas de Bouffan country houseand Realism Cézanne arrived at a new pictorial language through intense examination of Impressionist forms of expression. He altered conventional approaches to perspective and broke established rules of academic art by emphasizing the underlying structure of objects in a composition and the formal qualities of art. Cézanne strived for a renewal of traditional design methods on the basis of the impressionistic colour space and colour modulation principles. Cézanne's often repetitive exploratory brushstrokes are highly characteristic and clearly recognizable. He used planes of colour and small brushstrokes that build up to form complex fields. The paintings convey Cézanne's intense study of his subjects. His painting initially provoked incomprehension and ridicule in contemporary art criticism. Until the late 1890s it was mainly fellow artists such as Camille Pissarro and the art dealer and gallery owner Ambroise Vollard who discovered Cézanne's work and were among the first to buy his paintings. In 1895 Vollard opened the first solo exhibition in his Paris gallery which led to a broader examination of Cézanne's work. Both Henri Matisse and Pablo Picasso are said to have remarked that Cézanne "is the father of us all". Wikipedia hardcover
19251015<p>In good condition. Has foxing inside and some wear to the title patched title on spine. Also some wear on spine but still good condition</p> Harcourt Brace hardcover
192810305ORLANDO Harcourt Brace 1928 first American edition a bright vg or better copy in a vg dust-wrapper with some light wear and tear and chipping. A tale of an individual whose lifetime spans four centuries and both sexes. Harcourt Brace unknown
1920019403New York: George H Doran Company 1920. First American Edition First Printing . Green Cloth. Near Fine/No Dust Jacket. 508 Pp. Green Cloth Lettered In Black On Spine Blind Stamped On Front Cover. First American Printing With Doran Logo On Title Page. One Of A Reported 1500 Copies Of Which 1326 Were Sold. Bright And Clean. Spine Lettering Strong. No Names Or Marks. Hinges Cracked But Solid. <br/> <br/> George H Doran Company hardcover
196747122London: The Hogarth Press 1967-72. Four volumes volume I second impression others first edition small 8vo. Cloth d.w.'s with some browning a couple of the spines sunned some loss to the ends. Collecting together the essays from the two Common Reader collections The Death of the Moth The Moment The Captain's Death Bed and Granite and Rainbow. London: The Hogarth Press unknown
1957020927San Francisco: Inferno Press 1957. Softcover in Slipcase. Near Fine. Excellent unmarked condition. Light sticker residue on cover. Richard Brautigan's first book appearance. Other poets included: Martin Hoberman Carl Larsen James M. Singer. <br/> <br/> Inferno Press paperback
2011x-0199225990Oxford Univ Pr 2011. Hardcover. New. 1st edition. 744 pages. 9.21x6.14x0.12 inches. Oxford Univ Pr hardcover
26905ALN Embossed address 4 Paper Buildings Temple E.C. 17 April 1867. a. Holograph incomplete three pages good condition 4to authorial additions and corrections. See IMAGE for complete text. b. Autograph Note hall be most happy to accept your invitation to dine at the Garrick Club on May 7. at 7p.m. .". The surviving three pages of an "Opinion" commence "The first series of witnesses prove that he said one thing the second set prove that he did not say anything of the sort .". See Image for full but incomplete text. [ALN] Embossed address, 4 Paper Buildings, Temple E.C., 17 April 1867. unknown
591New Haven: Yale University Press 1931. Good. Large quarto. Original blue printed wrappers signatures sewn. Vol. XX Summer 1931 No. 4. LXIV649-864LXV-LXXII pp. Wrapper's lap-edges with small nicks short rub at spine edge faint ex-library stamp on upper wrapper unused library card to recto of lower wrap; bookplate of the noted Virginia Woolf Hogarth Press Bloomsbury collector William Beekman affixed to verso of upper wrapper some shelf wear else good.<br /> <br /> First appearance of this essay "Aurora Leigh" 677-690 pp. In short Woolf writing as a Modernist in criticism of the work of Victorian writers begins by discussing the irony of how the Brownings Robert and Elizabeth Barrett are better known for their personal lives than their literary works. She notes that many people are familiar with their romantic story but have never read their poetry. She then moves on to critique the works of the Brownings. Woolf suggests that Robert Browning’s work has lost its vigor and significance and his style is considered verbose.  <br /> <br /> As for Elizabeth Barrett Browning Woolf states that her work is largely unread and unexamined with her style being seen as slipshod and her mind as confused and excessive. Woolf then focuses on “Aurora Leigh†describing it as a masterpiece in embryo. She suggests that the novel-poem’s genius is still in a prenatal stage waiting for the final stroke of creative power to bring it into being. She also discusses the character Aurora’s struggle with the expectations of her society. "If therefore we take 'Aurora Leigh' from the shelf and open it it is not so much in order to read it as to muse with kindly condescension over this token of bygone fashion: it is not a book but a dusty mantle with fringes and furbelows that our grandmothers actually wore; a cluster of wax fruit that they stood in a glass case on the drawing-room table among albums views of Jerusalem and handsome models of the Taj Mahal carved in alabaster." 678-679 p. KIRKPATRICK & CLARKE C332. Yale University Press unknown
1930422New York: Harcourt Brace and Company 1930. Very good or better. <p>Octavo. Red cloth boards blind-stamped gilt spine. iii334pp. 8¾ x5¾ in. Cream pictorial dust jacket printed brown and green designed by Vanessa Bell. Boards bright and clean ink ownership signature and date on front free endpaper edges dusty otherwise very good or better in an unclipped dusty dust jacket with a few chips at extremities and a small loss at the at the upper spine and upper fore-tip. From the collection of R. O. Blechman an American animator illustrator children's-book author graphic novelist and editorial cartoonist whose work has been the subject of retrospectives at the Museum of Modern Art and other institutions. Scarce in dust jacket.</p> <br /> <p>First American edition third impression. Published 14 May 1925; 2000 copies printed at $3.50. There was a second impression of 535 copies in November 1927 and a third of 500 in December of 1930 of which this edition is a copy. There were additional impressions in 1933 1942 and 1944 of 500 copies each. THE COMMON READER is a collection of essays written by Woolf some of which appeared originally in the Times Literary Supplement and the Dial while others appear here for the first time.  It consists of two series of essays where Woolf explores various literary topics and authors. Through her elegant prose she examines the nature of reading the role of literature in society and provides engaging critiques of authors such as William Shakespeare George Eliot Joseph Conrad Charlotte Brontë Jane Austen and Chaucer among others. Her influential essays “On Not Knowing Greek†and “Modern Fiction†are included and an additional essay “Lives of the Obscure III Miss Ormerod†appears in this edition but not in the English editions; it was first published in the Dial New York December 1924.  Overall this influential collection offers a rich exploration of literature from a unique and perceptive perspective.</p> . KIRKPATRICK A8b. Harcourt, Brace and Company unknown
1999x-0824702298Informa Healthcare 1999. Hardcover. New. 1st edition. 612 pages. 10.50x7.50x1.50 inches. Informa Healthcare hardcover
1928328779Harcourt Brace and Company 1928. First Thus. Hardcover. Good. 'First Regular Edition' stated with no additional printings indicated. 8vo in blue cloth spine title in gilt foredge untrimmed. Binding tight with an almost unnoticeable spine lean corners and spine ends lighly pushed but not rubbed 5cm X 5cm triangular area of water damage to the lower left corner of the front board not affecting the interior or the dustjacket. The jacket is price-clipped the front panel is entirely separated from the spine but not discernable in a Brodart 9cm slit along the front panel foredge with some loss chips at the corners and spine ends. This copy will not win a beauty contest but it is the first trade edition with most of a dustjacket. Harcourt, Brace and Company hardcover
198464512New York and London: Harcourt Brace Jovanovich 1984. First American editions. Hardcover. Near Fine in Near Fine dust jackets. Five volume set. 24 x 16 cm. Octavo. Black cloth in dust jackets. All are stated first American editions with B in each"letter line" centering of line and McBride indicate true first American editions. Volume One: 1915-1919 356pp. Volume Two: 1920-1924 371pp. Volume Three: 1925-1930 384pp. Volume Four: 1931-1935 402pp. Volume Five: 1936-1941 402pp. Some edgewar to vol 5 jacket. Harcourt Brace Jovanovich hardcover
33940London: The Hogarth Press 1988. First Edition. Hardcover. First Edition. Hardcover. First Edition. THE ESSAYS OF VIRGINIA WOOLF. VOLUME THREE A rare fine copy in navy blue cloth gilt titles to the spine in a near fine stunning pictorial dust wrapper based on Vanessa Bell's design for The Common Reader. An erudite collection spanning the years 1919 to 1924. An erudite collection proving Woolf at her critical best. Includes her now famous Hours In A Library Philosophy In Fiction and A Scribbling Dame. Kirkpatrick And Clarke A65a Size: 8vo - over 7¾" - 9¾" tall. London: The Hogarth Press, (1988) hardcover
194233924London: Hogarth Press 1942. lst Edition. lst Edition. Virginia Woolf Collection Vanessa Bell Hogarth Press Leonard Woolf. FIRST U.K. EDITION of Virginia Woolf's THE DEATH OF THE MOTH AND OTHER ESSAYS. 8vo. In the Publishers original bright blue buckram stamped in gilt on the spine. Original black and white dustjacket designed Virginia's sister Vanessa Bell. Slight shelf wear and minor cut on the front. A slight wave on a few back pages due to the paper quality. Protected in mylar. Near fine even with lower grade of paper of the time. Paper and printing resources were rationed in Britain at the time. <br /> Kirkpatrick A27a.<br /> <br /> The Death of the Moth and Other Essays is a posthumous collection of essays by Virginia Woolf published in 1942 containing 28 essays that showcase themes ranging from art and literature to everyday life and philosophical reflections. Hogarth Press unknown
1932023296New York: Harcourt Brace. Original dark blue cloth. First American Edition. 1 of 2000 copies. Dust Jacket designed by Vanessa Bell. Near Fine in Very Good Dust Jacket with edge chips. Kirkpatrick A18b. . Near Fine. Hardcover. 1st Edition. 1932. Harcourt, Brace hardcover
1942mbb006708London: The Hogarth Press 1942. First Edition. Hardcover. Very Good/No Jacket. 220x140x20mm. 220x140x20mm355g . . The Hogarth Press. London. 1942. First Edition. 1st Printing. . Pp157 Blue cloth hard boards with gilt lettering to spine without dust jacket. Spine top of front and back boards faded head and foot of spine slight roll wear to small area of spine dent to back board endpapers and book block minor foxing. Interior square and clean no names or dedications. A very nice copy. . . . . Domestic_tracked_OR_registered_flat_rate_FOR_THIS_ITEM_Within_Australia:_AU$11.20 1st Printing The Hogarth Press hardcover
GRP105443658University of California Press. Used - Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. University of California Press unknown
197550925Brighton: Holleyman & Treacher Ltd. 1975. Limited edition no. 227 of 250 copies 4to 167 leaves. Original cloth leather spine label with mild rubbing. Brighton: Holleyman & Treacher Ltd. unknown
19231758197601DPBLeonard & Virginia Woolf at The Hogarth Press 1923. Hardcover. Good. 1923. Translation. 134 pages. No dust jacket. Pictorial paper covered boards with cloth spine. Rough cut edges to textblock. Translated by S.S. Koteliansky and Virginia Woolf. Pages with some foxing and tanning particularly to endpapers and textblock edges. Binding remains firm. A previous owner's name in pencil to front free endpaper. Boards have moderate shelf wear with bumping and rubbing to corners and crushing fraying and tearing to spine ends and edges. All surfaces tanned particularly spine. Leonard & Virginia Woolf at The Hogarth Press hardcover
195074551London: The Hogarth Press 1950. 16mo. Uncorrected proof copy. 224 pp. Light blue paperback with title and publisher printed in black in dark blue card dw with title and author handwritten onto spine. A few pen scribbles and marks to covers and some loss/ wear to spine ends with a short tear to base of front join; panels of dw clean but spine sunned. Overall a clean copy with only one or two underlinings of single words in black ink. 16mo bound in 8s. . Good. Wraps. 1950. The Hogarth Press 1950 paperback
1975YY6799Hogarth Press 1975. Published between 1975 to 1980 this is a very good condition set. Volume 2 has a price clipped dustwrapper but all the others are unclipped. Dustwrappers on all sets are slightly faded on the spine but otherwise protected in a removable clear plastic sleeve. A few marks to top page edges. Robust packaging. Tracking is always added to USA orders. It can be added to overseas orders on request. Used books are exempt from USA tariffs. 1st edition. Owner's signature to volume 2 only. Binding sound text unmarked. Owner's signature to volume 2 only. Binding sound text unmarked. Very Good/Very Good. All volumes around 550 pages many illustrations. Hogarth Press Hardcover
2011__0414041356Sweet & Maxwell 2011. Hardcover. New. 394 pages. 9.45x6.38x1.02 inches. Sweet & Maxwell hardcover
1975020895London: The Hogarth Press 1975-1980 1975. 1st Edition . Hardcover. Near Fine/Near Fine. First Editions. Complete six volume set with dust jackets. Published from 1975-1980. Edited by Nigel Nicolson. Assistant Editor Joanne Trautmann. Blue cloth boards with spines lettered in gilt. A couple of jackets have faded spines else near fine. Vol. 2 3 & 5 have price clipped jackets. Volume titles: The Flight of the Mind: 1888-1912. The Question of Things Happening: 1912-1922. A Change of Perspective: 1923-1928. A Reflection of the Other Person: 1929-1931. The Sickle Side of the Moon: 1932-1935. Leave the Letters Till We're Dead: 1936-1941. Kirkpatrick A44a A47a A51a A53a A54a. <br/> <br/> London: The Hogarth Press, 1975-1980 hardcover