Woolf Virginia.ABAA
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2003291482Norwalk.: Easton Press. 2003. Full green leather raised bands gilt decorations all edges gilt silk endpapers ribbon marker. Fine no dust jacket as issued. 23.3x15 cm. weight: 1.2 lb. Foreword by Mary Gordon. Easton Press. hardcover books
19291062408vo. New York/London: Fountain/Hogarth Press 1929. 8vo 159 pp. Original brick-red cloth with gilt titles. A near fine copy in a folding case. Bookplate of Stuart Schimmel on front paste down signature of Robert Hunter on front free end paper. § First edition large paper issue number 116 of 492 copies signed by Woolf in her customary purple ink on the half title. A classic of feminist literature in which Woolf considers the past and present barriers to women writers in a patriarchal culture and which originated as lectures given by Woolf at two women’s colleges in Cambridge. "A woman must have money and a room of her own if she is to write fiction." Fountain/Hogarth Press hardcover books
20181London: Oxford University Press 1928. First World's Classics edition. Hardcover. Fine. 12mo. publisher's green cloth pp. xvii 234. Signed presentation copy from Leacock: "Dot from Stephen for trichocomical value received August 1931". The recipient was Dorothy MacGregor friend of Leacock and wife of his colleague economist Donald Chalmers MacGregor. Leacock's hybrid word "trichocomical" would appear to suggest humourous hair or possibly hair-pulling. A fine copy. <br/> <br/> London: Oxford University Press, 1928. First World's Classics edition. hardcover
19286678New York: Oxford University Press 1928. First Edition Thus; Vintage Copy. Hardcover. Book condition is Very Good in boards. Owner name and date to front end page. Minor wear to exterior. Text is clean and unmarked. ; 12mo 7" - 7½" tall. Oxford University Press hardcover
2008Q-1841939889Arcturus Publishing 2008-01-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Arcturus Publishing hardcover
1330327489.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0265270073.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1912433349London : Gee 1912. First Edition. Hardcover. Good library copy in gilt-blocked cloth. Hinges starting. Spine bands and panel edges somewhat bumped and rubbed as with age. Remains quite well-preserved overall. Physical description; xxxi 254 pages 22 cm. Notes; ""List of works consulted"": pages xi-xv. Bibliography 1494-1800: pages 197-239. Contents; Partial contents pt. I: Development of systems of accounting -- Accounting among ancient nations -- Accounting in classical times -- Accounting during the Midel Ages -- pt. II: Growth of the science of bookkeeping -- pt. III: Origin and progress of auditing -- pt. IV: Rise and progress of professional accountants. Subjects; Accounting History. Accountants. London : Gee hardcover
197490091nihon shosekiltd 1974 hardback book in near fine conditionreprint of the 1912 editiongee & co.londonnumber 12 in the seriesselected classics in the history of bookkeeping. Hardcover. Near Fine/No Jacket. nihon shoseki,ltd hardcover
2007Q-1843914247Hesperus Press 2007-03-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Hesperus Press paperback
DADAX1847094619Sheldon Press 2017-09-21. paperback. New. 5.50x0.50x8.50. Buy with confidence. Excellent Customer Service & Return policy. Sheldon Press paperback
196350087sUniversity Park PA: The Pennsylvania State University Speech and Hearing Clinic 1963. Quarto softbound 124 pp. Very Good with former-owner signiture light wear to covers. Contents: The Adult Therapy Program: What it Is and How It Began; Professional Behavior; Staff Seminars and Staff Meetings; The Evaluation of Clinical Competency; The Secretarial Staff Supplies and Equipment; A Rationale of Therapy; Therapy Reports and Report Writing; Diagnostic Outlines and Reports. The Pennsylvania State University Speech and Hearing Clinic, 1963. paperback books
2010Q-0812980018Random House Trade Paperbacks 2010-11-09. Paperback. New. In shrink wrap. Looks like an interesting title! Random House Trade Paperbacks paperback
1992RO60148737Penguin books. 1992. In-12. Broché. Etat passable, Coins frottés, Dos frotté, Papier jauni. 203 pages. Texte en anglais. Quelques rousseurs.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
197815721Triad Books 1978 352 pages 11x2 2x17 2cm. 1978. Broché. 352 pages. Ce recueil de journaux intimes de Virginia Woolf publié par Triad Books offre un aperçu de ses luttes et triomphes quotidiens en tant qu'écrivaine. Les entrées écrites dans un style de courant de conscience révèlent son attention méticuleuse aux détails ses observations profondes sur la vie et ses combats avec la santé mentale
196897206Los Angeles California 1968 & 1969. 1968 & 1969. Very good. - A wonderful and increasingly caustic correspondence between the author Pierre La Mure and producer Jean Dalrymple regarding production of a theatrical production of a musical based on his novel "Moulin Rouge" about the life of the French artist Henri de Toulouse-Lautrec. The correspondence consists of 4 typed letters signed by Pierre La Mure with retained copies of 3 of Jean Dalrymple's letters to La Mure together with 2 typed letters signed by the British film producer of the 1952 movie of "Moulin Rouge" John Woolf together with a retained copy of another of his letters to Jean Dalrymple and the retained copy of a letter from Jean Dalrymple to Woolf. La Mure has penned occasional corrections in red ink within the text of his letters and Jean Dalrymple subsequently drew a diagonal red line through La Mure's and Woolf's letters indicating she'd read and dealt with them. All the letters are in very good to fine condition. A wonderful correspondence which provides insight into the thoughts of those involved in attempting to stage a theatrical production of the musical. The novel was the basis for a major film produced by John Woolf and directed by John Huston in 1952. It is interesting to note that La Mure belittles Jose Ferrer a close friend of Jean Dalrymple for his performance in "The Man of La Mancha" as Ferrer starred as Toulouse Lautrec in the film. <p>Following is a chronological description of the correspondence:<p>1 August 25 1968. An approximately 300 word 1 - 1/4 page typed letter to Jean Dalrymple on personal letterhead signed "Pierre". Pierre la Mure writes to producer Jean Dalrymple that Romulus Films and United Artists are willing to release their rights for a percentage and allow a musical to be made based on Moulin Rouge. La Mure finds himself "in the position of G.B. Shaw in relation to 'My Fair Lady' - and I should like to know what percentage did the Shaw estate get out of My Fair Lady." He complains that time is being wasted on unnecessary negotiations. He says that it is simply a matter of writing "the book of a musical. I have the draft of one which I wrote for myself and which doesn't infringe on the film at all.".<p>2 August 28 1968. A one-page retained carbon copy of a letter from Jean Dalrymple to Pierre La Mure. Dalrymple writes that Herman Levin will let La Mure know the percentage paid to the Shaw estate for Pygmalion. She emphasizes that she could have done a much better job herself than Paul Kohner has done on the musical negotiations.<p>3 February 20 1969. An approximately 300 word typed letter to Jean Dalrymple on personal letterhead signed "P". La Mure writes that he agrees with Dalrymple that Richard Rodgers "would give much prestige to the production." But he adds that "Lowe of My Fair Lady.would even be better I think". He tells her to forget about the French composer George Auric. "He probably looks down on him Rodgers.And I don't think his music is very good anyway." Auric was the composer of the music for the 1952 John Huston film of Moulin Rouge. La Mure then makes an impassioned plea for the actor Charles Aznavour: "But I plead with you to consider Aznavour. Every fiber in my body tells it would be a bull's eye.He was born to be Lautrec." Along the left margin of the letter La Mure writes a footnote: "Let me know what Wasserman says". Evidently Dale Wasserman was being considered for writing the book for the Moulin Rouge musical. Wasserman is best known for having written the book for "The Man of La Mancha".<p>4 February 26 1969. A two-page retained carbon copy of a letter from Jean Dalrymple to Pierre La Mure. Dalrymple writes that her "session" with Dale Wasserman was disappointing. Wasserman felt that Moulin Rouge is "too close in feeling atmosphere and locale" to Montmartre the musical he is currently working on. She says she will approach Neil Simon who "turned SWEET CHARITY from a disaster - when it opened out of town - into a hit." She also suggests Frank Loesser: "I have produced most of Mr. Loesser's hits.and if he believed in Moulin Rouge he'd do a masterly job of it.Loesser is almost as prestigious as Richard Rodgers.and actually more talented."<p>5 April 7 1969. A one-page retained carbon copy of a letter from Jean Dalrymple to Pierre La Mure. Dalrymple writes that Frank Loesser had discussed Moulin Rouge with La Mure years ago and "reluctantly turned it down." However he would now reconsider it but he is "not at all well".<p>6 April 22 1969. An approximately 60 word typed letter to Jean Dalrymple on Romulus Films Ltd letterhead signed "John" by the producer John Woolf. Woolf thanks Dalrymple for her cable congratulating him on his Best Picture Academy Award for his film "Oliver". He inquires about an April 2 letter he sent her regarding Moulin Rouge.<p>7 June 2 1969. A one-page retained carbon copy of a letter from Jean Dalrymple to John Woolf. Dalrymple asks Woolf for a copy of the screenplay for Moulin Rouge on behalf of Joe Darion the Tony Award winning lyricist of "The Man of La Mancha". Darion is evidently planning to write the book for the Moulin Rouge musical. She mentions that her butler David Daniels once worked for Woolf as his valet.<p>8 June 6 1969. An approximately 100 word typed letter to Jean Dalrymple on Romulus Films Ltd letterhead signed "John" by the producer John Woolf. Woolf writes to Dalrymple sending along a copy of his April 2 letter which was somehow lost in the shuffle. He says that he is happy to send along a copy of the Moulin Rouge script.<p>9 August 18 1969. An approximately 250 word typed letter to Jean Dalrymple on personal letterhead signed "Pierre". La Mure is surprised and clearly peeved that "Mr Joe Darion is writing a libretto of Moulin Rouge". He points out that Dalrymple has no option on the property and "it perhaps would be a good idea to come to some business arrangement on this matter don't you think". He writes a lengthy postscript in part concerning a production he saw of "The Man of La Mancha" starring Jose Ferrer "who I thought was very bad in it". The slight against Ferrer may well be deliberate as Ferrer was a close friend of Dalrymple. She affectionately referred to him as one of her 3 Joses the other two being Jose Iturbi and Jose Serebrier. La Mure goes on to attack Joe Darion: "Frankly I am not terribly impressed by his anguish over 'the physical problem' of Toulouse Lautrec Why doesn't he go to a library and get a photograph of Lautrec. Rather simple don't you think.".<p>10 September 29 1969. An approximately 240 word typed letter to Jean Dalrymple on personal letterhead signed "Pierre" with the original envelope. In this letter La Mure brings the matter of a Moulin Rouge musical to a close. "Please do not suspect me of hidden motives and do not try to match your feminine intuitiveness with my words. I simply say what I mean and mean what I say. Therefore believe me when I assure you that I am not 'angry' with you.I certainly am not 'most angry' as you say because you don't like my outline of a Moulin Rouge musicale." He concludes his correspondence by stating that he is offering the dramatic rights to Moulin Rouge for sale on the open market. "Should you and your associates be interested in the property nothing would please me more. You then would be able to proceed without any interference from me". He finishes by asking for the return of his manuscripts.<p>Perhaps best remembered for his 1950 novel "Moulin Rouge" about the life of Henri de Toulouse-Lautrec the French author Pierre La Mure 1909-1976 also wrote the novel "Beyond Desire" about the life of Cecile and Felix Mendelssohn and "Claire de Lune" based on the life of Claude Debussy. His novel "Moulin Rouge" was made into a film of the same name directed by John Huston in 1952.<p>The British movie producer John Woolf 1913-1999 founded the company "Romulus Films" with his brother James in 1948. Although he was mocked for it with comments such as "Two old people going up and down an African river . who's going to be interested in that" Woolf put up half the money for "The African Queen" starring Humphrey Bogart and Katherine Hepburn. The movie was a huge success. Woolf also produced John Huston's film of "Moulin Rouge" as well as "Oliver" for which he received an Academy Award.<p>Jean Dalrymple 1902-1998 was the dynamic producer and director of theater and light-opera at Manhattan's City Center. Dalrymple began her career in Vaudeville appearing with James Cagney and Cary Grant in the early 1930s. She was a founding member of the American Theatre Wing the theatre service organization. She worked over the years as a personal manager for the likes of Leopold Stokowski Mary Martin Jos Iturbi Andre Kostalanetz Nathan Milstein and Lily Pons. She began her work at City Center with its founding in 1943 serving as a board member and publicist. Her productions there from the 1940s through the 1960s were a revitalizing influence on the whole New York theatre scene. In 1951 Jean Dalrymple married Major-General Philip deWitt Ginder commander of the Thunderbirds in Korea. She was a friend to Presidents and entertainment personalities throughout the world. Los Angeles, California, 1968 & 1969. unknown
2013SONG1432976184Heinemann Educational Books 2013-08-01. Illustrated. library. Used: Good. 6.50x0.50x9.75. Buy with confidence. Excellent Customer Service & Return policy. Heinemann Educational Books unknown
1953000141London: Hogarth Press 1953. 1st Edition. Hardcover. Very Good/Good. Orange cloth boards lettered in gilt on spine. x3711pp. 8 ¾ x 5 ½. Vanessa Bell dust jacket. Chronological bibliography and an index. Some offsetting from the wraps to free endpapers spine lightly sunned else a very good or better copy in an unclipped white dust jacket printed in orange and black toned at edges sunned at spine. Formerly in the collection of R. O. Blechman an American animator illustrator children's-book author graphic novelist and editorial cartoonist whose work has been the subject of retrospectives at the Museum of Modern Art and other institutions.<br /> <br /> First edition first printing. Edited by Leonard Woolf who explains in the preface it was his hope to extract and distill entries culled from 26 volumes of diaries that related to her own writing and indeed the writing process and life as she lived it. While she began keeping diaries in 1915 this edition contains excerpts from August 1918 where in referring to Katherine Mansfield Woolf writes "I threw down BLISS with the exclamation 'She's done for!' . I shall have to accept the fact I am afraid that her mind is very thin soil laid an inch or two deep upon very barren rock" to Sunday March 8 1941 "Occupation is essential. And now with some pleasure I find that it's seven; and must cook dinner. Haddock and sausage meat. I think it is true that one gains a certain hold on sausage and haddock by writing them down."<br /> <br /> <br /> . KIRKPATRICK A31a. Hogarth Press hardcover
2080202103702978Triad Grafton N.A. Soft Cover. Fine. Page size: 350 p. Size: 18 cm A5 Triad Grafton paperback
1903155886.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1954319New York: Harcourt Brace and Company 1954. Very Good. <p dir="ltr">First American Edition First Printing. 372 pp. Boards bound in red cloth with silver lettering to spine. Jacket printed in red black and cream. Light toning and faint spotting to jacket modest wear to spine ends; interior clean binding firm.<br /> <br /> These entries are drawn from the 26 volumes of dairies Virginia Woolf kept between 1915 and 1941 The Book focuses on her reflections about writing creativity and her craft. It's celebrated for its profound exploration of the creative process. Case 1.</p> . Harcourt, Brace and Company unknown
19531767691888MHAThe Hogarth Press 1953. Hardcover. Acceptable/Acceptable. 1953. First Edition. 372 pages. Illustrated jacket priced 18s net over orange cloth with gilt titles to spine. Pages have slight foxing tanning and minor thumbing. Slight gutter cracking. Binding is firm. Foxing and tanning more noticeable towards start and end of book corresponding with DJ flaps and on text block edges. Previous owner's pen inscription to front endpaper. Rear endpaper torn: approx 25% missing. Boards have moderate edge wear with slight bumping to corners and spine ends. Boards a little rubbed and marked overall. Spine and board edges are a little sunned. Faint pale marks. Traces of paint to lower edge of front board. Book has a forward lean. Gilt is dulled and worn. Unclipped jacket has heavy edgewear with areas of loss heavy tears chips and creasing. Rather rubbed and marked overall. A few liquid droplet marks. Spine heavily sunned. The Hogarth Press hardcover
196521274The Hogarth Press. 1965. Fourth Printing. Hardcover. Very Good in Good dust jacket. Orange cloth cover has lightly crushed caps corners are bumped and lightly rubbed but cover is clean bright and in very good condition. Boards and spine are straight. Binding is tight. Pages are clean and in very good condition. Dust jacket has light shelf rubbing light soiling and minor wear to the extremities including chipping and tearing. DJ protected by a brand new clear acid-free mylar cover. We add mylar covers to all books with DJs to preserve the DJs and add luster to magnify their beauty. If pictured shown without the mylar cover for an accurate representation of dust jacket. . The Hogarth Press hardcover
1973304337New York: Harcourt Brace Jovanovich Inc 1973. First Edition; Third Printing. Softcover. Very Good in wraps. Ink mark on front panel. Staining on panels and spine. Foxing on text block edge.; 7.9 X 5.4 X 1.0 inches; 355 pages. Harcourt Brace Jovanovich, Inc unknown
9367574-6Penguin Random House. Used - Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Penguin Random House unknown
