63 résultats
9788527308168-11-131946Perspectiva. New. Perspectiva unknown
1950333501Paris: Messager Boiteux de Paris 1950. First edition limited to 500 copies. Text in French. 8vo. Front cover has tiny closed tear at top edge small soil spot and faint crease at lower fore-corner else a very good copy. First edition limited to 500 copies. Text in French. 8vo. Surrealist and Dada writings inspired in part by Jazz and the music of Duke Ellington. OCLC locates seven holdings Library of Congress Emory Northwestern Illinois Missouri Hofstra and South Carolina State. T.C. #1. T.C. #1 <br/><br/> Messager Boiteux de Paris unknown
195287538Paris: Soleil Noir / Presses du Livre Français 1952. First Edition. Trade issue after 50 copies on Alfa. 12mo. Original printed wrappers; 1271pp; illus frontispiece and five unnumbered leaves of plates. Slight toning to spine else a tight Near Fine copy; the text is completely unopened i.e. pages are uncut clean and supple with practically no toning to the margins. Prospectus and order form laid-in. Text entirely in French. <br /> <br /> Premier issue of Di Dio's short-lived surrealist quarterly which ended after the double issue 3/4 in early 1953. Contributors include Antonin Artaud Aimé Cesaire Julien Gracq Philippe Dechartre others. Illustrations by Max Ernst Paul Klee Vasily Kandinsky etc. Uncommon especially in this condition. Soleil Noir / Presses du Livre Français unknown
1932338037Paris: Editions des Cahiers Libres 1932. First edition trade issue limited to 2000 numbered copies "sur velin omnia" text in French. 172pp. 12mo. Pictorial warppers. Archivally rebacked with new unprinted spine. Few tiny closed edge tears on front cover text evenly browned due to acidic paper else a very good copy. First edition trade issue limited to 2000 numbered copies "sur velin omnia" text in French. 172pp. 12mo. "Andre Breton is undeniably the outstanding representative of literary Surrealism in France. his books of critical discussion of the new theories-- as for instance. Les Vases communicants. have established his reputation as the most fully qualified exponent of the 'orthodox' Surrealist doctrine" Lemaitre. 'From Cubism to Surrealism in French Literature' p. 209. <br/><br/> Editions des Cahiers Libres unknown
194786427Paris: Éditions Surréalistes 1947. First Edition. Octavo. Staple-bound wrappers; 14pp; photographic frontispiece and terminal ad leaf on glossy paper; overprinted in red on front cover and title page. Covers toned as usual; text mildly aged but remains supple and free of soil. Very Good. The frontispiece photograph is attributed to Man Ray from his series of photographs of the ruins of De Sade's chateau in Provence.<br /> <br /> Important post-war manifesto of the "Cause" group breaking the Surrealists' connection to all political parties and especially denouncing the Stalinization of the Communists. According to Gershman the text was written by Henri Pastoureau. Signed in type at conclusion of text by 48 members including Breton Alexandrian Bellmer Baskine and others. GERSHMAN Bibliography of the Surrealist Movement in France p.56. Éditions Surréalistes unknown
199127282<p>New York:: Thames & Hudson 1991. First Printing of the First Edition. A Fine copy in a Fine dust jacket. The author provides a narrative history of the Surrealist movement of the 1920's in Paris and an analysis of the major Surrealist literature accented by Parisian photographs by Micahel Woods. Uncommon in the hardcover.</p> Thames & Hudson, hardcover
199527755<p>Surrealism Breton Andre. Free Rein: Essays. Lincoln: University of Nebraska Press 1995. First Printing of the First US Edition. ISBN: 0803212410. A Near Fine copy faint remainder stamp in a Fine dust jacket. Free Rein is a gathering of seminal essays by André Breton the foremost figure among the French surrealists. Written between 1936 and 1952 they include addresses manifestoes prefaces exhibition pamphlets and theoretical polemical and lyrical essays. Together they display the full span of Breton's preoccupations his abiding faith in the early principles of surrealism and the changing orientations in light of crucial events of those years of the surrealist movement within which he remained the leading force.Having broken decisively with Marxism in the mid-1930s Breton repeatedly addresses the horrors of the Stalinist regime which denounced him during the Moscow trials of 1936. He argues for the autonomy of art and poetry and condemns the subservience to "revolutionary" aims exemplified by socialist realism. Other articles reflect on aesthetic issues cinema music and education and provide detailed meditations on the literary artistic and philosophical topics for which he is best known. Free Rein will prove indispensable for students of Breton surrealism and modern French and European culture. </p> University of Nebraska Press, hardcover
197527168<p>New York:: Macmillan 1975. First Printing of the First US Edition. A Fine copy in a Fine uinclipped dust jacket. Thirion a French revolutionary was a prominent member of the French avant-garde involved in the Marxist-surrealist movement in Paris after World War I. His fellow "revolutionaries" included the likes of Breton Aragon Dali Miro and Giacometti. Thiron joined the Communist party in 1925 and he joined the surrealist movement in 1928. He was a friend of Louis Aragon and Georges Sadoul and was active with the surrealists between 1928 and 1934. During the Second World War he joined the Gaullist resistance. Thiron's autobiography captures the lost period between the wars and the rise in ideological disputes that followed; it is the journal of one man's devotion and disillusionment when the world was changing in revolutionary ways.</p> Macmillan, hardcover
B295115-1Paris Librairie José Corti 1930. 35 1pp. 8 plates including by Man Ray Yves Tanguy and Salvador Dali. 4to. Orig. wraps. slighlty worn. Texts by Breton Éluard Crevel Char Péret Marcel Duchamp Aragon and Georges Sadoul and others. The issue published in Oct. 1930 opens with an advertisement for Breton's First and Second Manifeste du Surrealisme. Paris (Librairie José Corti), 1930. paperback
B295121-1Paris Librairie José Corti 1933. 55 1pp. 8 plates including by Alberto Giacometti René Magritte Max Ernst André Breton Valentine Hugo Salvador Dali Yves Tanguy. 4to. Orig. wraps. Texts by Breton Buñuel Char Tzara and Péret and others. The issue published in May 1933 opens with an advertisement for the next surrealist periodical Minotaure. Paris (Librairie José Corti), 1933. paperback
30671Chicago Black Swann Press octobre 1978. 16 p. 290 x 435 mm impression en noir. . Numéro unique de cette publication surréaliste américaine sous forme de tabloïd. Organe du groupe de Chicago dirigé par Franklin Rosemont ; on y trouve le tract 'Voluptuous magnet embraceable dawn' et des textes de Rachel Blackwell Bogartte Green Jablonski Lamantia Ribitch F. Rosemont P. Rosemont Taub Tristan Meinecke Lane Ellwanger Jaguer Rikki El Janabi Mado Peters Redmond Booth. Des artistes du mouvement viennent en illustrer les textes: Bogartte El Janabi Erben Granell Rube Goldberg F. Rosemont P. Rosemont Green Ribitch José Argemi Nelson Algren Peters Rammel Schlechter Duvall Taub Welson Haïfa Zangana. Parfait état. Chicago, Black Swann Press, (octobre) 1978. 16 p. (290 x 435 mm), impression en noir. unknown
194788266Paris: Sagittaire 1947. First French Edition. First Impression regular issue. Octavo 18.5cm; original printed card wrappes; 67-2226pp. From the library of noted poet translator and anthropologist Nathaniel Tarn 1928-2024 with 7 lines of penciled notes on rear wrapper and some light pencil markings in text. Light wear to extremities gentle sunning to spine mild dust-soil to wrappers with some of the usual tanning to text edges; Very Good. A significant surrealist text about the discovery of love through loss written while Breton and his third wife Elisa were self-exiled in Canada. Portions of the work were originally published in New York. 88266. Sagittaire unknown
195588267Paris: Gallimard 1955. First Edition Thus. First Impression regular issue. Octavo 18.75cm; original printed card wrappers; 910-2071 8pp black & white plates. Light wear to extremities some trivial dust-soil subtle tanning to text edges; Near Fine. New edition of this key Surrealist work originally published in 1932 in which Breton explores the connection between the dream world and the waking world and how the techniques of surrealism could lead to recovery from despondency. 88267. Gallimard unknown
195587650Paris: Flammarion 1955. First Edition. First printing. 12mo 19cm. Printed card wrappers; 2344pp. Bright well-preserved copy with little indication of use - the wrappers remain vividly colored; the text is unopened pages uncut but does exhibit some of the expected toning to paper at margins; Very Good or better. Laid in is an announcement for a lecture by Alquié undated "La Conception Surréaliste de L'Amour". GERSHMAN p.1. Flammarion unknown
2090502113716025Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
19392092902137302598Atorie-sha 1939. Soft Cover. Fine. The book is in fine condition. Atorie-sha paperback
19772092902137306941Bijutsu shubbansha 1977. Soft Cover. Fine. The book is in fine condition. Bijutsu shubbansha paperback
19692090502113708508Not Available 1969. Soft Cover. Fine. The book is in fine condition. Not Available paperback
19722092902137306827Shinchosha 1972. Soft Cover. Fine. The book is in fine condition. Shinchosha paperback
B295118-1Paris Librairie José Corti 1931. 35 1pp. 8 plates including by Joan Miro Alberto Giacometti Man Ray Valentine Hugo Salvador Dali and Clovis Trouille. 4to. Orig. wraps somewhat worn. Texts by Breton Éluard Char Tanguy Max Ernst Pierre Unik Crevel Aragon and others. The issue was published in Dec. 1931. Paris (Librairie José Corti), 1931. paperback
196623242Paris: Lettres Modernes 1966. soft covers as issued. four volume set. vol. 1 has an owner name/date to first page. minor bits of exterior wear a little crease a little smudge. no text markings. no tears. strong sewn bindings.; french text as issued.; no. 1 1966 232pp./no. 2 1968 264pp./no. 3 1969 147pp./no. 4 1970 176pp. some have b/w figures. each contains numerous articles documents essays by various contributors. First Edition. Soft Cover. Very Good Plus. 8vo - over 7¾" - 9¾" tall. Multi-Volume Set. Lettres Modernes Paperback
197627500Syracuse::: Syracuse University Press 1976. First Printing of the First US Edition. A Fine tight copy in a Fine unclipped dust jacket. The author examines the emergence of surrealism through the nineteenth century heritage of romanticism and naturalism and assesses the works of Apollinaire and analyzes Andre Breton's 1924 Manifestoe of Surrealism. Matthew's study of Breton's Anthology of Black Humor and the writings of the leading Belgian surrealist Paul Nouge reflects the use of surrealism as a language of revolt. Matthew' also investigates the subversive poetics of surrealism by examining surrealist attitudes toward the Marquis de Sade and commenting on their political position. Syracuse University Press,, unknown
16274Paris FeÌvrier 1949. 1 f. 270 x 350 mm. Impression noire sur papier blanc. . Lettre ouverte sous forme de tract. L'exemplaire de Gaston Ferdière. . Les surréalistes se portent solidaires du mouvement « Citoyens du monde » et de son initiateur Garry Davis qui se rendit ceÌleÌ€bre en interrompant une seÌance de l'ONU au Palais de Chaillot en novembre 1948. Davis sera soutenu par le mouvement Front humain auquel Breton collabore depuis le printemps. Le poète participe aÌ€ plusieurs meetings mondialistes et le groupe tout entier adresse en février 1949 son soutien au jeune activiste à travers ce tract intituleÌ Â« Les surréalistes aÌ€ Garry Davis ». Notre exemplaire a été plié affranchi et adressé à Gaston Ferdière : l'adresse « Médecin chef de l'Asile de Rodez Aveyron » a été biffée et le courrier fait suivre à cette adresse : « Villa Ugarte aÌ€ Anglet B. Py. Basses-PyreÌneÌes ». Plusieurs eÌchanges de lettres au moment du meeting du 30 avril 1949 organiseÌ par Breton « Pour Gary Davis » attestent de contacts récurrents entre les deux hommes à cette époque. Paris, FeÌvrier 1949. 1 f. (270 x 350 mm). Impression noire sur papier blanc. unknown
195016861AB1950. Heidelberg Lambert Schneider 1950. 30 : 235 cm. 90 pages with 36 illustrations 16 1 coloured plates. Original boards First edition. - Introduction into surreal literature and painting on psychoanalytiv basis.based on the method of the complex psychology of C.G. Jung as well as the psychoanalysis of Freud. Very well documented. Treats the most important movements of modern art 'the presurrealist poems' Jarry Rimbaud Lautremont Apollinaire 'the surrealist m ovement' 'the surrealist authors' all important authors 'the painting of surrealkism' most detailled about Max Ernst specially the collage's of Max Ernst. The first issue of 'Un Semaine de Bonté' 'Le Lion de Belfort' and the paintings which are especially typical for surrealism are analyst in-depth. hardcover
B295978-1Paris Jean-Jacques Pauvert 1957. No. 2 Printemps 1957 of 5 issues published in all 1956-1959. 167 1pp. Prof. illus. partly in color and with loose insert Le Royaume de la Terre. Sm. oblong 4to. Orig. blue wraps. Contributions by Joyece Mansour André Breton Robert Lebel Benjamin Peret Fernando Pessoa. Illustrations by Leonara Carrington Man Ray Toyen Wolfgang Paalen and Meret Oppenheim. Very good condition. Paris (Jean-Jacques Pauvert), 1957. paperback