[Surrealism]. Breton, AndreBiblio.com
63 résultats
1932338037Paris: Editions des Cahiers Libres 1932. First edition trade issue limited to 2000 numbered copies "sur velin omnia" text in French. 172pp. 12mo. Pictorial warppers. Archivally rebacked with new unprinted spine. Few tiny closed edge tears on front cover text evenly browned due to acidic paper else a very good copy. First edition trade issue limited to 2000 numbered copies "sur velin omnia" text in French. 172pp. 12mo. "Andre Breton is undeniably the outstanding representative of literary Surrealism in France. his books of critical discussion of the new theories-- as for instance. Les Vases communicants. have established his reputation as the most fully qualified exponent of the 'orthodox' Surrealist doctrine" Lemaitre. 'From Cubism to Surrealism in French Literature' p. 209. <br/><br/> Editions des Cahiers Libres unknown
194887424Paris: Éditions du Sagittaire 1948. First Edition. Trade issue after 587 numbered copies in various limitations. 12mo. Printed glossy-paper wrappers; 1125pp. A clean tight well-preserved copy in the original wrappers with expected toning to text; Very Good. The full-page lithographic illustrations by Masson being on better paper are clean and free of marginal darkening. Text entirely in Frenc; the text includes Breton's preace to Aimée Césaire's "Cahier d'un retour au pays natal." GERSHMAN p.9. Éditions du Sagittaire unknown
14136Paris novembre 1952 - juin 1953. 8 f. 430 x 280 mm recto impression en noir sur papier de couleurs. . Collection complète de la première série de cette revue dirigée par Jean Schuster imprimée sur divers papiers de couleur vert rouge crème blanc ocre violine et orangé. Textes de Breton Alleau Duprey Legrand Meret Oppenheim etc. . Avant qu'elle ne devienne une revue à part entière cette publication parut sous forme de feuillets recto revêtant plus l'aspect d'un journal. Elle était surtout destinée à jouer le rôle d'un « organe d'informations » au sein du groupe. Le titre dessiné rappelle le sens géométrique de médium : module d'architecture. Dirigé par Jean Schuster cette publication aura comme collaborateurs autour d'André Breton soit des surréalistes de fraîche date soit d'anciens compagnons de route comme Péret. Bel exemplaire de cette série extrêmement fragile et rarement complète. Paris, novembre 1952 - juin 1953. 8 f. (430 x 280 mm) recto, impression en noir sur papier de couleurs. unknown
195587650Paris: Flammarion 1955. First Edition. First printing. 12mo 19cm. Printed card wrappers; 2344pp. Bright well-preserved copy with little indication of use - the wrappers remain vividly colored; the text is unopened pages uncut but does exhibit some of the expected toning to paper at margins; Very Good or better. Laid in is an announcement for a lecture by Alquié undated "La Conception Surréaliste de L'Amour". GERSHMAN p.1. Flammarion unknown
193488369Paris: Gallimard 1934. First French Edition. Octavo. 19cm. Publisher's cream colored card wraps titled in black and red to spine and front cover. Glassine dustjacket. 251pp.;1. Strong and tight a little soiling and marginal wear to the wraps and some staining and discoloration to the glassine jacket; internally clean ownership signatures of Monique Fong and Michel Tavriger to the front flyleaf dated 1949 and 1950 numerous collage additions to the text throughout. A very good copy with some fascinating artistic additions from the early surrealist movement.<br /> <br /> From the library of Nathaniel Tarn noted poet translator and anthropologist who during the period 1945-1950 was resident in Paris living and working under the name Michel Tavriger before adopting the name Nathaniel Tarn Tarn being the name of a French river. He was intimate with a large swath of Parisian artistic intelligentsia including Breton Octavio Paz photographer Serge Jacques and surrealist muse and intellectual powerhouse Monique Fong. In all probability he was most likely also a member of the surrealist ex-Vichy collaborationist "Cercle D'Etudes Metaphysiques" presided over by Raymond Abellio Bernard Noel Raymond De Becker and the like who numbered Cocteau and Jean Paulhan among their friends and contributors. Improvised collage is a factor of several branches of Fong's correspondence with friends like John Cage so it is most probably that the photographic collage elements inserted into the volume are the work of Fong. They are mostly black and white clippings from fashion or art magazines mostly occupied with nudes with several pages devoted simply to naked breasts they range in complexity from a simple uneven clipping to a rather more complex arrangement of vertically sliced elements arranged together covering a whole page to the rear of the volume. <br /> <br /> Fong stated in an interview before her death: "I'm a very rare person at this point. Not because I'm 95 but because I think there are only three people left in this world who have known both Breton and Octavio Paz. I was a member of the Surrealist group as was Nathaniel Tarn - under another name at the time - when we were 23 24 something like that. And all of our contemporaries died before the age of 70 which is really not old. There are very few survivors. If you knew Octavio Paz you did not necessarily live in France. People knew him in Mexico in India in the States. I'm pretty sure that the only people to know both Paz and Breton are at this point Jean-Clarence Lambert Nathaniel Tarn and me." https://caesuramag.org/posts/interview-with-monique-fong-surrealism. Gallimard unknown
197527168<p>New York:: Macmillan 1975. First Printing of the First US Edition. A Fine copy in a Fine uinclipped dust jacket. Thirion a French revolutionary was a prominent member of the French avant-garde involved in the Marxist-surrealist movement in Paris after World War I. His fellow "revolutionaries" included the likes of Breton Aragon Dali Miro and Giacometti. Thiron joined the Communist party in 1925 and he joined the surrealist movement in 1928. He was a friend of Louis Aragon and Georges Sadoul and was active with the surrealists between 1928 and 1934. During the Second World War he joined the Gaullist resistance. Thiron's autobiography captures the lost period between the wars and the rise in ideological disputes that followed; it is the journal of one man's devotion and disillusionment when the world was changing in revolutionary ways.</p> Macmillan, hardcover
194786427Paris: Éditions Surréalistes 1947. First Edition. Octavo. Staple-bound wrappers; 14pp; photographic frontispiece and terminal ad leaf on glossy paper; overprinted in red on front cover and title page. Covers toned as usual; text mildly aged but remains supple and free of soil. Very Good. The frontispiece photograph is attributed to Man Ray from his series of photographs of the ruins of De Sade's chateau in Provence.<br /> <br /> Important post-war manifesto of the "Cause" group breaking the Surrealists' connection to all political parties and especially denouncing the Stalinization of the Communists. According to Gershman the text was written by Henri Pastoureau. Signed in type at conclusion of text by 48 members including Breton Alexandrian Bellmer Baskine and others. GERSHMAN Bibliography of the Surrealist Movement in France p.56. Éditions Surréalistes unknown
30671Chicago Black Swann Press octobre 1978. 16 p. 290 x 435 mm impression en noir. . Numéro unique de cette publication surréaliste américaine sous forme de tabloïd. Organe du groupe de Chicago dirigé par Franklin Rosemont ; on y trouve le tract 'Voluptuous magnet embraceable dawn' et des textes de Rachel Blackwell Bogartte Green Jablonski Lamantia Ribitch F. Rosemont P. Rosemont Taub Tristan Meinecke Lane Ellwanger Jaguer Rikki El Janabi Mado Peters Redmond Booth. Des artistes du mouvement viennent en illustrer les textes: Bogartte El Janabi Erben Granell Rube Goldberg F. Rosemont P. Rosemont Green Ribitch José Argemi Nelson Algren Peters Rammel Schlechter Duvall Taub Welson Haïfa Zangana. Parfait état. Chicago, Black Swann Press, (octobre) 1978. 16 p. (290 x 435 mm), impression en noir. unknown
28668Paris 28 mai 1960. 4 p. en 1 f. 250 x 320 mm plié impression en noir sur papier de couleur saumon. . Tract illustré d’un dessin d’Alfred Kubin et signé conjointement par le mouvement surréaliste et le mouvement Phases rédigé par Legrand et Jaguer en mai 1960. . L'un des tout derniers tracts surréalistes Tir de barrage vise l'exposition « Anti-procès » organisée par Alain Jouffroy et Jean-Jacques Lebel à la galerie des Quatre-Saisons. Il existe pour ce tract un tirage à 20 exemplaires signés et imprimés sur beau papier. Ancienne trace de trombone. [Paris], 28 mai 1960. 4 p. en 1 f. (250 x 320 mm) plié, impression en noir sur papier de couleur (saumon). unknown
197627500Syracuse::: Syracuse University Press 1976. First Printing of the First US Edition. A Fine tight copy in a Fine unclipped dust jacket. The author examines the emergence of surrealism through the nineteenth century heritage of romanticism and naturalism and assesses the works of Apollinaire and analyzes Andre Breton's 1924 Manifestoe of Surrealism. Matthew's study of Breton's Anthology of Black Humor and the writings of the leading Belgian surrealist Paul Nouge reflects the use of surrealism as a language of revolt. Matthew' also investigates the subversive poetics of surrealism by examining surrealist attitudes toward the Marquis de Sade and commenting on their political position. Syracuse University Press,, unknown
24541Undated. Stamp on reverse of ‘Angus McBean / Photographer / Maskmaker / 29B Belgrave Road / London S.W.1. / Telephone: Victoria 1048.’. From the papers of W. Macqueen-Pope. See the two men’s entries in the Oxford DNB. The National Portrait Gallery holds McBean’s portrait of MP but not the present item of which no other copy has been traced. 17.5 x 25 cm. In fair condition with two corners dogeared; the reverse carrying McBean’s stamp is rather discoloured. Also on the reverse in pencil is ‘Moya Macqueen-Pope’. Plain background. A close-up head and shoulders shot of the left side of the sitter’s face as she looks solemnly downwards and to the right with her hair gathered back under a large dark-wool beret with the front pushed up and taking up around a quarter of the image. Undated. Stamp on reverse of ‘Angus McBean / Photographer / Maskmaker / 29B Belgrave Road, / London, S.W.1. / Telephone: Victo unknown
69-1683Iowa City: Dada/Surrealism The University of Iowa 1988. 8vo. circa 148 pp. Soft Cover Very Good B&W Plates. Iowa City: Dada/Surrealism, The University of Iowa, 1988 paperback
1966205540Paris: Lettres Modernes 1966. Brossura con copertine stampate in litografia camicia custodia original publisher's printed lithograph wrappers chemise slipcase. Molto buono Very Good. Etudes: Dada étude linguistique de la fonction d'un terme qui ne signifie rien Jean-Claude Chevalier; Dada a Paris Michel Sanouillet; dada en Russie Benjamin Goriely; Perspective sur Dada Michel Seuphor; Yhe Nadja File Roger Shattuck; Le mythe de L'Amour sublime dan Feu central de Benjamin Peret marie-Odile Blanquaer; Edgar Varese Pierre de Massot; Format écolier André Tinel; Aventure et Dés Henri Béhar. Inédits: Le dossier de Dadaglobe Michel Sanouillet; Georges Ribemont-Dessaignes: Larmes de couteau Presentation par Michel Corvin; Georges Ribemont-Dessaignes et le laboratoire Art et Action; Georges Ribemont-Dessaignes et Autant-lara: l'affaire des prix; The Mechanics of The Large Glass Arturo Schwarz. 16mo. pp. 32. Molto buono Very Good. . Lettres Modernes, unknown
69-1699Iowa City: Dada/Surrealism The University of Iowa 1985. 8vo. circa 190 pp. Soft Cover Very Good B&W Plates. Iowa City: Dada/Surrealism, The University of Iowa, 1985 paperback
2090502113716025Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
19362345Paris: Jeanne Bucher 1936. First edition. Original wrappers. Very Good. FIRST EDITION THE PRINTER JACQUES GROU-RADENEZ'S COPY WITH TWO LONG PERSONAL INSCRIPTIONS BY HUGNET. WITH COVER MY MARCEL DUCHAMP. ONE OF ONLY 294 COPIES IN THE EDITION; AN OUT-OF-SERIES COPY LABELED "EXEMPLAIRE NO. G.H.". "This is Georges Hugnet's first volume of 'poemes-decoupages.' The title echoes Andre Mallarme's Un Coup de Des N'Abolira Jamais le hazard 1895 and Hugnet's poems printed on the left-hand pages of the book mirror the unusual spacing and various typefaces and sizes of Un Coup de Des. Hugnet had joined the Surrealists by 1932 and the collages on the right-hand pages centered around nude images cut out of Paris Magazine rehearse typical Surrealist themes. The cover by Marcel Duchamp spells out the title in letters containing the names of a whole Surrealist pantheon including Sade Freud Rimbaud Paracelsus Swift Heraclitus Roussel Chaplin Jarry Uccello and Saint-Juste and also a Man Ray photograph of DuChamp's assisted readymade 'Why Not Sneeze Rrose Sélavy' consisting of 152 marble cubes the size of sugar cubes a thermometer and a cuttlebone inside a small cage" Roth 101 p.92.<br /> <br /> An extraordinary association copy signed and inscribed twice by Hugnet:<br /> <br /> On the half-title Hugnet has written a warm inscription dated 1936 the year of publication thanking Grou-Radenez for his work on the book. Beneath that in 1963 he added an additional inscription to the new owner of the book the surrealist photographer Leo Dohmen praising Grou-Radenez who had been arrested and murdered by the Nazi's for hiding Jewish children and aiding the French Resistance. <br /> <br /> Paris: Editions Jeanne Bucher 1936. Original photographically embossed wrappers hand-sewn as issued; housed in beautiful custom box. Illustrated throughout with black-and-white photo collages several hand-colored. Only mild wear to wrappers; remnants of paper at spine ends we have not been able to confirm that there was originally a paper spine under the external sewing; all other copies we've seen have not had a paper spine. A beautiful copy. Jeanne Bucher unknown
19392092902137302598Atorie-sha 1939. Soft Cover. Fine. The book is in fine condition. Atorie-sha paperback
196623242Paris: Lettres Modernes 1966. soft covers as issued. four volume set. vol. 1 has an owner name/date to first page. minor bits of exterior wear a little crease a little smudge. no text markings. no tears. strong sewn bindings.; french text as issued.; no. 1 1966 232pp./no. 2 1968 264pp./no. 3 1969 147pp./no. 4 1970 176pp. some have b/w figures. each contains numerous articles documents essays by various contributors. First Edition. Soft Cover. Very Good Plus. 8vo - over 7¾" - 9¾" tall. Multi-Volume Set. Lettres Modernes Paperback
B295978-1Paris Jean-Jacques Pauvert 1957. No. 2 Printemps 1957 of 5 issues published in all 1956-1959. 167 1pp. Prof. illus. partly in color and with loose insert Le Royaume de la Terre. Sm. oblong 4to. Orig. blue wraps. Contributions by Joyece Mansour André Breton Robert Lebel Benjamin Peret Fernando Pessoa. Illustrations by Leonara Carrington Man Ray Toyen Wolfgang Paalen and Meret Oppenheim. Very good condition. Paris (Jean-Jacques Pauvert), 1957. paperback
9788527308168-11-131946Perspectiva. New. Perspectiva unknown
19772092902137306941Bijutsu shubbansha 1977. Soft Cover. Fine. The book is in fine condition. Bijutsu shubbansha paperback
19692090502113708508Not Available 1969. Soft Cover. Fine. The book is in fine condition. Not Available paperback
B296158-1Argenteuil Robert Radford 1974. 79 1pp. Prof illus. Sm. oblong 4to. Orig. wraps. slightly worn. Ce numéro a été réalisé sous la responsabilité de Stéphane Arbutina Pascal Colard Lionel Labouhume Daniel Radford Robert Radford. Argenteuil (Robert Radford), 1974. paperback
19722092902137306827Shinchosha 1972. Soft Cover. Fine. The book is in fine condition. Shinchosha paperback
195020415AB1950. Paris Editioons du Sagittaire 1950 23 : 15 cm. 1 leaf 226 pages with many dual-tone and b/w illustrations 6 leaves advertisment. Half calf original coloure wrappers bound in. SURREALIST ALMANAC OF THE HALF CENTURY - Calendar of the World Tour of Tolerable Inventions by André Breton and Benjamin Péret. First edition text in French. unknown
