312 résultats
195287538Paris: Soleil Noir / Presses du Livre Français 1952. First Edition. Trade issue after 50 copies on Alfa. 12mo. Original printed wrappers; 1271pp; illus frontispiece and five unnumbered leaves of plates. Slight toning to spine else a tight Near Fine copy; the text is completely unopened i.e. pages are uncut clean and supple with practically no toning to the margins. Prospectus and order form laid-in. Text entirely in French. <br /> <br /> Premier issue of Di Dio's short-lived surrealist quarterly which ended after the double issue 3/4 in early 1953. Contributors include Antonin Artaud Aimé Cesaire Julien Gracq Philippe Dechartre others. Illustrations by Max Ernst Paul Klee Vasily Kandinsky etc. Uncommon especially in this condition. Soleil Noir / Presses du Livre Français unknown
1994144640Nantes 1994. 550. (1) pages. With a lot of b/w illustrations. Illustrated original softcover bindingn. Good condition.
193221370Paris, Editions des Cahiers Libres, 1932. In-8°. 173 (1) p., broche. Edition originale. No. 685/1000 exemplaires. Margins de la brochure avec des petits accrocs. Restes de saleté d'une étiquette sur les pages préliminaires.
19200013LSParis, Edition Georges Cres, 1920. dessins de Jean Puy. 116 pp. no. 443/500 premières ex. broché. Original-Broschur mit Transparentpapier-Umschlag. Zustand 2, unaufgeschnittenes Exemplar, exemplaire non coupé, Abklatsch des Umschlags, Les bords de la couverture beige on déteint sur les gardes rempliées
19512101110005xbvkLe Caire, La Part du Sable, 1951. 15 pages on slightly stronger paper. - Publisher's titled softcover; 8vo.(ca. 21 x 15,5 cm).
19724520FBParis, Verlag Fernand Mourlot, 1972. 4°. 33 x 26 cm. 199 Seiten. Original-Leinenband mit farbig illustriertem Original-Schutzumschlag mit Original-Bauchbinde und weiterem transparentem Original-Umschlag. [2 Warenabbildungen]
19450014LSParis, Galllimard. 1945. 62 pp, 1 feuille, no. 254/550 exemplaires. Original-Pappband mit Transparentpapier-Umschlag. ZUSTAND 1, minimal randgebräunt. nrf Collection Métamorphoses.
19320009LSParis, Editions des Cahiers libres. 1932. 170 S., 2 Bl., Edition originale. no. 562/1000 exemplaires numéro broché. Originalbroschur mit Transparentpapier-Umschlag. ZUSTAND -1, Preisangabe am Rücken mit Papierschildchen überklebt (tw. abgelöst), unbeschnitten, tranche et dos jaunis, non-rogné.
1977106629BBParis, Centre National d'Art et de Culture Georges Pompidou, 1977. Kl.-8°. 28 S. mit 12 Farbtafeln. Farbig illustr. OPbd. [8 Warenabbildungen]
1936106351BBParis, Éditions Jeanne Bucher, (1936). 4°. [42] Bl. mit 20 teils farb. Foto-Collagen. Illustr. OKart., als Blockbuch gebunden.
19362345Paris: Jeanne Bucher 1936. First edition. Original wrappers. Very Good. FIRST EDITION THE PRINTER JACQUES GROU-RADENEZ'S COPY WITH TWO LONG PERSONAL INSCRIPTIONS BY HUGNET. WITH COVER MY MARCEL DUCHAMP. ONE OF ONLY 294 COPIES IN THE EDITION; AN OUT-OF-SERIES COPY LABELED "EXEMPLAIRE NO. G.H.". "This is Georges Hugnet's first volume of 'poemes-decoupages.' The title echoes Andre Mallarme's Un Coup de Des N'Abolira Jamais le hazard 1895 and Hugnet's poems printed on the left-hand pages of the book mirror the unusual spacing and various typefaces and sizes of Un Coup de Des. Hugnet had joined the Surrealists by 1932 and the collages on the right-hand pages centered around nude images cut out of Paris Magazine rehearse typical Surrealist themes. The cover by Marcel Duchamp spells out the title in letters containing the names of a whole Surrealist pantheon including Sade Freud Rimbaud Paracelsus Swift Heraclitus Roussel Chaplin Jarry Uccello and Saint-Juste and also a Man Ray photograph of DuChamp's assisted readymade 'Why Not Sneeze Rrose Sélavy' consisting of 152 marble cubes the size of sugar cubes a thermometer and a cuttlebone inside a small cage" Roth 101 p.92.<br /> <br /> An extraordinary association copy signed and inscribed twice by Hugnet:<br /> <br /> On the half-title Hugnet has written a warm inscription dated 1936 the year of publication thanking Grou-Radenez for his work on the book. Beneath that in 1963 he added an additional inscription to the new owner of the book the surrealist photographer Leo Dohmen praising Grou-Radenez who had been arrested and murdered by the Nazi's for hiding Jewish children and aiding the French Resistance. <br /> <br /> Paris: Editions Jeanne Bucher 1936. Original photographically embossed wrappers hand-sewn as issued; housed in beautiful custom box. Illustrated throughout with black-and-white photo collages several hand-colored. Only mild wear to wrappers; remnants of paper at spine ends we have not been able to confirm that there was originally a paper spine under the external sewing; all other copies we've seen have not had a paper spine. A beautiful copy. Jeanne Bucher unknown
199329922ABAntwerpen., Ronny Van de Velde., 1993. 46 x 31 cm. 143 unpaginierte S. (Katalogbuch) und Beilagen. OLeinen Kassette in OPapp-Schuber; OBroschur., 29922AB Ein Faksimile im oberen Rand etwas knitterspurig, sonst sehr gutes Exemplar.
19862144EBMarseille., Direction des Musées de Marseille / Éditions Flammarion., 1986. 30,5 x 22 cm. 343 S. OLeinen mit illustriertem OUmschlag und transparentem Pergaminumschlag., 2144E Erste Auflage. Pergaminumschlag oberhalb leicht angerissen, sonst sehr gutes Exemplar.
19242729Paris: Imprimerie Croutzet et Depost 1924. First edition. Original wrappers. Very Good. FIRST EDITION of Roche's surreal dadaist roman à clef exposing the misogynistic world of the French avant-garde. With annotations likely in Roche's hand. Like too many women artists of the early twentieth century French writer and artist Juliette Roche 1884 - 1980 has been long overshadowed by her male contemporaries. Roche came of age amidst leading artistic and literary salons of early 20th century Paris. She studied at Académie Ranson then considered the absolute best art school in Paris and was an early adopter of Cubism. However she is most closely associated with Dadaism. Despite Dada being a movement of absolute rebellion it harbored the normalized misogyny of the early twentieth century. Roche's most explicit critique of this discrepancy of rebellion vs repression can be found in La Minéralisation de Dudley Craving Mac Adam her groundbreaking novella.<br /> <br /> Part satire and part Dada nonsense the thinly veiled roman à clef is a prime example of the daring poetic style that Roche developed while living in New York during World War I. Having watched artistic vanguards come and go in Paris' salons and exhibitions Roche observed the New York City hijinks of Francis Picabia French 1879 - 1953 and Marcel Duchamp 1887 - 1968 with a level of detachment that alluded their American peers. She had close access to Picabia perhaps too close: in 1917 he and his wife Gabrielle Buffet-Picabia moved into an apartment directly beneath one Roche shared with her husband Albert Gleizes a French artist and philosopher who helped popularize Cubism on the Upper West Side. While Roche admired Picabia's iconoclasm she was disturbed by the misogyny she saw in works like his manometres where woman as 'la machine' was at best a manipulable object at worst the butt of a private joke. If taking Roche's ambivalence towards and her neighborly proximity to Picabia into consideration the novella could be inspired in part by an age-old story: pure contempt of one's neighbor.<br /> <br /> The novella is an indirect indictment of certain illicit behaviors Roche found annoying and dangerous. She synthesizes her fellow expatriates' personalities and physical traits to create the decadent Mac'Adam and the men he encounters on the day of his demise. Picabia becomes Mac'Adam. Swiss writer and boxer Arthur Craven 1887 - 1918 lends his name to the protagonist while becoming Lloyd Willow. Juliette Roche herself appears as Juliette Granite a play on words since roche means rock in French. Roche spins the narrative in poetic and surreal fragments at turns absurd and others told in a stream-of-consciousness style. La Minéralisation moves beyond conventional storytelling to allow readers into the minds of her characters through rich interior monologues revealing in each case her estimation of the particular model's idiosyncrasies. Roche seemed to find the antics of the all-male world of the Dadaists to be too limited and they're wickedly satirized among these pages.<br /> <br /> Written in ink on the first page is "Publié dans 'La Vie des Lettres' en 1921 / New York 1918" and there are a few words written on page 20 in the same hand. It appears to be Roche's handwriting from the few samples we've seen but we can't guarantee it.<br /> <br /> Paris: Imprimerie Croutzet et Depost 1924. Thin octavo 33pp terminal blank original printed wrappers stapled as issued; custom box. Small tear and split at top of spine; a near-fine extremely well-preserved copy.<br /> <br /> EXCEEDINGLY RARE: We can find records of no other copies that have been on the market.<br /> <br /> References:<br /> <br /> Burke Carolyn "Recollecting Dada: Juliette Roche." Women in Dada: Essays on Sex Gender and Identity edited by Naomi Sawelson-Gorse MIT Press 1998 557. Imprimerie Croutzet et Depost unknown
195029655Paris, José Corti, 1950. 12°. 73 p., broche. - texte en français. Bon état.
19871919EBLausanne., Musée contonal des Beaux-Arts., 1987. 28 x 22 cm. 545 S. Illustrierter OKarton., 1919E Erste Auflage. Einbandkanten mit kleinen Bereibungen. Gutes Exemplar.
19200011LSParis, Edition de la Nouvelle Revue Francaise, 1920. 268 pp, édition originale nrf.no. 893/1030 ex. broché. Original-Broschur mit Transparentpapier-Umschlag, ZUSTAND -1. Schnitt angestaubt, Rücken gebräunt, dos bruni u. am Kopf u. Schwanz bestoßen, tranche empoussiérée, non rogné, petits défauts en tête et queu du dos,.
1962105486BBBerlin, Gerhardt, (1962). Gr.-8°. [328] S. mit 149 Collagen nach Holzstichen. Illustr. OKart. mit Orig.-Klarsicht-Schutzumschlag.
196189467Paris: Le Terrain Vague 1961-65. Eight octavo digest-size issues. Pictorial wrappers printed in colors; each issue ca. 124-132pp; illus; ads. Gentle rubbing and soil to most issues but in all a complete attractive and perfectly sound run easily Very Good. Text entirely in French. <br /> <br /> Breton's final periodical venture a continuation of sorts of his long succession of Surrealist journals that included La Révolution Surréaliste 1924-1929 Surréalisme au Service de la Revolution 1930-1933 and Minotaure 1933-1939. La Brêche is the definitive journal of late-period Surrealism very much pointing the way towards the movements - Pop Art Situationism Abstract Expressionism etc - that would soon supplant it. The journal ceased publication in November 1965 presumably due to Breton's declining health; he would die in September 1966. Beyond Breton himself who contributes at least one article to every issue the list of contributors to La Brêche is impressive including Radovan Asvic Jean-Claude Barbé Robert Benayoun Alain Joubert J.-F. Revel Pierre Alechinsky Joyce Mansour Annie Lebrun and many others. GERSHMAN p.48. Le Terrain Vague unknown
196117854AB1961. Volume 1 - 4 off 8. Paris La Terrain Vague 1961 - 1963. 23 : 15 cm. With many illustrations. Illustrated original wrappers. First edition of the first 4 issues of this rare journal a total of 8 issues was published. With literary contributions by Andre Breton Gérard Legrand Paul Nougé Jean-Claude Silbermann etc. and illustration by Dali Kubon Schroeder-Sonnenstern René Magritte Konrad Klapheck and others. llustrées.Revue littéraire et artistique parue sous la direction de André Breton. 8 numéros en 8 livraisons du n° 1 octobre 1961 au n° 8 novembre 1965.Dernière revue dirigée par André Breton elle prend fin à sa mort. Comité de rédaction Robert Benayoun Gérard Legrand José Pierre Jean Schuster. Textes et illustrations de Pierre Alechinsky Arrabal Vincent Bounoure Annie Le Brun Ghérasim Luca René Magritte. - unknown
192015167Paris, L. Bourdeaux, 1920. 24 Seiten/pages. Orig.-Broschur.
1925103456BBParis, Stock, 1925. Folio (38,5 x 28 cm.). Portfolio, [22] Bl. mit 1 Heliogravure ("Rayogramme" oder "Rayograph"). OKart.
19704092München, Kösel, 1970. 20 s/w Tafeln, 15 ganzseitige Abbildungen im Beiheft, 103 (1) S., 2 Bl., Original-Kartonband ZUSTAND -1 contemporains - Poesie und Prosa. Herausgegeben von Friedhelm Kemp. Band 9.
