Jacques DerridaBiblio.com
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2004DADAX0804740410Brand: Stanford University Press 2004-07-07. 1. paperback. New. 6.00x0.90x8.50. Buy with confidence. Excellent Customer Service & Return policy. Brand: Stanford University Press paperback
ART7170M2000, Le Cherche-Midi. In-4, Relié, 93 pages. Nb illustrations couleurs et n&b. Très bon exemplaire
2010G0804760969I3N01Stanford University Press 2010. Hardcover. Good. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Stanford University Press hardcover
20042092902140700762Hosei University Press 2004. Soft Cover. Fine. Size: B6 Number of books: 1 book Hosei University Press paperback
0816691509.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0816691525.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2020__0816691509Univ of Minnesota Pr 2020. Hardcover. New. 312 pages. 9.50x9.50x1.50 inches. Univ of Minnesota Pr hardcover
ria9780816691524_inpPaperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; A new translation of Derrida’s groundbreaking juxtaposition of Hegel and Genet forcing two incompatible discourses into dialogue with each other Jacques Derrida’s famously challenging book Glas puts the practice of philosop paperback
A9780816691500Hardback. New. <p><b>A new translation of Derrida’s groundbreaking juxtaposition of Hegel and Genet forcing two incompatible discourses into dialogue with each other</b><br /><br /> Jacques Derrida’s famously challenging book <i>Glas</i> puts the practice of philosophy and the very acts of writing and reading to the test. Formatted with parallel texts its left column discusses G. W. F. Hegel and its right column engages Jean Genet with numerous notes and interpolations in the margins. The resulting work published for the first time in French in 1974 is a collage that practices theoretical thinking as a form of grafting.<br /><br /> Presented here in an entirely new translation as <i>Clang</i>—its title resonating like the sound of an alarm or death knell—this book brilliantly juxtaposes Hegel’s totalizing hierarchical system of thought with Genet’s autobiographical carceral erotics. It innovatively forces two incompatible discourses into dialogue with each other: philosophical and literary familial and perverse logical and sensory.<br /><br /> In both content and structure <i>Clang</i> heightens the significance of all encounters across ruptures of thought or experience and vibrates with the impact of discordant languages colliding.<br /> </p> hardcover
SBS11186NEW. NEW. Enviamos a todo el mundo por USPS. UPS o DHL. 100% garantia en su compra. We ship worldwide. unknown
199170094Lincoln.: University of Nebraska Press. 1991. Hardcover. very good. Hardcover with DJ. DJ has some wear and small tears along edges. Pages all bright and unmarked. Very good condition. sappho Angus 1/17 Cathal 03/20 Cathal 1/23 REPRICED University of Nebraska Press. hardcover
ANAIS-0803216890University of Nebraska Press. hardcover. Good. 9.5X6.5X1.5. Buy with confidence. Excellent Customer Service & Return policy. University of Nebraska Press hardcover
1991b30948<p>University of Nebraska Press 1991. hardcover. Like New. 10x0x11. Signed by Author. Signed and inscribed by author on first page. Hardcover with dust jacket. Book is in excellent condition text is unmarked and pages are tight.</p> University of Nebraska Press hardcover
19913737508University of Nebraska Press 1991. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In poor condition suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item850grams ISBN:0803216890 University of Nebraska Press hardcover
0803216890.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1991Q-0803216890University of Nebraska Press 1991-12-01. Hardcover. New. In shrink wrap. Looks like an interesting title! University of Nebraska Press hardcover
199162799E-271: University of Nebraska Press. Very Good. 1991. Hardcover. Hardcover. 4to. Published by University of Nebraska Press Lincoln NE. 1991. 80 pgs. First Edition/First Printing. DJ has light shelf-wear present to the DJ extremities. Bound in cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. Jacques Derrida's Cinders is among the most remarkable and revealing of this distinguished author's many writings. White Derrida customarily devotes his powers of analysis to exacting readings of texts from Plato and Aristotle to Freud and Heidegger readers of Cinders will soon discover that here Derrida is engaged in a poetic self-analysis. Ranging across his numerous writings over the past twenty years Derrida discerns a recurrent cluster of arguments and images all involving in one way or another ashes and cinders. First published in 1982 revised in 1987 and printed here in a bilingual edition Cinders enables readers to follow the development of Derrida's thinking from 1968 to the present as it defines itself as a persistent questioning of origins that invariably leads to the thought of ash and cinder. EB; 11.2 X 10.0 X 0.4 inches; 80 pages . University of Nebraska Press hardcover
DADAX0803216890University of Nebraska Press 0000-00-00. hardcover. New. 10.25x0.75x11.50. Buy with confidence. Excellent Customer Service & Return policy. University of Nebraska Press hardcover
19916805new oversze hc expedited and international shipping not available University Of Nebraska Press hardcover
20042090502124900543future company 2004. Soft Cover. Fine. The book is in fine condition. future company paperback
199732382New York: The Monacelli Press 1997. Paperback. First Edition First Printing. 8.5 x 8.5in. 207pp. Publisher's stiff printed wraps. NEAR FINE. Shows very marginal shelf rubbing of the edges a small remainder mark to the bottom text-block edge otherwise remains Fine/As New. As pictured. The Monacelli Press paperback
ANAIS-1885254407The Monacelli Press. paperback. Good. 0x0x0. Buy with confidence. Excellent Customer Service & Return policy. The Monacelli Press paperback
1997SONG1885254407Brand: The Monacelli Press 1997-05-01. First Edition. paperback. Used: Good. 8.50x1.13x8.50. Buy with confidence. Excellent Customer Service & Return policy. Brand: The Monacelli Press paperback
EDITORI RIUNITI 1992, 274 PP. FONDO DI MAGAZZINO: SEGNI DEL TEMPO, QUALCHE LIEVISSIMA ABRASIONE, VOLUME INTONSO. Teorico dell’arte, critico, scienziato sperimentatore e organizzatore delle più avanzate tecniche e scuole del restauro, archeologo, memorialista: il sapere e il fare di Cesare Brandi presentano a chi s’accosta all’opera sua molte e diverse facce così intimamente collegate da non apparire mai dispersive. Al contrario, ogni interesse e speculazione di questo grande scrittore — ché scrittore fu sempre eccelso per lingua, invenzione, sentimento ben oltre lo specifico della critica d’arte — concorrono a formare una personalità e a istituire un’autorità centrata sulla più alta forma d’indagine filosofica, ossia l’estetica. Brandi appare, in questo senso, quasi il restauratore di quel tipo irripetibile di intellettuale che fu proprio del Rinascimento, quando l’unicità delle forme e delle ricerche era risposta dettata dall’esigenza di sfidare il sapere stratificato delle scuole prigioniere del passato. Un umanista d’altri tempi dunque? C’è sicuramente anche questo nella figura di Brandi; ma ciò che oggi più importa è che attraverso il filtro della speculazione teorica e critica passano i più pressanti interrogativi e le decisive questioni attinenti all’essenza dell’arte e alla posizione che essa assume nella socialità di ogni tempo. Il ricco saggio di Massimo Carboni si propone, a pochi anni dalla scomparsa di Brandi e a molte testimonianze oramai attestate, da Croce a Argan, da Luigi Russo a Gianfranco Contini, e alle migliaia di studenti e studiosi italiani e stranieri che al suo dettato si sono formati, di restituire nella sua interezza l’itinerario teorico e critico di questo maestro del XX secolo. Un compendio che traccia un metodo. La prima parte del lavoro di Carboni è dedicata ai concetti generali sottesi all’opera di Brandi; le altre parti ai singoli versanti in cui la sua critica si esplicò, le ultime allo stile personale che ne ha fatto scrittore e artista lui stesso inconfondibile: nelle lettere, nei libri di viaggi, nella passione e nell’ironia delle polemiche con le scuole contemporanee di cui colse acutamente astrattezze, rigidità, partigianerie, nonsensi. Indispensabile, mai prima tentata, perfettamente indagata, la bibliografia che raccoglie in fondo al volume tutto di Brandi e tutto su Brandi circa sessanta pagine fitte di titoli e indicazioni compilate con amorevole scrupolo, uno strumento unico e necessario al pubblico ampio e vario sempre più interessato a una materia dai confini vasti e inesplorati. Massimo Carboni è nato a Livorno nei 1954. Ha pubblicato ’L’Impossibile Critico. Paradosso della critica d’arte’ (edizioni Kappa, Roma, 1985). Collabora alle riviste «aut-aut», «Artforum», «Prometeo» e ai programmi culturali di RAI-Radio Tre. Indice Nota introduttiva Cesare Brandi. Teoria e esperienza dell’arte I. Realtà pura, semiosi, astanza. Dal «Carmine» a «Teoria generale della critica» II. «Gelso» o della lingua poetica III. L’«archè» dell’architettura IV. Il problema del restauro V. Dal Moderno al Contemporaneo VI. Il rilievo stilistico: la scrittura e i libri di viaggio Note Bibliografia completa degli scritti di Cesare Brandi Indice dei nomi
