241 résultats
194355059BBParis, "Pour Mes Amis". 1943. 4°. 35 p., 1 p.n.ch. et 10 pl. de gravures. en feuilles. Broché, couverture rempliée imprimée en noir et rouge.
19432562Paris: Robert J. Godet “pour mes amis†1943. First edition. 35 4 pp. Unbound signatures laid into printed wrapper as issued. Some toning to extremities; first plate lacks tissue guard.<br /> <br /> One of one hundred numbered copies reserved for Robert J. Godet of a total edition of 170 copies. One of Desnos’ last collections containing the stirring “Demain.†Gaston-Louis Roux somewhat neglected today was one of Kahnweiler’s artists and contributed the cover to the second issue of Minotaure. Robert J. Godet, “pour mes amis†unknown
194383705Reliure demi-chagrin bordeaux à coins. Dos lisse avec titre doré. Tête dorée. Couverture conservée. Avec 10 gravures au burin par Gaston-Louis ROUX. Ecriture manuscrite sur page de garde.
1938216251938 P.1938, Cahiers grand in-4° broché, couverture en couleurs, nombreuses illustrations, 51 pages. Textes de Pierre Courthion, Kurt Seligman, Miro, Zadkine, R. Desnos, etc. Dessins de Man Ray, Hans Arp. Lithographie en couleurs : image populaire cinghalaise.One colour lithography ; '' Image Cinghalaise ''. Contains articles by Man Ray (on photography) and Juan Miro.
195181936Saint-Jouin-de-Marnes N° spécial de la revue "Signes du Temps" 1951 1 vol. broché in-8, broché, 64 pp., illustrations. Peu courant.
195181936Saint-Jouin-de-Marnes N° spécial de la revue "Signes du Temps" 1951 1 vol. broché in-8, broché, 64 pp., illustrations. Peu courant.
192988960Paris: Documents 1929. Fine. ""Documents . was made into a laboratory a genesis a crucible a rebellion a madness in short an avant-garde."" Jean Jamin Documents Paris 1929-1930 nº 1 à 7 avril 1929 - décembre 1929 ; nº 1 à 8 janvier 1930- octobre 1930 22 x 27.50 cm 15 volumes brochés sous coffret First edition 15 issues in 15 separate instalments abundantly illustrated with black and white photographs. Complete with the special issue Hommage à Picasso #3 1930 and the index for the year 1929 published as a separate 8-page stapled booklet. Some spines slightly faded not affecting the text occasional minor foxing along the margins of certain covers Presented in a custom slipcase with a flat spine in blue morocco title stamped in palladium and spine framed in palladium decorative blue paper boards sky-blue suede doublures; a handsome ensemble signed Boichot. Complete series of this legendary and non-conformist magazine founded by Georges Bataille which gave voice to fields of art and knowledge unrecognised by official culture or considered controversial: popular literature jazz cabaret advertising everyday life Annie Pirabot along with so-called primitive art and objects. Texts by Jean Babelon Jacques Baron Georges Bataille Alejo Carpentier Arnaud Dandieu Robert Desnos Carl Einstein Roger Gilbert-Lecomte Marcel Griaule Juan Gris Eugene Jolas Marcel Jouhandeau Michel Leiris Georges Limbour Marcel Mauss Léon Pierre-Quint Jacques Prévert Raymond Queneau Zdenko Reich Paul Rivet Georges Ribemont-Dessaignes Georges-Henri Rivière André Schaeffner Roger Vitrac among others. Numerous full-page artistic contributions by Hans Arp Constantin Brancusi Giorgio De Chirico Alberto Giacometti Juan Gris Henri Laurens Fernand Léger André Masson Joan Miró Pablo Picasso Joseph Sima etc. The journals pioneering and interdisciplinary approach established it as one of the most important publications of the century: a dissident voice against the doctrinaire surrealism of André Breton Documents was conceived as a war machine against received ideas in Batailles own words and gathered an eclectic array of contributorsacademics ex-Dadaist and Surrealist painters and poets philosophers. It remains renowned for its striking juxtapositions: Rather than assemble documents from separate fields rather than uphold the usual subordination of image to text the journal gives photography drawing and image the privilege of being the most primal substance or the most original trace of human expression Georges Sebbag. Ethnography Documents is remembered above all for Batailles radical ethnographic stance focused on the material and detached from aesthetic criteria and the usual fascination with exoticism. These groundbreaking views foreshadow the Collège de sociologie that Bataille would later found with Michel Leiris Roger Caillois and Jules Moncrot. They are also reflected in the journal through numerous photographs of masks stones and other non-Western artistic creations Siberian Chinese. set alongside modern artworks including drawings by Klee and paintings by Picasso. Bataille also collaborated with the notorious Hans Bellmer who would go on to illustrate the famous second edition of Histoire de lil to create a terrifying portrait of the Hindu goddess of destruction Kali. photography The journal places particular emphasis on photography. Among its most celebrated contributions are the close-up photographs of toes by Jacques-André Boiffard accompanying Batailles essay on the foot in issue no. 6: The point of this article lies in an insistence on directly and explicitly challenging what seduces without relying on poetic contrivances which ultimately amount to little more than diversion Bataille concludes. His fascination with the abnormal and the destructive is also evident in Boiffards fetishistic and sadomasochistic photograph of a woman wearing a Documents hardcover
1929TransitionStories_EJ_1929<p>New York: Walter V. McKee 1929. First edition first printing. Octavo 19 x 13cm. xii 356pp. Bound in black cloth and decorative boards with a design by Albert Schiller spine stamped in red issued with a dust-jacket designed by Irving Politzer. A Near Fine copy in a Very Good unclipped dust-jacket. Light shelf-wear and soiling to extremities; shallow chipping to head and tail of wrapper.</p><p>This historically significant anthology gathers experimental works from the first thirteen issues of "transition" magazine one of the most influential little magazines of the 1920s. Founded by Eugene Jolas Maria Jolas and Elliott Paul "transition" advocated the "metamorphosis of reality" through artistic expression and provided a platform for a new internationalist modernism. Included here as "A Muster from 'Work in Progress'" are seven excerpts of drafts for James Joyce's yet unnamed "Finnegans Wake" textual excerpts which were revised for this printing and again for publication in 1939.</p> Walter V. McKee hardcover
19363722<p>Paris: Editions Ars 1936 Quarto 28.5 x23 cm. wrappers 8 iv 23 plates total edition of 415 plus the additional original lithograph Self-Portrait 1923 as called for issued in the first 115 copies. Lajos Tihanyi 1885-1938 one of the most important Hungarian modernist painters was a deaf mute from a childhood illness. Despite his handicap and largely self-taught he was recognized quite early on as a formidable talent and played an important role in the modernist Nagybánya Nyolcák and avant-garde Aktivizmus movements up to his departure from Hungary in 1919. Living in Paris from 1922 he developed into nonobjective abstraction and was part of the Abstraction-creation group. At the same time he continued executing expressionist portraits of a wide international circle of friends and associates. These included Gyula Halász Brassai Ivan Goll George Antheil Hungarian émigrés and surrealist poet Robert Desnos who authored this book. Desnos gave the valedictory at Tihanyi's funeral accompanied by Count Mihály Károlyi. This copy is warmly inscribed by Tihanyi to the Swiss painter Hans Schiess and the self portrait lithograph is also included with his personal dedication. This copy very good; litho has light foxing.</p> : Editions Ars paperback
19362381Paris 1936. Editions Ars. In original paper. In fine condition. Editions Ars. In original paper. 23 plates. Edition of 415 numbered copies. One of the 100 on Arches containing the original litograph numbered and signed by Tihanyi. This print inserted in the work - self-portrait of the artist - is very often absent. unknown
197269974NY: Grossman/Mushinsha 1972. First US edition. xii 80 pp. Fine in very near fine dust jacket. Translations by William Kulik with Carole Frankel with Kulik’s introduction. Forty-three poems with Desnos’ illustrations. NY: Grossman/Mushinsha unknown books
19729009796New York: Grossman Publisher's 1972. 1st. Paperback. Fine Condition. Bound in publisher's original stiff yellow wrappers. <br/><br/> Grossman Publisher's paperback books
197280746NY:: Grossman Publishers. Near Fine. 1972. Paperback. 0670747491 . Illustrated by the author. Translated from the French by William Kulik with Carole Frankel. First edition thus paperback. Near fine in illustrated wraps. . Grossman Publishers, paperback books
1972UDESVOI00EMGrossman Publishers 1972. Very Good. Desnos Robert. The Voice : Selected Poems. New York: Grossman Publishers 1972. 1st edition. 80pp. Illustrated. 8vo. Yellow wraps. Book condition: Very good. Light rubbing to wraps corner of free front endsheet clipped. Grossman Publishers paperback books
1994021440Atlas 1994 168 pp. 4 surrealist novels. Covers have some light shelf wear. Atlas paperback
197418907New York: np 1974. First Edition. Wraps. Very good . 8vo. Pictorial wraps. Very good plus. Mild toning and trivial edgewear to wraps. Interior bright clean throughout. Good and sound. 119pp. <br/><br/>Lit mag first published as SUNDIAL beginning in 1966 by Bill Zavatsky also known for his shorter-lived publication ROY ROGERS. This issue features contributions from Rochelle Owens Trevor Winkfield and other poets. np paperback books
1964311161964 Paris : Strophes, 1964 - In-8 broché de 96 pages - bon état - couverture sous forme de faire-part de décès : "La revue Strophes a le regret de vous informer du décès du surréalisme et de son chef André Breton après une longue agonie". (André Breton est mort deux ans plus tard).
1974OLN397<p>Penfield NY: The Strange Faeces Press 1974. 1st edition. Soft cover. Fine/No Jacket as issued. Near Fine. 8vo 120pp stapled wrappers. 1 of 500 copies. This issue of the great Strange Faeces is devoted to translations of French poetry. Uncirculated copy light toning.</p> Penfield, NY: The Strange Faeces Press paperback
1995175094Ellsworth ME: Backwoods Broadsides 1995. First edition. Single sheet folded three times. Printed in an edition of 750 copies. Number 7 in this series. A fine copy. Uncommon as it wasn't well distributed. Backwoods Broadsides unknown books
193039432Paris: Editions Charles Moreau 1930. First edition. Hardcover. g- to vg. Folio 17 2/8 x 12 6/8". 4pp Title and list of contents 36 loose leaves Plates as issued. Original quarter black cloth over illustrated paper covered boards. String ties. Illustrated title. This remarkable work is a pictorial survey of French Art Deco locksmith and ironworks in the late 1920s and early 1930s. The 36 striking photographic plates reproduced in heliotype depict numerous realized projects and projects of hand railings ironwork stairs gates doors and doorways executed by some of the most famous architects and craftsmen of the period such as: Raymond Subes Lucien Bechmann Henri Pacon Léon Gaudibert P. Jumelle R. Genuys Louis-Hippolyte Boileau Germain Debré Jean Dunand J. Rey Joseph Marrast Jean Walter Jean Prouvé Le Corbusier P. Jeanneret Dominique Chollet et Mathon Nics Frères Robert Mallet-Stevens Walter Gropius Henri Martin Michel Roux-Spitz G. Perzel Szetlak Pierre Patout Joseph Bassompierre Sirvin et de Rutte Joseph-Charles de Montarnal Bezault Frères Freynet et Deperthes P. et G. Bloch L. Praeger Molinie et Nicod Gilbert Poillerat Albert Laprade G. Vaudoyer Schenck E. Arrighi Henri Palausi Auguste Bluysen J. Lacoste Edgar Brandt Louis Plousey and Urbain Cassan. Moderate rubbing and age-toning along edges of portfolio. Head of spine slightly frayed. Lower margin of front cover and lower fore-edge of back board slightly water-stained. Water-staining to lower margin of text pages not affecting text slightly affecting the tip of the lower margin of plates throughout not affecting images. Text and captions in French. Portfolio in overall good- interior in good plates in good to very good images in very good condition. Editions Charles Moreau hardcover
199176895NY:: Ecco Press. Near Fine in Near Fine dust jacket. 1991. Hardcover. 0880012617 . Translated from the French by Carolyn Forche and William Kulik. Edited with an introduction by William Kulik. Stated first edition. Near fine in a near fine dust jacket. . Ecco Press, hardcover books
1963RO30351040au bureau du journal. 1963. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 1 feuillet. . . . Classification Dewey : 841-Poésie
1959RO30350972au bureau du journal. 1959. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 1 feuillet.. . . . Classification Dewey : 841-Poésie
1947005900Paris Les 13 épis 1947 En feuilles, couv. rempliée
19471370PARIS. LES 13 EPIS. 1947. PETIT IN-4 EN FEUILLES (23,5 X 29,5 X 4 CENTIMETRES ENVIRON) DE (2) + 88 ET (7) PAGES, SOUS COUVERTURE CREME REMPLIEE, TITRE IMPRIME EN ROUGE ET EN NOIR, CHEMISE ET ETUI CARTONNES DE L'EDITEUR. ILLUSTRE DE 4 EAUX-FORTES HORS TEXTE EN NOIR. PREMIER TIRAGE LIMITE A 350 EXEMPLAIRES NUMEROTES, DONT 20 HORS COMMERCE. UN DES XV EXEMPLAIRES SUR BFK RIVES, CELUI-CI PORTANT LE NUMERO XIV, SANS LES SUITES ANNONCEES. TRACES D’USURE EXTERIEURE SUR L’ETUI, SINON BON EXEMPLAIRE.