Desnos, RobertBiblio.com
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19432562Paris: Robert J. Godet “pour mes amis†1943. First edition. 35 4 pp. Unbound signatures laid into printed wrapper as issued. Some toning to extremities; first plate lacks tissue guard.<br /> <br /> One of one hundred numbered copies reserved for Robert J. Godet of a total edition of 170 copies. One of Desnos’ last collections containing the stirring “Demain.†Gaston-Louis Roux somewhat neglected today was one of Kahnweiler’s artists and contributed the cover to the second issue of Minotaure. Robert J. Godet, “pour mes amis†unknown
ORD-20227Paris. Pour Mes Amis. III. (Robert Godet). 1943. In-4 (220 x 295 mm) en feuilles, couverture imprimée et ornée en rouge et noir, 35 pages, 10 gravures hors-texte, serpentes conservées. Edition originale tirée à 170 exemplaires. Celui-ci N°145, un des 100 réservés à Robert J. Godet. Léger report des gravures sur les pages correspondantes, bords de couverture légèrement jaunis, très bon état intérieur. Bon exemplaire.
194355059BBParis, "Pour Mes Amis". 1943. 4°. 35 p., 1 p.n.ch. et 10 pl. de gravures. en feuilles. Broché, couverture rempliée imprimée en noir et rouge.
194383705Reliure demi-chagrin bordeaux à coins. Dos lisse avec titre doré. Tête dorée. Couverture conservée. Avec 10 gravures au burin par Gaston-Louis ROUX. Ecriture manuscrite sur page de garde.
8493518549.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
29664Paris, Édition Chronique du jour. Sommaire N° 2, 1er mai 1938, in-4, broché, 51-[1] pp. Deuxième numéro de cette célèbre revue illustrée d'une lithographie en couleurs d'imagerie cinghalaise. Paris, Edition Chronique du jour. Sommaire N° 2, 1er mai 1938. Un volume in-4, broché, 51-[1] pp. Deuxième numéro de cette célèbre revue illustrée d'une lithographie en couleurs d'imagerie cinghalaise.
11607Paris, Chroniques du Jour, 1938. In-4, 51-(1) pp., broché (couverture très légèrement frottée).
1938216251938 P.1938, Cahiers grand in-4° broché, couverture en couleurs, nombreuses illustrations, 51 pages. Textes de Pierre Courthion, Kurt Seligman, Miro, Zadkine, R. Desnos, etc. Dessins de Man Ray, Hans Arp. Lithographie en couleurs : image populaire cinghalaise.One colour lithography ; '' Image Cinghalaise ''. Contains articles by Man Ray (on photography) and Juan Miro.
2329388659.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
73-2571Paris: Theatre de la Gaite Montparnasse circa 2000. 60x40 cm. Color poster. Good. Text in French. Wear on each corner.Provenance: Jean-Louis Debauve 1926-2016 aka Henry Jean-Louis DebauvveMagistrat honoraire spécialiste de la poésie romantique et du Symbolisme. historien et critique littéraire. - Membre de la Société polymathique du Morbihan - Docteur en droit Paris 1961 Paris: Theatre de la Gaite Montparnasse, [circa 2000?] unknown
195181936Saint-Jouin-de-Marnes N° spécial de la revue "Signes du Temps" 1951 1 vol. broché in-8, broché, 64 pp., illustrations. Peu courant.
195181936Saint-Jouin-de-Marnes N° spécial de la revue "Signes du Temps" 1951 1 vol. broché in-8, broché, 64 pp., illustrations. Peu courant.
529634me année - n° 184 - 29 septembre 1934 - in-4 broché - revue illustrée
1761273345Paris: Louis Charles Desnos 1761. unbound. Copper plate engraving with original hand color. Image measure 14.25" x 20.75".<br/><br/> This lovely 1761 map by Claude Buy de Mornas depicts the Nile Delta in northern Egypt. The map presents the science arts and monuments of Egypt and as such does not identify cities towns or other locations. Includes illustrations of pyramids pharaohs and a labyrinth. The city of Memphis is labeled and mountains are rendered in profile. Along the left and right is French text and the whole is surrounded by a beautiful floral border.<br><br>The notable feature of this map is the mapping of the large Lake Moeris. Today a small lake named 'Birket Qarun' near modern day Hawara appears at the location of Lake Moeris. Nearby is the legendry 'Labyrinth'. The lost Labyrinth appears in many classical texts including those of Herodatus Strabo Diodorus and Pliny. Described to be megalithic complex designed by Imandes for the Pharaoh Amenemhet III the Labyrinth is believed to have contained thousands of rooms filled with hieroglyphs and ancient Egyptian sculptures. Herodotus wrote about it in the fifth century B.C.: <br><br>" Furthermore they resolved to leave a memorial of themselves in common and in pursuance of this resolve they made a labyrinth a little above Lake Moeris and situated near what is called the City of the Crocodiles. I saw it myself and it is indeed a wonder past words; for if one were to collect together all of the buildings of the Greeks and their most striking works of architecture they would all clearly be shown to have cost less labor and money than this labyrinth. Yet the temple at Ephesus and that in Samos are surely remarkable. The pyramids too were greater than words can tell and each of them is the equivalent of many of the great works of the Greeks; but the labyrinth surpasses the pyramids also. It has 12 roofed courts with doors facing one another 6 to the north and 6 to the south and in a continuous line. There are double sets of chambers in it some underground and some above and their number is 3000; there are 1500 of each. We ourselves saw the aboveground chambers for we went through them so we can talk of them but the underground chambers we can speak of only from hearsay. For the officials of the Egyptians entirely refused to show us these saying that there were in them the coffins of the kings who had built the labyrinth at the beginning and also those of the holy crocodiles. So we speak from hearsay of these underground places; but what we saw aboveground was certainly greater than all human works. The passages through the rooms and the winding goings-in and out through the courts in their extreme complication caused us countless marvelings as we went through from the court into the rooms and from the rooms into the pillared corridors and then from these corridors into other rooms again and from the rooms into other courts afterwards. The roof of the whole is stone as the walls are and the walls are full of engraved figures and each court is set round with pillars of white stone very exactly fitted. At the corner where the labyrinth ends there is nearby a pyramid 240 feet high and engraved with great animals. The road to this is made underground.<br><br> Such was the labyrinth; but an even greater marvel is what is called Lake Moeris beside which the labyrinth was built. The circuit of this lake is a distance of about 420 miles which is equal to the whole seaboard of Egypt. The length of the lake is north and south and its depth at the deepest is 50 fathoms 300 feet. That it is handmade and dug it itself is the best evidence. For in about the middle of the lake stand 2 pyramids that top the water each one by 50 fathoms 300 feet and each built as much again underwater; and on top of each there is a huge stone figure of a man sitting on a throne. So these pyramids are 100 fathoms 600 feet high and these 100 fathoms are the equivalent of a 600-foot furlong the fathom measuring 6 feet or four cubits the cubit being six spans. The water in the lake is not fed with natural springs for the country here is terribly waterless but it enters the lake from the Nile by a channel; and for 6 months it flows into the lake and then another 6 it flows again into the Nile. During the 6 months that it flows out it brings into the royal treasury each day a silver talent for the fish from it; and when the water flows in it brings 20 minas a day."<BR><BR>Despite many archelogical surveys being conducted at site no evidence of the Labyrinth has been confirmed till today. The French text along the sides also includes a brief description of the Labyrinth. <br><br>The map appears in the 1761 edition of "Atlas Methodique et Elementaire de Geographie et d'Histoire" published by Louis Charles Desnos. The map is in good condition with minor wear along the original centerfold and minor spotting. Some edge wear. Stain in lower margin not affecting printed image. Original plate mark is visible. <br><br>Louis Charles Desnos 1725 - 1805 was a cartographer and globe maker from Paris France. He was the Royal Globe Maker for the King of Denmark Christian VII and published a large number of maps during his time.<br/><br/> Louis Charles Desnos unknown books
192988960Paris: Documents 1929. Fine. ""Documents . was made into a laboratory a genesis a crucible a rebellion a madness in short an avant-garde."" Jean Jamin Documents Paris 1929-1930 nº 1 à 7 avril 1929 - décembre 1929 ; nº 1 à 8 janvier 1930- octobre 1930 22 x 27.50 cm 15 volumes brochés sous coffret First edition 15 issues in 15 separate instalments abundantly illustrated with black and white photographs. Complete with the special issue Hommage à Picasso #3 1930 and the index for the year 1929 published as a separate 8-page stapled booklet. Some spines slightly faded not affecting the text occasional minor foxing along the margins of certain covers Presented in a custom slipcase with a flat spine in blue morocco title stamped in palladium and spine framed in palladium decorative blue paper boards sky-blue suede doublures; a handsome ensemble signed Boichot. Complete series of this legendary and non-conformist magazine founded by Georges Bataille which gave voice to fields of art and knowledge unrecognised by official culture or considered controversial: popular literature jazz cabaret advertising everyday life Annie Pirabot along with so-called primitive art and objects. Texts by Jean Babelon Jacques Baron Georges Bataille Alejo Carpentier Arnaud Dandieu Robert Desnos Carl Einstein Roger Gilbert-Lecomte Marcel Griaule Juan Gris Eugene Jolas Marcel Jouhandeau Michel Leiris Georges Limbour Marcel Mauss Léon Pierre-Quint Jacques Prévert Raymond Queneau Zdenko Reich Paul Rivet Georges Ribemont-Dessaignes Georges-Henri Rivière André Schaeffner Roger Vitrac among others. Numerous full-page artistic contributions by Hans Arp Constantin Brancusi Giorgio De Chirico Alberto Giacometti Juan Gris Henri Laurens Fernand Léger André Masson Joan Miró Pablo Picasso Joseph Sima etc. The journals pioneering and interdisciplinary approach established it as one of the most important publications of the century: a dissident voice against the doctrinaire surrealism of André Breton Documents was conceived as a war machine against received ideas in Batailles own words and gathered an eclectic array of contributorsacademics ex-Dadaist and Surrealist painters and poets philosophers. It remains renowned for its striking juxtapositions: Rather than assemble documents from separate fields rather than uphold the usual subordination of image to text the journal gives photography drawing and image the privilege of being the most primal substance or the most original trace of human expression Georges Sebbag. Ethnography Documents is remembered above all for Batailles radical ethnographic stance focused on the material and detached from aesthetic criteria and the usual fascination with exoticism. These groundbreaking views foreshadow the Collège de sociologie that Bataille would later found with Michel Leiris Roger Caillois and Jules Moncrot. They are also reflected in the journal through numerous photographs of masks stones and other non-Western artistic creations Siberian Chinese. set alongside modern artworks including drawings by Klee and paintings by Picasso. Bataille also collaborated with the notorious Hans Bellmer who would go on to illustrate the famous second edition of Histoire de lil to create a terrifying portrait of the Hindu goddess of destruction Kali. photography The journal places particular emphasis on photography. Among its most celebrated contributions are the close-up photographs of toes by Jacques-André Boiffard accompanying Batailles essay on the foot in issue no. 6: The point of this article lies in an insistence on directly and explicitly challenging what seduces without relying on poetic contrivances which ultimately amount to little more than diversion Bataille concludes. His fascination with the abnormal and the destructive is also evident in Boiffards fetishistic and sadomasochistic photograph of a woman wearing a Documents hardcover
1929TransitionStories_EJ_1929<p>New York: Walter V. McKee 1929. First edition first printing. Octavo 19 x 13cm. xii 356pp. Bound in black cloth and decorative boards with a design by Albert Schiller spine stamped in red issued with a dust-jacket designed by Irving Politzer. A Near Fine copy in a Very Good unclipped dust-jacket. Light shelf-wear and soiling to extremities; shallow chipping to head and tail of wrapper.</p><p>This historically significant anthology gathers experimental works from the first thirteen issues of "transition" magazine one of the most influential little magazines of the 1920s. Founded by Eugene Jolas Maria Jolas and Elliott Paul "transition" advocated the "metamorphosis of reality" through artistic expression and provided a platform for a new internationalist modernism. Included here as "A Muster from 'Work in Progress'" are seven excerpts of drafts for James Joyce's yet unnamed "Finnegans Wake" textual excerpts which were revised for this printing and again for publication in 1939.</p> Walter V. McKee hardcover
2011758106.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
19363722<p>Paris: Editions Ars 1936 Quarto 28.5 x23 cm. wrappers 8 iv 23 plates total edition of 415 plus the additional original lithograph Self-Portrait 1923 as called for issued in the first 115 copies. Lajos Tihanyi 1885-1938 one of the most important Hungarian modernist painters was a deaf mute from a childhood illness. Despite his handicap and largely self-taught he was recognized quite early on as a formidable talent and played an important role in the modernist Nagybánya Nyolcák and avant-garde Aktivizmus movements up to his departure from Hungary in 1919. Living in Paris from 1922 he developed into nonobjective abstraction and was part of the Abstraction-creation group. At the same time he continued executing expressionist portraits of a wide international circle of friends and associates. These included Gyula Halász Brassai Ivan Goll George Antheil Hungarian émigrés and surrealist poet Robert Desnos who authored this book. Desnos gave the valedictory at Tihanyi's funeral accompanied by Count Mihály Károlyi. This copy is warmly inscribed by Tihanyi to the Swiss painter Hans Schiess and the self portrait lithograph is also included with his personal dedication. This copy very good; litho has light foxing.</p> : Editions Ars paperback
19362381Paris 1936. Editions Ars. In original paper. In fine condition. Editions Ars. In original paper. 23 plates. Edition of 415 numbered copies. One of the 100 on Arches containing the original litograph numbered and signed by Tihanyi. This print inserted in the work - self-portrait of the artist - is very often absent. unknown
29875Paris, Editions " Ars ", 1936. In-4, broché, couverture rempliée,10 pages de texte et XXXII planches hors texte de reproductions de tableaux en phototypies
197269974NY: Grossman/Mushinsha 1972. First US edition. xii 80 pp. Fine in very near fine dust jacket. Translations by William Kulik with Carole Frankel with Kulik’s introduction. Forty-three poems with Desnos’ illustrations. NY: Grossman/Mushinsha unknown books
19729009796New York: Grossman Publisher's 1972. 1st. Paperback. Fine Condition. Bound in publisher's original stiff yellow wrappers. <br/><br/> Grossman Publisher's paperback books
197280746NY:: Grossman Publishers. Near Fine. 1972. Paperback. 0670747491 . Illustrated by the author. Translated from the French by William Kulik with Carole Frankel. First edition thus paperback. Near fine in illustrated wraps. . Grossman Publishers, paperback books
1972UDESVOI00EMGrossman Publishers 1972. Very Good. Desnos Robert. The Voice : Selected Poems. New York: Grossman Publishers 1972. 1st edition. 80pp. Illustrated. 8vo. Yellow wraps. Book condition: Very good. Light rubbing to wraps corner of free front endsheet clipped. Grossman Publishers paperback books
1931357943.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
