183 résultats
1950ST16802Paris: Maeght 1950. No. 82 OF 101 COPIES. 408 x 280 mm. 16 x 11". 50 pp. 2 leaves. <br/> INGENIOUS DOVE GRAY CALF BY FRANÇOIS BRINDEAU stamp-signed on front doublure covers with geometric onlays that are variations of the number 5 "cinq" some highlighted with white-tooled parallel lines author's name and title lettered in blue on upper cover artist's name and date on lower smooth spine gray calf doublures gray suede free endleaves edges untrimmed. Original printed gray wrappers bound in. Housed in lightly scuffed matching gray linen clamshell box gray calf label lettered in blue and white on spine. With five half-page black etchings by Braque. HALF TITLE WITH ORIGINAL WATERCOLOR OF BLUE LEAVES AND INSCRIPTION BY BRAQUE: "Pour Max Pellequer bien amicalement G. Braque 1951." Peyré "Peinture et Poésie" p. 149; The Artist and the Book 1860-1960 37. Isolated faint marginal foxing slight crease to title page but a VERY FINE COPY clean fresh and bright internally in a pristine binding.<br/> <br/> Bound to a sculptural Art Deco design and elegantly illustrated and inscribed by a great 20th century artist this is a collection of five poems about "sapates"--valuable gifts hidden inside a gift of lesser value such as a diamond ring inside a cupcake. Our volume does not fall under this category: its outside is every bit as impressive as the contents. The celebrated French artist Georges Braque 1882-1963 was a painter collagist printmaker and sculptor who made important contributions to the Fauves movement in the early 20th century and to the development of Cubism in which he and Picasso were the leading lights. The illustrations here done near the end of his long career depict the five "sapates"--oil olives a jug a rough sketch of a fish a shutter--in simple black and white with more realism than his Cubist works but still in simple pared-down lines. To accompany the inscription of this volume to banker Max Pellequer d. 1974 nephew of Picasso's friend André Level Braque added a small painting of cerulean blue leaves a single note of color in the blacks whites and grays of the text and one picked up by binder François Brindeau who used that hue for the lettering on the covers. Brindeau studied at the École Estienne graduating in 1976 and then worked with Jean de Gonet. He created the present binding for bibliophile and former Olympic rowing medalist Maurice Houdayer 1931-2020 a connoisseur of contemporary bindings who had a great love of Art Deco. Houdayer served as president of the Amis de la Reliure Originale and assembled an impressive collection of illustrated books in bindings he commissioned from innovative designers. Montpellier-born poet Francis Ponge 1899-1988 was known as "the poet of things" because he wrote about simple everyday objects like the subjects of the present work. His poetry invites us to contemplate often overlooked commonplace objects and perhaps in doing so to discover something about the human psyche. Literary critic David Gascoyne noted that Ponge "addressed himself to the common reader in the hope of persuading us that poetry is not merely a preoccupation of the idle and overeducated.". [Maeght] unknown
194973884Zurich Zurich: Atllantis verlag 1949. Fine. Atllantis verlag Zurich Zurich 1949 13.50 x 20.50 cm agrafé First edition strictly hors commerce printed in 50 copies numbered and justified by Francis Ponge. Handsome and rare copy. Precious autograph inscription signed by Francis Ponge to Jean and Jeannette Tortel: ""Pour Jean et Jeannette ces pages griffonnées à Sidi-Madani - avec l'affection de leur Francis P."" ""For Jean and Jeannette these pages scribbled at Sidi-Madani - with the affection of their Francis P."" Atllantis verlag unknown
196356101M. Knoedler & Co. Inc. As New. 1963. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French and English. 34 works catalogued; a number illustrated in color or b/w. -- with a bonus offer-- . M. Knoedler & Co. , Inc. paperback
197129607Stuttgart: Belser Verlag. As New in As New dust jacket. 1971. Hardcover Monograph. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - In slipcase. Text in German. -- with a bonus offer-- . Belser Verlag hardcover
1963118454Lausanne : FranÂoise Mermod 1963. 310x245mm. controle effectuÂŽ : 8 lithograhies sur double pages en feuille 10 feuillets chiffrÂŽs sous couverture rempliÂŽe et chemise demi-parchemin emboit‰ge rigides papier imitation de paille japonaise. PoÂme inÂŽdit de Francis Ponge illustrÂŽ de huit lithographies originales de Jean Fautrier. AchevÂŽ dÕimprimer le 20 aožt 1963 sur les presses des Imprimeries RÂŽunies ˆ Lausanne dÕaprÂs une mise en page de Robert Droguet. Les lithographies ont ÂŽtÂŽ tirÂŽes sur une presse ˆ bras par Michel Bettex avec la collaboration de Pietro Sarto aux Presses artistiques ˆ Pully. Le papier a ÂŽtÂŽ spÂŽcialement fabriquÂŽ ˆ la main par les Moulins de Richard de Bas. Un des 98 exemplaires numÂŽrotÂŽ n.¡ 20 / 98 signÂŽs au colophon par lÕartiste et le poÂte. TrÂs bel exemplaire. 1361 FranÂoise Mermod unknown
194571812Paris: Editions des quatre vents 1945. Fine. Editions des quatre vents Paris 1945 14.50 x 21 cm reliure de l'éditeur First edition on ordinary paper. Publishers full cloth binding flat spine minor inconsequential wear to headcaps and corners. Illustrations. Rare and valuable presentation copy to Odette and Francis Ponge. Calet and Ponge had an amitié singulière - an expression aptly used in the title of their correspondence from 1944 to 1956 published by Michel P. Schmitt at PUL. Editions des quatre vents hardcover
1949220011<p>EO 131/150 un des trente exemplaires sur grand velin. Tirage de tête réimposé. Non rogné</p> Bettencourt
196148224Paris: Gallimard 1961. Fine. Gallimard Paris 1961 14 x 20.50 cm 3 volumes brochés First edition one advance service de presse copy for each volume. Handsome autograph inscription signed by Francis Ponge to Raymond Queneau on the first volume. Small foxings on foot of lower coverin the margins of the third and last volume. Gallimard unknown
1963N5061aParis: Andre Sauret 1963. Limited/Numbered . Original Cardboard. Very Good. 4to. 183pp. EXEMPLAIRE SUR GRAND VELIN D'ARCHES. ONE OF 125 COPIES THIS COPY 55 SIGNED BY ANDRE SAURET AT COLOPHONE. Cover is an original lithograph by BRAQUE. Missing the frontispice and the title page both were original lithographs FINE PRINTING BY THE MOURLOT PRESS IN PARIS.SUPERB COLOUR ILLUSTRATIONS OF THE WORKS OF BRAQUE. A VERY GOOD AND CLEAN COPY. <br/> <br/> Andre Sauret unknown
196535101Paris: Gallimard 1965. Fine. Gallimard Paris 1965 19.50 x 24.50 cm broché First edition one of 26 numbered copies on Hollande tirage de tête. Small glued tears not serious to head and foot of the joints a good copy. Gallimard unknown
196527159Paris: Gallimard 1965. Fine. Gallimard Paris 1965 19.50 x 24.50 cm broché First edition one of 26 numbered copies on Hollande tirage de tête. A nice copy. Gallimard unknown
196346815Paris.: L'Imprimerie Union 1963. Loose as issued in original publisher's printed wrappers with lithograph illustration by Debré to covers. . 4to. 216 x 276 mm. Initial blank with presentation from Debré see below original double-page monochrome lithograph as frontispiece signed by the artist in pencil leaf with title two leaves with Ponge's text dated 'Janvier 1963' final leaf with justification recto. Presentation copy of a scarce publication which accompanied Olivier Debré's exhibition at Galerie Knoedler in February 1963.From the edition limited to 33 numbered copies each with Debré's signed original lithograph and signed by Ponge and Debré to the justification in pencil; Debré's presentation is in black ink to the initial blank: 'A Louis Barnier / en souvenir reconnaissant / et l'amitié / d'Olivier Debré / Fev 63'.Olivier Debré 1920-1999 became involved in the language of abstraction in the 1940s following a visit to Picasso's studio. He formed a new generation of School of Paris painters with artists such as Pierre Soulages Nicolas de Stael and Maria Helena Vieira da Silva. Louis Barnier was a member of the College of Pataphysics and director of L'Imprimerie Union from 1957. L'Imprimerie Union unknown
196746123Paris: Gallimard 1967. Fine. Gallimard Paris 1967 14.50 x 21.50 cm broché First edition one of 36 numbered copies on Hollande tirage de tête. A fine copy. Gallimard unknown
196388044Paris: Union 1963. Fine. Union Paris 1963 21 x 27.50 cm en feuilles First edition printed in 33 numbered copies on vellum the only deluxe copies. Handsome copy of this text written for the exhibition of painter Olivier Debré at the Knoedler gallery in February 1963. Manuscript signatures of Francis Ponge and Olivier Debré at the colophon. Copy complete with its original double-page engraving by Olivier Debré which he has signed. Union hardcover
196552795Paris: Gallimard 1965. Fine. Gallimard Paris 1965 19.50 x 24.50 cm broché First edition one of 26 numbered copies on Hollande tirage de tête. A few occasional foxings oncovers and endpapers. Gallimard unknown
196353179Paris: André Sauret 1963. Fine. André Sauret Paris 1963 24.50 x 32.50 cm broché sous étui First edition one of 4125 numbered copies. Work illustrated with 3 original lithographs in 5 or 6 colors by Georges Braque. Rich iconography. Preface by Francis Ponge. Minor stains without consequence at head and foot of spine small white stains to margins of slipcase handsome copy. André Sauret unknown
1952601952. Catalog raisonné Monte Carlo A. Sauret. Folio. 183 pp. 146 pls. with descriptions most in color. Complete with frontispiece. One of an ed. of 4125. In original slipcase. Glassine torn otherwise fine. A. Sauret.
29068Lausanne Mermod coll. du Bouquet 15 avril 1946. 1 vol. 125 x 170 mm de 71 p. et 1 f. Broché. . Édition originale. Tirage unique à 1200 exemplaires numérotés n° 739. Envoi signé : « à René Char qui d'un seul trait atteint le cœur du jour et de la nuit porte le miel et la semence aime et frappe - son ami depuis toujours pour toujours Francis Ponge 29.XII.49. ». La Guêpe avait déjà été publié l'année précédente à tout petit nombre. . L'amitié liant les deux poètes s'établit après-guerre renforcée par l'engagement des deux hommes dans la Résistance. Leurs amis sont communs : Camus et Braque principalement. L'amitié devait culminer en cette année 1949 lorsque Char sollicite Braque pour qu'il illustre les Cinq Sapates de Ponge l'un de ses plus beaux livres. L'ouvrage sera publié en 1950 et dédié à René Char. Lausanne, Mermod, coll. du Bouquet, (15 avril) 1946. 1 vol. (125 x 170 mm) de 71 p. et [1] f. Broché. unknown
27948Paris Vrille 1er juillet 1948. 1 vol. 195 x 250 mm de 51 p. 3 et 2 f. En feuilles sous chemise et étui. . Édition originale. 10 burins originaux de Gérard Vulliamy. Un des 30 exemplaires hors commerce sur vélin du Marais justifié H.C. 17/30 par Francis Ponge. Envoi signé : « pour René Char le grand poète l'ami très cher. Son Francis P. ». . Le poème de Ponge s'inscrit dans la ligne du parti pris des chose publié en 1942 : le poète souhaite mettre en avant ce qui distingue ce poème de la poésie traditionnelle : créer un poème en prose et qui traite d'un sujet peu commun - la crevette en l'occurrence - en utilisant un procédé de description de style scientifique. C'est toute l'ambition du « parti pris des choses » : parler d'une chose qui n'a jamais été placée au premier plan en poésie. Jolie connexion entre les deux poètes. Paris, Vrille, (1er juillet) 1948. 1 vol. (195 x 250 mm) de 51 p., [3] et 2 f. En feuilles sous chemise et étui. unknown
194789880Lausanne: Mermod 1947. Fine. Mermod Lausanne 1947 15.7 x 23 cm Broché First edition one of the review copies.Slight sunning at head and foot of spine without seriousness.Precious signed presentation from Francis Ponge: ""Pour Marthe et Henri Calet leur ami. Francis Ponge."" Mermod unknown
196526156Paris: Gallimard 1965. Fine. Gallimard Paris 1965 19.50 x 24.50 cm broché First edition one of 64 numbered copies on pur fil the only large paper copies along with 26 Hollande. A very good copy. Gallimard unknown
196393375Monte Carlo: Andre Sauret 1963. Limited ed. 3894/4125. pp. 183 5. Many colour illustrations of which the front cover the titlepage vignette and the frontispiece are original lithographs. Original stiff paper covers slightly rubbed at extremities glassine dust wrapper torn with some loss slipcase dampmarked and worn at corners. Illus. by Braque. 32.0 x 24.0 Cm. Limited. Paperback. Very Good/Poor. Andre Sauret Paperback
196343686Monte Carlo: Andre Sauret 1963. Limited first edition. Softcover. vg- to near fine. 1/4125. Small folio. 12.5x9.5". 183pp. 5. Tan paper-covered slipcase housing a softcover binding with a lithographically illustrated dust jacket over stiff white cardstock wrappers. Dj protected by mylar. This is #3838 from a total limited edition of 4125 copies. The publication is a complete catalogue raisonné of George Braque's lithographs containing 3 original lithographs covers frontispiece and title page and 146 lithographic reproductions in color and b/w. The lithograph's are arranged chronologically and date from 1921-1962. Each of the reproductions is protected by a coated waxpaper guard and contains physical and historical information about the work on the opposite page. Detailed list of works at the back of the book. Text in French. Slipcase with with some light rubbing to extremities and some light stains scratches and smudges. Dj with very minor foxing. Mylar with some small chips at corners. Interior with minor sporadic foxing to a few pages with images almost entirely unaffected clean and bright. Slipcase in very good- covers and interior in overall very good to near fine. Andre Sauret unknown
1963201793Monte Carlo: André Sauret 1963. First edition. Fine in original glassine chipped and paper-covered slipcase scratched and a bit worn at extremities. Braque Georges. 4to wrappers. One of 4125 copies in the edition. The wrappers frontispiece and title page decoration are all original lithographs by Braque. This first catalogue raisonné of the artist's lithographic output set a high standard for the quality of its color reproductions. André Sauret unknown
197057895Paris: GallimardSeuil 1970. Fine. Gallimard Seuil Paris 1970 14.50 x 21.50 cm broché First edition one of 33 numbered copies on Holland paper deluxe copy. Two light traces of sunning at head and foot of spine minimal spotting without consequence on the first endpaper. GallimardSeuil unknown