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Analysis of the way magazines treated Jackie Kennedy Book
Softcover, 14 pages, illustrated, 8vo, 23 cm. SUBJECT (S) : Women, Jewish. Women -- Societies and clubs. Szold, Henrietta, 1860-1945. Named Corp: Hadassah, The Women's Zionist Organization of America. Note(s) : Cover title. Original issued in series: Publications of the American Jewish Historical Society ; v. 49, no. 3. OCLC lists 1 copy worldwide (Waterloo) . Good condition. (mx-32-20)
pp. 260, (2) [Addenda] + Portrait Frontis. Top edge gilt. Tipped in printed presentation from the author. Early ownership of Carrie Brown, World's Fair 1894 on first fly leaf. Tall 8vo. Original full brown cloth binding lettered in gold. Extremities worn with loss. Mrs. Lucas established the Pennsylvania Committee of Woman's Work, and at her death was presenting her plans for the Chicago World's Fair. PA 9
Non paginé, nombreuses illustrations coul. Catalogue d'eposition, Bruxelles, Palais des Beaux-Arts, 6 octobre 2004-16 janvier 2005. Inv. 29813 et Th 162
A clean, unmarked book with a tight binding. 7 3/8"w x 9 5/8"h. Catalog for an exhibition held at Norwich Gallery 30 March to 16 May 1992. Each of the ten artists has a fold-out page with a biography, list of exhibitions, and b&w photos of the artist and some artwork. Introduction by Katy Deepwell. Scarce.
Fine English Paperback., Very good., 23 x 16 cm, N.d., 208, b/w and color ills. "18. Yüzyilda Istanbul., MISS JULIA PARDOE, Çeviren: Bedriye Sanda, Inkilâp Kitabevi, Istanbul"
New English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. 175, [1] p., b/w ills. 27 Mayis bir devrimdir: 50. yilinda 27 Mayis. A study on Turkish coup of 27 Mayis (May 27th) in 1960. HISTORY OF TURKEY Modern Turkey Republican Turkey Politics.
2 p.l., ix-xviii p., 1 l., 583 p. incl. illus., plates, ports., facsims. front. (port.) 24 cm. Hardcover Very good condition good
Very Good Russian Original concert advert in Russian with autograph signature and inscription by Turkish female pianist Idil Biret. (21x14 cm). Printed advert in Russian, inscription and signature in Turkish. 4 p. Signed to Turkish diplomat Ismail Berduk Olgaçay, (1925-). [Concert advert of Idil Biret, Moskovskaia Gosudarstvennaia Filarmoniia with autograph signed Biret to Turkish diplomat Ismail Berduk Olgaçay]. Illustrated cover. Rare.
Very Good Turkish Original wrappers. 12mo. (16 x 13 cm) In Turkish. 95, [1] p. Early edition of this scarce first book of Tugcu, a non-fictional work including interesting advice for women "to keep their husbands" as well as advices such as "being clean, not showing bare feet to the husbands, dressing nicely", etc. In the early Republican period, this book was one of the early-modern examples of 'mansplaining'. Tugcu was a prolific writer who wrote more than 200 novels in the literary field, which were aimed mostly at children and young people. He was particularly known for his novels with pathetic subjects and melodramatic lattices. Not located in OCLC.
Very Good French Original wrappers. Roy. 8vo. (24 x 16 cm). In French. [v], 163, [1] p. Chippings on extremities of cover, rubbed on spine, overall a good copy. First edition of this scarce book titled in English "The Legal Status of Women in the Law of Islam", written by Al-Yafi who was the Prime Minister of Lebanon serving twelve times between 1938 and 1969, and at the forefront of the struggle to give women the right to vote, which he was able to achieve with his cabinet in power in 1952. Abdallah Al-Yafi is the first Arab to receive a PhD from the Sorbonne University, where he wrote his thesis about women's rights in Islam. The thesis subject was "The Legal Status of Women in the Law of Islam" (French: La Condition Privée de la Femme dans le Droit de l'Islam). Drawing from Quranic decrees and Islamic principles, he made a case about how women are supposed to be allotted more rights in society. Al-Yafi believed that the empowerment of women was crucial for building a stronger society, equality providing a steadier base. These thoughts, when expressed in the 1920s, had quite an 'avant-garde' ring to conservative Muslim ears: they were not always welcome with wide open arms or minds. Later on in his political life, Abdallah Al-Yafi's political opponents brandished his thesis as a weapon of defamation to tarnish his reputation. According to them, he was not a "righteous Muslim" but a French minion who had given in to the French authorities-the colonial mandate authority in Lebanon at the time-in blaspheming the Islamic religion in reward of a "Doctorat d'État". These were aimed at ruining the honest image that he so carefully cultivated throughout his life.
Very Good Turkish Archive of documents of (Margot Dernbach, later Uzmay) an emigrated woman from Nazi Germany to Turkey; of the wife of Kutlu Oguz Hakki Uzmay who was the son of the Turkish politician and sociologist Ismail Hakki Uzmay (1881-1950), and brother of Afet Inan (1908-1985). This collection contains sixteen documents: Six insured employment certificates, a health certificate of herself including her son Can Uzmay and her husband Kutlu Oguz Hakki Uzmay prepared in 1972, a tax card prepared in 1965, two payment certificates from the German Hospital in 1975, a tax registration slip prepared in 1965. Some documents are with a photograph of Margarete Uzmay; and Nursing certificate prepared by the General Nursing Council for England & Wales in 1959, two b/w photographs, a "certified copy of an entry of marriage act, 1949" in 1963, a student report prepared by "Volksschule" in Niedermendiz in Germany, in 1942 in the name of Margot Dernbach. One document is in German, one is in English; all the others are in Modern Turkish. This fine archive of Margaret Dernbach [Uzmay], who emigrated from Nazi Germany probably in the late period of WWII to the Turkish Republic. She was born on May 31, 1928, in Obermendiz, Germany. Her father's name is Friedrich Karl Dernbach. She married Afet Inan's brother in 1963 in Turkey and they had at least one child. She worked in Alman Hastanesi [i.e. German Hospital] in Beyoglu (Pera).
Very Good Turkish Original oil on canvas with a grey frame. Signed by artist "T. Onat, [1]980". One of her early paintings depicting of a woman in abstract form, mostly with green tones. A fine oil on canvas. Prof. Tülin Onat was born in Istanbul in 1946. She graduated from the Department of Advanced Painting at Istanbul State Fine Arts Academy (Mimar Sinan University) in 1970. She studied with Prof. Adnan Çoker, Prof. Zeki Faik Izer and Prof. Özdemir Altan. She continued her master's degree at her alma mater between 1970 and 1971. In 1973, she was given a scholarship by the Austrian Government to study at the Salzburg Internationale Sommer Academie für Bildende Kunst. In 1977, she began teaching at Marmara University. She completed her doctoral degree with proficiency arts at Marmara University in 1985. Onat became an Associate Professor in 1990. Between 1967 and 1993, she researched painting and arts in museums and galleries in Europe. In 1987, Onat established Derimod Culture Centre with Hasan Yelmen and realized retrospective exhibitions. She has had many solo exhibitions and participated in numerous group exhibitions in Turkey and abroad. As of today, Onat continues to teach at Marmara University.
Very Good Turkish, Ottoman (1500-1928) In contemporary cloth bdg. Roy. 8vo. (24 x 17 cm). In Ottoman script. 43, 59 p. Divan literature is described as "a certain tradition literature with its rules and boundaries" in the most general form. These rules and boundaries have enabled the formation of common expressions in religion and in Sufi intellection in particular and in poetry by the influence of Persian literature, and they have made it traditional in time. In this context, in classical Turkish poetry, whose male poets are predominant in quality and quantity, patriarchal rhetoric presents an outlook that its frame has been established by common tropes, metaphors, poetic themes and in short by similar imaginations and ideas. The divans of Lady Mihri (died after 1512), Lady Leyla (died in 1848) and Lady Seref (1809-1861) have different aesthetic understandings in that context. Laylâ Hanim was one of the few Turkish women poets who made a collection of her poems. Lived in Istanbul and died in 1848. Her family was close to the Ottoman Sultanate and Leylâ Hanim, witnessed the reign of Mahmud II (1808-1839) and Abdülmecid I (1839-1861). She is the daughter of Moralizâde Hâmid Efendi. Her mother Hadîce Hanim is the sister of Keçecizâde Izzet Molla, a notable bureucrat and poet of the times. She has three brothers, Atâullah Mehmed Efendi, Nurullah Mehmed Efendi and Hâlid Efendi, who died at a young age. She had financial problems after her father's death and she expressed those in her poems. Some of her poems in the divan mention that her father and brother Hâlid Efendi have lived in Bursa for a while. She is educated by Keçecizâde Izzet Molla, she is quick-witted. She experienced a short marriage, which lasted about a week; after the divorce she devoted herself to poetry. Her grave is in Galata Mevlevîhanesi. Following books include information of her life, characteristics and poetry: Fatin Tezkiresi (363), Ahmet Rif'at's Lugat-i Târîhiyye ve Cogrâfiyye (154), Tuhfe-i Nâ'ilî (895), Sicill-i Osmânî (93), Bursali Mehmet Tahir's Osmanli Müellifleri (406), Haci Begzâde Ahmet Muhtar's Sâir Hanimlarimiz (51-2), Mehmed Zihnî Efendi's Mesâhir'ün-Nisâ (195), and Semseddin Sâmî's Kâmusü'l-A'lâm (4060). These resources indicate that Leylâ Hanim is from a noble family and the links of the family to the high cadres of Ottoman bureaucracy and their intellectual property have left traces in her poetry. AH 1299 = AD 1882. Fourth Edition. (Source: All poetry). OCLC 163633996.; Özege 4177 / 2. First Bulaq Edition. Litho. Rare.
Very Good Turkish, Ottoman (1500-1928) Original cloth bdg. with marbled boards and brown cloth spine. Fading on spine and foxing on boards and pages. Overall a good copy. Roy. 8vo. (24 x 17 cm). In Ottoman script (Old Turkish with Arabic letters). 118 p. Lithographed. Early edition of this rare poem collection by Leyla Hanim (?-1847), who was a few female poets in the Ottoman literature, known for her lyrical love poems. Divan literature is described as "a certain tradition literature with its rules and boundaries" in the most general form. These rules and boundaries have enabled the formation of common expressions in religion and in Sufi intellection in particular and in poetry by the influence of Persian literature, and they have made it traditional in time. In this context, in classical Turkish poetry, whose male poets are predominant in quality and quantity, patriarchal rhetoric presents an outlook that its frame has been established by common tropes, metaphors, poetic themes, and in short by similar imaginations and ideas. The divans of Lady Mihri (died after 1512), Lady Leyla (died in 1848), and Lady Seref (1809-1861) have different aesthetic understandings in that context. Leylâ Hanim was one of the few Turkish female poets who made a collection of her poems. Lived in Istanbul and died in 1848. Her family was close to the Ottoman Sultanate and Leylâ Hanim, witnessing the reign of Sultan Mahmud II (1808-1839) and Sultan Abdülmecid I (1839-1861). She is the daughter of Moralizâde Hâmid Efendi. Her mother Hadîce Hanim is the sister of Keçecizâde Izzet Molla, a notable bureaucrat, and poet of the times. She has three brothers, Atâullah Mehmed Efendi, Nurullah Mehmed Efendi and Hâlid Efendi, who died at a young age. She had financial problems after her father's death and she expressed those in her poems. Some of her poems in the divan mention that her father and brother Hâlid Efendi have lived in Bursa for a while. She is educated by Keçecizâde Izzet Molla, she is quick-witted. She experienced a short marriage, which lasted about a week; after the divorce, she devoted herself to poetry. Her grave is in Galata Mevlevîhanesi. Several books include information of her life, characteristics, and poetry such as Fatin Tezkiresi (363), Ahmet Rif'at's Lugat-i Târîhiyye ve Cogrâfiyye (154), Tuhfe-i Nâ'ilî (895), Sicill-i Osmânî (93), Bursali Mehmet Tahir's Osmanli Müellifleri (406), et alli. These resources indicate that Leylâ Hanim is from a noble family and the links of the family to the high cadres of Ottoman bureaucracy and their intellectual property have left traces in her poetry. AH 1299 = AD 1882. (Source: All poetry). OCLC 949496080.; Özege 4177 / 4. First two editions were printed in Cairo.
Very Good Turkish Original b/w press photo. (12x18 cm). Portrait photograph. [Photograph of Zehra Kosova]. Photograph by Hande Ertem.
Very Good Turkish, Ottoman (1500-1928) Original pictorial wrappers. Demy 8vo. (22 x 14 cm). In Ottoman script (Old Turkish with Arabic letters). 302 p. Slightly chipped on extremities, stains on cover. Otherwise a good copy. First Ottoman Turkish edition of this Arabic historical novel that takes its subject from Arabic nights. "Romance and intrigue provide the central plot of the novel that is woven into the broader picture of the fall of the Barmakis. Harun held his sister Abbasa in great affection and loved to spend his evenings in her company. But his favorite companion was Ja'far. It was quite unsuitable for a man from outside the family to be admitted to the company of a young woman, but Harun found a way to arrange things; he decided to marry them to each other in what the French call a "marriage blanc". As he explained to Ja'far "you see her only in my company, your body never approaches hers and you have no conjugal relations with her. You may thus share our evenings of pleasure without risk." Ja'far accepted and swore solemnly in front of witnesses never to visit his young wife, stay alone with her or even spend a minute under the same roof unless Harun was present. But Jafar was handsome and Abbasa's beauty was second to none. The inevitable occurred. How and why no one is certain. There was a great political advantage for Ja'far to unite himself with the sister of the Caliph. But did his mother who was close to both her son and Abbasa prod them in that direction? Or was their deep love sufficient to consummate their marriage, as Zaidan seems to imagine? No one knows for sure and the novel does not speculate on what really happened. The only sure thing is that Abbasa became pregnant and gave birth to at least one child and perhaps two as related in the novel. And when Harun learned of the relationship, this was the beginning of the end for the Barmakis. The close friendship between Harun and Ja'far spawned jealousies among the Caliph's entourage. Chief among them was the hostility that Al-Fadl ibn al-Rabi' had towards Ja'far. The two men detested each other and did everything they could to destroy each other. Last but not least Zubayda, Harun's favorite Hashemite wife also did not like Ja'far. He had been a tutor to al-Ma'mun, the son of a Persian slave girl, her son's rival. It was known that Harun admired Ma'mun's gifts and was thinking of promoting him over Al-Amin in the order of succession. There is every reason to believe that Zubayda exercised her considerable influence against Ja'far. She comes across as shrewd, skillful, and willful. Zaidan never explicitly speculates to what extent al-Rashid's reaction was politically or emotionally motivated. The narrative and dialogue suggest a combination of those factors. Ja'far had been disloyal to Harun and had stained the family honor: his disobedience could not go unpunished. But Harun was shrewd and feared for his power and influence - to the extent that the Barmakis might usurp the Abbasid caliphate. Within this broad historical canvass, Zaidan's fast-paced narrative with its twists and turns is full of suspense. It covers only a few months of Harun al-Rashid's reign but one that fatefully changed the course of 'Abbasid history." (Source: The Zaidan Foundation). Zaidan was a prolific Lebanese novelist, journalist, editor, and teacher, most noted for his creation of the magazine Al-Hilal, which he used to serialize his twenty-three historical novels. His primary goal, as a writer and intellectual during the Nahda, was to make the common Arabic population know their own history through the entertaining medium of the novel. He has enjoyed widespread popularity. He is also considered to have been one of the first thinkers to help formulate the theory of Arab nationalism. OCLC: 780178860.; Özege 2.
4 vols., roy. 8vo., Revised Edition, Large Paper, on English hand-made paper; original coloured buckram (respectively blue, yellow, red, green), upper boards and backstrips lettered in gilt, gilt tops, uncut, backstrips very lightly sunned and dust-soiled (but all gilt entirely legible), a very good, bright, clean set. EDITION LIMITED TO 200 COPIES OF EACH VOLUME SIGNED AND NUMBERED BY THE AUTHOR (THESE COPIES NUMBERED RESPECTIVELY 152, 69, 51, 135). IN THE SECOND VOLUME WILLIAMSON HAS SIGNED AND NUMBERED IN GREEN INK. Williamson's first published work, 'The Beautiful Years' is the first of four in which he tells the story of 'one human unit of Europe immediately before and after the war'. The four titles are 'The Beautiful Years', 'Dandelion Days', 'The Dream of Fair Women' and 'The Pathway'. They were to be subtitled 'A Tale of Childhood', 'A Tale of Boyhood', 'A Tale of Youth' and 'A Tale of Life' through in the event only the first of these was used. The four books were first published respectively in 1921, 1922, 1924 and 1928; the tetralogy was first issued in a single volume in 1936. The present texts are as follows: first volume (second text, revised), second volume (second text, rewritten), third volume (second text, revised), fourth volume (second text, revised). Regarding the first volume, Matthews states that 'some advance review copies have an error on p.62…corrected in the published edition'. This error is present here, but Matthews makes no mention of the fact. EXTREMELY SCARCE AS A SET IN THE LIMITED EDITION. Matthews, A1 1929a(ii), A3 1930a(ii), A5 1931a(ii), and A9 1931b.
Very Good Turkish Original illustrated wrappers. Lithograph. Name and inscription on cover. A very good set. Roy. 8vo. (24 x 17 cm). In Turkish (Modern). 4 books set: (8 p.; 8 p.; 8 p.; 8 p.), richly color ills. Probably all books of the set published in 1964 altogether. First and only edition of this extremely rare set published for propaganda on "an ideal women's image" in the Republican Turkey period after the 1960 Coup d'Etat. In addition to the early period posters and brochures printed for the purpose of propaganda for women to join the defense ranks during the War of Independence, (1919-1922), the Ministry of Education continued to publish books to determine the social roles of Turkish women after the proclamation of the Republic. In the Republican era, the propaganda style on women was carried out with such books titled "How to raise children, How to be a good housewife, etc.". This set is one of the book sets including four books titled i.e. Children of Fatma, Birth preparation of Fatma, When Fatma's child was born, and How Fatma feeds her child. "Fatma" character symbolizes in this book series the idealized Turkish woman according to the social norms of that period. Not in OCLC., Not in the Turkish National Library.
Very Good Turkish, Ottoman (1500-1928) Paperback. Tear on back cover. Demy 8vo. (22 x 14 cm). In Ottoman script. 23 p., 21 unnumbered b/w ills. [OTTOMAN BROCHURE of NAUMANN SEWING MACHINE] Numan (Nevman) fabrikasinin bilumum familyalar ve terziler için mühteziz mekikli V. S. namina yeni usûl mükemmel dikis makinesinin tarifâtini mübeyyin talimâtidir: Taklid olmiyan asil V. S. Numan (Nevman) dikis makineleri üzerinde bâlade gösterilen madalya resmi bulunacaktir. An illustrated instruction booklet for use of Naumann sewing machine in Ottoman Turkish. Not in OCLC. Not in Özege. Extremely rare.
Very Good English Original pictorial wrappers. Foolscap 8vo. (18 x 12 cm). In Ottoman script (Old Turkish with Arabic letters. 82 p. First edition of this original Ottoman novella written by Mehmed Celâl (1863-1912) in the early 20th century, consisting of six chapters and reflecting the ironic complaints of a poet husband about his wife, who is living in an unhappy marriage as the main subject of the book. On the cover image, there is a wit of a woman holding a flower in her hand reflecting the analogy between a woman and a flower made by the Turkish poet Ahmed Rasim (1864-1932). Mehmed Celâl is one of the well-known writers and poets of the last Ottoman period. He is known for his emotional and dreamy poems and stories. Özege 15307.; OCLC 45120692, 634949114, 67122665, 1030750506.
116p. 8vo. Original color photograph spiral binding. Soft covers. Very good condition. Quite a nice copy of a scarce church cookbook. ** PRICE JUST REDUCED!! COOK 1
pp. viii, 700, (4) [Publisher's advertisement] + Nine engraved plates (foxed). 8vo. Original full leather binding, boards almost detached. Frederick Augustus, Duke of York and Albany (1763-1827), was the second son of George III and Queen Charlotte. His career at court, in the House of Lords, and in the military makes fascinating reading, but it is a great controversy and scandal that most concerns us here. He had become entangled with a handsome adventuress, Mary Anne Clarke (1776-1852). The precise facts of Mary's early love life and adventures are open to speculation. It is certain that in 1803, under the name of Mrs. Clarke, she took a great house in Gloucester Place and began to entertain sumptuously, and that rumor from the first coupled her name with that of the Duke of York. She rushed into the wildest extravagances; she kept ten horses and twenty servants, including three men professed as 'cooks'; she ate off the plate which had belonged to the Duc de Berri, and her wineglasses cost two guineas each. The Duke of York had promised her 1,000 L a month, but it was very irregularly paid. She was soon much pressed by creditors, and there is no doubt that in order to get money she promised to use her influence with the Duke of York. The Duke was at that time commander-in-chief, and had enormous patronage at his disposal, and as he was known to be an easy-going man, it was believed by those about her that he would do whatever she wished. For the promise of her influence she received various sums of money, especially from officers in the army, and the matter came public knowledge at last. The man who brought up the question in the House of Commons in 1809, Colonel Gwillym Lloyd Wardle, was probably no better than herself. He brought eight charges against the Duke for wrong use of his military patronage, and won for himself a short season of popularity. But the charges were found not proven against the Duke, though there was no doubt Mrs. Clarke had received money for her influence with him, and her beauty and courage, and even the sauciness with which she stood her long examination at the bar of the House, won her many admirers. The result of the investigation was that the Duke resigned his post of commander-in-chief, to which, however, he returned in two years, and that he broke off his connection with Mrs. Clarke. This scandalous case raised a cloud of pamphlets, some of which are very amusing, and most of them full of falsehoods. Later in 1809 Colonel Wardle prosecuted Mrs. Clarke and two pamphleteers, F. and D. Wright, for libeling him, and after a trial, which did not resound to his credit, the prisoners were all found "not guilty". Mrs. Clarke next proposed to publish the letters she had received from her princely lover. This had to be stopped at all risks, and Sir Herbert Taylor bought up the letters, and offered Mrs. Clarke 7,000 L. down and a pension of 400 L. a year, and for this consideration the printed edition was destroyed, with the exception of one copy deposited at Drummond's bank. Her next publication, "A Letter to the Right Hon. William Fitzgerald," brought her into trouble, and she was condemned in 1813 to nine months' imprisonment for libel. She then settled down and devoted herself to the education of her daughters, who all married well. After 1815 she removed to Paris, where she was still sought after by the numerous admirers of her wit, to listen to her scandals of old days. Especially attentive to her was the Marquis of Londonderry. She died at Boulogne, at 76 years of age. - Paraphrased from the DNB. W141
612 p. + 13 Plates. Foxed. 8vo. Contemporary full leather binding, worn. Early printed bookseller's label: "J.G. Auner. Philadelphia" Dewees was one of a small group of physicians who successfully fought the then overwhelming prejudice against the right of physicians to practice midwifery. He was probably the first American physician ever to deliver a full course of lectures upon the subject. SCARCE. **PRICE JUST REDUCED! MED11
576 p. + Frontis and 5 full page engravings with original tissue guards. Slight offsetting onto title page. Double column. Early manuscript Christmas presentation 'Miss Juliaette Wicker, A Christmas present from her father Dec. 25, 1864. Edges marbled. Ruled in black throughout. Large 8vo. 230 mm. Leather binding, worn. Original leather spine label. Rebacked in leather in an earlier period. Boards fragile. Hardbound. Text very good. PALIB 4