1 400 résultats
1965157435San Francisco: Determined Productions 1965. Vintage wall calendar for the year 1966 composed of twelve calendar sheets illustrated with twelve lithographs held together at the top edge with a metal rod. <br /> <br /> Designed and illustrated by noted fashion artist Betty Brader best known for her work for San Francisco specialty store Joseph Magnin as well as her freelance work for Neiman Marcus in Dallas. <br /> <br /> Bay Area publisher Determined Productions was founded by Connie Boucher in 1961 largely creating licensed products-including some of the first Peanuts merchandise. The company quickly expanded producing books and ephemera on a variety of topics including astrology the occult and alcohol. With a vibrant feminist overtone the calendar on offer here features illustrations of women from around the world posed in bright and nationally specific garments with text focusing on the way language is often used to discriminate against women. <br /> <br /> Not found in OCLC.<br /> <br /> Housed in the original pictorial paper tube. 19 x 14 inches rolled as issued. Calendar sheets Fine. Paper tube Near Fine with light wear at the right end of the tube. Determined Productions unknown
191168600New York: Mother Earth Publishing Association 1911. Third edition Second revised edition on title page. Hardcover. Good. SIGNED. 277pp. plus 8pp. of publisher's advertisements at the rear. Duodecimo 19 cm Beige cloth over boards with a black ink stamped title on the backstrip and front board and black ink stamped single-ruled borders on the front board. Reproduced photographic frontispiece portrait of the author by T. Kajiwara. Prominent toning to the spine and a large section of the rear board. Cloth a bit frayed at the edges with the underlying boards at times peeking through. Endpapers split along the hinges. Text block cracked at the title page. Name in pencil on the title page. Very occasional brief markings mostly in the form of hatching in pencil and colored pencil. With two newspaper clippings pertaining to Emma Goldman "Red Emma" laid in. A classic of radical literature. Third edition printed on front cover. Emma Goldman was once viewed as "the most dangerous woman in America" and was a thinker so far ahead of her time that even today her views seem strikingly revolutionary. This collection of essays is a magnificent introduction to her thoughts: ranging from her views on women's suffrage and emancipation patriotism's menace to liberty the psychology of political violence the prison system "a social crime and failure" the hypocrisy of Puritanism and the strategies of dissent. These writings all reflect her fearless joyousness her radical dedication to the idea that life is meant to be a source of delight- and that avoiding the meaningless grind of everyday life must be achieved in any way possible.<br /> <br /> This copy is inscribed not to a specific person by Emma Goldman on the front free endpaper: "Emma Goldman / Portland August / 1916."<br /> <br /> Emma Goldman 1869-1940 was born in Kovno now Kaunas Lithuania. She grew up in what is now Kaliningrad Russia and in St. Petersburg. Her formal education was limited but she read widely and in St. Petersburg became involved with a radical student circle. She immigrated to the United States in 1885 first settling in Rochester New York then in New Haven Connecticut where she worked in clothing factories and came into contact with socialist and anarchist groups. Subsequently she moved to New York City where in 1893 she was jailed for inciting a riot when a group of unemployed workers reacted to a fiery speech she had delivered. In 1895 upon her release Goldman began lecturing throughout Europe and the United States and later in 1906 Goldman founded Mother Earth a periodical that she edited until its suppression in 1917. Goldman's naturalization as a U.S. citizen was revoked by a legal stratagem in 1908. Two years later she published Anarchism and Other Essays.<br /> <br /> An early edition of Goldman's famous essays signed by the much revered revolutionary activist author just under a year before she was sentenced to two years in prison for her opposition to the U.S. involvement in World War I and for agitating against mandatory military service. Mother Earth Publishing Association hardcover
192021756Paris DEVAMBEZ 1920 1 Réflexions de René Kerdyk et images par Guy ARNOUX. Paris, Devambez, A l'Enseigne du Masque d'Or, 1920, in-4, cartonnage beige orné d'une tête de femme coiffée à la garçonne avec pattes effilées sur les joues, 10 planches et 10 pages.
199732927Montréal Éditions Louis Lacerte et Atelier-Galerie A. Piroir 1997 In-4 illustré, n.p., 6 cahiers : 3 de textes et 3 pour les 12 gravures (25 x 25 cm)
1949es349Gallimard Les Cartonnages NRF, Cartonnage NRF, Sélection Le Seanachi, Sélection Abraxas-libris Reliure d'éditeur 1949 Deux volumes in-8 soleil, Editions originales, cartonnages décorés de l'éditeur d'après une maquette de Prassinos, 395 et 577 pp., 1 des 2050 sur Alfama ; habituelles rousseurs sur les tranches, les 5 premières et les 5 dernières pages de chaque volume, une plissure sur les 10 premières pages du 2° vol., cartonnages en très bel état, bel exemplaire de cet ouvrage fondateur du féminisme. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
19715021971 - broché - Editions La Nouvelle Société - Collection Olympa - 1971 - In-8 (18 x 11 cm) broché - 103 pages - Traduction de Emmanuelle de LESSEPS - Présentation de Christiane ROCHEFORT - S.C.U.M : Society for Cutting Up Men (Société pour émasculer les hommes), le titre original de l'ouvrage étant "SCUM Manifesto" - Ouvrage sous titré "Le premier manifeste de la libération des femmes" - A PROPOS : Pamphlet radical et provocateur qui appelle à l'élimination des hommes pour établir une société matriarcale. Écrit dans un style satirique et agressif, l'ouvrage dénonce le patriarcat, le capitalisme et la société de consommation, tout en proposant une vision utopique basée sur l'automatisation et la suprématie féminine. Bien que souvent associé à la tentative d'assassinat de l'artiste Andy Warhol par l'auteure, le texte reste une référence majeure du féminisme radical et de la littérature underground des années 60
1931171801931 Paris, André Dantan imprimeur, 1931, in-folio, en feuilles, sous couverture rouge rempliée, titre imprimé en noir;
196022839Monaco CLUB INTERNATIONAL BIBLIOPHIL. 1960 1 Illustrations de Léonor Fini gravées à l'eau forte. Monaco, 1960, Club International de Bibliophilie, Jaspard, Polus & Cie, in-4, en feuilles, sous couverture rempliée illustrée d'une eau-forte en couleur, sous étui cartonné toilé brun, titré sur le dos, 156 pages.
196019935Monaco CLUB INTERNATIONAL BIBLIOPHIL. 1960 1 Illustrations de Léonor FINI gravées à l'eau forte. Monaco, 1960, Club International de Bibliophilie, Jaspard, Polus & Cie, in-4, en feuilles, sous couverture rempliée illustrée d'une eau-forte en couleur, sous étui cartonné toilé brun, titré sur le dos, 156 pages.
19299369Paris Cent femmes amies des livres 1929
192719767Paris A LA CITE DES LIVRES 1927 1 Lithographies en couleurs de Marcel Vertès. Paris, A La Cité des Livres, 1927, in-4, sous chemise et étui cartonnés marbré orange, 278 pages, en feuillets.
196226064Paris, Gallimard 1962 In-8 broché, couverture imprimée sous jaquette illustrée d'un portrait de Picasso repris en frontispice, 278 pp., 4 planches de photos hors texte, reproductions de lettres dans le texte, en partie non coupé.
1939153491939. Feminism and Women's Rights Hilda Martindale. Autograph Letter Signed. Dated April 24 1939. 1 page. 7 x 4.5 in. Black ink on light blue paper. In her hand Martindale writes in thanks of a friend's encouragement and sends a copy of her recent work. In full: "Here is my book. You were so encouraging about it that I hope you will accept this copy. The review have been good but the sales bad! Perhaps you would tell people about it" Martindale was an important advocate for women's employment rights in her day; she made history as one of the first woman factory inspectors in Victorian England and rose to become the Deputy Chief of her department. In 1938 she published a book on the history of women civil servants likely the book she references in the letter and upon her death her estate established a foundation dedicated to assisting British women working in male-dominated fields. Very good. unknown
1974106950Paris Pierre Horay, coll. « Femmes en mouvement » 1974 1 vol. broché in-8, broché, couverture illustrée à rabats, 274 pp. Édition originale sans grand papier de cet essai dans lequel apparaît pour la première fois le terme d’ « écoféminisme » ; courant philosophique et politique qui souligne que la destruction de l’environnement et l'oppression des femmes reposent sur un même système capitaliste patriarcal de violence et de domination. Exemplaire enrichi d’un envoi autographe signé de la femme de lettres à Nathalie Sarraute, "en témoignage continu d'admiration et de profond respect".
1974106950Paris Pierre Horay, coll. « Femmes en mouvement » 1974 1 vol. broché in-8, broché, couverture illustrée à rabats, 274 pp. Édition originale sans grand papier de cet essai dans lequel apparaît pour la première fois le terme d’ « écoféminisme » ; courant philosophique et politique qui souligne que la destruction de l’environnement et l'oppression des femmes reposent sur un même système capitaliste patriarcal de violence et de domination. Exemplaire enrichi d’un envoi autographe signé de la femme de lettres à Nathalie Sarraute, "en témoignage continu d'admiration et de profond respect".
1967393461967 In-8 (192 x 125 mm), demi-chagrin noir à grains écrasés à grands coins, dos lisse, auteur et titre dorés, couverture et dos conservés, tête dorée, 251 pages, exemplaire non rogné, témoins conservés. Paris, Gallimard, 1967 (Lagny sur Marne, Emmanuel Grévin et fils, décembre 1967).
1986106981Paris Encre 1986 1 vol. broché in-8, broché, 365 pp. Édition originale agrémentée d'un long envoi autographe signé de la femme de lettres daté du 24 novembre 1986. "A vous, chère Nathalie Sarraute, que je proclame ici la plus magistrale des trois grandes écrivaines françaises du XXè siècle, cette histoire d' "Une femme nommée Castor" qui n'a pas été toujours juste avec vous et qui pourtant fut grande, avec ses faiblesses et ses contradictions, votre très fidèle et très humble admiratrice et amie". L'exemplaire est truffé d'une page de faux titre abîmée du "Sang des Autres" avec un envoi de Beauvoir à Sarraute (importante déchirure atteignant la dédicace en bordure). On joint aussi un feuillet tapuscrit in-4 présentant l'index des noms des écrivains cités dans l'ouvrage dont Nathalie Sarraute.
1986106981Paris Encre 1986 1 vol. broché in-8, broché, 365 pp. Édition originale agrémentée d'un long envoi autographe signé de la femme de lettres daté du 24 novembre 1986. "A vous, chère Nathalie Sarraute, que je proclame ici la plus magistrale des trois grandes écrivaines françaises du XXè siècle, cette histoire d' "Une femme nommée Castor" qui n'a pas été toujours juste avec vous et qui pourtant fut grande, avec ses faiblesses et ses contradictions, votre très fidèle et très humble admiratrice et amie". L'exemplaire est truffé d'une page de faux titre abîmée du "Sang des Autres" avec un envoi de Beauvoir à Sarraute (importante déchirure atteignant la dédicace en bordure). On joint aussi un feuillet tapuscrit in-4 présentant l'index des noms des écrivains cités dans l'ouvrage dont Nathalie Sarraute.
1972207652Chicago: Chicago Women's Graphic Collective 1972. A few surface wrinkles from having been rolled; bright and without tears. Silkscreened poster 23-1/2 x. 17-3/8 in. printed in blue green and purple on brown paper. A bold poster depicting a faceless woman holding a rifle and with a baby on her back next which appear nine lines of verse by the Japanese poet Akiko Yosano. This is variant state of the print without the imprint of the CWGU. A later offset litho edition was also produced. Chicago Women's Graphic Collective unknown
193088437Boston: Christopher Publishing House 1930. First Edition. First printing. Octavo 19.5cm. Publishers blue cloth; gilt spine and cover titles; dustjacket; 208pp. Tight clean and unmarked with some mild darkening to endpapers; Near Fine. In the original printed dustwrapper priced $2.00 on spine panel; gently rubbed and worn with shallow losses at head at foot of spine panel and a small 1/4" chip to rear panel; Very Good. <br /> <br /> Future utopia set in the year 1950 in which the women of the world go on strike against matrimony using abstinence as a lever to take control of world government and eliminate war. The theme of "lysistratic nonaction" i.e. the "sex strike" is a recurring one in Progressive Era utopias appearing for example in George Noyes Miller's The Strike of A Sex 1891; Begum Rokeya's Sultana's Dream 1908 and less directly in Charlotte Perkins Gilman's Herland 1915. In the current iteration written by a Missouri Methodist minister and issued by a religious publishing house the sexual implications of "non-matrimony" are left more or less to the reader's imagination. What the author does not shy away from is the validity and importance of women's recently-won political influence: "Feeling a real humiliation in the messed-up condition of world affairs brought about by my own sex I share the faith expressed by Mrs. J. Borden Harriman.that 'women may yet find some way to lead the race away from self-destruction'.and with Carrie Chapman Catt.that it is 'the task of women to demilitarize the minds of the world'" from the author's Preface. A somewhat uncommon and generally unrecognized feminist utopia rarely seen in dustwrapper; this a very clean copy. HANNA 407. SARGENT p.96. LEWIS Utopian Literature p.24. Christopher Publishing House unknown
1978220741978. Gay Community News a major grassroots LGBTQ newspaper published in Boston between 1973 and 1992 documenting lesbian and gay political activism feminist organizing anti-racist solidarity movements and state surveillance during the post-Stonewall era. Produced collectively and distributed nationally through activist and community networks the publication served as one of the most influential independent queer newspapers in the United States during the late 1970s and early 1980s. The archive reflects LGBTQ political and cultural expression within the underground press illustrating how queer activists responded to institutional discrimination media hostility police violence and internal community debates through journalism photography and movement reporting. The issues preserve contemporary coverage of major developments including the White Night Riots anti-lesbian military investigations attacks on queer institutions and lesbian visibility in sports and public life providing important evidence of the political priorities and cultural language of LGBTQ activism before the AIDS crisis transformed queer organizing in the United States.<br /> <br /> Gay Community News. Boston Massachusetts 1978-1981. Five tabloid-format newspaper issues printed on newsprint each approximately 16-24 pages and illustrated throughout with black-and-white photography activist graphics and bold typographic layouts. 1 Gay Community News. Vol. 5 No. 48. Boston: June 17 1978. Includes a Lesbian & Gay Pride Calendar coverage of the expulsion of two gay seminarians from a Methodist institution reporting on tax-exempt status controversies affecting queer organizations and continuation of a fire safety project focused on LGBTQ households. Front cover features a pride march photograph prominently displaying a "Women Unite" banner. 2 Gay Community News. Vol. 6 No. 8. Boston: September 16 1978. Documents the fifth break-in and ransacking of the newspaper's offices that year alongside reporting on Anita Bryant's canceled Boston appearances and a feature discussing the poetry of Adrienne Rich. 3 Gay Community News. Vol. 6 No. 44. Boston: June 2 1979. Covers the White Night Riots in San Francisco following Dan White's manslaughter conviction in the killings of Harvey Milk and George Moscone accompanied by front-page protest photographs outside City Hall. Additional articles address the Thorpe trial and legal challenges to anti-gay legislation in Oklahoma. 4 Gay Community News. Vol. 7 No. 48. Boston: June 28 1980. Reports on anti-lesbian investigations within the U.S. Navy under the headline "Women Undergo Psychological Testing in Navy's Lesbian 'Witchhunt'" while also covering discrimination cases involving Black lesbians in Chicago and aid efforts supporting Cuban refugees. 5 Gay Community News. Vol. 8 No. 42. Boston: May 16 1981. Features extensive coverage of Billie Jean King's public outing and the media response under the headline "Yes There Are Lesbians in Tennis" alongside articles on Latin American gay activism antiwar protest movements and women participating in the Boston Marathon.<br /> <br /> The archive captures a critical period in LGBTQ history marked by expanding queer political visibility alongside escalating backlash from religious institutions employers law enforcement and government agencies. Gay Community News distinguished itself from commercial gay publications through its sustained emphasis on feminism anti-racism labor activism antiwar politics and coalition-building across social movements. Coverage of the White Night Riots military anti-lesbian purges attacks on queer institutions and lesbian representation in public culture demonstrates the newspaper's role as both activist platform and documentary record of late twentieth-century LGBTQ organizing. Edge wear creasing moderate toning and occasional closed tears consistent with the fragility of newsprint; interiors remain generally clean and legible throughout. Overall good to very good condition. An important archive of underground queer journalism documenting political struggle lesbian feminist activism and community self-representation during the post-Stonewall decade. unknown
195621855Paris, René Juillard, 1956 ; in-8, broché, non rogné ; 189 pp., couverture blanche teintée à rabats.
19711056231971 Paris, Olympia, 1971, 110x180, 103 (8) pp., broché sous couverture photographique.
192316834Paris 1923 1 Affichette P.L.V. signée et datée dans la planche, pochoir en couleur cartonné, Paris, 1923, 29,6 x 39,7 cm.
19319766London: Jonathan Cape 1931. First edition. 8vo 158pp. Signed in full by Mitchison on the ffep. Publisher's patterned cloth boards spine lettered in red. Former owner's bookplate to ffep spine toned. Very good. <br /> <br /> Early collaborative play co-written by socialist novelist and feminist thinker Naomi Mitchison and Lewis Gielgud writer and humanitarian worker. Set amid revolutionary tensions the play follows characters forced to choose between loyalty love and ideology where "freedom" comes at the expense of personal compromise and strained relationships. Mitchison's influence brings a notable emphasis on women as active participants in political life rather than bystanders and reflects her ongoing engagement with questions of political freedom socialism and gender. The book itself is unaccountably scarce in the trade and represents an early dramatic work from Mitchison written during her most politically engaged period. Jonathan Cape unknown
