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201600395Bermarswiller, I D. L'édition, 2010 ; in-8, 244 pp., br.
201209412Bermarswiller, I D. L'édition, 2010 ; in-8, 244 pp., br. Broché comme neuf exemplaire dédicacé de l'auteur.
L4139Westport, Connecticut. Greenwood Press, 1999. In-8 cartonnage éditeur. Eva Martin Sartori, Editor-in-Chief. Diverses contributions pour cette Encyclopédie de la littérature féminine française du Moyen Âge au XX e. siècle. En anglais. E.O.
10955Dijon, EUD, 1985, in 8° broché, VI-263p pages ; jaquette illustrée en couleurs.
197932004Berlin 1979. First Edition. Original photo-montaged advertisement poster 83.5x58.75cm. printed offset in black and yellow on glossy white stock; previous mail folds general wrinkling most heavily along right-hand edge else About Very Good and sound. Advertising poster for the German feminist magazine Courage the image presumably reproducing the cover of the current issue. Contents feature articles on women in the military the feminist movement in Spain and the letters of Sylvia Plath. At bottom of image: "Jedefrau Braucht Courage / Ab sofort im Handel" Every woman needs courage from now on in work. Quite a large poster presumably issued to be displayed at the newsagent. unknown
1974003028Monterey California: National Organization for Women 1974. Single sided printed poster approximately 445mm x 630mm in size. Creased very slightly browned couple of pin holes to top corners small scuff to foot otherwise quite bright and clean. Produced by J. Johnson P.M. Leeper and J.N. Mercier for the Monterey Peninsula group of the National Organization for Women. First Edition. Unbound. Good. Atlas Folio. Poster. National Organization for Women Paperback
022563Vienna/Wien: Austria Tabak/Die Damen presumed Publishers. Spiral Bound. Very Good. Folio. ca 1990. Spiral bound 19 ½ by 20 ½ inches. 15 glossy sheets and cardboard backing. A conceptual art piece created by Die Damen and commissioned by the Austrian tobacco company Austria Tabak. Die Damen was a feminist art collective founded in 1987 by ONA B Evelyne Egerer Birgit Jürgenssen and Ingeborg Strobl. Their work consisted mostly of performances and staged pieces that highlighted gender stereotypes and roles exaggerating their sexuality through costumes/clothing that were associated with gender stereotypes. Most of their work was based on performance or action thus little paper artwork was produced. As the Generali Foundation website states better than we can: "Their themes were seemingly banal but in reality subversive. Taking an ironic perspective they exaggerated the predominant clichés pertaining to gender roles. . Body language and gestures as well as the design and styling of outfits and accessories were the important forms of impression in these actions. DIE DAMEN usually performed wearing identical costumes. They always emphasized their feminine sexuality by using various clichés such as classic business dress or kitchen aprons thus presenting a socially critical view of the passive roles traditionally apportioned to women. . DIE DAMEN also addressed everyday domestic scenes at home and the tough reality of down-trodden housewives. With their staged parodies and caustic humor they reflected back the male gaze and also supremely demonstrated the "cool" distance typical of the 1980s." This calendar was commissioned by Austria Tabak creating a subversive look at advertising and women depicted in advertising. Rather than portray glamourous scenes of smoking and cigarettes DIE DAMEN subtly displayed evidence of smoking or cigarettes among scenes of housework and everyday activities. VERY GOOD condition. Minor bumping and curling at the corners. Austria Tabak/Die Damen, presumed Publishers unknown
022565Detroit: Detroit Chapter of N.O.W. Publisher. Tabloid. Good. no date presumed 1968 based on dates in the paper. Tabloid newspaper format a single sheet folded into 4 pages. With a few illustrations. Perhaps a one off sort of underground press publication issued by the Detroit chapter of the National Organization of Women. According to the editorial on the front the South End a paper published at Wayne State University published an article on women and issues facing them in American society but spent most of the article discussing women's sex live and their relationships to family and embraced and perpetuated stereotypes as well. Thus the Detroit NOW published this rebuttal paper including essays and letters highlighting the vast inequality in America between men and women. NOW is a feminist organization working for women's rights and equality. It was founded in 1966. GOOD condition. Paper very brittle with many tears along the extremities. Horizontal fold crease present. Moderate toning. Some creasing and wrinkling. Detroit Chapter of N.O.W., Publisher unknown
1972207652Chicago: Chicago Women's Graphic Collective 1972. A few surface wrinkles from having been rolled; bright and without tears. Silkscreened poster 23-1/2 x. 17-3/8 in. printed in blue green and purple on brown paper. A bold poster depicting a faceless woman holding a rifle and with a baby on her back next which appear nine lines of verse by the Japanese poet Akiko Yosano. This is variant state of the print without the imprint of the CWGU. A later offset litho edition was also produced. Chicago Women's Graphic Collective unknown
198583357Adelaide: Research Centre for Women's Studies University of Adelaide to Number 22; Carfax numbers 23-45; and Routledge numbers 46-51 1985. First Edition. Paperback. Very Good. Adelaide Research Centre for Women's Studies University of Adelaide to Number 22; Carfax numbers 23-45; and Routledge numbers 46-51 1985 to 2006. Octavo to Number 22 and large octavo the rest 49 issues in total Number 7/8 is a double issue. Original card covers; in excellent condition. At the time the journal was published bi- or triannually. 49 items. Research Centre for Women's Studies, University of Adelaide (to Number 22); Carfax (numbers 23-45); and Routledge (numbers 46-51 paperback
19319766London: Jonathan Cape 1931. First edition. 8vo 158pp. Signed in full by Mitchison on the ffep. Publisher's patterned cloth boards spine lettered in red. Former owner's bookplate to ffep spine toned. Very good. <br /> <br /> Early collaborative play co-written by socialist novelist and feminist thinker Naomi Mitchison and Lewis Gielgud writer and humanitarian worker. Set amid revolutionary tensions the play follows characters forced to choose between loyalty love and ideology where "freedom" comes at the expense of personal compromise and strained relationships. Mitchison's influence brings a notable emphasis on women as active participants in political life rather than bystanders and reflects her ongoing engagement with questions of political freedom socialism and gender. The book itself is unaccountably scarce in the trade and represents an early dramatic work from Mitchison written during her most politically engaged period. Jonathan Cape unknown
21728Lyon, Presses Universitaires de Lyon, 1983, grand in 8° broché, 412 pages ; couvetrure illustrée en couleurs.
29392P., Baudinière (Bibliothèque du Lettré), sans date, in 12 broché, 253pp. ; couverture fanée, dos abimé.
1987F53Paris, Gallimard, 1987. In-4, sans faux-titre, 137[dont le titre]-(1) pp.-(3) ff.(dont table des illustrations/dépôt légal], bradel toile gris pâle, dos lisse orné du titre doré, répété, avec initiale dorée, sur le plat supérieur, jaquette illustrée (reliure de l’éditeur ; bel exemplaire). S’agissant de Sollers, le texte ne peut être que sulfureux. Il nous apprend que « Frago » « peindrai(t) avec (s)on cul » (p.22), que, marié à quarante ans, il vécut avec sa femme et sa jeune belle-sœur, « dans une atmosphère d’inceste minutieusement sublimé » (p.34).
1032Affiche sérigraphie sur papier fort. Dim: 35,5 x 56,3 cm. Sans date (ca.1975).
1032Affiche sérigraphie sur papier fort. Dim: 35,5 x 56,3 cm. Sans date (ca.1975).
11915Editions Kra. 1929. In-8° br. 296 pp. Mention de 11e édition.
ORD-16677Revue Larousse. Paris. 28 novembre 1896. Petit in-f° (250 x 328mm) broché, couverture imprimée en rouge et vert, 4ff. dont la Chronique Universelle et pages 825 - 916 pour les Femmes et les Féministes. Les Hommes féministes par Maria Chéliga. La Femme nouvelle par Jules Bois. La Femme moderne par elle-même avec de nombreux portraits de femmes avec souvent leurs signatures et textes autographes, une grande page pour Gyp. Femmes de l'Inde. La Femme musulmane. La Femme marocaine.. La Française devant la Loi. Le Travail des femmes, avec de nombreux dessins. L'Évolution du Féminisme. Couverture un peu poussiéreuse et insolée, petits défauts, exemplaire en état moyen.
11916Genève-Paris. Editions Slatkine. 1986. In8°, reliure similicuir. XVI + 159 pp.
42068P., Fédération Nationale Catholique, 1929, in 12 broché, 143 pages.
In-12, plein veau brun de l'époque, dos à 5 nerfs orné de caissons fleuronnés et cloisonnés, (4), xxiij, 270, (5) p. de privilège et errata, vignette de titre au monogramme de l'éditeur. Edition originale. Mme Galien de Château-Thierry (1709-1756), dont l’histoire n’a pas transmis le prénom, composa cet essai à l’occasion d’une discussion de salon sur Madeleine de Scudéry les "femmes savantes" et en réponse à l’affirmation d’un convive selon lequel "toutes les femmes qui se mêlaient d’écrire étaient des folles qui voulaient s’arroger un mérite au-dessus de leur état, qui ne demande d’elles que de sçavoir coudre & filer" (p. v-vi). Dans la préface composée sous forme d’une lettre de 24 pages, Mme Galien analyse le parcours à accomplir pour accéder au statut "d’auteur" à part entière ("je suis auteur", p. IV), comme femme et dans la société de son temps. L’ouvrage est terminé par une "Réponse à la Lettre qui sert de préface à cet ouvrage" (p.263-270), vraisemblablement due à Jean-Louis-Ignace de La Serre, censeur royal qui signe l’approbation. Mme Galien "formule [ici] des revendications féministes au sens strict" (M. Angenot, 'Les champions des femmes', p. 78). Cf. Kathleen Loysen, "Mme Galien and the Status of Women’s Authorship…", in 'The Romanic Review', 103, n°3-4, 2012. (Gay, I, 245. INED, 1950). Notes manuscrites à l’époque au recto et verso de la première garde blanche, se poursuivant de quelques lignes sur le titre. Mors et coins légèrement frottés.
39245In-8 (175 x 110 mm), cartonnage à la Bradel moderne, dos lisse, pièce de titre de maroquin lavallière, (2), 73, (1) pages, frontispice gravé. S. l. [avril], 1788.
1993874821993 Paris, de Fallois, 1993, in 8° broché, 234 pages ; couverture illustrée.
39450In-12 (182 x 120 mm), broché, couverture de papier gris d'attente d'origine, 148, (4) pages. Philadelphie [Paris], Philarethe, 1785.
1991170896San Rafael CA: Falkirk Cultural Center 1991. First Edition. Softcover. First Edition. Published in conjunction with an exhibition held from May 16 through August 25 1991 at the Falkirk Cultural Center in San Rafael. <br /> <br /> Near Fine in side-stapled wrappers. Falkirk Cultural Center unknown