DEVRIM ERBIL, (1937-).MareMagnum
3 500 résultats
New Turkish Original bdg. HC. 4to. (30 x 22 cm). In Turkish. 146 p., color ills. ISBN 1235423658346. Devrim Erbil için siir poem-prose ve denemeler. Edited by Gülseli Inal.
New Turkish Original bdg. HC. 4to. (30 x 25 cm). In Turkish. 24 p., color ills. Istanbul: Siirsel bir yorum. Text by Abdülkadir Günyaz.
Fine English Paperback. Pbo. 4to. (29 x 23 cm). In English and Turkish. Color and b/w ills. 175 p. Contents: Defter Müzesi için / Sketchbook Museum, Enis Batur.; Sanatçi Defterleri / Artists' Sketchbooks, Mehmet Ergüven.; Hoca Ali Riza ve Defterleri / Hoca Ali Riza and Sketcbooks, Canan Baykal.; Defterin çekimine kapilmak bu: Defter Hazzi / This is the crime of succumbing to the attraction of a sketchbook: Sketchbook Pleasure, Mehmet Güleryüz. Katalog / Catalogue.
New New Italian Original bdg. Dust wrapper. 4to. (30 x 22,5 cm). In Italian and Turkish. 255 p., color ills. "Looking eastward: the world of Islam in Italian graphic arts from the Neoclassic period to the early twentieth century", exhibition catalogue of an exhibition held at the Italian Cultural Institute of Istanbul.
New English Paperback. Folio. (34 x 23 cm). In English and Turkish. 228, [27] p., biographies, color and b/w ills. 1950-2000 The Central Bank of the <republic of Turkey Collection of Turkish modern art.= 1950-2000 Türkiye Cumhuriyeti Merkez Bankasi Çagdas Türk Sanati Koleksiyonu.
New New English Original bdg. Dust wrapper. 4to. (29 x 24 cm). In English and Turkish. 201 p., color ills., folding plt. The Huma Kabakci Turkish Art Collection, 1950-2008.= Huma Kabakci Türk Sanati Koleksiyonu.
New English Paperback. 4to. (30 x 24 cm). In English. 285 p. Color and b/w ills. "This unique collection takes a fresh look at Orientalism by shifting its center from Europe to Ottoman Istanbul and thinking about art in terms of exchange, reciprocity, and comparative imperialisms. This new lens reveals the essential role of the Ottoman city and its patrons and artists in the dialogues that facilitated production, circulation, and consumption of British Orientalist cultures. In this volume, art works are conceptualized as traveling artifacts produced through localized interactions. World renowned scholars and curators analyze the diverse audiences for such art works and the range of differing contexts for their reception both in the 19th century and more recently. In this way, British art is put into a dynamic relationship with an historicized understanding of cultures of collecting and display during the formation of comparative modernities and also with the contemporary postcolonial creation of new national models of exhibition and education. Featuring stunning visuals, this book puts art history in the context of cultural, visual, and literary studies, challenging the orthodoxies of postcolonial theory with the materiality of multiple imperialisms and modernities to offer a new take on the collection, display, and consumption of Orientalist cultures.".
New English Paperback. Pbo. 4to. (30 x 21 cm). In English and Turkish. 227 p. Turkish naval officer painters.= Türk deniz subayi ressamlari.
New English Paperback. 4to. (27 x 24 cm). In English and Turkish. 207 p., color and b/w ills. Avni Lifij: The modern of his time.= Avni Lifij: Çaginin yenisi. Edited by Erman Ata Uncu. Texts by Ferit Edgü, Zafer Toprak, Ahmet Kamil Gören, Ömer Faruk Serifoglu. [Exhibition catalogue]. Sabanci University Sakip Sabanci Museum (SSM), hosts the exhibition Avni Lifij. The Modern of His Time, providing a comprehensive insight into the versatile artistic production of Hüseyin Avni Lifij (1886-1927) who occupies a unique position in the history of Turkish painting. The Avni Lifij. The Modern of His Time exhibition consist of the artist s works covering a wide range of genres such as self-portraits, pochades, landscapes and compositions with figures as well as his articles on politics and culture, art criticism and photographs. Presenting Avni Lifij s artistic personality in a holistic manner to cover all his aspects for the first time in Turkey, the exhibition aims to shed light on the 1914 Generation, to which the artist belonged, and the pioneering role he played in Turkish art history.
This is a very good softcover copy with just light wear. Completely clean inside and out. Binding firm. Text in Spanish. Catalog of the collection of 20th century Spanish paintings in the Museo de Arte Moderno in Mexico City. Illustrated mostly in black & white with some color. Biographies of the artists. 10" high X 8" wide. This book will be securely packed and shipped with tracking.
New New English Original bdg. Dust wrapper. 4to. (29 x 23 cm). Edition in Turkish. 248 p., color ills. Çarsi ressamlari: Osmanli tasvir sanatlari: 2. [= Bazaar painters: Ottoman figurative arts 2]. Edited by Tülün Degirmenci, M. Sabri Koz. Coining the phrase 'bazaar painters' in a 1985 article, Metin And enriched our art history terminology with a new concept as well as offer a glimpse into the world of these artists: how they worked, what they drew, where their works are today and how they contribute to our study of history of art and culture. He continued to promote and popularise their work through books and articles published until 2007, at times repeating earlier content as required. Bazaar painters and their work were not initially identified as a distinctive genre; Franz Taeschner, the first researcher to publish a selection, felt no need to refer to them as anything other than 'miniatures'. Challenging this trend, Metin And set about the immensely difficult task of obtaining pictures of bazaar painting albums from four corners of the globe in order to illustrate a prolific series of essays and books.The second volume of Ottoman Figurative Arts, Bazaar Painters consists of twelve articles published between 1985 and 2007, a comprehensive introduction by Tülün Degirmenci, and a concise album. The pictures and inscriptions Metin And chased enthusiastically all his life are but the echoing footsteps of a book, one that was either never written, or somehow got lost before it could be published.
New New English Original bdg. Dust wrapper. 4to. (29 x 25 cm). In English and Turkish. 163 p., color and b/w ills. Mustafa Aslier. [Catalogue of the artist]. Translated by Nazan Erkmen. 2000 copies were printed.
As New English Paperback. Pbo. Mint. 4to. (26 x 21 cm). In English, French, and Turkish. 123 p., color ills. Naci Kalmukoglu. He was a star.= Il etait une etoile.= O bir yildizdi. [Exhibition catalogue]. Text by I. Halilhan Dostal.
New English Paperback. 4to. (32 x 24 cm). In English and Turkish. 78 p., color and b/w ills. Dogumunun 100. yilinda Saim Özeren [1900-1964] Resim Sergisi. 26 Eylül-26 Ekim 2000. [Exhibition catalogue]. Texts by Amelie Edgü, Levent Çalikoglu. One of 500 copies.
Fine Fine Turkish Original bdg. Dust wrapper. 4to. (28 x 20 cm). In Turkish with an English summary (pp. 131-133), [xii], 144 p., color ills. The story of contemporary Turkish art begins approximately one hundred and fifty year ago, with the westernization movement that changed not only art but political and social life as well in this country. In the mid-19th century, when the Ottoman Empire was adopting European social and political institutions, art too was affected, gaining... Within the context of the Turkish people's odyssey of pictorial art, from its inception to the present day, or in other words the dialectic homogenism of Turkish culture, the attempt to distinguish "traditional vs. modern" compartments, or "painting vs. miniature", will, as emerges from our study to this point, vary according to one's approach to the subject..." Signed and inscribed by author to Turkish art historian Ahmet Kamil Gören.
New Turkish Paperback. Small 4to. (26 x 19 cm) In Turkish. 72 p., ills. Eski evler ve sokaklar: Tezcan Saglam Suluboya Resim Sergisi. 18 Subat - 20 Mart 2020. [Exhibition catalogue].
Málaga, Sala de Exposiciones del Palacio Episcopal, 1999, 28 x 24'5 cm., 300 págs. incluso numerosas láminas a color.
M., Museo Nacional Reina Sofía, 1992, 27'5 x 22 cm., numerosas ilustraciones a color, 293 págs.
Madrid, Blass y Cía., (1911), 24 x 16,5 cm., 16 págs. en papel de hilo y 31 láminas en papel couché.
Sin lugar ni año (¿1956?), 38,5 x 28,5 cm., tela original, una hoja con dedicatoria manuscrita del pintor Fernando Delapuente al crítico de arte francés Paul Guinard + 12 láminas en colores.
Bilbao, Museo de Bellas Artes, 2002, 24'5 x 27 cm., 284 págs. con numerosas ilustraciones y láminas, la mayoría en color, algunas plegadas - 2 hojas.
La Coruña, 2002, 28 x 22 cm., 389 págs. con numerosas ilustraciones en negro y color, muchas de ellas a toda página - 1 h.
New York, Harry N. Abrams, 1950, 33 x 25 cm., tela original, 126 págs. - 50 láminas a todo color.
New York, Harry N. Abrams, 1977, 28 x 30 cm., tela original con sobrecubiertas, 231 págs., incluso ilustraciones y láminas a toda página en negro y color.
M., Sáenz de Jubera Hermanos, s.a. (fines del siglo XIX), 21 x 14’5 cm., tela original, 349 págs. con 81 figuras intercaladas – 5 h.