Curated by ANTONI MUNTADAS.MareMagnum
3 500 résultats
New English Paperback. Large roy. 8vo. (23 x 18 cm). In English, Italian, and Turkish. 163 p., color and b/w photos. In between = Arada = Tra. [Exhbition catalogue]. Prep. by Ayse Orhun Gültekin. Twenty unreadable posters reflecting me that I've affixed at various locations in the city in order to communicate with the street. They were able to last for two days only, stuck between the publicity posters and Istanbul's fast changing pace. While the posters I've affixed on temporary panels or on anonymous walls also lasted for two days average, usually the people whose houses face that direction didn't want to see the posters and reacted. Additionally, these posters were collected by garbagemen the morning after. And the people passing by generally showed interest in the posters and tried to read them while questioning what they mean.
New English Paperback. 4to. (29 x 24 cm). In Turkish and English. 171 p. Color ills. Istanbul Modern presents a new exhibition addressing the relationship between art, nature and technology: Paradise Lost. Curated by Paolo Colombo and Levent Calikoglu, this video and digital media exhibition takes a closer look at contemporary artists' approach to a series of topical subjects pertaining to the forms of using technology, and regarding nature, the animal world, and major ecological changes that have affected the world in recent years. Artists from different generations and backgrounds come together in the exhibition: Doug Aitken, Francis Alÿs, Katerina Athanasopoulou, Jim Campell, Ergin Cavusoglu, DesertMed, Shaun Gladwell, EmreHuner, Nina Katchadourian, Ali Kazma, Laleh Khorramian, Guy Maddin, Rivane Neuenschwander, Ulrike Ottinger, Tony Oursler, Qiu Anxiong, Pipilotti Rist, Charles Sandison, Kiki Smith, Bill Viola, and Pae White.
New Turkish Paperback. Folio. (33 x 24 cm). Edition in Turkish. 190, [2] p., color ills. One of 1000 copies.
Very Good English Paperback. Roy. 8vo. (24 x 17 cm). In English and Turkish. 78 p., b/w ills., 12 b/w plates. A well-known painter Ali Sami Boyar.= Ressam Ali Sami Boyar. A comprehensive and only study on the life of Turkish / Ottoman contemporary painter Ali Sami Boyar, (1880-1967). First Edition.
New English Paperback. Pbo. 4to. (28 x 20 cm). In English and Turkish. [6] ,148 p., color ills. Interactions in art and aesthetics.= Sanatta ve estetikte etkilesimler. Contents: Özyigit, Halil / Çemberlitas Serbest Resim Atölyesi.; Orhan, A. Hande / On'lar Grubu'yla Gelenegin izinde.; Acar, Baris / Sanat Tarihinde Kuramsal Yaklasimlar.; Giray, Meltem / Sydney Opera Binasi.; Gökkaya, Evren Karayel / Modem Türk Resminin Olusumunu Etkileyen Faktörler.; Tetikçi, Ismail / Gelenekten Günümüze Aktarimlar.; Özgöçen, Pelin / Sürrealizm'de Figür-Mekân iliskisi.; Kavas, Kemal Reha / Bir Kuramsal Etkilesim Alani Olarak 'Ekolojik Mimarlik' Söylemi ile Sanat ve Mimarlik Tarihi Yaziciligi Arasindaki iliski.; Ülger, Emir / Schopenhauer ve Wagner Etkilesimi.; Simsek, Serap / Bedri Rahmi Eyüpoglu ve Fransa Yillari (1931-1933).; Çolak, Banu / Sanat - Mekan ve Çagdas Sanat Müzeleri Üzerine.
New English Paperback. 4to. (28 x 20 cm). In English and Turkish. 64 p., color ills. Examples of arts calligraphy, tile, gilding, engraving.= Hat, tezhip, çini, gravür sanatlarindan örnekler. Geleneksel Sanat Evi.
Very Good Turkish Paperback. Large 8vo. (20 x 20 cm). In Turkish. 36 p., color and b/w ills. Printed to 1000 copies. All copies were numbered. This copy is 657: 0657 / 1000. Kaymakam Remzi Bey, 1864-1937. M. Murat Uslu Kolleksiyonundan Kaymakam Remzi Resim Sergisi 1990. [Exhibition catalogue]. Text by Kaya Özsezgin. 27 Kasim - 21 Aralik 1990. Akpinar Sanat Evi, Ankara. [LIMITIED NUMBERED EDITION: 0657/1000].
New English Paperback. 4to. (34 x 24 cm). In Turkish. 260 p., color ills. Komet kitabi. Idi idim idik. Text by Hasan Bülent Kahraman, Ali Akay. 2000 copies were printed. A very heavy volume.
New English Paperback. 4to. (29 x 25 cm). In English and Turkish. 129, [5] p., color ills. Kutlug Ataman's video and film works document the lives of marginalized individuals who explicitly give voice to their own obsessions, their relations with micro and macro power structures and verbalize straightforwardly their subliminal issues or sexuality. "I am not interested in exposing these people and turning them into a show," says Ataman, about his preference of these characters, "I only work with people that I see myself in." Ataman chooses narratives that dangle between reality and fiction in his work, which chiefly retains the documentary style. He questions how individuals manifest their identities through storytelling and how narratives are used to re-fabricate another 'self'. While offering an alternative to the categorizing structure of identity politics by putting the individual at the core, Ataman also interconnects significant issues of contemporary art today, such as historiography, social/individual identity, memory, plurality, myth, game and power. Individuals at the centre of Ataman's works narrate not over an academic, institutionalized and fixed representation of history, but over flexible performances such as personal myth-making, masking and shielding. While verbalizing personal stories, individuals expose the ease of verbal expression and persuasiveness of language. Ataman also shapes the screen layout of his video works into installation / sculpture like forms.
New New English Original bdg. Dust wrapper. 4to. (31 x 24 cm). In English and Turkish. 127, [3] p. B/w ills. Mevlut Akyildiz. Drawings, 1982. Ferah saz nights.= Mevlut Akyildiz. Desenler, 1982. Ferah saz muhabbetleri.
New Turkish Paperback. Large 8vo. (22 x 16 cm). In Turkish. 76 p., ills. Sarkis. Sari punctum. Photos by Cemal Emden. Text by Cem Ileri.
New English Paperback. Large 8vo. (22 x 16 cm). Edition in English. 76 p., ills. Sarkis. Yellow punctum. Photos by Cemal Emden. Text by Cem Ileri. [EDITION in ENGLISH].
New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. 105 p. Color ills. "This exhibition, curated by Edith Devaney, Curator of Contemporary Projects at the Royal Academy of Arts, London, presents a survey of Stephen Chambers' painting and graphic works, shown alongside his vast multi-part print, The Big Country. This selection seeks to explore the origins of The Big Country (2012), demonstrating that its development is firmly rooted in the artist's past practice and deeply indebted to the European tradition of art. The sense of a story being told is a feature of many of Chambers' works, and writings are often a stimulus for this, as seen in Chambers' Flemish Proverbs series, which are also exhibited. Inspired by the landscape and scale of the American Western film The Big Country (1958), Chambers' immense work explores a myriad of fictional encounters between real and imagined historical figures. The notion of the journey and discovery of new lands has here expanded into a depiction of the five continents and the points of departure from one continent to another, raising a fascinating take on the perils and challenges of migration. Stephen Chambers is primarily a painter, however printmaking has always formed a significant part of his work. He has noted in the past that prints produced by artists whose main discipline is not printmaking, can often be the most compelling. For such artists, print-making offers another element of expression and provides an opportunity to experiment, a notion which is borne out in Chambers' finished monumental work.".
New English Paperback. Pbo. Oblong 4to. (23 x 32 cm). In Turkish. [6], 119 p., color ills. Eskizlerden tablolara ressam Sultan Abdülaziz. [Exhibition catalogue]. Curator: Mehmet Lütfi Sen. Sultan Abdulaziz and his paintings and dessins.
As New English Paperback. Pbo. Mint. 4to. (34 x 24 cm). In English and Turkish. 32 p. Color ills. Tayfun Pirselimoglu. Tekerrür. 18 Aralik 2013 - 18 Ocak 2014, Milli Reasürans Sanat Galerisi, Istanbul. [Exhibition catalogue]. Texts by Haydar Ergülen. Translated by Robert Bragner. Curator: Amelie Edgü.
Madrid, Publicación del Patronato Nacional de Museos, 1975, 25,5 x 21,5 cm., tela editorial, 1 h + 1 desplegable+ 46 h. textos + 2 h. lista catálogo + 19 h. desplegables con textos e ilustraciones en negro y color + 12 h.
Málaga, Imprenta Ibérica, 1916, 25 x 17 cm., 22 págs + 1 h. + 18 láminas. (Ejemplar deshojado con la portada rasgada por el margen interno).
M., Dirección General de Bellas Artes, 1960, 24'5 x 17'5 cm., 209 págs. - 8 + CXXXIII láminas - 1 h.
Madrid, Litografía Zugel, 1977, 29 x 23 cm., tela original con sobrecubiertas en colores, 11 hojas con ilustraciones intercaladas + 20 láminas en colores + 1 retrato + 5 hojas.
M., Apligraph, 1982, 28 x 22 cm., cartoné original con sobrecubiertas en colores, láminas en negro y color, 47 hojas.
B., Eikon, 1988, 29,5 x 30,5 cm., tela original con sobrecubiertas, ilustraciones y láminas en negro, 42 hojas sin numerar + 1 lámina plegada en colores.
Paris, Éditions Cercle d'Art, 2001, 25 x 17'5 cm., cartoné original, 125 págs. incluso retrato de Picasso y láminas en negro y color la mayoría a toda página - 2 h. con facsímil de 3 portadas de carnets de Picasso.
Hardcover petit in-4°, 256 pages entièrement illustrées en couleurs, reliure à spirale sous cartonnage illustré. Bel exemplaire. [TX-1]
B., Edic. Sagitario, 1951, 19 x 14 cm., frontis en color - 14 págs. - 32 láminas en papel couché.
New English Paperback. Pbo. 4to. (28 x 23 cm). In Turkish and Italian. [xxv], 125 p. Many folding color plts. [Behçet] Safa. La luce fu su loro leggera.= 1960-1990. Isik vurur üzerlerine hafifçe. 5 Nisan - 5 Mayis 2011 Galeri Tantekin. Translator: Meryem Mine Çilingiroglu. Curated by Jale Durna, Mehmet [Tantekin].