SOLIS Ramon.MareMagnum
SKAPINAKIS, Nikias.Livre Rare Book
Quartos imaginarios. Imaginary Rooms. 2011 - 2013.
104529Scribe 2013, 295x215mm, 163páginas, encadernação de editor. Nova cópia
Bouquinerie du Varis · Russy, Suisse45,00 CHF≈ 43,01 €
3 500 résultats
Ilustraciones a color a plena página. Artistas Españoles Contemporaneos nº 42.
Quito, Casa de la Cultura Ecuatoriana, 1956, 20'5 x 14'5 cm., dedicatoria del autor, ilustraciones intercaladas, 51 págs.
Galeria de Arte 2.
As New English Paperback. Pbo. Mint. Oblong large 8vo. (21 x 24 cm). In English and Turkish. Color ills. 32 p. "Solange Greco, the wife of the Consul General of Brazil in Istanbul, will display her paintings at an exhibition to open at Istanbul's Tunnel Art Gallery on April 1. After attending the classical Institute of Fine Arts for a couple of years, Greco was accepted to the workshops at the Museum of Modern Art, where she had classes with important painters of that time. She had her first exhibition in 1966 in Rio de Janeiro and another in 1970 in Brazil. After getting married to a diplomat, she had the opportunity to travel to many countries. Her paintings reflect the different cultures of the places where she has lived. Greco, who moved to Istanbul in 2011, has been very much touched by the cultural exuberance of this metropolis, as she said in her message in the catalogue of the exhibition. "It is impossible to paint an image of Istanbul leaving aside a cat or a dog, a bridge, fishermen, towers, minarets or even the wonderful mosques. "Stating it is not enough just to paint what you see, Greco said, "Any good camera can do this. It is important to go deeper if you want to disclose what the bare eyes cannot see. I think the heart of a nation lies in the simple people. That is why I took my time to observe them doing their routine work, especially on Istiklal Avenue." It is possible to see some of them in her exhibition at the Tunnel Art Gallery: the shoeshiner, the simit seller, the lottery vendor and others.".
Hardcover. Full-color photographs illustrate every design. FINE- Pictorial cover is clean with corners lightly rubbed. Bright, colorful, fresh and clean pages. [PLC-8] Using simple theatrical makeup techniques and dazzling body-painting designs. This book has over 40 fantastic face-painting designs.
1996107861996 broché (paperback) in-quarto, dos (spine) blanc, couverture illustrée en couleurs (cover illustrated in colours), illustrations photographiques en couleurs de Roger Krump, 32 pages, 1996 à Paris Editions Fleurus,
Barcelona, Edit. Polígrafa, 2006. Numerosas ilustracions en color. 310p. 4ª mayor apaisado. Cartoné editorial ilustrado. Lomo de tela. Muy buen ejemplar.
London, Smith and Son, 1833, 26,5 x 17,5 cm., tela original, retrato + XX págs. + 1 hoja + 326 págs. + 1 hojas y 6 láminas grabadas. (Ejemplar intonso).
London, Smith and Son, 1837, 26'5 x 17'5 cm., tela original, retrato - LXV págs. - 1 h. - 486 págs. - 1 h. - carta facsímil plegada y 6 láminas grabadas. (Ejemplar intonso).
London, Smith and Son, 1835, 26'5 x 17'5 cm., tela original con leve desgarro en la parte superior del lomo, retrato - VII págs. - 1 h. - 573 págs. - 1 h. y 5 láminas grabadas. (Ejemplar intonso).
London, Smith and Son, 1829, 26'5 x 17'5 cm., tela original con desgarro en la parte superior del lomo, retrato - XXX págs. - 2 h. - 412 págs. y 6 láminas grabadas. (Ejemplar intonso. Este tomo I comprende noticias biográficas y obras de Gerard Doe, Peter Van Stingelandt, Francis Van Mieris. William Van Mieris, Adrian Ostade, Isaac Ostade y Philip Wouwermans).
104529Scribe 2013, 295x215mm, 163páginas, encadernação de editor. Nova cópia
Fine Fine English Original bdg. Dust wrapper. 4to. (28 x 22 cm). In English, French, and Turkish. [6], 250 p., color plts. 2000 copies were printed. Ercümend Kalmik, 1908-1971. [Artist catalogue]. Ercümend Kalmik, (1908-1971), known for his work in understanding the lyrical-abstract Turkish painters. n 1928, Academy of Fine Arts in the Department of Painting by entering the first Nazmi Ziya's, then Ibrahim Calli 's was a student. In 1937, after graduation time in various newspapers and magazines and worked. Previously, impressionistic understanding Kalmik employees, located in Europe at the time of cubism was interested. Braque 'la Picasso 's, then Fernand Léger and Henri Matisse's figures were impacted by understanding. After returning to Turkey maintained a distinct outer line of figurative abstraction and had a strong sense of pattern. In the 1960s, fishermen, boats and sailboats in front of an abstract landscape imagery began funding. With solid color stain, which highlights the contours of a lyrical expression in the works of this period are seen. As well as the etching Kalmik also makes the picture in the 1960s in the figurative sense of the prints that are dominant. As well as objects and natural appearance of the figure given the place and occupancy of the space in this building has been used in a balanced manner. Domestically and abroad, participated in many group exhibitions, solo exhibitions opened.
Fine Fine English Original bdg. Dust wrapper. 4to. (29 x 21 cm). In English, French, and Turkish. [1], 281 p., color and b/w ills. Zeki Faik Izer, 1905-1988.
Milano, Edit. Milione, 1952. 12 láminas montadas en color. s/p. Folio. Rústica editorial con lámina montada. Libro en italiano. Muy buen ejemplar.
Fine English Original bdg. HC. Roy. 8vo. (24 x 17 cm). In Turkish. 271 p., b/w photos. Turkish Edition of Devrim's 'A Turkish tapestry. The Shakirs of Istanbul'. A study on Sakir Pasha family in the Ottoman Empire and the Turkish Republic.
Fine English Original bdg. HC. Roy. 8vo. (24 x 17 cm). In Turkish. 271 p., b/w photos. Turkish Edition of Devrim's 'A Turkish tapestry. The Shakirs of Istanbul'. A study on Sakir Pasha family in the Ottoman Empire and the Turkish Republic. Sakir Pasa Ailesi: Harika çilginlar.
Paris, A. Lacroix, Verboeckhoven et Cie., 1866, 25 x 17 cm., holandesa piel de época, algo gastada, facsímiles de firmas y marcas intercaladas en el texto, 1.155 págs.
Palma de Mallorca. Edit. Fundació Pilar i Joan Miró, 1996. Numerosas ilustraciones en color y b/n. 149 p. 8º. Rústica editorial ilustrada algo rozada. Buen ejemplar.
Zaragoza. Edit. Galería Fernando Latorre, 1995. Numerosas ilustraciones en color y b/n. S.N. 8º. Rústica editorial ilustrada algo rozada. Buen ejemplar.
Santander. Edit. Sala Robayera, 1997. Numerosas ilustraciones en color y b/n. 70 p. 8º. Rústica editorial ilustrada algo rozada. Buen ejemplar.
Salamanca. Edit. Galería Adora Calvo, 2005. Numerosas ilustraciones en color y b/n. 103 p. 8º. Cartoné editorial algo rozada. Buen ejemplar. Libro editado con motivo de la exposición "God Dog" (enero-marzo 2006).
Fine Turkish Original bdg. HC. 4to. (26 x 21 cm). Edition in Turkish. 192 p., color ills. Kayip Eserler Müzesi: Sanat suçlarinin doruklari. [= Museum of the missing: The high stakes of art crimes]. Translated by Mine Haydaroglu. Preface by Julian Radcliffe. The past few years have been tough on Edvard Munch. First the Norwegian Expressionist's iconic painting The Scream was stolen in 1994. Then it was recovered, and a different version was stolen in 2004. It seems that Munch is getting more than his fair share of attention from thieves, but he's not alone. These days, no artist?s work is safe. The international police agency, Interpol, currently lists as stolen more than twenty-five thousand works of art. This figure includes sculptures, furniture, clocks, and antiquities, as well as paintings. The number of paintings alone is staggering. Rembrandts, Renoirs, Van Goghs, Picassos. You could fill a museum. In Museum of the Missing, journalist Simon Houpt investigates the fascinating story of modern art theft. What started as looting of art treasures by invading armies, including the Nazis during World War II, has exploded into a sophisticated international operation. But grand art thefts are only part of this fascinating story. Houpt takes the reader into the backrooms of Scotland Yard, the FBI, and Interpol as crack art-recovery squads mount surveillance operations and elaborate stings. He also leads readers into a tangled underworld of money laundering, drugs, illegal arms trading, and terrorism?where the stakes for both sides are very high. The stakes for lovers of art are just as high. Many of the world's stolen masterpieces will probably not be recovered in the foreseeable future. Some may never be seen by the public again. Museum of the Missing offers an extraordinary glimpse of these lost treasures.
Edit. Gal. Brito Cimino, 2002. Numerosas ilustraciones en color. 79p. 8º mayor. Rústica editorial ilustrada. Libro en portugués e inglés. Book in English. Muy buen ejemplar.
Barcelona, Edit. Polígrafa, 1994. Numerosas ilustraciones en color fuera texto. 128 p. Tela editorial con sobrecubierta ilustrada algo rozada. Buen ejemplar. Text in Japanese.