Sequeira, HoraceMareMagnum
3 500 résultats
1st edition. Hardback in a protected dust jacket. VG/G (frayed). (Practical stage handbooks). 18224. eng
Sao Paulo, Edit. Cosac Naif, 1998. Numerosas ilustraciones en color. 219 p. 4º mayor. Cartoné editorial ilustrado. Libro en portugués e inglés. Book in English. Muy buen ejemplar.
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English and Turkish. 109, [12] p., color ills. Unfiltered.= Filtresiz. [Exhibition catalogue]. Edited by Ilkay Baliç, Süreyyya Evren. The book that accompanies Sener Özmen's solo exhibition Unfiltered" is a compact exhibition book focusing on "taht"s that lead the exhibition together with three other works they host. The book offers supporting texts by Hera Büyüktasciyan and H.G. Masters, a special booklet featuring a text written by the artist himself and images documenting the exhibition, as well as an essay by Süreyyya Evren, the curator of the exhibition.
M., Heliodoro, 1980, 19 x 13 cm., 258 págs. - 2 h.
New English Paperback. 4to. (26 x 22 cm). In English and Turkish. 30, [1] p., color ills, 300 copies were printed. Romantic complexity.= Romantik karmasa. [Exhibition catalogue].
New English Paperback. Pbo. 4to. (29 x 24 cm). In English. 331 p., b/w and color ills. Constantinople and the orientalists. Since the publication of our earlier study; 'Orientalism and Turkey', we have been exploring the ramifications of Orientalism in the Ottoman capital of Istanbul itself, or as it was generally known in the nineteenth and early twentieth century: Constantinople. The present study, documented by both visual and written records, including memories, reveals not only the ways in which Istanbul was perceived and portrayed by European artists in the nineteenth century, but it also tries to represent the contemporary city as it truly lived and breathed. In the present work, the reader will discover the identity of Western artists whose works pictorially limned the Ottoman capital, their favorite subjects ¿the harem, the bath, the coffeehouse, and the slave market- and the nature of their interpretation of these subjects.
Very Good English Paperback. Pbo. 4to. (29 x 24 cm). In English. 331 p., b/w and color ills. Constantinople and the orientalists. Since the publication of our earlier study; 'Orientalism and Turkey', we have been exploring the ramifications of Orientalism in the Ottoman capital of Istanbul itself, or as it was generally known in the nineteenth and early twentieth century: Constantinople. The present study, documented by both visual and written records, including memories, reveals not only the ways in which Istanbul was perceived and portrayed by European artists in the nineteenth century, but it also tries to represent the contemporary city as it truly lived and breathed. In the present work, the reader will discover the identity of Western artists whose works pictorially limned the Ottoman capital, their favorite subjects ¿the harem, the bath, the coffeehouse, and the slave market- and the nature of their interpretation of these subjects.
New New English Original bdg. Dust wrapper. 4to. (29 x 24 cm). In English. 331 p., b/w and color ills. Constantinople and the orientalists. Since the publication of our earlier study; 'Orientalism and Turkey', we have been exploring the ramifications of Orientalism in the Ottoman capital of Istanbul itself, or as it was generally known in the nineteenth and early twentieth century: Constantinople. The present study, documented by both visual and written records, including memories, reveals not only the ways in which Istanbul was perceived and portrayed by European artists in the nineteenth century, but it also tries to represent the contemporary city as it truly lived and breathed. In the present work, the reader will discover the identity of Western artists whose works pictorially limned the Ottoman capital, their favorite subjects ¿the harem, the bath, the coffeehouse, and the slave market- and the nature of their interpretation of these subjects.
Valencia, Edit. Museo Arte Cont. Alicante, 2016. Ilustraciones en color. 162 p. 4º apaisado. Rústica editorial. Muy buen ejemplar.
Madrid, Edit. Dir. Gen. Bellas Artes, 1972. Artistas españoles contemporáneos. 35. Numerosas ilustraciones en color y negro. 97 p. 8º. Rústica editorial ilustrada. Muy buen ejemplar.
Madrid, 1982. Ilustraciones en color fuera texto. 215p. 4º apaisado. Guaflex editorial con sobrecubierta ilustrada. Bordes levemente rozado, con leves faltas. Buen ejemplar.
New English Paperback. Pbo. 4to. (31 x 24 cm). In English and Turkish. 254, [1] p. With a DVD. Semiha Berksoy. I lived on art, I lived on love.= Ben yasardim ask ve sanatla. [Exhibition catalogue]. Edited by Mine Haydaroglu.
Fine English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. [xv], [1], 365, [3] p. Cumhuriyet'in kültür ve sanat kronolojisi. Art chronology of Republican Turkey. A study on Turkish history of art.
Very Good French Paperback. Roy. 8vo. (25 x 17 cm). In French. 62 p., color ills. Dans la boule d'Istanbul. 1Istanbul couche, en imposent qu'on lui pardonne, lorsqu'elle accouche.".
New French Paperback. Roy. 8vo. (25 x 17 cm). In French. 62 p., color ills. Dans la boule d'Istanbul. 1Istanbul couche, en imposent qu'on lui pardonne, lorsqu'elle accouche.".
New English Paperback. Pbo. Roy. 8vo. (23 x 16 cm). In English and Turkish. 37, [3] p. Color ills. "Demirel, an internationally known illustrator, published his first illustrations during his high school years. While he was studying architecture at Middle Eastern Technical University, he drew for prominent dailies like Cumhuriyet and Politika. In 1978 Demirel moved to Paris, and his illustrations began to be published in France. He soon became a regular illustrator at Le Monde Diplomatique, Le Monde, Le Nouvel Observateur and many other French dailies and periodicals. Outside France, Demirel's illustrations continue to be published in Le Temps (Switzerland), Anna and La Repubblica (Italy), The Observer and The Guardian Weekly (Britain), The Washington Post, The Chicago Tribune, Print, The Boston Globe and The Harvard Business Review (USA). Since 1980, his drawings have been exhibited at solo shows in Istanbul and Ankara, while book compilations of his illustrations have also been made in Turkey, as well as many European countries and in Japan.".
New English Paperback. Pbo. Large 8vo. (21 x 21 cm). In English and Turkish. 24, [1] p. Color and b/w ills. 1000 copies were printed. Selçuk Artut. Data reality.= Verisel gerçeklik. [Exhibition catalogue]. 14 March - 03 May 2014, Galeri Zilberman. Texts by Merve Ünsal.
Barcelona, Editorial Gustavo Gili, 1971. Colección Pequeña Enciclopedia de Arte nº 79. 16 láminas ilustradas en color. s/n. 8º menor. Rústica editorial ilustrada. Muy buen ejemplar.
Barcelona, Edit. Ramon Sopena, 1957. Speculum Artis. Dir.J.F. Ràfols. Numerosas ilustraciones en b/n. 224 p. 8º mayor. Tela editorial. Lomo con tejuelo y dorados. Muy buen ejemplar.
Barcelona, Edit. Ramon Sopena, 1957. Speculum Artis. Dir.J.F. Ràfols. Numerosas ilustraciones en b/n. 205 p. 8º mayor. Tela editorial. Lomo con tejuelo y dorados. Muy buen ejemplar.
New New English Original bdg. Dust wrapper. 4to. (28 x 23 cm). In Turkish and a small abstract in English (pp. 491-494). 494, [2] p., color and b/w ills. Tez - antitez - sentez: Selim Turan'in sanat serüveni.= Thesis-antithesis-synthesis: Art journey of Selim Turan. Artistic life of Selim Turan and his paintings. Turan'in altmis yila yayilan sanat serüveninin tez, antitez, sentez kavramlariyla örülmüs bir bütünlük olarak ortaya çiktigini görüyoruz. Bir ressam olarak Turan, yapmacik sözü degil esinlendirici, açik seçik formu aradi. Kurgulariyla, renk bütünlükleriyle bir atmosfer olusturmayi basaran soyut kompozisyonlari, onun özverili çabasinin ürünüdür. Sanatçi bu sayede, kütlesel formlarin egemen oldugu yalin, benzetmelere yer vermekten kaçinmayan, renk bakimindan çogu kez siyah ve koyu tonlarin hâkim oldugu bir görsel dil gelistirdi. Kendini farkli stillere zorlamadi; içinden geldigi gibi belli bir çizgisellikten uzakta çalisti. Kompozisyonlarini tekrar etmekten kaçinmamasi, formlarini hem figüratif hem de soyut imgelere göre kurgulamasi, onun belirgin özellikleri arasindadir. 1947 ile 1960 arasinda Paris'te sanat yasaminin en üst noktasina çikarak birbirinden ilginç deneylere giren sanatçi, soyut resimlerinde gelistirmis oldugu ifade zenginligiyle Modern Türk resminde ayricalikli bir konuma sahiptir.
New English Original bdg. HC. 4to. (27 x 24 cm). In Turkish. [124] p., color ills. Türk Ocagi Koleksiyonu ve Selahattin Ömer Resim Sergisi. Prep. by Asuman Akdemir, Hatice Atlihan, Özgür Izzet Pektas, Servet Bayoglu.
New English Paperback. 4to. (29 x 24 cm). In English and Turkish. 251 p., color ills. Seker Ahmed Pasa, 1841-1907. [Exhibition catalogue]. Prep. by Ömer Faruk Serifoglu, Ilona Baytar. Texts by Enis Batur, et alli. Contents: Seker Ahmed Pasha: So close yet still a mystery. ENIS BATUR; (Seker) Ahmed Pasa'yi yazmak, (1841-1907), AHMET KAMIL GÖREN; Basyaver Seker Ahmed Pasa ve sarayin yabanci konuklari. GÜLSEN SEVINÇ KAYA; Seker Ahmed Pasa üzerine yeni görüsler ve belgeler. ILONA BAYTAR; Catalogue.; Photos.; Texts.; Bibliography, and Index.
Prologo de Enrique Lafuente Ferrari, laminas a plena pagina en color y blanco-negro.
Paris, Edit. Musée Marmottan, 2085. Numerosas ilustraciones en color y negro. 126 p. 8º mayor apaisado. Tela editorial con sobrecubierta ilustrada. En funda de cartón con inscripción antiguo propietario. Livre en français. Muy buen ejemplar.