3 500 résultats
Madrid, Edit. Consultoria y Gestión, 2011. Agenda. Numerosas ilustraciones en color. s/p. Piel editorial. Cantos dorados. 8º mayor. Muy buen ejemplar.
Barcelona, Edit. Àmbit, 1993. Numerosas ilustraciones de Ayala en color y negro fuera texto. s/p. 8ºmenor apaisado. Rústica editorial ilustrada, con leve resto doblez. Buen ejemplar. Primera edición. 1ª edición. 1st edition. First edition
As New English Paperback. Pbo. Mint. 4to. (30 x 21 cm). In Turkish. Color and b/w ills. 48 p. 800 copies were printed. Agnieszka Cieslinska. Figuratio. 6-31 Ocak 2014, Galeri Isik, Tesvikiye, Istanbul. [Exhibition catalogue]. Texts by Ryszard Otreba, Akira Kurosaki.
Palma de Mallorca. Edit. Fundació Pilar i Joan Miró, 1996. Numerosas ilustraciones en color y b/n. 149 p. 8º. Rústica editorial ilustrada algo rozada. Buen ejemplar.
Barcelona, Fundació Agbar - Edicions de l'Eixample, 2013. Textos de Nicanor Parra, Andrés Sanchez Robaína, María Luisa Rojo de Castro, Félix de Azúa, Pep Moll de Alba, Albert Espinosa, Pedro Madueño, Suso de Toro, Din Matamoro, Marcos Giralt Torrente, Patricio Court, Quim Monzó. Fotografías de Raimunod Hamilton, Pedro Madueño, Irene Morán, Pep Parer y Claudio Pérez. Reproducción de obras de María Luisa Rojo y Din Matamoros. Diseño gráfico de Salvador Saura y Ramón Torrente, Tela estampada con bonita sobrecubierta hecha a mano por el Molí Paperer de Capellades. Muy ilstr. Edición de 1500 ejemplares.
Córdoba, Fundación Provincial de Artes Plásticas Rafael Boti, 2001, 28,5 x 20,5 cm., 236 págs. con profusión de ilustraciones y láminas, la mayoría en colores.
Madrid, Edit. Trama, 2000. 32p. Folio. Rústica editorial ilustrada. Muy buen ejemplar.
Madrid, Centro Cultural del Conde Duque, 1987, 26 x 21 cm., ilustraciones intercaladas y numerosas láminas en color, 303 págs. + 2 h.
As New English Paperback. Pbo. Mint. 4to. (30 x 23 cm). In Turkish. Color ills. 80 p. Ahmet Fazil Aksoy. Soyutlar. 9-11 Mart 2011, Besiktas Sanat Galerisi. [Exhibition catalogue and pamphlet].
New English Ahmet Günestekin. Antik modern = Antique Moderne., text by: Gülseli Inal; translator: Ayperi Okur, Ist., 2007. Paperback. Pbo. 4to. (29 x 23 cm). 212 p. Color ills. In Turkish and English. 1250 copies were printed. "Ahmet Günestekin (born December 22, 1966 in Batman, Turkey) is a Turkish painter. He was born in the workers' camp at Garzan oil field in Batman, where his father was employed. He was the second youngest child of a seven children family. His passion for painting has been with him ever since his childhood. He was awarded his first prize in third grade when he was nine years old. His acquaintanceship with oil colors occurred at the same time, and in addition to this, his interest in literature appeared at this young age. Since that time, the artist has kept on working permanently. When he reached his high school years, he staged his first personal exhibition in the gallery at his school. Shortly after his graduation, he went on to study in the Faculty of Fine Arts at Mimar Sinan University in Istanbul. After a while he dropped out of this programme, but later went on to complete his graduate studies at the Anadolu University's Department of Management. For a period, he went into business, but soon returned to painting. In 1997, Günestekin established his first studio in Beyoglu and from there staged numerous personal and cooperative exhibitions. In the wake of his exhibition ¿Colors After Darkness¿, which he opened in 2003 iat Atatürk Cultural Center (AKM), he gradually began to release his name into the world of art. Through a great number of personal exhibitions, Günestekin¿s works of art now take their place in prestigious domestic and foreign collections. Ahmet Günestekin, whose signature of his great achievements is his distinctive language, has also attained great success in the design field. His art: Antique Modern While it exists as a definite and specific feature in modern art expression, form in post-modern times is observed and experienced as fragmented and imperceptible through a detached yet consecutive visual experience. Modern means: integrity, continuity, order, nature, form and, most importantly, simplicity. Post modern, on the other hand, is about pieces, disarray, detachedness, context, complexity and, most importantly, essence and ethnic culture. While modernism offers a unifying closed-circuit form mechanism, what is dominant in the art expression of the post-modern era is anti-form and a fragmented structure. (We designate the post-modern era as gaining clarity by 1990). The principles in a modern work of art can be listed as goal, distance, sovereignty, depiction of existence, metaphor, depth, interpretation, the designated, main code, narration, paranoia, the origin, metaphysics, and transcendence. What comes to the fore in the post-modern era, conversely, are characteristics like game, anarchy, process, puzzle, anti-thesis, nonexistence, disintegration, personal language (idiolect), irony, ambiguity, and immanence. From this perspective, Ahmet Günestekin's art expression bridges both the modern and post-modern approaches; whilst it harbors the modern characteristics and displays some features of the modern, and displays some features of the modern in terms of the space he reflects, it also offers a refuge for antique characteristics in terms of its themes. In actuality, Ahmet Günestekin, as an artist fascinated by the antique worlds, stands contrary to Modernism. However, the integrity and unity he reflects on the canvass are the principles of the modern work of art and they greet us as the most important principles that the artist gives the utmost importance to in composing his work. On the other hand, Ahmet Günestekin, who displays a completely post-modern attitude, also crosshatches the archetypes of the antique worlds, and transforms the ruptures of time - anachronisms - by greeting time perception, thereby transforming."
As New English Paperback. Pbo. Mint. 4to. (31 x 24 cm). In English and Turkish. 207, [1] p. Color ills. 2000 copies were printed. Ahmet Günestekin. Encounter.= Yüzlesme. Edited by Masum Elmas. Text by Johannes Odenthal.
As New English Paperback. Pbo. Mint. Oblong 4to. (24 x 30 cm). In English and Turkish. 35, [6] p., color plates, 1 folding color plt. Ahmet Günestekin. Recent paintings.= Son dönem resimler. November 26, 2013 - January 4, 2014. [Exhibition catalogue]. Texts by Donald Kuspit.
As New English Paperback. Pbo. Mint. Large 8vo. (24 x 25 cm). In Turkish. 32 p. Color ills. Ahmet Ogras. Eskihisar'dan Beyoglu'na Dört Mevsim Resim Sergisi. 25 Kasim - 13 Aralik 2013, Tünel Sanat Galerisi, Istanbul. [Exhibition catalogue].
As New English Paperback. Pbo. 1000 copies were printed. Mint. 4to. (30 x 23.5 cm). Turkish and English texts. [34] p. Color ills. Ahmet Özel. The inner views.= Iç manzaralar. 5-31 Mayis 2006 Kare Sanat Galerisi, Nisantasi. [Exhibition catalogue].
Fine English Paperback. Pbo. Large 8vo. (21 x 16,5 cm). In French and Turkish. [48] p., b/w ills. Ainsi parle la fille de pluie. Sur 23 dessins de Colette Deble.= Yagmur kizi böyle diyor. Colette Deble, 23 desen üzerine. Translated into French Ahmet Soysal.
Ilustraciones pictóricas en blanco y negro.
Barcelona, Edit. Polígrafa, 1991. Numerosas ilustraciones en color. Texto R. Amstrong. 127p. 4ºmayor. Tela editorial con sobrecubierta ilustrada. Etiqueta. Book in English. Muy buen ejemplar.
New English Paperback. 4to. (29 x 24 cm). In French and Turkish. 439 p., color and b/w ills. "Albert Gabriel (1883-1972) was a French architect, archaeologist, painter and traveller. While Gabriel's published works on his travels in the Eastern Mediterranean have been widely-known for some time, his vast private collection of writings, paintings and photographs has remained untapped until recently and formed the centerpiece of the exhibition in Turkey.". Albert Gabriel, 1883-1972: Architecte, archeologue, artiste, voyageur.= Albert Gabriel, 1883-1972: Mimar, arkeolog, ressam, gezgin. Edited by Korkut E. Erdur. [Exhibition catalogue].
Barcelona, Edit. Gal. Joan Prats, 1998. Text d'Antoni Llena. Nombroses il·lustracions en color.s/p. 4t. Rústica editorial il·lustrada. Text en català, castellà i anglès. Rústica editorial amb lleus rascades. Bon exemplar.
Madrid, Ministerio de Cultura, 1980, 25 x 20 cm., cartulina editorial en colores, 77 págs., incluso 22 láminas en negro y color, carta facsímil de Pablo Neruda, El escultor Alberto, por Pablo Neruda, Mi reconocimiento a Alberto, por Jorge Oteiza y Catálogo de las obras. (Alberto Sánchez fue un pintor y escultor nacido en Toledo en 1895 que desarrolló su trabajo en Moscú desde el año 1938 hasta su muerte).
Munchen, s.a. (comienzos del Siglo XX), 27 x 20'5 cm., cartoné original, XXIV - 95 págs. con profusión de de ilustraciones reproduciendo obras de Durero.
19741167001974 Editions Pierre Belfond - 1974 - In-4, cartonnage plein cuir, titre doré sur le premier plat, jaquette illustrée en couleurs - 128 p. - Très nombreuses reproductions photographiques en couleurs et en N&B in et hors-texte
