MareMagnum
3 500 résultats
Barcelona, Edit. Dip. Barcelona, 2021. Nombroses il·lustracions en color. 273p. 8º mayor apaisat. Rústica editorial il·lustrada. Molt bon exemplar.
1992004793Madrid: Lerner & Lerner 1992. Dust Jacket slightly worn but inside clean. Unread copy. Worldwide shipping: USD6.50 3 to 4 months not 30 days. Hardcover Dust Jacket. Very Good. 268 p.; 33cm. Lerner & Lerner Hardcover
Santiago, Edit. Xunta Galicia, 1992. Numerosas ilustraciones en color y negro. s/p. Folio. Rústica editorial ilustrada. Dedicatoria autógrafa de la autora. Muy buen ejemplar. 1a edición. Primera edició. 1st edition. First edition
Lleida, Ajunt. Lleida, 1995. Nombroses il·lustracions en color i negre fora text. 4t major. Rústica editorial. Molt bon exemplar. Llibre en català i francès.
New Turkish Paperback. Oblong large 8vo. (20 x 22 cm). In Turkish. [36] p., color ills. Alev Ermis Mavitan Resim Sergisi. [Exhibition catalogue]. 3-25 Nisan 1995. Istanbul Parmakkapi Sanat Galerisi. Text by Sahin Yenisehirlioglu.
New English Paperback. Pbo. 4to. (28 x 24 cm). In English and Turkish. [22], 64, [2] p., color ills. 500 copies were printed. "Alev Oskay was born in Istanbul in 1970. She was graduated from the Faculty of Fine Arts, Department of Ceramics and Glass at Mimar Sinan University. She worked as an executive assistant in an art gallery in between 1991-1992. She leaded some workshops at Istasyon Art House and gave ceramics lessons in between 1990-1993. She taught at the Faculty of Engineering & Architecture at Trakya University in between 1994 -1999. She had her MA degree in 2001 at I.T.U Social Sciences Institute. She gave ceramics lessons to children with developmental disabilities (i.e. children with autism) at Içgörü Child and Youth Psychology Consultation and Health Center in between 2001-2004. She has been working as a lecturer in the Faculty of Engineering & Architecture, Department of Architecture at Istanbul Kültür University since 1999. She also gives lessons in the ceramics studio that she established within this university since 2004. She continues to work on art in her own studio in Sultanahmet and Istanbul.".
Reus, Edit. Anquin's, 1987. Catàleg. Il·lustracions en color i negre. 4 fulls sense numerar. 8è major. Rústica editorial il·lustrada. Molt bon exemplar.
Láminas con reproducciones a color intercaladas en el texto. ARTISTAS ESPAÑOLES CONTEMPORANEOS.
Madrid, Ministerio de Cultura, 1985, 28 x 23 cm., 129 págs. con 2 retratos y numerosas ilustraciones y láminas en colores + 1 h.
New German Paperback. Pbo. 4to. (29 x 24,5 cm). In German and Turkish. 48 p., color and b/w ills. Alfred Hrdlicka. Texts by Klaus Klemp. Edited by Dogan Paksoy. [Artist catalogue]. 1000 copies were printed.
Sttutgart und Leipzig, 1911, 29 x 19'5 cm., tela original, corte superior dorado, frontis - LXXIII págs. con varias ilustraciones intercaladas - 202 págs. incluso 300 láminas.
New English Paperback. Pbo. 4to. (32 x 23,5 cm). In English and Turkish. 32 p. Color and b/w ills. 1000 copies were printed. Ali Arif Ersen. Tales.= Masallar. Curator: Amelie Edgü; Texts by Levent Çalikoglu., 11-29 Aralik 2007, Milli Reasürans. [Exhibition catalogue].
Fine English Paperback. Pbo. 32 p. In Turkish. Color ills. 4to. (30 x 21.5 cm). Ali Düzgün. 24 Mayis - 16 Haziran 2001 Emlak Sanat Galerisi Resim Sergisi. Text by: Dr. Mehmet Basbug. [Exhibition catalogue].
As New As New English Paperback. Pbo. Dust wrapper. Mint. 4to. (30 x 24 cm). In English and Italian. 45, [1] p. Color ills. For Ali Hassoun, born in Saïda (Lebanon) in 1964, but living in Italy, art is inevitably a borderland, a fertile ridge where two different cultures meet: the traditional, spiritual culture of Islam and the dynamic, evolutionary culture of the West. In this meeting, East and West, North and South are only apparently geographical coordinates. They are rather topical places in the mind, spiritual directions which pass the baton to one another, like the perfect laps in a trip touching in turn upon the extreme opposites of ascension: the zenith and the nadir, Alpha and Omega, vile lead and alchemic gold, the terrestrial world and the imagination, the spirit and the body, and all the possible variants on a polarity which is always merely symbolic. In the artist's works the East and the West continually change sides, alluding to ambiguous meanings, now clear and now hidden. Ali Hassoun's iconography is constructed by stealing from contemporary visual culture images of a variegated humanity intent on the humble occupations of a daily life that has not yet been brutalised by the signs of the technological era. Like a computer hacker, but employing techniques which are entirely manual, Ali metaphorically "copies and pastes" onto his canvas photographs of people taken from the pages of a book or a magazine. He paints portraits of men and women, changing them using an ancient tool which contains within itself the balsamic germ of transfiguration. And yet, in his painting, precise and detailed to the point of verging on hyper-realism, there is nothing of the documentary. Like Emilio Salgari, Hassoun does not need to plough the waves or travel the caravan routes to come up with his visions. His travels are immobile, typical of a multimedia age such as our own, when information abounds but knowledge is rare. An age in which painting has come back into fashion - if it had ever gone out of fashion - but feeling the influence of the clarity of liquid crystal, of the pervasive vocabulary of the big plasma screen, of the hi-tech aesthetic born out of cyber imagery and the virtual settings of videogames. Painting containing gelid icons, the heroines of a new cybernetic sensuality, portraits of aidoru and computer alter egos, replicants and cyborgs, singing the fictitious myth of a trans-human future. In Italy, Ali Hassoun's painting is a return to Vasari's Bella Maniera, the full perfection of the great lesson of the Renaissance: painting with no mediation, no alibis and no tricks. In his works, Arab shepherds, students of the Koranic schools, cabalists, old wise men and African women dressed in fabrics of gaudy colours move about in a scenario in which landscape notation is abolished, swept away by an artificial background, a citation of great masterpieces of Art History, from the Michelangelo of the Sistine Chapel to Picasso's Guernica, from the fourteenth-century Sienese painters - Simone Martini and the Lorenzettis - to Capogrossi. The Levantine faces and statuesque bodies of his African women, the elegance and grace of his Indian maids are surrounded not by a desert, by a marketplace, by the interior of a mosque or a zawiyya nor by a minaret or a medina, but by a world of spirits, of platonic psychopomps floating suspended between Earth and Sky. In his most recent works Ali Hassoun has moved eastward. His women are now wearing the colours of India. They are wheat grinders, water bearers, even cabalists, intent on drawing a five-pointed star in the earth, hiding the secret of the golden section. The birth of a primitive femininity is everywhere, blended with the mystics of the elements - Air, Water, Earth and Fire - transfused in the grammar of light as in the use of clayey colours, in the transparency of ethereal figures and in the symbolism of water. Once again there are images of the "well of science" from which to draw the water of wisdom
Very Good Very Good English Paperback. Dust wrapper. Demy 8vo. (21 x 15 cm). In Turkish. Color and b/w ills. 64 p., 32 color plates. Ali Çelebi.
Barcelona, Edicions del Mall, 1978. Col. Llibres del Mall. 222 p. Paper setinat. Reproduccions en color de les obres de Viladecans. 4t quadrat (27 x 27 cm). Tela editorial amb sobrecoberta il·lustrada, aquesta amb petits talls. Bon exemplar. 1a edició. 1st edition.
New English Paperback. 4to. (27 x 21 cm). In English and Turkish. 336, [1] p., color ills. Alif Art. Pt. 1: Rare manuscripts and calligraphy collection. Pt. 2: Hifzi Topuz Collection and Ottoman & European works of art.= I. Bölüm: Nadir yazma eserler koleksiyonu. II. Bölüm: Hifzi Topuz Koleksiyonu ve Osmanli & karma sanat eserleri. [Auction catalogue].
Very Good English Paperback. Large 8vo. (26 x 14 cm). In Turkish, English, and French. 47, [1] p. Color and b/w plates. Aliye Berger [Boronai]. 24.12.1903 - 9.8.1974. [Exhibition catalogue]. 16 Ekim - 1 Kasim 1975, DGSA. Texts by Orhan Peker, Halikarnas Balikçisi et all.
Very Good Very Good Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 108, [1] p., b/w plates, 14 unnumbered folded color plates. Aliye Berger [Boronai]: Yasami / sanati / yapitlari. Photos by Ara Güler.
Madrid, Edit. Dir. Gen. Bellas Artes, 1973. Artistas españoles contemporáneos. 58. Numerosas ilustraciones en color y negro. 87 p. 8º. Rústica editorial ilustrada. Muy buen ejemplar.
Barcelona, Ediciones de Nuevo Arte Thor, 1984. Col. El laberinto - 11. Traducción de Karin Stadtlander. Cubierta de Fernando Marín. 294 p. Fotos b/n. 8º menor. Cubiertas ligeramente deslucidas, pero buen ejemplar. Foto del autor en solapa. 1ª edición en la colección.
Madrid, Edit. Fundación Juan March, 1984. Numerosas ilustraciones en color b/n fuera texto. S.N. Apaisado. Rústica editorial ilustrada. Muy buen ejemplar.