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Textos de Santiago Amon, y Javier Viar.
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Textos de Santiago Amon, y Javier Viar.
New English Paperback. 4to. (27 x 21 cm). 67 p., color ills. Signed and inscribed by Balkan Naci Islimyeli. PHOTOGRAPHY Turkish art of photography Exhibition. Balkan Naci Islimyeli. Deja Vu. Poems by: Balkan Naci Islimyeli.
Barcelona, Edit. Pentagono, 1958. 40 gouaches de Aguilar Moré. Numerosas láminas ilustradas en color y b/n fuera texto. 64 p. 4º mayor. Tela editorial con sobrecubierta ilustrada algo deslucida y estuche de cartoné algo deslucido. Muy buen ejemplar.
B., Electra Artes Gráficas, 1958, 33 x 26,5 cm., tela original, 64 págs. Incluso 20 ilustraciones a toda página + 19 láminas en colores + 2 h. (Tirada numerada).
Paris. Edit. Cercle d'Art, 2002. Numerosas ilustraciones en color y b/n. 63p. 4º. Tela editorial con sobrecubierta ilustrada. Muy buen ejemplar. Livre en français.
Sao Paulo, 1980. Numerosas ilustraciones en color. s/p. 4ºmayor. Rústica editorial ilustrada. Libro en portugués y catalán. Muy buen ejemplar.
Barcelona, Edita Ayuntamiento de Barcelona, 1992. Numerosas ilustraciones en color y b/n. 232p. Folio. Rústica editorial ilustrada. Muy buen ejemplar. Monasterio de Pedralbes. Barcelona, a ritmo de jazz. José María Valverde, Xabela Vargas. Cómic de Pere Joan.
Barcelona, Edita Ajuntament de Barcelona, 1992. Nombroses il·lustracions en color i b/n. 223p. Foli. Rústica editorial il·lustrada. Molt bon exemplar. Genis i figures: Carles Santos, Benito, Antoni Miralda. Retrat de Tete Montoliu. Barcelona Escultura, per María Espeus.
Barcelona, Edita Ajuntament de Barcelona, 1992. Nombroses il·lustracions en color i b/n. 219p. Foli. Rústica editorial il·lustrada. Molt bon exemplar. Joan Guinjoan, L'òpera Gaudí. Entrevistes Josep Miquel Abad i Victòria dels Àngels. La Barcelona de Kim Manresa. Raf, un talent gràfic.
New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. 205 p., color and b/w ills. Bare, naked, nude: A story of modernization in Turkish painting.= Üryan, çiplak, nü: Türk resminde bir modernlesme öyküsü. [Exhibition catalogue]. Bare, Naked, Nude: A Story of Modernization in Turkish Painting focuses on the evolution of nude painting as one of the foremost genres alongside portraiture, landscape, and still life in Turkish modern art. The rich diversity of styles represented in the paintings that come together in this exhibition reveal that the nude, far from being a subject for Turkish artists constitutes a means of expression fundamental in the search for form. The most challenging trial for artists in their student years, the human body emerges as a central source of inspiration in both the pursuit for modernist tendencies in Western art and in the efforts to articulate an individual artistic language. The exhibition catalogue, through the essay of the curator, Ahu Antmen and the selected paintings offer us the possibility to envisage the visual adventure behind Turkey's story of modernization, providing an insight into the formation of artistic identity in the period extending from the Ottoman Empire to the Republic, the challenges of transforming the perception of the female body from a framework of privacy to that of a desexualized object and the connections between the art and the nude in the perception of a modern identity. HISTORY OF ART TUrkish painting Modernism Contemporary Turkish art of painting.
As New English Paperback. Pbo. Mint. 4to. (32 x 23,5 cm). In English and Turkish. [32] p. Baris Cihanoglu. Cultus: The only one of its kind.= Kült: Türünün tek örnegi. 5-29 Mart 2009, Piramid Sanat. [Exhibition catalogue].
Ilustraciones.
Barcelona, Edit. Iberia - Joaquín Gil, c. 1950. 48 ilustraciones en b/n fuera texto. 28 p. 20 h. 4º. Rústica editorial ilustrada. Muy buen ejemplar.
Barcelona, Edit.Sala Gaspar, 1984. Numerosas ilustraciones en color y negro. s/p. 4º. Rústica editorial ilustrada. Muy buen ejemplar.
Barcelona, Edit. Polígrafa, 1979. Numerosas ilustraciones en color. 107 p. 8º mayor apaisado. Tela editorial con sobrecubierta ilustrada. Ex libris. Dedicatoria autógrafa del autor. Muy buen ejemplar.
Málaga, Edit. Fund. Ludwig, 2007. Numerosas ilustraciones en color. 186 p. Folio. Rústica editorial ilustrada con solapas. Libro en español e inglés. Book in English. Muy buen ejemplar.
Madrid, Edit. Batik, 1975. Cubierta de Joan Miró. Numerosas ilustraciones en color y b/n. 63 p. 8º. Rústica editorial ilustrada levemente rozada. Buen ejemplar. Artículos sobre Joan Miró, Viladecans, Millet, Benjamín Palencia, Cristino de Vera, Arte tantra, Cuixart, Christo, Carlos Mensa, etc.
Madrid, Edit. Batik, 1976. Cubierta de Fontecilla. Numerosas ilustraciones en color y b/n. 71 p. 8º. Rústica editorial ilustrada algo deslucida. Buen ejemplar. Artículos sobre Fontecilla, Ramón J. Sender pintor de amuletos, Ángeles Santos, Baruj Salinas, Oldenburg, grabadores granadinos a Rafael Alberti, etc.
Madrid, Edit. Batik, 1976. Numerosas ilustraciones en color y b/n. 79 p. 8º. Rústica editorial ilustrada algo deslucida. Buen ejemplar. Artículos sobre Ildefons Cerdà, Jean Dubuffet, Carta a Joan Ponç por Arnau Puig, Karel Appel, A propósito de Cesc i Ops, etc.
Barcelona, Edit. Panorama General de las Artes, 1980. Numerosas ilustraciones en color y b/n. 95p. 8º. Rústica editorial ilustrada. Muy buen ejemplar. Artículos sobre Klee de Antoni Tàpies, Bores, Torner, Viladecans, Fina Miralles, etc. Etc. Cubierta reproduciendo un cuadro de Motherwell.
Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish and summary in English. [vii], 168 p., color and b/w ills. Folk painting art in Anatolia in the westernization period. Batililasma Dönemi Anadolu tasvir sanati.
New New English Original bdg. Dust wrapper. 4to. (29 x 23 cm). Edition in English. 248 p., color ills. Bazaar painters: Ottoman figurative arts 2. Edited by Tülün Degirmenci, M. Sabri Koz. Coining the phrase 'bazaar painters' in a 1985 article, Metin And enriched our art history terminology with a new concept as well as offer a glimpse into the world of these artists: how they worked, what they drew, where their works are today and how they contribute to our study of history of art and culture. He continued to promote and popularise their work through books and articles published until 2007, at times repeating earlier content as required. Bazaar painters and their work were not initially identified as a distinctive genre; Franz Taeschner, the first researcher to publish a selection, felt no need to refer to them as anything other than 'miniatures'. Challenging this trend, Metin And set about the immensely difficult task of obtaining pictures of bazaar painting albums from four corners of the globe in order to illustrate a prolific series of essays and books.The second volume of Ottoman Figurative Arts, Bazaar Painters consists of twelve articles published between 1985 and 2007, a comprehensive introduction by Tülün Degirmenci, and a concise album. The pictures and inscriptions Metin And chased enthusiastically all his life are but the echoing footsteps of a book, one that was either never written, or somehow got lost before it could be published.
PARIS, Buchet/Chastel - 1961 - 426 pages. - Gravures dans le texte Petit In-4° Broché. Propre. Traduit de l'américain par Michèle CAUSSEARIS, Buchet/chastel
New English Paperback. 4to. (29 x 25 cm). In French, English, and Turkish. [110], [1] p., color and b/w ills. Beautiful painting is behind us.= La belle peinture est derriere nous.= Güzel resim geçmise aittir. Preface by Bernard Emie. Artists: Ronan Barrot, Julien Beneyton, Romain Bernini, Katia Bourdael et alli. TURKISH PAINTING French art Modern painting Contemporary art.