AGUILERA, Emiliano M.MareMagnum
3 500 résultats
28x22. 29p. 48 lam.
B., Iberia, 1954, 28'5 x 22 cm., 29 págs. - 48 láminas.
Milano. Edit. Biblioteca el Mundo, 2004. Colección Los Grandes Genios del Arte, num. 28. Numerosas ilustraciones en color fuera texto. 190 p. 8º. Rústica editorial ilustrada. Muy buen ejemplar.
Paris, Edit. Braun, s/f. s/p. 60 láminas en b/n fuera texto. 8º. Rústica editorial ilustrada. Libro en francés, inglés y alemán. Book in English. Book in German. Livre en français. Muy buen ejemplar.
Paris. Edit. Albin Michel, 1929. 100 láminas ilustradas en b/n. 173 p. 4º. Rústica editorial con protección transparente con cortes. Buen ejemplar. Livre en français.
New New English Original bdg. Dust wrapper. 4to. (30 x 21 cm). In English and Turkish. 175 p, color and b/w ills. 2000 copies were printed.
78p. illus. Hardcover Very good condition
New New English Paperback. 4to. (29 x 23 cm). In English and Turkish. 372, [1] p., color and b/w ills. Time present time past. Highlights from 20 years of the International Istanbul Biennial.= Simdiki zaman geçmis zaman: 20 yilda Uluslararasi Istanbul Bienai'nden iz birakanlar. [Exhibition catalogue]. While documenting the past evolution of the Istanbul Biennial with a view to exploring its future development and possibilities, "Time Present, Time Past" will also include a number of iconic works by both Turkish and international artists that have partaken in the previous Istanbul Biennials. These works will be accompanied by plasma screen documentation of the works from past Biennials shown in situ. The works in the exhibition will be brought from Australia, France, Germany, Italy, Korea, Scotland, Spain, Sweden and U.S.A. Co-curated by ¿stanbul Modern Director David Elliott and ¿stanbul Modern Chief Curator Rosa Martínez, the exhibition will open concurrently with the 10th Istanbul Biennial, which is celebrating its 20th anniversary. The exhibition is designed not only to reveal the ways in which the rapid changes that have taken place in the art world over the past years have been reflected in the Istanbul art scene, but also to show how a generation of young Turkish artists has become integrated within a broader international framework. Twenty years have passed since the Istanbul Biennial first started in 1987. In the early Biennials, works of art selected from across the world were displayed in various parts of the city, including historic areas, museums and cultural sites. Subsequent biennials maintained this approach and extended to "non-art" areas and public spaces. In this process, a wide spectrum of the best in Turkish and global contemporary art was introduced to Turkey and the rest of the world. In putting together "Time Present, Time Past," ¿stanbul Modern asked the eight former Artistic Directors of the Biennial (Beral Madra, Vas¿f Kortun, René Block, Rosa Martínez, Paolo Colombo, Yuko Hasegawa, Dan Cameron, Charles Esche)¿ all well-known international curators in their own right - to select what they felt were the most inspiring and iconic works from the biennials they had organized. Originating from the U.S.A., Germany, Scotland, Spain, Italy, Japan, and Turkey, these curators have assembled a kaleidoscopic vision of the work of many key artists who have left their mark on contemporary culture and art. The exhibition will reflect the transformation of the art scene in Istanbul and the role of the past Biennials within this change, with each curator writing an article for the exhibition catalogue about their experiences of the city, the Biennial they curated and their perspectives on the future. To accompany the exhibition, an extensive illustrated catalogue that examines the evolution of the Biennial over the past twenty years, and gives the views and perspectives of its Artistic Directors from the past to present, will be published. "The Future of Biennials": An International Symposium. In connection with the Opening of the 10th Istanbul Biennial on 6th September and in co-ordination with them, ¿stanbul Modern will organize an international symposium on the 7th and 8th of September 2007. The symposium will be held at the Mimar Sinan University Auditorium in collaboration with AICA Turkey. Sponsored by Garanti Bank, the symposium will be in English with simultaneous translation into Turkish. The symposium will include the previous artistic directors of the past Biennials, as well as Hou Hanru, the artistic director of the 10th Istanbul Biennial, and some of the artists participating in the exhibition. The past, present and future of the Biennials in general and Istanbul Biennial in particular will be discussed from various aspects and a Q and A session will be held for the audience. Moderated by ¿stanbul Modern Director David Elliott, the symposium speakers will include Selim Birsel, René Block, Dan Ca
Bergamo. Edit. Insistuto Italiano d'Arti Gtrafiche, 1943. 144 láminas ilustradas en b/n fuera texto. 49 p. 4º menor. Tela editorial algo deslucida. Algunas manchas de óxido. Buen ejemplar. Libro en italiano.
London, A. H. Bullen, 1906, 24 x 17 cm., tela original rasgada por el lomo, retrato + VIII págs. + 1 h. + 237 págs. + 52 láminas.
Madrid, Edit. Galeria Fucares, 1989. Algunas ilustraciones en color y b/n. S.N. 8º. Rústica editorial ilustrada. Muy buen ejemplar.
London, Edit.Tate Gal., 1981. Exhibition 8 October 1980 - 4 January 1981. Numerosas ilustraciones en color y negro. 158 p. 4º. Rústica editorial ilustrada. Muy buen ejemplar. Book in English.
London, David Messum Fine Art, 1998. Thomas Churchyard 1798-1865: An Exhibition and Sale of Original Works To Celebrate His Bicenzenary. Numerosas ilustraciones en color. 8º mayor cuadrado. Rústica editorial ilustrada. Muy buen ejemplar. Libro en inglés. Book in english.
Stuttgart und Leipzig, 1909, 29 x 19'5 cm., tela original, corte superior dorado, LXV págs. con ilustraciones intercaladas - 513 láminas - pág. 514 a 550
New English Paperback. Pbo. 4to. (26 x 22 cm). In English and Turkish. 128 p., color ills. This side of The Aegean from a westerner's brush.= Batilinin firçasindan Ege'nin bu yakasi. [Exhibition catalogue].
New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. [vi], 174 p., color and b/w ills. This is not alove song: Video art and pop music crossovers.= Bu bir ask sarkisi degil: Video sanati ve pop müzik iliskisi. [Exhibition catalogue]. "This is Not a Love Song: Video Art and Pop Music Crossovers" exhibition catalogue traces the genealogy of the relations between video art and pop music from the 1960s to today in which video art and pop music crossed roads. The catalogue features a substantial essay on video art and pop music relationship by curator F. Javier Panera Cuevas. The five chapters in the catalogue Art in Pop, Pop in Art, Hysteria and Religion, 'Non-Musicians' vs 'Non-Artists' Rock and Conceptual Art, Rock and Its Double: Pop Music as a 'Toolbox' and Dance Music Politics present a deeper look into the works in the exhibition. This is Not a Love Song suggests that the relations between music and the visual arts force us to reconsider another history of art, in which musicians and artists can position themselves either as actors in the hegemonic cultural system or as critical radicals whose traces, as Greil Marcus would say, can be as intense and as short-lived 'as a lipstick stain that is removed but leaves a profound imprint on our memory. Contents: Foreword.; This is Not a Love Song.; Art in Pop / Pop in Art.; Rock and Conceptual Art: 'Non-Musicians' vs 'Non-Artists'.; Rock and Its Double: Pop Music as a 'Toolbox'.; Dance Music Politics.; This is Not a Music Video. MUSIC History of art Video installation Exhibition Modern art Pop culture.
New New English Original bdg. Dust wrapper. 4to. (28 x 23 cm). In Turkish and a small abstract in English (pp. 491-494). 494, [2] p., color and b/w ills. Tez - antitez - sentez: Selim Turan'in sanat serüveni.= Thesis-antithesis-synthesis: Art journey of Selim Turan. Artistic life of Selim Turan and his paintings. Turan'in altmis yila yayilan sanat serüveninin tez, antitez, sentez kavramlariyla örülmüs bir bütünlük olarak ortaya çiktigini görüyoruz. Bir ressam olarak Turan, yapmacik sözü degil esinlendirici, açik seçik formu aradi. Kurgulariyla, renk bütünlükleriyle bir atmosfer olusturmayi basaran soyut kompozisyonlari, onun özverili çabasinin ürünüdür. Sanatçi bu sayede, kütlesel formlarin egemen oldugu yalin, benzetmelere yer vermekten kaçinmayan, renk bakimindan çogu kez siyah ve koyu tonlarin hâkim oldugu bir görsel dil gelistirdi. Kendini farkli stillere zorlamadi; içinden geldigi gibi belli bir çizgisellikten uzakta çalisti. Kompozisyonlarini tekrar etmekten kaçinmamasi, formlarini hem figüratif hem de soyut imgelere göre kurgulamasi, onun belirgin özellikleri arasindadir. 1947 ile 1960 arasinda Paris'te sanat yasaminin en üst noktasina çikarak birbirinden ilginç deneylere giren sanatçi, soyut resimlerinde gelistirmis oldugu ifade zenginligiyle Modern Türk resminde ayricalikli bir konuma sahiptir.
New English Paperback. Roy. 8vo. (24 x 17 cm). In English and Turkish.304 p., ills. Theory in the art and design: Add-Ist Art and Design Dialogues Symposium. February 2018 proceedings book and exhibition catalogue.= Sanat ve tasarimda kuram: Add-Ist Sanat ve Tasarim Diyaloglari Sempozyumu - Subat - 2018 bildiriler kitabi ve sergi katalogu.
Edit. Walter T. Foster, s/f. Numerosas ilustraciones en color. 37 p. Folio. Rústica editorial ilustrada. Book in English. Muy buen ejemplar.
Tirada limitada de 2000 ejemplares.
London. Edit. Saatchi Gallery, 2005. Numerosas ilustraciones en color fuera texto. 50 hojas sin numerar. 4º. Cartoné editorial con sobrecubierta ilustrada. Muy buen ejemplar. Inclyuye poster con los bordes arrugados.
New English Paperback. Pbo. 4to. (28 x 24 cm). Bilingual in Turkish and English. 103 p., color ills. The Time Needs Changing exhibition questions our geo-politically controlled notions of time. The three artists in this show give alternatives to linear time, which is currently strictly enforced by the power structures under which we live. The works of Cao Fei, Nilbar Güres and the Raqs Media Collective release the shackles of time, and suggest alternative and parallel paths. The exhibition presents a thought-scape that draws from three different parts of the world; China, Turkey and India. The artists explore time through drawing, video, photography, installation and new media. Time is one of the many subjects addressed by the participants of the exhibition. Their works help us better understand our relations with ourselves, as well as those with the world around us. Nilbar Güres questions masculine linear time; Cao Fei offers us greater control in a world where real and virtual intersect; and the Raqs Media Collective liberates time itself in its works that associate memory with different experiences.
London. Edit. Trustees, 1984. Numerosas ilustraciones en color. 152 p. 8º. Rústica editorial ilustrada algo deslucida. Buen ejemplar. Book in english.
Fine English Paperback. 12mo. (17 x 12 cm). In English. 29, [3] p., b/w ills. The tale of Kamaray. Ills. by Nik.
New New English Original bdg. Dust wrapper. 4to. (30 x 24 cm). In English. 343 p., color and b/w ills. The Sultan's procession: The Swedish embassy to Sultan Mehmed IV in 1657-1658 and the Rålamb paintings. In 1657, King Charles X Gustaf of Sweden sent Claes Ralamb as an envoy to Sultan Mehmed IV's court. While he was there, Ralamb commissioned 20 large paintings in oil on canvas, depicting an imperial procession through Istanbul in September 1657, providing a revealing insight into the court of Sultan Mehmed IV in Ottoman Turkey. For the first time, Ralamb's paintings are published here in "The Sultan's Procession". This beautifully illustrated book - containing over 150 colour illustrations - comprehensively covers the full history of the paintings, including a technical analysis from the conservation of one of the paintings. The book also provides a full history of Claes Ralamb and his mission, including the political background of the Swedish embassy, Ralamb's biography and English translations of primary sources in Swedish and Turkish archives. Among the illustrations are over 100 watercolours of people in the Ottoman society from the costume album acquired by Ralamb in Istanbul. These unique Ralamb paintings provide a rare window into life at the Ottoman court in the 17th century.