ABDURRAHMAN ÖZTOPRAK.MareMagnum
3 500 résultats
Fine English Paperback. Pbo. 4to. (28 x 24 cm). In English, Italian, and Turkish. 133, [2] p., color and b/w ills. The sublime figures of the leaping heart: Abdurrahman Öztoprak from the Elgiz Collection, Istanbul.= Alte figure dello slancio del cuosre: Abdurrahman Öztoprak dalla Colleziona Elgiz, Istanbul.= Kalp coskusunun yüce figürleri: Elgiz Koleksiyonu'ndan Abdurrahman Öztoprak. [Exhibition catalogue]. 31.05 - 24.08.2008, Ca'Pesaro - International Museum of Modern Art, Venice. Curators: Michela Rizzo, Necmi Sonmez, Vittorio Urbani.
Very Good Very Good English Paperback. Pbo. Dust wrapper. 4to. (29 x 23 cm). Color ills. [68] p. In Turkish and English. The Sabanci Collection of Paintings.= Sabanci Resim Kolleksiyonu.
New English Paperback. Pbo. 4to. (32 x 21 cm). Title is in English and Turkish; texts in Turkish. 288 p., color and b/w ills. The revolutionary years of Turkish contemporary art: 80's.= Türk çagdas sanatinin devrim yillari: 80'ler. [Exhibition catalogue]. 5 Kasim 2014 - 11 Ocak 2015. Coordination by Öykü Eras.
Barcelona, Edit. Polígrafa, 1995. Numerosas ilustraciones en color. Fotografías en b/n. 128 p. 4º mayor. Tela editorial con sobrecubierta ilustrada. Book in English. Muy buen ejemplar.
Edinburgh, Otto Schulze & Co., 1911, 21'5 x 14'5 cm., frontis - 16 págs. - 8 láminas.
New English Paperback. 4to. (30 x 24 cm). In English. 285 p. Color and b/w ills. "This unique collection takes a fresh look at Orientalism by shifting its center from Europe to Ottoman Istanbul and thinking about art in terms of exchange, reciprocity, and comparative imperialisms. This new lens reveals the essential role of the Ottoman city and its patrons and artists in the dialogues that facilitated production, circulation, and consumption of British Orientalist cultures. In this volume, art works are conceptualized as traveling artifacts produced through localized interactions. World renowned scholars and curators analyze the diverse audiences for such art works and the range of differing contexts for their reception both in the 19th century and more recently. In this way, British art is put into a dynamic relationship with an historicized understanding of cultures of collecting and display during the formation of comparative modernities and also with the contemporary postcolonial creation of new national models of exhibition and education. Featuring stunning visuals, this book puts art history in the context of cultural, visual, and literary studies, challenging the orthodoxies of postcolonial theory with the materiality of multiple imperialisms and modernities to offer a new take on the collection, display, and consumption of Orientalist cultures.".
Fine English Paperback. Small 4to. (27 x 20 cm). In English. 54, [2] p., 53 numerous b/w plts., 46 numerous color plates. The people & places of Constantinople. Watercolours by Amadeo Count Preziosi, (1816-1882). It's prepared for the first exhibition on Count Amadeo Preziosi, (1816-1882) in Great Britain. "This is the first exhibition of the work of Amadeo Preziosi to be held in this ccountry. It does not cclaim to be definitive, but it centered on the Museum's substantial holdings and augmented by loans from collections in Great Britain. Preziosi's name is now little known except to specialists, but in the period 1840-70 he was by far the most reknowned artist in Constantinople. He was only retrieved from the critical neglect into which he had fallen in the 20th century by Rodney Searight who began to appreciate his importance while building up his unsurpassed collection of views of the Near and Middle East. Indeed, it is fitting that the exhibition honours not only Preziosi himself but also Rodney Searight, pioneer of the study of this field, whose collection the Museum is raising funds to acquire. It is hoped that the enthusiasm Preziosi's contemporaries felt foe his lively and colourful studies of a now vanished way of life will be appreciated by visitors to the exhibition". (From the Kaufmann's preface).
Firenze, 1924, 17 x 12 cm., 2 h. + 1 lámina en color + 35 págs. + 64 láminas en papel couché + 8 h.
London, Phaidon Press, 1953, 31 x 23 cm., tela original con sobrecubiertas, numerosas ilustraciones intercaladas, X - 199 págs. - 8 láminas en colores.
Fine Fine English Original bdg. Dust wrapper 4to. (28 x 20 cm). In English and Turkish. [viii], 351, [9] p., b/w and color ills. The Ottoman palace women (Women in Turkey).= Osmanli saray kadinlari (Türkiye'de kadin). Ottoman palace women is the third volume of study entitled Women in Turkey, and is a detailed and documentational account of how women of many races, faiths and creeds entered palace service, and of their lifestyles from the humblest to those who attained the coveted position of favourite of wife to the sultan. It was impossible for anyone but the members of the sultan's own household to see and describe the harem of the Ottoman palace. That is why, with rare exceptions, the portrayals of palace officials, female slaves, odalisques, favourites, wives and sultan mothers by foreign artists who visited Istanbul at various times are mere figments of the imagination and as such are interesting testimony to the power of imagination and artistic ability of European painters...".
Reproducciones pictóricas a color (99) y blanco-negro (320).
New York, Edit. Museum of Moderns Art, 1983. Numerosas ilustraciones en color. 63 p. 4º. Rústica editorial ilustrada. Muy buen ejemplar. Book in english.
Glasgow, Edit. R. Maclehouse, 1913. Numerosas ilustraciones en b/n. 68 p. 8º. Holandesa editorial algo deslucida con dorados en el lomo. Ex libris. Buen ejemplar. Book in english.
London, Gowans & Gray, 1910, 15 x 10 cm., 4 h. + 66 págs., incluso 60 láminas en papel couché + 2 h.
New English Original bdg. HC. 4to. (30 x 24 cm). In English and Turkish. 271, [1] p., color ills. 750 copies were printed. The man who collected the colors of life: The impassioned life of collector Nahit Kabakci.= Yasamin renklerini toplayan adam: Koleksiyoncu Nahit Kabakci'nin tutku dolu yasami.
Budepest. Edit. Corvina, 1989. Numerosas ilustraciones en color y b/n. 91 p. 4º. Tela editorial con sobrecubierta ilustrada. Muy buen ejemplar. Book in english
New English Paperback. 4to. (28 x 24 cm). In English and Turkish. 360 p., color ills. The lure of the East: British orientalist painting.= Dogu'nun cazibesi: Britanya oryantalist resmi. [Exhibition catalogue]. This exhibition focused on the paintings made by British artists of the 'Orient', primarily during the nineteenth century. In this context the term 'Orient', to Western Europeans, meant those parts of the eastern Mediterranean world which could be accessed relatively easily such as Egypt, Palestine and Turkey, particularly after the development of steamboat and rail travel in the 1830s. In these places, predominantly Muslim and at least nominally under the control of the Ottoman Empire, British artists, such as David Roberts, David Wilkie, William Holman Hunt, John Frederick Lewis and Frederic Leighton, sought to develop imagery which captured what they believed to be characteristic of the people, cities and landscapes of the region. In the 1970s the Palestinian-American academic Edward Said published his treatise on Orientalism, initiating a global debate over Western representations of the Middle East. For many, such representations now appeared to be a sequence of fictions, serving the West's desire for superiority and control over the East. The argument for and against Said's Orientalism has continued for thirty years. Its resonance for an exhibition such as this one, however, is as strong as ever given that, by the 1920s (the end of the period covered by this exhibition), Britain was in direct control of much of the newly abolished Ottoman Empire, including Egypt, Palestine and Iraq. As Said argued, these images cannot be viewed in isolation from their wider political and cultural context. Keeping the debates around Orientalism in mind, "The Lure of the East" focuses on the range of pictorial options open to British artists, within five major themes: portraits, genre, religious and domestic subjects and landscape. British painters came to the Middle East from a culture steeped in technical and compositional artistic traditions. Such traditions were not easily unlearned, despite the apparent difference of the people and places the artists encountered on their travels. Given this, British Orientalist painters found many challenges in attempting to represent the Middle East, but they also found inspiration and, more importantly, the freedom to rework, reinvent and even discard those conventions that defined picture-making in Britain.
New New English Original bdg. Dust wrapper. 4to. (29 x 24 cm). In English and Turkish. 201 p., color ills., folding plt. The Huma Kabakci Turkish Art Collection, 1950-2008.= Huma Kabakci Türk Sanati Koleksiyonu.
New English Paperback. Foolscap 8vo. (18 x 12 cm). In English and Turkish. 368, [16] p., color and b/w ills. The guide. What keeps mankind alive? 11th International Istanbul Biennial.= Rehber. Insan neyle yasar? 11. Uluslararasi Istanbul Bienali.
Fine English Paperback. Pbo. Large 8vo. (24 x 24 cm). In English and Turkish. 85, [1] p., color ills. The ghost line.= Hayalet çizgi. [Exhibition catalogue]. TURKISH ART OF PAINTING History of art Contemporary art Modern painting.
New York, Thomas Yoseloff, Inc, 1957. 102 p. 3 h. 4º. Tela editorial algo deslucida. Buen ejemplar.
As New As New English Paperback. Dust wrapper. 4to. (29 x 24 cm). In English and Turkish. 86, [1] p., color and b/w ills. The first lady artists of Turkey.= Ilk kadin ressamlarimiz. Translated into English by Adair Mill. This work, which includes interesting biographical information and good examples of the work of the first Turkish female artists is intended to be a reference book on this subject. Contents: The first female artists of Turkey.; Mihri Hanim.; Müfide KAdri Hanim.; Celile Hanim.; Vildan Gizer.; Emine Fuat Tugay.; Naciye Tevfik and Meliha Zâfir Yenerden.;Fine Arts School for Girls.; Müzdan Arel.; First students of "Inas Sanayi-i Nefise Mektebi".; Nazli Ecevit.; Güzein Duran.; Melek Celal Sofu.; Fahrünnisa Zeyd.; Belkis Hanim.; Sabiha Bozcali.; Hâle Asaf...