MORASSI, AntonioMareMagnum
3 372 résultats
Bergamo. Edit. Insistuto Italiano d'Arti Gtrafiche, 1943. 144 láminas ilustradas en b/n fuera texto. 49 p. 4º menor. Tela editorial algo deslucida. Algunas manchas de óxido. Buen ejemplar. Libro en italiano.
London, A. H. Bullen, 1906, 24 x 17 cm., tela original rasgada por el lomo, retrato + VIII págs. + 1 h. + 237 págs. + 52 láminas.
Madrid, Edit. Galeria Fucares, 1989. Algunas ilustraciones en color y b/n. S.N. 8º. Rústica editorial ilustrada. Muy buen ejemplar.
London, Edit.Tate Gal., 1981. Exhibition 8 October 1980 - 4 January 1981. Numerosas ilustraciones en color y negro. 158 p. 4º. Rústica editorial ilustrada. Muy buen ejemplar. Book in English.
London, David Messum Fine Art, 1998. Thomas Churchyard 1798-1865: An Exhibition and Sale of Original Works To Celebrate His Bicenzenary. Numerosas ilustraciones en color. 8º mayor cuadrado. Rústica editorial ilustrada. Muy buen ejemplar. Libro en inglés. Book in english.
Stuttgart und Leipzig, 1909, 29 x 19'5 cm., tela original, corte superior dorado, LXV págs. con ilustraciones intercaladas - 513 láminas - pág. 514 a 550
New English Paperback. Pbo. 4to. (26 x 22 cm). In English and Turkish. 128 p., color ills. This side of The Aegean from a westerner's brush.= Batilinin firçasindan Ege'nin bu yakasi. [Exhibition catalogue].
New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. [vi], 174 p., color and b/w ills. This is not alove song: Video art and pop music crossovers.= Bu bir ask sarkisi degil: Video sanati ve pop müzik iliskisi. [Exhibition catalogue]. "This is Not a Love Song: Video Art and Pop Music Crossovers" exhibition catalogue traces the genealogy of the relations between video art and pop music from the 1960s to today in which video art and pop music crossed roads. The catalogue features a substantial essay on video art and pop music relationship by curator F. Javier Panera Cuevas. The five chapters in the catalogue Art in Pop, Pop in Art, Hysteria and Religion, 'Non-Musicians' vs 'Non-Artists' Rock and Conceptual Art, Rock and Its Double: Pop Music as a 'Toolbox' and Dance Music Politics present a deeper look into the works in the exhibition. This is Not a Love Song suggests that the relations between music and the visual arts force us to reconsider another history of art, in which musicians and artists can position themselves either as actors in the hegemonic cultural system or as critical radicals whose traces, as Greil Marcus would say, can be as intense and as short-lived 'as a lipstick stain that is removed but leaves a profound imprint on our memory. Contents: Foreword.; This is Not a Love Song.; Art in Pop / Pop in Art.; Rock and Conceptual Art: 'Non-Musicians' vs 'Non-Artists'.; Rock and Its Double: Pop Music as a 'Toolbox'.; Dance Music Politics.; This is Not a Music Video. MUSIC History of art Video installation Exhibition Modern art Pop culture.
New New English Original bdg. Dust wrapper. 4to. (28 x 23 cm). In Turkish and a small abstract in English (pp. 491-494). 494, [2] p., color and b/w ills. Tez - antitez - sentez: Selim Turan'in sanat serüveni.= Thesis-antithesis-synthesis: Art journey of Selim Turan. Artistic life of Selim Turan and his paintings. Turan'in altmis yila yayilan sanat serüveninin tez, antitez, sentez kavramlariyla örülmüs bir bütünlük olarak ortaya çiktigini görüyoruz. Bir ressam olarak Turan, yapmacik sözü degil esinlendirici, açik seçik formu aradi. Kurgulariyla, renk bütünlükleriyle bir atmosfer olusturmayi basaran soyut kompozisyonlari, onun özverili çabasinin ürünüdür. Sanatçi bu sayede, kütlesel formlarin egemen oldugu yalin, benzetmelere yer vermekten kaçinmayan, renk bakimindan çogu kez siyah ve koyu tonlarin hâkim oldugu bir görsel dil gelistirdi. Kendini farkli stillere zorlamadi; içinden geldigi gibi belli bir çizgisellikten uzakta çalisti. Kompozisyonlarini tekrar etmekten kaçinmamasi, formlarini hem figüratif hem de soyut imgelere göre kurgulamasi, onun belirgin özellikleri arasindadir. 1947 ile 1960 arasinda Paris'te sanat yasaminin en üst noktasina çikarak birbirinden ilginç deneylere giren sanatçi, soyut resimlerinde gelistirmis oldugu ifade zenginligiyle Modern Türk resminde ayricalikli bir konuma sahiptir.
New English Paperback. Roy. 8vo. (24 x 17 cm). In English and Turkish.304 p., ills. Theory in the art and design: Add-Ist Art and Design Dialogues Symposium. February 2018 proceedings book and exhibition catalogue.= Sanat ve tasarimda kuram: Add-Ist Sanat ve Tasarim Diyaloglari Sempozyumu - Subat - 2018 bildiriler kitabi ve sergi katalogu.
Edit. Walter T. Foster, s/f. Numerosas ilustraciones en color. 37 p. Folio. Rústica editorial ilustrada. Book in English. Muy buen ejemplar.
Tirada limitada de 2000 ejemplares.
London. Edit. Saatchi Gallery, 2005. Numerosas ilustraciones en color fuera texto. 50 hojas sin numerar. 4º. Cartoné editorial con sobrecubierta ilustrada. Muy buen ejemplar. Inclyuye poster con los bordes arrugados.
New English Paperback. Pbo. 4to. (28 x 24 cm). Bilingual in Turkish and English. 103 p., color ills. The Time Needs Changing exhibition questions our geo-politically controlled notions of time. The three artists in this show give alternatives to linear time, which is currently strictly enforced by the power structures under which we live. The works of Cao Fei, Nilbar Güres and the Raqs Media Collective release the shackles of time, and suggest alternative and parallel paths. The exhibition presents a thought-scape that draws from three different parts of the world; China, Turkey and India. The artists explore time through drawing, video, photography, installation and new media. Time is one of the many subjects addressed by the participants of the exhibition. Their works help us better understand our relations with ourselves, as well as those with the world around us. Nilbar Güres questions masculine linear time; Cao Fei offers us greater control in a world where real and virtual intersect; and the Raqs Media Collective liberates time itself in its works that associate memory with different experiences.
London. Edit. Trustees, 1984. Numerosas ilustraciones en color. 152 p. 8º. Rústica editorial ilustrada algo deslucida. Buen ejemplar. Book in english.
Fine English Paperback. 12mo. (17 x 12 cm). In English. 29, [3] p., b/w ills. The tale of Kamaray. Ills. by Nik.
New New English Original bdg. Dust wrapper. 4to. (30 x 24 cm). In English. 343 p., color and b/w ills. The Sultan's procession: The Swedish embassy to Sultan Mehmed IV in 1657-1658 and the Rålamb paintings. In 1657, King Charles X Gustaf of Sweden sent Claes Ralamb as an envoy to Sultan Mehmed IV's court. While he was there, Ralamb commissioned 20 large paintings in oil on canvas, depicting an imperial procession through Istanbul in September 1657, providing a revealing insight into the court of Sultan Mehmed IV in Ottoman Turkey. For the first time, Ralamb's paintings are published here in "The Sultan's Procession". This beautifully illustrated book - containing over 150 colour illustrations - comprehensively covers the full history of the paintings, including a technical analysis from the conservation of one of the paintings. The book also provides a full history of Claes Ralamb and his mission, including the political background of the Swedish embassy, Ralamb's biography and English translations of primary sources in Swedish and Turkish archives. Among the illustrations are over 100 watercolours of people in the Ottoman society from the costume album acquired by Ralamb in Istanbul. These unique Ralamb paintings provide a rare window into life at the Ottoman court in the 17th century.
Fine English Paperback. Pbo. 4to. (28 x 24 cm). In English, Italian, and Turkish. 133, [2] p., color and b/w ills. The sublime figures of the leaping heart: Abdurrahman Öztoprak from the Elgiz Collection, Istanbul.= Alte figure dello slancio del cuosre: Abdurrahman Öztoprak dalla Colleziona Elgiz, Istanbul.= Kalp coskusunun yüce figürleri: Elgiz Koleksiyonu'ndan Abdurrahman Öztoprak. [Exhibition catalogue]. 31.05 - 24.08.2008, Ca'Pesaro - International Museum of Modern Art, Venice. Curators: Michela Rizzo, Necmi Sonmez, Vittorio Urbani.
Very Good Very Good English Paperback. Pbo. Dust wrapper. 4to. (29 x 23 cm). Color ills. [68] p. In Turkish and English. The Sabanci Collection of Paintings.= Sabanci Resim Kolleksiyonu.
New English Paperback. Pbo. 4to. (32 x 21 cm). Title is in English and Turkish; texts in Turkish. 288 p., color and b/w ills. The revolutionary years of Turkish contemporary art: 80's.= Türk çagdas sanatinin devrim yillari: 80'ler. [Exhibition catalogue]. 5 Kasim 2014 - 11 Ocak 2015. Coordination by Öykü Eras.
Barcelona, Edit. Polígrafa, 1995. Numerosas ilustraciones en color. Fotografías en b/n. 128 p. 4º mayor. Tela editorial con sobrecubierta ilustrada. Book in English. Muy buen ejemplar.
Edinburgh, Otto Schulze & Co., 1911, 21'5 x 14'5 cm., frontis - 16 págs. - 8 láminas.
New English Paperback. 4to. (30 x 24 cm). In English. 285 p. Color and b/w ills. "This unique collection takes a fresh look at Orientalism by shifting its center from Europe to Ottoman Istanbul and thinking about art in terms of exchange, reciprocity, and comparative imperialisms. This new lens reveals the essential role of the Ottoman city and its patrons and artists in the dialogues that facilitated production, circulation, and consumption of British Orientalist cultures. In this volume, art works are conceptualized as traveling artifacts produced through localized interactions. World renowned scholars and curators analyze the diverse audiences for such art works and the range of differing contexts for their reception both in the 19th century and more recently. In this way, British art is put into a dynamic relationship with an historicized understanding of cultures of collecting and display during the formation of comparative modernities and also with the contemporary postcolonial creation of new national models of exhibition and education. Featuring stunning visuals, this book puts art history in the context of cultural, visual, and literary studies, challenging the orthodoxies of postcolonial theory with the materiality of multiple imperialisms and modernities to offer a new take on the collection, display, and consumption of Orientalist cultures.".
Fine English Paperback. Small 4to. (27 x 20 cm). In English. 54, [2] p., 53 numerous b/w plts., 46 numerous color plates. The people & places of Constantinople. Watercolours by Amadeo Count Preziosi, (1816-1882). It's prepared for the first exhibition on Count Amadeo Preziosi, (1816-1882) in Great Britain. "This is the first exhibition of the work of Amadeo Preziosi to be held in this ccountry. It does not cclaim to be definitive, but it centered on the Museum's substantial holdings and augmented by loans from collections in Great Britain. Preziosi's name is now little known except to specialists, but in the period 1840-70 he was by far the most reknowned artist in Constantinople. He was only retrieved from the critical neglect into which he had fallen in the 20th century by Rodney Searight who began to appreciate his importance while building up his unsurpassed collection of views of the Near and Middle East. Indeed, it is fitting that the exhibition honours not only Preziosi himself but also Rodney Searight, pioneer of the study of this field, whose collection the Museum is raising funds to acquire. It is hoped that the enthusiasm Preziosi's contemporaries felt foe his lively and colourful studies of a now vanished way of life will be appreciated by visitors to the exhibition". (From the Kaufmann's preface).