544 résultats
19003415Elmira NY or Auburn NY 1900. Wooden blook 4.75 x 6.25". A hand-made wooden box in the shape of a 12mo book with a compartment carved from the interior and lined with blue velvet. In very good condition with a 1" x 3" section of varnish removed on the front board; scattered scratches to the surface that seem to be heavier on the rear board where the box was laid; wear and oxidation to the metallic gold used on the fore edges. AN EXCELLENT WOODEN BOOK WITH A SECRET COMPARTMENT the gift of one male prison guard to another featuring many qualities of American Folk Art. <br/><br/>The term "Blook" was coined by Mindell Dubansky of the Metropolitan Museum of Art; it is the contraction of the words "Book Look" and refers to an everyday object that looks like a book. Our blook is decorated with Tole paintings in green white gold orange and burgundy. The front of the blook has a decorative shield with "To Walter Long 1900" in script within a central cross; the shield is surrounded by wreath of flowers and leaves on a burgundy field with a green border that extends around the spine to the rear cover of the blook. The "spine" has a central green panel bordered in orange and decorated with arabesques in gold with the word "Friendship" in script written on a diagonal. The rear of the blook has a central shield with three horizontal panels with the words "Compliments of Elvey D. Ridley" in script on the first two horizontal panels; the shield is formed by an arabesque border and is superimposed on top of a foliate branch. The edges of the "text block" of the blook are painted metallic gold.<br/><br/>The secret compartment is accessed by sliding the spine of the blook downward and then outward to remove it and the compartment is revealed when a small sliding door on the front "cover" of the blook is pulled toward the spine. <br/><br/>Our blook is a token of friendship between two who worked at the Elmira Reformatory in 1900. Walter Long was a guard and Elvey D. Ridley was a "keeper". Ridley transferred to Auburn Prison to become a guard in 1900. It is likely that Ridley's move to Auburn prompted this gift to his friend. <br/><br/>A unique blook offering between two friends and a scarce instance of early 20th century folk art. <br/><br/>For records of the two men see: State of New York Civil Service Commission. Seventeenth Report of the State Civil Service Commission. March 13 1900 p. 793 and February 28 1901 p. 116 Albany: James B. Lyon State Printer. unknown books
1900349Sevilla: original 1900. original. Framed. Fine. F. Candella. Watercolor on paper unframed: 6.8" x 4.1" / 17.2 x 10.3 cm ca.1900 signed "FCandel "F" & "C" ligated Sevilla Spain. Colorful and humorous watercolor of a mounted horseman wooing his fair duena. original unknown
1900349Sevilla: original 1900. original. Framed. Fine. F. Candella. Watercolor on paper unframed: 6.8" x 4.1" / 17.2 x 10.3 cm ca.1900 signed "FCandel "F" & "C" ligated Sevilla Spain. Colorful and humorous watercolor of a mounted horseman wooing his fair duena. original unknown books
18862110502150907973Matsumoto Heikichi-ban 1886. Soft Cover. Fine. Number of books: 1 Matsumoto Heikichi-ban paperback
18982092902141000884Hanshichi Yoshikawa 1898. Soft Cover. Fine. The book is in fine condition. Hanshichi Yoshikawa paperback
18852110502150908399Matsumoto Heikichi-ban 1885. Soft Cover. Fine. Number of books: 1 Matsumoto Heikichi-ban paperback
1885143011885. Iran Art Qajar School Lovers in Embrace gouache painting on paper nineteenth century represents the courtly aesthetic erotic refinement and dynastic visual language that defined Persian painting under Qajar rule. The composition situates a princely male figure and his adorned companion in intimate embrace reinforcing themes of aristocratic leisure romanticized sovereignty and elite identity in Qajar Iran. The work supports research in Persian court painting gender representation in Islamic art Qajar costume and regalia and nineteenth century Iranian material culture.<br /> <br /> Persian Qajar gouache on paper with gold illuminated border. Depicts a young prince wearing blue and gold coat and karakul headgear embracing female companion adorned with tiara and pearls. Floral and animal illuminated margins including deer and monkeys. Image size 18.5 x 11 inches.<br /> <br /> The prince's distinctive headgear confirms Qajar rather than Zand period attribution aligning the work with the heightened stylization and opulent textile rendering characteristic of nineteenth century Tehran ateliers. Comparable compositions appear in Qajar painting traditions associated with artists such as Mohammad Sadiq whose courtly embrace scenes similarly emphasize costume detail glassware and staged intimacy as markers of refinement. The illuminated border populated by floral and animal motifs situates the lovers within a cosmological and decorative framework typical of Qajar manuscript aesthetics adapted to single-sheet painting. Minor browning to margins and discreet restoration to verso margins not affecting image. Very good. A refined example of Qajar visual culture centered on dynastic elegance and performative intimacy. unknown
18462111902160200502Yamatoya keizo 1846. Soft Cover. Fine. Number of books: 2 books Yamatoya keizo paperback
18852110502150907802Matsumoto Heikichi-ban 1885. Soft Cover. Fine. Number of books: 1 Matsumoto Heikichi-ban paperback
18852110502150908658Matsumoto Heikichi-ban 1885. Soft Cover. Fine. Number of books: 1 Matsumoto Heikichi-ban paperback
18882110502150907803Matsumoto Heikichi-ban 1888. Soft Cover. Fine. Number of books: 1 Matsumoto Heikichi-ban paperback
18852110502150906752Matsumoto Heikichi-ban 1885. Soft Cover. Fine. Number of books: 1 Matsumoto Heikichi-ban paperback
18832092902141302866Junzaburo Morimoto board 1883. Soft Cover. Fine. Number of books: 1 Junzaburo Morimoto board paperback
18862110502150908846Matsumoto Heikichi-ban 1886. Soft Cover. Fine. Number of books: 1 Matsumoto Heikichi-ban paperback
18942110502150900686Hakubunkan 1894. Soft Cover. Fine. Number of books: 4 Hakubunkan paperback
1895402487München, Vlgsanst. f. Kunst u. Wissenschaft, (1895). Fol. M. 40 Taf. 1 S. Text. OLdr. m. Goldschnitt u. Prägung. Rücken etwas angerissen. Einbd. Teils berieben.
18112111902160200327Igaya Kanemon board 1811. Soft Cover. Fine. Number of pages: 70 pages Size: 18cmx13cm 70p Number of books: 1 Igaya Kanemon board paperback
18301045852Ohne Ort und Verlag [London, Bossange, Barthés and Lowell / Paris: Audot] [1830]. 52 blattgroße Umrißkupfer von Achille Réveil mit jeweils ein- bis vierseitigen Beschreibungen und Kommentaren in französischer und englischer Sprache. Unbeschnittener Block. 8° (19 x 12 cm). Interimspappband der Zeit.
190022170China: n.p. 1900. Hardcover. Near fine. 8vo. 22 unnumbered pages using verso only. Accordion book bound in Asian style. Wooden boards the upper board carved with the character for Good Luck. Top and bottom edges gilt.<br /> <p><br /> This is followed by 11 sets of two pages the right hand page with the story of a particular lady in Chinese and English and the left hand with a painting on silk illustrating the story and bordered in brocade. The silk paintings are bright and unfaded showing vibrant pigmentation and artistically executed with lovely shading effect Includes the story of Mu Lan basis for the Disney film.<br /> <br /> <p><br /> The typesetting and spelling of the English translation are poorly accomplished the word 'Cbinese' in the title being perhaps the most glaring example. Misspellings misuses of quotation marks and unusual word separations lead us to believe this is the first issue of a title preprinted into the 1930's. <br /> <p><br /> A fine example.<br /> <p><br /> Scarce. n.p. hardcover
1890FF2442London:: William Reeves n.d. ca.1890. 1890. Head of title: Flagellation & the Flagellants. Small 8vo. xi 1 544 pp. Frontis. 20 illus. index. Modern full black calf and triangle-shaped red morocco onlays raised bands gilt stamping upper cover with gilt central "rod and birch" motif all edges gilt marbled endleaves hand bound by Martin Frost with his gilt-stamped monogram label on rear board. Red cloth thumb-hold slip-case. Fine. "THE ALLURE OF THE WHIP!" With a splendid fore-edge painting showing a pair of horse or carriage riders "riding" their partners back-sides prominently showing in the spirit of Thomas Rowlandson and in this case like Martin Frost who often displays a remarkable sense of humor and the exotic for artistry. Frost's signed book label mounted as a bookplate in front dated 2007. The artist is playing with us by making the trees into the shape of a phallus all of them!. Painting also signed "MF". Frost himself describes this as "A Rowlandesque road scene of travelers 'whipping up' themselves as well as their mounts!" / This is one of the early efforts of MF to bind and paint the book himself. William Reeves, n.d. [ca.1890]. hardcover
1813FF2459London:: Printed by Law and Gilbert for F.C. and J. Rivington 1813. 1813. 8vo. vii 1 113 1 pp. INTERLEAVED COPY with manuscript 8 pages long of two copied letters from Henry Bathurst the Lord Bishop of Norwich to William Firth 1813 followed by a reply from Firth also copied in a very neat and easy hand to read. Later full calf gilt-stamped border raised bands dual spine labels one black the other faded all edges gilt; rubbed. Bookplate of Edward Thomas King. Very good. With a fore-edge painting of Arno River Florence. Nicely painted. For Henry Bathurst see DNB 1885-1900 Volume 3. PROVENANCE: Pacific Book Auction Galleries Sale 255 2003 Lot 142. kmw Printed by Law and Gilbert, for F.C. and J. Rivington, 1813. hardcover books
188280265London:: Kegan Paul Trench & Co. 1882. full gilt straight-grain morocco; gilt paneled spine by Sotheran & Co; a.e.g. Very fine. 8vo. With five folding colored maps. With a fine fore-edge painting by Miss Curre of Mucross Abbey Killarney. Bound in is a calligraphic colophon reading "This is No. 101 of the Books with Fore-edge Paintings by Miss Currie. The Painting under the gold is a view of Mucross Abbey Killarney Signed signature C.B. Currie." Kegan Paul, Trench & Co., unknown
18852110502150909050Hyoyoshi Matsuki version 1885. Soft Cover. Fine. Number of books: 3 discs (Hyoyoshi Matsuki version) paperback
185012846London: printed for Houlston and Stoneman 1850. Eighth edition. Engraved frontispiece of a perfect mother with 2 young children. Pp. viii 183. 16.5 x 10.7 cm. 8vo. contemporary tan russia elaborately stamped in gilt on both sides spine in compartments with raised bands wach panel with a detailed design second panel lettered in gilt all edges gilt with an erotic image of a young couple in bed on the fore-edge. Darkening and a little rubbing to the spine and edges.The fore-edge painting was probably done in the second half of the 20th century and compliments the subject matter of the book perfectly if rather graphically.<br>The book seems to be the usual plea for decorum and modesty from the wife and the joys of subservience to her husband and making a comfortable home. Erotic fore-edge painting - clearly a tip for newly weds printed for Houlston and Stoneman hardcover
18042110502150901305Not Available 1804. Soft Cover. Fine. Volume: 1 Not Available paperback