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182154180London: Printed for Jones & Co. Oxford Arms Passage Paternoster-Row 1821. First. Hardcover. Very good. Two volumes octavo published in 1821 and 1822. 2: title verso blank iii-x 3-656; 2: title verso blank i-ix 1: blank 3-668 pp. Hand-colored engraved frontispiece and pictorial hand-colored title in each volume plus 30 hand-colored aquatint plates in the text. Later full crimson morocco triple-ruled in gilt; spine with raised bands lettered in gilt; gilt turn-ins; all edges gilt. Spine extremities and bands rubbed. Occasional mild toning and smudges. Complete with all 28 text plates called for in the Directions to the Binder along with an additional two plates "Tom and Bob Catching a Charley Napping" Abbey no. 34 and "St. George's Day Presentation at the Levee" Abbey no. 31. A very good or better set in a handsome signed binding by Riviere and Son.<br /> <br /> First edition later issue of this imitation of Pierce Egan's Life in London 1821. While sometimes attributed to Egan the work was possibly written by John Badcock. "Out of the sixty-five imitations of it which Egan stated that he had reckoned the most important was Real Life in London. which was published in sixpenny numbers in 1821 with excellent illustrations by Heath Alken Dighton Rowlandson and others. Real Life in London is a pleasanter book than its prototype. Some have held that Egan wrote it; but the author had a purer style a cleaner mind and a wider knowledge of London than Egan" The Cambridge History of English and American Literature. "From a bibliographical point of view one of the most complicated and bewildering books ever published rivaling Pickwick in the tangle of variant states that exist both in text and plates. The work had a tremendous success probably out-rivaling in popularity its prototype. A difficult feature of the book is that two printers. printed copies textually the same page by page with only minor variations in the settings and this coupled with the fact that during the eight or nine years it was being reprinted makes the whole vast output all 'first editions' but with innumerable states and variants that continually overlap one with the other" Abbey. "Originally published in 56 parts on completion the work was issued in boards. Later copies were bound in publisher's cloth. A book full of contrarities and difficulties for the bibliographer there being innumerable variations of the plates. The difficulties are further increased by many copies in modern bindings having been completed or made up of different issues giving combinations that are not true variations" Tooley. <br /> <br /> Printers: R. Bensley Bolt Court Fleet Street vol. 1; A. Applegath Stamford-street vol. 2. Second volume title and imprint: Real Life in London; or The Further Rambles and Adventures etc. - Printed for Jones & Co. 3 Warwick Square. 1822. References: Abbey Life 280 1821-22 first edition; J. H. Slater Illustrated Sporting Books 1899 p. 96; Tooley 198 1821-22 first edition. Printed for Jones & Co. Oxford Arms Passage, Paternoster-Row hardcover
182246London: Sherwood Neely and Jones 1822. Second Edition. Near fine. Isaac Robert Cruikshank & George Cruikshank. Tall 8vo 9 1/4 x 5 3/4 inches 234 x 148 mm; half-title hand-colored frontispiece title with vignette of St. Paul's xvi 376 pp 8 pp. advertisements. 3 foldout pages of music with Corinthian Tom's Song. 36 aquatint plates with hand-coloring each with protective blank sheet with offset from facing illustration; copious small in-text woodcuts. Later full red pebbled morocco with original spine panel single gilt fillet framing on boards gilt turn-ins marbled endpapers double raised bands with gilt and decorative motifs in compartments all edges gilt; spine very lightly rubbed. <br /> Second edition as stated at the foot of page 9.<br /> Tooley 198; Prideaux 335. A beautifully illustrated and hand-colored volume. Pierce Egan 1772-1849 was a British journalist sportswriter and writer on popular culture best-knows work is Life in London first published in 1821. The book was adapted into the stage play Tom and Jerry or Life in London later that year and it became the first play to have a continuous run of 100 performances in London while at the Adelphi Theatre in the West End. Egan turned to the Cruikshank brothers Robert and George for the illustrations. They produced 21 woodcuts and 36 lively and colorful plates to represent the range of characters and situations described in the book. The success of Life in London was so great that the artists could not color the engravings quickly enough for the demand. The book was adapted for the stage later that year and the play Tom and Jerry or Life in London became the first play to have a continuous run of 100 performances in London while at the Adelphi Theatre in the West End. The book was reprinted in 1822 1823 1830 1841 1870 and 1904. Numerous imitations soon appeared namely Carey's Life in Paris Real Life in London Real Life in Ireland et al. Sherwood, Neely, and Jones unknown
18301367819London: G. Virtue 1830. A new edition embellished with thirty-six scenes from real life. Hardcover. Octavo; New edition embellished. ; Fair; Hardcover; Spine brown with gold print on red banner; Boards in brown leather wear to spine caps edges and corners toning to spine and front board light scuffing else clean and strong; Text block has tinted top edge tanning to endpapers and title page missing pages 1-2 light amount of foxing within tears to edges of some plates else clean and tight; xvi 376 pages frontispiece illustrated color plates 3 folded leaves of printed music.<br /> <br /> <p>NOTE: Shelved in Netdesk office Case #3. 1367819. FP New Rockville Stock. G. Virtue hardcover
1973GB003TOPX5QI3N00Progress Publishers 1973. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Progress Publishers hardcover
196830682New Britain CT: REM/Robert E Massmann 1968. Limited Edition. Hardcover. Very good/very good. 35 pages; 4 cm. Printed at Art Press and issued in slipcase in an edition of 300 copies with hand coloring by Eloise and Robert Massmann. Typography and binding by R.E.M. offset printed. With original prospectus. Yellow endpapers red printed emblem of poodle on cover slipcase and prospectus. 2681 <br/><br/> REM/Robert E Massmann hardcover
SKU1092829Librairie Marpon et Flammarion. hardcover. Good. 0x0x0. No date listed circa 1892; blue cloth over boards with brown leather corners and spine; heavy rubbing to leather; boards are marked; no jacket; interior hinges are cracking; discoloration to endpapers from leather corners on boards; pages are toned; text in French; illustrated including an illustrated title page in color; 335 pages; 4to - over 9 3/4" - 12" Tall; Additional shipping charges may be required for International and Expedited orders Librairie Marpon et Flammarion hardcover
1989Q-0861124855Smithmark Publishing 1989-03-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Smithmark Publishing hardcover
1998Q-2880463165Rotovision 1998-03-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Rotovision hardcover
r5809Stuttgart: Manus Press. VG : in very good condition. Slip case rubbed. Contents loose as issued. 1972. First Edition 165/500. Original orange cloth chemise with slipcase. 430mm x 300mm 17" x 12". 50pp. 12 coloured lithographs on Arches Paper. Text in German. Signatures of illustrators on final page of contents with publication details. Signed by Max Ernst and Dorothea Tanning on limitation page. . Manus Press hardcover
196372936(Berlin), Gerhardt Verlag, (1963). 202 Bll. Mit 182 ganzseitigen Bildmontagen. 4to. 28 cm. OKart. mit transparentem OKunststoffumschlag in OPp.-Schuber.
1935277439Budapest: George Vajna 1935. Limited. hardcover. near fine. Translated by Frances Shires. Ten original colored etchings by Lidia Farkas and Zoltan Poharnok. Thin 8vo unpaged bound in linen with an embroidered decoration. Budapest: Dr. George Vajna & Co. n.d. ca.1935. Limited Edition.<br/><br/> Number 103 of 250 copies signed by both artists. The etchings are printed by hand-press and are hand-colored. Small damp-stain on the upper corner of the binding otherwise a fine copy of this exquisite and quite rare book printed in Hungary.<br/><br/> George Vajna unknown books
1935277439Budapest: George Vajna 1935. Limited. hardcover. near fine. Translated by Frances Shires. Ten original colored etchings by Lidia Farkas and Zoltan Poharnok. Thin 8vo unpaged bound in linen with an embroidered decoration. Budapest: Dr. George Vajna & Co. n.d. ca.1935. Limited Edition.<br/> <br/> Number 103 of 250 copies signed by both artists. The etchings are printed by hand-press and are hand-colored. Small damp-stain on the upper corner of the binding otherwise a fine copy of this exquisite and quite rare book printed in Hungary.<br/> <br/> George Vajna unknown
1821003813London: R. Ackermann 1821. First edition. Contemporary Full Morocco. Very Good. 4to. 34 by 29 cm. vi 2 286 pp. Hand-colored title vignette and 48 hand-colored engraved plates. The plates capture the poetic beauty of the legendary lake region exquisitely. TEG. Moderate rubbing to contemporary red morocco along edges faint dampstain markings and a few other scuffs and other indicia of wear but still a very handsome binding. Dampstaining to the edges of the endpapers. Foxing of a few early leaves as well as the final ones. Faint dampstaining affecting the margins of perhaps a dozen plates and also visible in the fore-edge when the pages are fanned. However most leaves are clean and the plates themselves come off generally as quite fresh and vibrant. <br/><br/> R. Ackermann unknown books
1821003813London: R. Ackermann 1821. First edition. Contemporary Full Morocco. Very Good. 4to. 34 by 29 cm. vi 2 286 pp. Hand-colored title vignette and 48 hand-colored engraved plates. The plates capture the poetic beauty of the legendary lake region exquisitely. TEG. Moderate rubbing to contemporary red morocco along edges faint dampstain markings and a few other scuffs and other indicia of wear but still a very handsome binding. Dampstaining to the edges of the endpapers. Foxing of a few early leaves as well as the final ones. Faint dampstaining affecting the margins of perhaps a dozen plates and also visible in the fore-edge when the pages are fanned. However most leaves are clean and the plates themselves come off generally as quite fresh and vibrant. R. Ackermann unknown
pp. vi, 433 + 18 monochrome plates, including an original etching by Joseph Pennell of Stenton Mansion. Double column. Uncut. Large 8vo. Original full cloth binding, damp stained at top. Text in fine condition. This first edition was limited to only 700 copies. This is still an important reference to American artists, and is perhaps the most useful work on American engravers. Scarce. **PRICE JUST REDUCED! PA 47 DC14
195035075Rio de Janeiro: Edicoes Oasis 1950. Color illustrated paper wrappers with black title lettering printed to front wrapper. Red title lettering printed to spine. Sunning to spine light soiled wear to extremities pages slightly toned light foxing POI to title page. Withal a VG copy. 145 1 blank pp. Text in Portuguese. Untrimmed. Several woodcuts. 9-1/4" x 6-1/2" <br/><br/> Edicoes Oasis unknown books
202238286Philadelphia: Beehive Books 2022. Hardcover. Fine. Hardcover. This beautiful book from Beehive Books is an elegant production of Fitzgerald's masterpiece The Great Gatsby. It is one of 2500 copies from the standard edition. The Italian illustrators Anna and Elena Balbusso known as the Balbusso Twins take on F. Scott Fitzgerald's The Great Gatsby bringing out the rich satire and sorrow that suffuses this saga of wealth and love. Featuring more than fifty stunning full-color illustrations that combine jazz age decadence with a sleek modern sensibility this stunning edition brings us into Gatsby's world and Gatsby into ours from the publisher's website. The illustrators Anna and Elena Babusso are sisters also known as the Balbusso Twins. They are an international recognised award-winning Italian artist duo living in Milan. Their work has been published by major international publishers and companies through out the world on various media. They've illustrated more than 50 illustrated books including the luxury limited edition of The Great Gatsby for Beehive Books the deluxe Folio Society editions of The Handmaid's Tale Pride and Prejudice and Atlas Shrugged. The book features an introduction by literary scholar William Cain. Cain is a professor of English at Wellsley collegel. He is an expert in nineteenth and early twentieth century American literature; Shakespeare; and modernism in the arts. His scholarly interests include nineteenth and early twentieth century American literature African American literature; and literary theory and criticism.<br /> <br /> This is a hardcover volume bound with elaborately illustrated covers in shades of green goldand black with titling to spine. The book is accompanied by a loose copy of a print used at the end of the volume. It is a dazzling illustration of Gatsby walking down a staircase to join a dance floor filled with dancers. The image is decorated with a sparkling array of stars. The interior is printed on creamy acid-free heavy-weight 140gsm uncoated paper. The text is set in Ten Oldstyle Art Deco and Baskerville types. The book is housed in an elaborately embossed and debossed gold die-cut slipcase silk-screened and foil-stamped with artwork. The slipcased book is in turn held in a black and white box with the title and bibliographic informationon the cover and a black and gray illustration of a woman's face on the back. In fine condition. The book measures 12 x 9 inches. 168 pages. LIT/011426. Beehive Books hardcover
98401Paris Javal & Bourdeaux 1930. . Unique extra-illustrated example limited edition printed hors-commerce on japon imperial for Monsieur Dumouchel from a total edition of 525; 3 vols; 4to; illustrated with 25 monochrome etchings of which 22 are hors-texte by Charles Huard and with two original copper plates by Huard colour drawings throughout the text by Theodore van Elsen signed and dated 1933 also loose are 9 wash drawings and 4 watercolours signed by Huard and a set of prospectus; vol II contains a suite of 30 colour drawings to illustrate the work loose in an illustrated wrapper by van Elsen with each drawing with tissue guards and mounted on blue paper a suite of 20 original watercolours also to illustrate the work signed and captioned in pencil by Louis Ibels loose in an illustrated wrapper dated 1933; vol.3 contains over 100 original drawings signed by Carlo Farneti to illustrate the work 4 original watercolours by Louise Ibels and 2 signed watercolours by Leon Courbouleix; all house in modern maroon morocco boxes with gilt detail and lettering; a fine copy.<br /> A unique example extra-illustrated by Charles Huard with two copper plates and numerous original drawings by multiple artists. <br /><br />A large collection from the publisher's Javal and Bordeaux of illustrations for Flaubert's novel. <br /><br />Flaubert's first published novel. 'Madame Bovary the story of the adulteries and suicide of a doctor's wife in provincial Normandy is notable for its rigorous psychological development and manifests the qualities that mark all his mature work: authenticity of detail an impersonal narrative method a precise and harmonious style. Certain passages having been judged to be offensive to public morals Flaubert his publisher and his printer were tried but acquitted' Drabble.<br /> Paris, Javal & Bourdeaux, 1930. unknown
175918779The Hague 1759. Large folio ca. 50 x 36 cm. Pierre Gosse junior 19th-century half green morocco a red morocco label on the spine with the title in French lettered in gold marbled endpapers. With 20 engravings each mounted on a double-leaf of heavy paper the text is printed in Dutch and French with a separate title page for each language the engraved coat of arms of Princess Anna on each and 4 decorated woodcut initials. 2 parts in 1 volume. 4 4; 4 27 pp. First edition of two works with illustrations and descriptions of the funeral ceremonies for Princess Anna of Hannover 1709-1759 who was then regent for her son William V Stadtholder of the Dutch Republic. The first work shows the ceremonial mourning chamber with Princess Anna on her death bed. The plates were drawn by Pieter de Swart 1709-1772 one of the most important Dutch architects of the 18th century and engraved by Simon Fokke 1712-1784. The second work shows the funeral procession which took place in Delft on the 23rd of February in 1759 with detailed illustrations of all the heralds riflemen guards etc. that took part in the ceremony. The plates for this work were drawn by artist Paulus Constantijn la Fargue 1729-1782 and also engraved by Fokke. The creators apparently suspected that counterfeit editions of the work might appear as the text at the end of the first work states that only copies signed by the bookseller would be considered real. The present copy is signed.Princess Anna of Hannover duchess of Brunswick-Luneburg was the eldest daughter of George II August later King of England as George II and Wilhelmina Charlotte of Brandenburg-Ansbach. In 1734 she married the Dutch Willem Karel Hendrik Friso 1711-1751 Prince of Orange and Stadtholder of Friesland. When in 1747 her husband became Stadtholder of the Dutch Republic as Willem IV the couple moved from Leeuwarden to The Hague and Anna became highly involved in politics. After the death of Willem IV in 1751 she became regent for her three-year old son the later Stadtholder Willem V. In this position she played a prominent part in the political life of the Republic defending the position of the House of Orange against the republicans.The edges and corners of the boards are somewhat scuffed the boards are slightly rubbed the spine is somewhat discoloured. Otherwise a beautiful copy on heavy large paper with the plates in their original fresh impressions.l Ad 1: Landwehr Splendid ceremonies 233; Lipperheide 2675; Muller 4095; STCN 23024453X 7 copies; Vinet 756; Ad 2: Landwehr Splendid ceremonies 234; Lipperheide 2676; Muller 4097; STCN 230244394 7 copies; Vinet 756bis. ABE CAT Costumes & Uniforms hardcover
193927050London: The Amalgamated Press Ltd 1939. First edition. Hardcover. fair. Folio. 6 348pp. Original red cloth with black-stamped illustration and gold lettering on front cover and spine. Color frontispiece. Illustrated title-page. Fascinating work compiling illustrated stories for young boys as well as articles on current issues such as Air Defense Parachuting Television etc. This book is profusely illustrated with numerous b/w illustrations and 4 full-page color plates including frontispiece. Some age-wear on binding with 5.5" closed tear on upper back joint and rubbing along edges and on corners. Front hinge starting. Endpapers slightly foxed. Pages age-toned throughout. Binding in overall fair interior in good to good condition. The Amalgamated Press Ltd hardcover
1161496947.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1943R240070754AMERICAN ARTISTS GROUP. 1943. In-4. Broché. Etat d'usage, Couv. légèrement passée, Coiffe en pied abîmée, Intérieur acceptable. Environ 75 pages - nombreuses illustrations en noir et blanc dans le texte - coins frottés - illustration en couleurs sur le 1er plat - Ouvrage essentiellement en anglais.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
20091336672New York: Thames & Hudson 2009. Hardcover. Quarto; VG/VG; Hardcover with DJ; DJ spine grey with black print; DJ is clean and bright; Boards in blue and cream paper with black print clean and strong; Text block clean and tight; 79 pages frontispiece port. illustrated b&w color.<br /> <br /> Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. 1336672. FP New Rockville Stock. Thames & Hudson hardcover books
71-1551London: H. Fisher Son & Jackson circa 1831. Hand-colored engraving. 3 3/4 x 6 in. image; 5 3/8 x 7 5/8 in. sheet. Very Good light toning and foxing in the margins. [London: H. Fisher, Son & Jackson, circa 1831]. unknown
187539211Milano: Enrico Pestalozzi 1875. A gorgeous album devoted to Ferrara. 175 6 pp. plus 32 full-page steel engravings and lithographs two of the latter are delicately colored by hand. On fine wove paper. Large folio 38.5 x 28.5 cm. In the original embossed polished cloth binding title in gilt. A bit of light wear to binding and a bit of faint internal spotting but still a very good undoctored copy. Extremely rare. One copy in WorldCat. <br/><br/> Enrico Pestalozzi hardcover