88 résultats
18289027029London: Jones 1828. Hardcover. Very good. Cruikshank George. Illustrated with three etched frontispieces by George Cruikshank and 84 woodcut illustrations by George and Robert Cruikshank et al. "With a copious and classified index" in each volume. Bound in half black morocco with gilded bands spine stamped in both gilt and blind black cloth boards ruled in gilt printed endpapers. A few signatures loose but stilll holding otherwise binding is intact. A nice clean set. <br /> <br/><br/> Jones hardcover books
149584None Stated: None stated nd. Hardcover. Ex-library copy with usual marks. Plates mostly clean but a few have minor-to-mild foxing. Two plates have perforation stamps on lower margins not affecting plate images. Front end pages ffep detached and laid in contain 2 library plates 2 personal book plates and one additional plate. Some wear to spine mostly at head/tail and to leather corners but nothing terribly offensive. Ex-lib. sticker on back cover. Dark green 3/4 leather with complementary medium green cloth. Gilt edging lettering and 3 bands not raised. AEG. No text. 20 pp each with an individual bw etching / engraving. With bookplates by prominent people. The title page is hand-lettered and there is no printed publication information. This is a unique and important item of Cruikshankiana. Ex-library copy with minimally offensive marks given the importance of each one. This volume contains ONLY the 20 engravings used as illustrations for Eccentric Tales. The original sketches were by Alfred Henry Forrester under the pseudonym of Alfred Crowquill. The actual book illustrations then were done by George Cruikshank. This particular book contains Forrester's personal book plate. Another book plate is of Albert M. Cohn who wrote a catalogue raisonne of Cruikshank's works in 1924 a small label on the fep makes reference to this catalogue #471. And a third book plate is of William Hartman Woodin Secretary of the Treasury under Franklin D. Roosevelt in 1933. The final bookplate present is that of the Brooklyn Public Library. Plates No. 8 and 15 have remarques. The Cruikshank illustrations in Eccentric Tales were apparently hand-tinted but these images are in b/w with no tinting and appear to be etching proofs for the final illustrations. Both Crowquill's and Cruikshank's names appear under each etching. Delightful and humorous illustrations done in great detail. Unique and rare. None stated hardcover books
196417492New York: Harcourt Brace and World 1964. First Edition. Hardcover. Very good/very good. 8vo. Publisher's cloth in original dust jacket. Jacket mildly edgeworn with a handful of short closed tears. Touches of shelf-soil. Price-clipped. Interior bright and lcean. Very good. 128pp. <br/><br/>Collection of twenty-six tales gathered by folklorist Harold Courlander. Harcourt Brace and World hardcover books
188843842Boston: L. Prang & Co 1888. 1st Edition. Tan linen cloth binding with color printed spine & boards. Marbled edges. Modest shelfwear. Small label removal abrasions to fixed endpapers; light gutter break. 5 signed mss recipes entered herein. A VG - VG copy. Unpaginated though ~ 250. Tinted frontispiece. 16 chromolithographed divisional title leaves followed by a lithographed leaf of text poetry. Oblong format: 6-7/8" x 9-1/2" <br/><br/>A mostly blank recipe book adorned with Prang's exquisite chromolithographs. Each recipe signed by a different author; most in a contemporary hand and/or dated 1891 save the final recipe dated 1920. Recipes include: Sausages Tutti Frutti Oil Pickle Snow Pudding and Dandelion Wine. Somewhat scarce with OCLC listing but 5 institutional holdings. L. Prang & Co hardcover books
19321338441New York: Garden City Publishing Co 1932. Hardcover. Octavo; G; Hardcover; Spine blue with green print; Boards in blue cloth with green print illustrated pastedown on front tattering to spine caps and corners mild shelfwear stains on rear; Text block has green tinted top edge name in pencil on front pastedown tanning to endpapers tear to bottom edge of p. 3 else clean and tight; ix 323 pages frontispiece illustrated color plates. 1338441. FP New Rockville Stock. Garden City Publishing Co hardcover books
19053802New York: McLoughlin Brothers 1905. First edition. New Chimney Corner series No. 37 1/2. Full color glazed pictorial wrappers. Black and white illustrations throughout including ten full-page by Louis Wain of which two are signed and a title-page vignette by Palmer Cox. Transparent tape repairs to spine and the fore-edge to a few leaves. Pale gift inscription to upper wrapper. A scarce and attractive survivor to children's enthusiastic hands. Unrecorded by Dale.<br/><br/>At the end of the last century Louis Wain 1860-1939 the Edwardian cat artist who went mad became a household name as an illustrator of cats whom he depicted in all sorts of activities from skating and playing cricket to driving motor cars attending dances and playing musical instruments. "He invented a cat style a cat society a whole cat world. English cats that do not look like Louis Wain cats are ashamed of themselves" H.G. Wells. Here alongside illustrations from Palmer Cox who also specialized in Scottish fairytales and rhymes. McLoughlin Brothers unknown books
193135610New York: George H. Doran Company 1931. 1st Edition. INSCRIBED. Brown papered boards with white title lettering and b/w illustration stamped to front board. Tan title lettering stamped to spine. Slight lean a repaired small tear to spine gutter break to pg 28 and 29 photographic image tipped to front paste down. Withal a VG copy. 148 pp. 5 b/w illustrations. 7-1/2" x 5" <br/><br/> George H. Doran Company hardcover books
275504New York: Frederick A. Stokes n.d. Hard Cover. Very Good binding. There is a previous owner gift inscription on the endpaper; otherwise a clean copy. Collates complete with all illustrations present. In the publisher's green cloth with color pictorial pastedown. Very Good binding. Frederick A. Stokes unknown books
19561312563Cambridge: Riverside Press 1956. Hardcover. Octavo; First edition published 1913 New edition published 1956; G/no DJ; Hardcover w/out DJ; Spine blue with blue print; Boards in blue cloth with blue print mild wear to corners and spine caps owner stamp on front fading and spotting; Text block has owner stamp on front flyleaf and half-title page spotting to edges else clean and tight; xxx 381 pages frontispiece illustrated b&w. 1312563. FP New Rockville Stock. Riverside Press hardcover books
1806WRCLIT68049London: Vernor Hood and Sharpe et al 1806. 55pp. plus portrait and fourteen plates. Small quarto. Original boards paper label untrimmed rebacked and recornered in later binder's cloth. Some foxing and offsetting but a good copy. First edition. Another edition appeared the same year priority not evident. The memoir is by E.W. Brayley. NCBEL III:367. Vernor, Hood, and Sharpe [et al] hardcover books
19202558Paris Mishan Publishing Co. Editions d'art "La Cible. 1920. Dvenadtsat. Khudojestvienoe izdatelstvo "Michen". Art Editions "The Target". 13 rue Bonaparte. Paris. 1920. 8vo 24 x195 cm 27 ff. : flexible printed card covers. This book contains the two most famous poems of Alexander Block One of Russia's most famous poets. Two plates by Gontcharova six plates and a small illustration by Larionov refined typography. Natalia Gontcharova 1881-1962 was one of the most famous artists of the Russian Avant-garde. Trained in Moscow where she met Larionov 1881-1964 he was to become her life companion. She contributed to a great number of important exhibitions and both Gontcharova and Larionov played a crucial role in the development of Russian art. They settled in Paris shortly before the present edition became French citizens in 1938 and were married in 1955. Larionov exhibited his Rayonnist works at The Target exhibition in 1913 in Moscow. . The illustrations by Larionov showed his freedom in changing from one style to another within the same book as he liked to do in 1912-1913. Name chosen by the bookseller Jacques Povolozky for his publishing house. The most striking work of the symbolist poet Alexandre Block 1880-1921 the twelve red guards representing the new world. Printed by "Union" The most outstanding work of the poet ALEXANDRE BLOCK 1880-1921 were The TWELVE Red Guards and THE SCYTHIANS Both are poems announcing the revolution. REF:Goncharova Larionov. Centre Pompidou. Paris. 1995. Mishan Publishing Co. Editions d'art "La Cible. paperback books
1900274959Edinburgh: Blackwood 1900. hardcover. very good. Historical descriptions by John Hill Burton. Illustrated with 240 fine steel engravings with tissue guards and many text illustrations in woodcut. 4 volumes tall 4to blue cloth. Edinburgh: Oliver & Boyd n.d. ca. 1900 Very good.<br/><br/> Blackwood unknown books
48566Tallinn: "Aktsiooni" Kirjastus 1927-1933. Octavos 16.3 x 12.5 cm. Original pictorial wrappers by Peet Aren Märt Laarman and Jaan Vahtra; 28 4; 60 4; and 63 I pp. Very good or better. Antson 1899-1945 was an Estonian teacher journalist and writer who participated in the "Aktsioon" "Action" literary group and co-published the eponymous series of almanacs 1926 1927 and 1929. In addition to his travel writing Antson was known for his plays which were often leftist and pacifist in orientation. Much of his work was influenced by expressionism and detailed the horrors of war and revolution. This collection of satirical epigrams in three volumes published over six years a final fourth volume appeared in 1946 takes sharp aim at the literary cultural but also political establishment not only in Estonia but in Europe at large witness the "Hitler" epigram in the 1933 collection!. The set also represents a striking cross-section of Estonian modernist design of the late 1920s with one wrapper each designed by Peet Aren 1889-1970 Märt Laarman 1896-1979 and Jaan Vahtra 1882-1947. Laarman was one of the outstanding followers of cubism and constructivism in Estonia. His "numerous book-covers and illustrations present the possibilities of applying such a method in the field of book graphics that is based upon the constructive rhythm of simple and expressive planes. Moreover Laarman was the first to apply the principles of Elementary Typography new at that time in the design of architectonically expressive and homogeneous books" Rein Loodus 21. In addition to his own work Laarman was also instrumental in furthering public awareness of avantgarde art: "Laarman edited and published The Book of New Art 1928 the group's programmatic almanac which helped the public develop a better understanding of the avant-garde" Art of the Baltics 38. Rare; KVK OCLC show a single copy of vol. I at Göttingen of vol. 2 at Helsinki and of vol. 3 at UCLA. unknown books