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Collodi Carlo 1826 1890 author; Petersham Maud 1890 1971; Petersham Miska 1888 1960 illustratorsABAA

Cruikshank George and Alfred Crowquill illustratorsABAA

Plates as in "Eccentric Tales" from the German of W. F. Von Kosewitz with Illustrations by Geo. Cruikshank from Sketches by Alfred Crowquill London: James Robins & Co. 1827

149584None Stated: None stated nd. Hardcover. Ex-library copy with usual marks. Plates mostly clean but a few have minor-to-mild foxing. Two plates have perforation stamps on lower margins not affecting plate images. Front end pages ffep detached and laid in contain 2 library plates 2 personal book plates and one additional plate. Some wear to spine mostly at head/tail and to leather corners but nothing terribly offensive. Ex-lib. sticker on back cover. Dark green 3/4 leather with complementary medium green cloth. Gilt edging lettering and 3 bands not raised. AEG. No text. 20 pp each with an individual bw etching / engraving. With bookplates by prominent people. The title page is hand-lettered and there is no printed publication information. This is a unique and important item of Cruikshankiana. Ex-library copy with minimally offensive marks given the importance of each one. This volume contains ONLY the 20 engravings used as illustrations for Eccentric Tales. The original sketches were by Alfred Henry Forrester under the pseudonym of Alfred Crowquill. The actual book illustrations then were done by George Cruikshank. This particular book contains Forrester's personal book plate. Another book plate is of Albert M. Cohn who wrote a catalogue raisonne of Cruikshank's works in 1924 a small label on the fep makes reference to this catalogue #471. And a third book plate is of William Hartman Woodin Secretary of the Treasury under Franklin D. Roosevelt in 1933. The final bookplate present is that of the Brooklyn Public Library. Plates No. 8 and 15 have remarques. The Cruikshank illustrations in Eccentric Tales were apparently hand-tinted but these images are in b/w with no tinting and appear to be etching proofs for the final illustrations. Both Crowquill's and Cruikshank's names appear under each etching. Delightful and humorous illustrations done in great detail. Unique and rare. None stated hardcover books

Mullen Books, Inc. ABAA / ILAB · États-Unis1 575,00 $US≈ 1 332,61 €

REMINGTON Frederic AB. FROST and others illustrators AC. GOULD editor A. B. A. C.ABAA

Sport or Fishing and Shooting

186935984Boston: Bradlee Whidden 1869. Folio. 15 chromolithographic plates after Frederic Remington A.B. Frost Fred Cozzens R.F. Zogbaum Henry Sandham and others. 32 ff. letterpress. Expertly bound to style in full dark purple straight grained morocco. A rare large-format work on sport in late 19th-century America including Frederic Remington's first two published prints in color a rare A.B.Frost image of deer-hunting and images from Fred. S.Cozzens and other top illustrators of the day. The present work includes six angling plates three of fly-fishing four plates of game-bird hunting and five of hunting larger game. Each of the fifteen subjects is first described in general terms on a single leaf of text followed by a second leaf giving a first-hand account of catching or shooting the subject followed by a chromolithograph illustrating the first-hand account. According to Gould's preface the plates are all from water-colours especially commissioned for the work which were subjected to the critical scrutiny of a group of anglers/sportsmen who judged them for technical accuracy. The plates are as follows: 1. Killing the Salmon. Henry Sandham. 2. A Moose hunt. Henry Sandham. 3. Trout fishing. Henry Sandham. 4. Fly-fishing for Black Bass. S.F. Denton. 5. Hunting Antelope i.e. Prong-horn. Frederic Remington. 6. Catching a Tarpon. Fred. S. Cozzens. 7. Mallard shooting. S.F. Denton. 8. Catching a Mascalonge. Frank H. Taylor. 9. A Wild Turkey hunt. R.J. Zogbaum. 10. Sailing for Bluefish. Fred S.Cozzens. 11. Hunting the Virginia Deer. A.B. Frost. 12. A day with the Prairie Chickens. R.F. Zogbaum. 13. A hunt above the timber-line Big-horn. Edward Knobel. 14. Canada Goose shooting. Frederic Remington. 15. Stalking the Wapiti. Henry Sandham. The two plates by Frederic Remington Hunting Antelope Hassrick & Webster 434 and Goose Shooting Hassrick & Webster 435 are also listed by Peggy and Harold Samuels Remington The Complete Prints New York 1990 pp.152-3 with the comment that they are the first and second Remington prints to appear in color. They were preceded only by a series of four monochrome photogravures for John Muir's Picturesque California 1888 and two other individual prints both black and white. Arthur Burdett Frost is now perhaps best known for his sporting pictures and prints but an aversion to deer-hunting meant that he rarely pictured shooting scenes that featured anything other than small game. His image Hunting the Deer is recorded and illustrated in Henry M.Reed's The A.B.Frost Book Charleston 1993 pp.101 104-5 but the author was apparently unaware that it was issued as part of the present work which is not included in the extensive appendix of books illustrated by Frost. Phillips p. 141; Wetzel p. 146; Sherwin sale 1946 lot 238; Bruns G120; Heller 1:502; Bennett p.48; Tyler Prints of the West pp.127 & 174; not in Reese Stamped with a National Character. Bradlee Whidden unknown books

Donald Heald Rare Books · États-Unis17 500,00 $US≈ 14 806,75 €

Moran Thomas and William Henry Holmes illustrators: Dutton Clarence E.ABAA

TERTIARY HISTORY OF THE GRAND CANON DISTRICT. with: ATLAS TO ACCOMPANY THE MONOGRAPH ON THE TERTIARY HISTORY OF THE GRAND CAÃƒÂ‘ON DISTRICT

1882WRCAM36493BWashington: text: Government Printing Office; atlas: Julius Bien & Co. of New York for the Government Printing Office 1882. Quarto text volume with folio atlas. Text: 1p. advertisement series title title as above. Forty-two plates maps and charts including two chromolithographed views by Sinclair after Holmes seventeen wood- engraved views eight after Thomas Moran nine after Holmes four "Heliotype" plates ten double-page. Atlas: Mounted on guards throughout. 1p. letterpress text otherwise lithographed throughout. Title-leaf twelve double-page map-sheets after Dutton eleven printed in colors ten double-page sheets of views after Holmes 9 and Moran 1 five chromolithographed and five printed in tints all printed by Julius Bien & Co. Text: Original cloth neatly rebacked to style. Minor shelf wear. Atlas: Original cloth titled in gilt on front board. A bit of shelf wear corners bumped. Ink stamp on titlepage. Text and atlas both very clean internally. A very good set. "One of the grandest publications of the scientific expeditions in the American West.depicting the Grand Canyon in a series of magnificent panoramas" - CREATING AMERICA. The work includes illustrations by arguably the two greatest American topographical artists to record this era of westward expansion: William Holmes and Thomas Moran. The handsomely illustrated text volume was intended to accompany Dutton's impressive atlas of maps and panoramas of the Grand Canyon. Many of the plates in the text volume are from drawings by W.H. Holmes. The atlas includes eight beautifully executed maps of the region on twelve sheets as well as the ten sheets of views. The views include a number of images that are designed to form larger continuous panoramas. The greatest of these is Holmes' view from Point Sublime in the Kaibab: the three chromolithographed sheets numbered XVI- XVII if joined would form a single panoramic view with an image area measuring approximately 17 x 90 inches. It is interesting to note that the first of these sheets includes what may be a self-portrait and portrait respectively of Holmes and Dutton: two figures are visible at the edge of the canyon one is seated and clearly sketching Holmes while the second figure bends down to examine his companion's work Dutton. William Goetzmann calls W.H. Holmes "the greatest artist-topographer and man of many talents that the West ever produced.his artistic technique was like no other's. He could sketch panoramas of twisted mountain ranges sloping monoclines escarpments plateaus canyons fault blocks and grassy meadows that accurately depicted hundreds of miles of terrain. They were better than maps and better than photographs because he could get details of stratigraphy that light and shadow obscured from the camera.his illustrations for Dutton's TERTIARY HISTORY OF THE GRAND CANON DISTRICT are masterpieces of realism and draftsmanship as well as feats of imaginative observation." The team assembled to carry out this geological survey of the Grand Canyon included some outstanding talents: C.E. Dutton the scientist; Jack Hilliers the photographer; and Holmes and Moran as artist- topographers. The intention of the survey was strictly scientific but as Dutton wrote in his preface "I have in many places departed from the severe ascetic style which has become conventional in scientific monographs." This is also true of Moran and Holmes: both were clearly inspired by their subjects. The overall result is of a quality that would not be possible today. As Wallace Stegner wrote in his introduction to the 1977 reprint: "Later specialization has eliminated from scientific publications most of the elements that make THE TERTIARY HISTORY so charming. No report written as this one is written would now be published by any government bureau. No illustrators like Moran and Holmes would be permitted to illustrate it.A great book.THE TERTIARY HISTORY has kept its value precisely because it does not specialize." FARQUHAR BOOKS OF THE COLORADO RIVER & THE GRAND CANYON 73. Goetzmann EXPLORATION AND EMPIRE pp.512-13. REESE & MILES CREATING AMERICA 40. REESE BEST OF THE WEST 197. [text:] Government Printing Office; [atlas:] Julius Bien & Co. of New York (for the Government Printing Office) hardcover books

William Reese Company · États-Unis12 500,00 $US≈ 10 576,25 €

MORAN Thomas 1837 1926 & William Henry HOLMES 1846 1933 illustrators. Clarence EDUTTON 1841 1912 E. DUABAA

Tertiary History with: Atlas to accompany the monograph on the tertiary history of the Grand CaÃ±on district

188228652Washington: text: Government Printing Office atlas: Julius Bien & Co. of New York for the Government Printing Office 1882. 2 volumes quarto text and folio atlas. Text: 2xiv264pp. plus forty-two plates plans and maps including two chromolithographed views by Sinclair after Holmes seventeen wood-engraved views eight after Thomas Moran nine after Holmes four "Heliotype" plates ten double-page. Atlas: 2title leaf1p. letterpress text otherwise lithographed throughout with twelve double-page map-sheets after Dutton eleven printed in colors ten double-page sheets of views after Holmes 9 and Moran 1 five chromolithographed and five printed in tints all printed by Julius Bien & Co. Short horizontal tear to outer margin of one leaf pp.101-02 slightly longer tears to outer margins of pp.165-66 and pp.245-46 just touching a few words. Repaired tear to front blank of atlas volume a few instances of minor marginal thumb-soiling. Publisher's cloth gilt atlas rebacked with original cloth laid down. Spine ends of text volume chipped with a few small nicks to the cloth along the joints spine lightly sunned corners rubbed "One of the grandest publications of the scientific expeditions in the American West. depicting the Grand Canyon in a series of magnificent panoramas" Reese & Miles. `Depicting America.' The work includes illustrations by arguably the two greatest American topographical artists to record this era of westward expansion: William Holmes and Thomas Moran. The atlas includes eight beautifully executed maps of the region on twelve sheets as well as the ten sheets of views. The views include a number of images that are designed to form larger continuous panoramas. The greatest of these is Holmes' view from Point Sublime in the Kaibab; the three chromolithographed sheets numbered XVI-XVII if joined would form a single panoramic view with an image area measuring approximately 17 x 90 inches. It is interesting to note that the first of these sheets includes what may be a self-portrait and portrait respectively of Holmes and Dutton: two figures are visible at the edge of the canyon one is seated and clearly sketching Holmes whilst the second figure bends down to examine his companion's work Dutton. W.H. Holmes whom William Goetzmann calls "the greatest artist-topographer and man of many talents that the West ever produced.his artistic technique was like no other's. He could sketch panoramas of twisted mountain ranges sloping monoclines escarpments plateaus canyons fault blocks and grassy meadows that accurately depicted hundreds of miles of terrain. They were better than maps and better than photographs because he could get details of stratigraphy that light and shadow obscured from the camera.his illustrations for Dutton's Tertiary History of the Grand Canon District are masterpieces of realism and draftsmanship as well as feats of imaginative observation." The team assembled to carry out this geological survey of the Grand Canyon included some outstanding talents: C.E.Dutton the scientist; Jack Hilliers the photographer and of course Holmes and Moran as artist-topographers. The intention of the survey was strictly scientific but as Dutton writes in his preface "I have in many places departed from the severe ascetic style which has become conventional in scientific monographs." This is also true of Moran and Holmes: both were clearly inspired by their subjects. The overall result is of a quality that would not be possible today. As Wallace Stegner wrote in his introduction to the 1977 reprint "Later specialization has eliminated from scientific publications most of the elements that make The Tertiary History so charming. No report written as this one is written would now be published by any government bureau. No illustrators like Moran and Holmes would be permitted to illustrate it. A great book. The Tertiary History has kept its value precisely because it does not specialize." Francis P. Farquhar The Books of the Colorado River & the Grand Canyon Los Angeles: 1953 73; Goetzmann Exploration and Empire pp. 512-513; W.B. Reese & G.A. Miles Creating America New Haven: 1992 40. [text:] Government Printing Office, [atlas: Julius Bien & Co. of New York (for the Government Printing Office)] unknown books

Donald Heald Rare Books · États-Unis12 500,00 $US≈ 10 576,25 €

Lear Edward; Gorey Edward IllustratorsABAA

The Jumblies

196821032123New York: Young Scott Books 1968. First Edition. Hardcover. Fine/near fine. Gorey Edward. First printing oblong sixmo 48 pp. signed by Edward Gorey. Edward Lear 1812-1888 although being an artist and illustrator himself is remembered mostlhy today for his nonsensical works particularly his limericks. One of the most recognizable of these is "The Owl and the Pussycat" who "dined on mince and slices of quince which they ate with a runcible spoon." "The Jumblies" was the first poem in Lear's "Book of Nonsense" published in 1846. Per the dust jacket flap Edward Gorey decided to illustrate this poem because it "was taught to me by my grandfather when I was four or five and it has always been one of my favourites." Edward St. John Gorey 1925-2000 had a distinctive style evocative of a mystical gothic Victorian era and his vast body of work includes over one hundred books written by himself as well as those by many well-known authors such as T. S. Eliot Charles Dickens Lewis Carroll H. G. Wells and Virginia Woolf n. b. info from the Edward Gorey House website - and of course this work. Gorey dedicated the book "for Foss" Lear's cat who "died in 1886 and was buried with some ceremony in a garden at Villa Tennyson" n.b. quote from Wiki. ___DESCRIPTION: In a reinforced library binding of tan cloth over boards Gorey illustration in black and white on the front board with decorative lettering black lettering on the spine illustrated title page with Gorey's signature above his printed name through which he drew a line per usual each stanze of the poem printed on the versos left-hand side with Gorey's corresponding illustration on the opposite page recto of the following page; oblong sixmo 6 1/8" tall and 9 1/8" wide unpaginated with 24 leaves including free endpapers. The dust jacket shows the original price of $2.95 mirrors the book on the panels and spine front flap a short summary by the publisher back flap with four Gorey characters. ___CONDITION: Volume fine with clean boards straight corners without rubbing a strong square text block with solid hinges the interior is clean and bright and entirely free of prior owner markings; perhaps a light speck or two on the light binding else fine. The unclipped dust jacket could be deemed fine it is complete clean and almost without wear; a touch or two of scattered light spots and a hint of sunning to the spine. Overall a remarkable example. ___CITATION: Toledano B 38a. ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Young Scott Books hardcover books

Swan's Fine Books · États-Unis220,00 $US≈ 186,14 €

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