630 résultats
190416032London: J. M. Dent & Co 1904. First Edition; First Printing. Hardcover. Book condition is Very Good; bound in green cloth covered boards with gilt title and illustrated front cover and spine with a Very Good- dust jacket. Some foxing scuffing and edge wear to jacket. Front cover of jacket is detached but presents well in mylar. Previous owner's pen inscription on inside front cover. Small bookstore sticker at bottom of front end page. Interior is toned throughout. Text is clean and unmarked. Illustrated throughout some in color. ; 4to. 9 1/4"h x 7"w. J. M. Dent & Co hardcover
18231404388London: John Sharpe 1823-1825. Hardcover. 12mo Two volumes. In Good condition. Spines are brown with gold print on black banners raised bands. Boards in brown leather decorative gilt frame; slight wear to hinges and corners. Text blocks have marbled edges and endpapers; foxing to engraved plates and tissue guards. Illustrated: engraved title pages and plates with tissue guards. Bound by Lake of Urbridge Whittingham printing.<br /> <br /> CONTENTS: Paradise Lost 1925 unpaged — Paradise Regained Samson Agonistes Comus and Arcades 1923 variously paged.<br /> <br /> NOTE: Shelved in Netdesk Column W. 1404388. FP New Rockville Stock. John Sharpe hardcover
1867D12669London: Bell and Daldy Chiswick Press 1867. Hardcover. Very Good. Publisher's red cloth ornately stamped in blind and gilt on boards and spine a.e.g.; 8vo; pp. ix 1 398; plus 29 plates by C. W. Cope P. H. Calderon W. Millais W. Holman Hunt Otto Speckter G. H. Thomas E. Warren Lorenz Flohlich W. B. Scott E. B. Jones Harrison Weir John Tenniel Joseph Wolf W. P. Burton M. E. Edwards and Charles Keene. Complete. Cloth a little rubbed here and there; spine tips lightly chipped and fraying a bit along joints; some light bumping along edges of boards; joints and hinges tender with binding somewhat shaken. Internally bright and clean. Bookplate of Kenneth A. Lohf. <br/><br/> Bell and Daldy [Chiswick Press] hardcover books
1867D12669London: Bell and Daldy Chiswick Press 1867. Hardcover. Very Good. Publisher's red cloth ornately stamped in blind and gilt on boards and spine a.e.g.; 8vo; pp. ix 1 398; plus 29 plates by C. W. Cope P. H. Calderon W. Millais W. Holman Hunt Otto Speckter G. H. Thomas E. Warren Lorenz Flohlich W. B. Scott E. B. Jones Harrison Weir John Tenniel Joseph Wolf W. P. Burton M. E. Edwards and Charles Keene. Complete. Cloth a little rubbed here and there; spine tips lightly chipped and fraying a bit along joints; some light bumping along edges of boards; joints and hinges tender with binding somewhat shaken. Internally bright and clean. Bookplate of Kenneth A. Lohf. <br/><br/> Bell and Daldy [Chiswick Press] hardcover
16-2557Berlin: Genossenschaft PAN 1896. Folio. Original wraps with original graphics by KLINGER MAX Singer 226 ; Fischer Otto; Greiner Otto; Pietschmann Max; Unger Hans; Mediz Karl; LÜHRIG GEORG Söhn HDO: 52702- 1 2 3 4 5 67.Edited by Richard Graul and Caesar Flaischlen.PAN the important German 21 volume art nouveau periodical 1895-1900 is a deluxe fin de siècle periodical with plates illustrations color initials vignettes and tail-pieces representing a multitude of processes of modern picture reproduction including original lithographs etchings and woodcuts. Berlin: Genossenschaft PAN, 1896 paperback
16-2556Berlin: Genossenschaft PAN 1896. Folio. Original wraps a little defective with original graphics by LIEBERMANN MAX ; MAURIN CHARLES; KRÜGER ALBERT ; LEISTIKOW WALTEr: SKARBINA FRANZ. Söhn HDO: 52701-1 2 3 4 7 lacking the Zorn & Hoenemann Edited by Richard Graul and Caesar Flaischlen.PAN the important German 21 volume art nouveau periodical 1895-1900 is a deluxe fin de siècle periodical with plates illustrations color initials vignettes and tail-pieces representing a multitude of processes of modern picture reproduction including original lithographs etchings and woodcuts. Berlin: Genossenschaft PAN, 1896 paperback
16-2559Berlin: Genossenschaft PAN 1896. Folio. Original wraps spine split with original graphics by OLDE HANS; ILLIES ARTUR; ROTHENSTEIN SIR WILLIAM ; PENNELL JOSEPH; STRANG WILLIAM. Söhn HDO: 52704- 1 2 3 4 5.Edited by Richard Graul and Caesar Flaischlen et al.PAN the important German 21 volume art nouveau periodical 1895-1900 is a deluxe fin de siècle periodical with plates illustrations color initials vignettes and tail-pieces representing a multitude of processes of modern picture reproduction including original lithographs etchings and woodcuts. Berlin: Genossenschaft PAN, 1896 paperback
16-2566Berlin: Genossenschaft PAN 1898. Folio. Original wraps with original graphics by HALM PETER ; VON VOLKMANN HANS RICHARD; Maximilian von Fichard; KAMPMANN GUSTAV . Söhn HDO: 52903-1 2 3 4.Edited by Richard Graul and Caesar Flaischlen et al.PAN the important German 21 volume art nouveau periodical 1895-1900 is a deluxe fin de siècle periodical with plates illustrations color initials vignettes and tail-pieces representing a multitude of processes of modern picture reproduction including original lithographs etchings and woodcuts. Berlin: Genossenschaft PAN, 1898. paperback
16-2565Berlin: Genossenschaft PAN 1898. Folio. Original wraps with original graphics by KRÜGER 2 ALBERT ; OLDE HANS ; LEISTIKOW WALTER ; VOLZ WILHELM. Söhn HDO: 52902-1 2 34 5 lacking the Behrens Edited by Richard Graul and Caesar Flaischlen et al.PAN the important German 21 volume art nouveau periodical 1895-1900 is a deluxe fin de siècle periodical with plates illustrations color initials vignettes and tail-pieces representing a multitude of processes of modern picture reproduction including original lithographs etchings and woodcuts. Berlin: Genossenschaft PAN, 1898. paperback
16-2564Berlin: Genossenschaft PAN 1898. Folio. Original wraps with original graphics by PeTITJEAN HIPPOLYTE & Theo Van Rysselberge.Söhn HDO: 52901- 34 lacking the other 4 prints Edited by Richard Graul and Caesar Flaischlen et al.PAN the important German 21 volume art nouveau periodical 1895-1900 is a deluxe fin de siècle periodical with plates illustrations color initials vignettes and tail-pieces representing a multitude of processes of modern picture reproduction including original lithographs etchings and woodcuts. Berlin: Genossenschaft PAN, 1898. paperback
16-2570Berlin: Genossenschaft PAN 1899-1900. Folio. Original wraps with original graphics by KAMPMANN GUSTAV KALCKREUTH LEOPOLD. Söhn HDO: 53003-1 2. Edited by Richard Graul and Caesar Flaischlen et al.PAN the important German 21 volume art nouveau periodical 1895-1900 is a deluxe fin de siècle periodical with plates illustrations color initials vignettes and tail-pieces representing a multitude of processes of modern picture reproduction including original lithographs etchings and woodcuts. Berlin: Genossenschaft PAN, 1899-1900. paperback
16-2568Berlin: Genossenschaft PAN 1899. Folio. Original wraps with original graphics by Meyer- Basel Carl; Wenban Sion; VELDHEER JACOB GERARD. Söhn HDO: 53001-1 2 4. lacking the Kollwitz. Edited by Richard Graul and Caesar Flaischlen et al.PAN the important German 21 volume art nouveau periodical 1895-1900 is a deluxe fin de siècle periodical with plates illustrations color initials vignettes and tail-pieces representing a multitude of processes of modern picture reproduction including original lithographs etchings and woodcuts. Berlin: Genossenschaft PAN, 1899. paperback
16-2569Berlin: Genossenschaft PAN 1899. Folio. Original wraps with original graphics by MORDANT DANIEL; ORLIK EMIL ; MÜLLER RICHARD . Söhn HDO: 53002-1 2 3. Edited by Richard Graul and Caesar Flaischlen et al.PAN the important German 21 volume art nouveau periodical 1895-1900 is a deluxe fin de siècle periodical with plates illustrations color initials vignettes and tail-pieces representing a multitude of processes of modern picture reproduction including original lithographs etchings and woodcuts. Berlin: Genossenschaft PAN, 1899. paperback
16-2553Berlin: Genossenschaft PAN 1895. Folio. Original wraps a little defective with original graphics by NAAGER FRANZ; ECKMANN OTTO KLOTZ ERNST; STAUFFER BERN KARL.Söhn HDO: 52603-1 2 3 4 5 lacking the Toulouse-LautrecEdited by Richard Graul and Caesar Flaischlen.PAN the important German 21 volume art nouveau periodical 1895-1900 is a deluxe fin de siècle periodical with plates illustrations color initials vignettes and tail-pieces representing a multitude of processes of modern picture reproduction including original lithographs etchings and woodcuts. Berlin: Genossenschaft PAN, 1895 paperback
16-2555Berlin: Genossenschaft PAN 1895. Original wraps with graphics by Ubbelohde Otto & Otto Gampert. Reproduced is A POSTER BY MAbel Dearmer.Söhn HDO: 52605- 1 2 Edited by Richard Graul and Caesar Flaischlen.PAN the important German 21 volume art nouveau periodical 1895-1900 is a deluxe fin de siècle periodical with plates illustrations color initials vignettes and tail-pieces representing a multitude of processes of modern picture reproduction including original lithographs etchings and woodcuts. Berlin: Genossenschaft PAN, 1895 paperback
16-2552Berlin: Genossenschaft PAN 1895. Folio.Original wraps a little defective with original graphics by Wenban S.L. GEYGER ERNST MORITZ KLINGER MAX THOMA HANS ECKMANN OTTO Söhn HDO: 52602-1 3 4 5 6 lacking the ZornEdited by Otto Julius Bierbaum and Julius Meier-Graefe.PAN the important German 21 volume art nouveau periodical 1895-1900 is the deluxe fin de siècle periodical with plates illustrations color initials vignettes and tail-pieces representing a multitude of processes of modern picture reproduction including original lithographs etchings and woodcuts. Berlin: Genossenschaft PAN, 1895 paperback
16-2562Berlin: Genossenschaft PAN 1897. Folio. Original wraps with original graphics by DENIS MAURICE; ORLIK EMIL 4; Ubbelohde Otto; lacking the Nicholson and rodinSöhn HDO: 52803- 1 2 3 5 6 7.Edited by Richard Graul and Caesar Flaischlen et al.PAN the important German 21 volume art nouveau periodical 1895-1900 is a deluxe fin de siècle periodical with plates illustrations color initials vignettes and tail-pieces representing a multitude of processes of modern picture reproduction including original lithographs etchings and woodcuts. Berlin: Genossenschaft PAN, 1897 paperback
16-2560Berlin: Genossenschaft PAN 1897. Folio. Original wraps with original graphics by LEISTIKOW WALTER ; Hofmann Ludwig von; KRÜGER ALBERT; LÉVEILLÉ ANDRÉ . Söhn HDO: 52801- 1 2 3 4.Edited by Richard Graul and Caesar Flaischlen et al.PAN the important German 21 volume art nouveau periodical 1895-1900 is a deluxe fin de siècle periodical with plates illustrations color initials vignettes and tail-pieces representing a multitude of processes of modern picture reproduction including original lithographs etchings and woodcuts. Berlin: Genossenschaft PAN, 1897. paperback
2014ILLUSTRRRRR03151016Paris, Gallimard, 2014, 23,5 x 28,5, 216 pages cousues sous couverture souple illustrée. Illustrations noir & blanc et couleurs. Traduit de l'anglais par Marie Ollier.
18801395279London: DSeeley Jackson and Halliday 1880. Hardcover. Quarto 56 pages. In Fair condition. Spine is brown with gold print. Boards in brown cloth with gold print mitred edges. Wear to spine caps and corners lightly cocked spine. Text block has gilt edges. Cracked hinges tanning to endpapers name in ink on front endpaper faint foxing from engraving ink transfer light age-toning to paper. Illustrated: frontispiece and b&w engravings.<br /> <br /> Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates.<br /> <br /> <p>NOTE: Shelved in the Back Area Oversized Folios. 1395279. FP New Rockville Stock. DSeeley, Jackson, and Halliday hardcover
19761334291Harmondsworth: Kestrel Books 1976. Hardcover. Quarto; G/G; Hardcover with DJ; DJ spine white with orange and black print; DJ has edgewear smudging on rear mild shelfwear; Boards in glossy illustrated paper mild wear to spine caps and corners; Text block has inscription in ink on front flyleaf light spotting to front endpapers else clean and tight; unpaged illustrated color. <br /> <br /> Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. 1334291. FP New Rockville Stock. Kestrel Books hardcover books
5233New York 1920s. 6 illustrations in ink wash and gouache 39 x 37.5 cm to 41 x 62.5 cm plus margins; 3 signed "Von"; 1 signed "Harold von Schmidt"; 1 signed "C.P.C."; 1 signed "John W. Thomason Jr." Some ms. production notes captions etc. on versos and rectos some indicating the pages and sections of the serialized novel to which the illustrations relate. 1 small reproduction of a larger illus. pasted on its recto 7.5 x 10.5 cm. <p>Six original illustrations for Liberty magazine's serialized publication of the novel The Red Napoleon 1929 an early fictional account of a full-scale Soviet invasion and attempted conquest of the world.</p> <br/><br/><p>The acclaimed war correspondent journalist and novelist Floyd Gibbons 1887-1939 first published The Red Napoleon in Liberty magazine which commissioned Harold von Schmidt 1893-1982 among others to illustrate the serialized publication. The first installment appeared in Liberty on 6 April 1929. In The Red Napoleon the Red Army attempts to usher in a world of racial equality and usurp the supremacy of the white race. Novelist John Gardner 1933-1982 has described The Red Napoleon as an "ironic satire of capitalist America's greed and foolhardy racism":<br/><br/><p style="padding-left: 2em;">What Gibbons is saying from behind the fortress-wall of his trash-writer gimmicks is serious and convincing: white superiority on this planet is finished and worse if we refuse to meet the Third World halfway-refuse to shuck off the racial prejudice that has been a standard feature of our character from the beginning-we face virtual extermination . Gibbons found himself in a curious position .Everything he believed most profoundly-and believed to be a matter of life and death-would be anathema to his readers. Not only would the vast majority of his readership find his visionary slogan ridiculous-"We recognize but one race-the HUMAN RACE"-they would find it grossly evil.<br/><br/><p>Gibbons' novel centers on Karakhan of Kazan-the 'Red Napoleon'-who serves as chief military commander of the USSR under Stalin until the dictator is assassinated in 1932. In turn Karakhan becomes the new Soviet leader and uses his military influence to take control of the country-and then proceeds to attempt to conquer the world. Karakhan espouses a policy of "Conquer and Breed." Believing the antidote to Caucasian hegemony to be miscegenation Karakhan marries and has a child with an American radical leftist. Gibbons writes on p. 1: "Karakhan's defiant pride in his coloured skin struggling against an instinctive inferiority complex originating from impacts with white dominance fired him with the ambition to fuse all races-white yellow black brown and red-into one human race the only one he acknowledged." Before the novel's dramatic climax in which Karakhan's army is defeated by American forces the Red Army ravages Europe-slaying Mussolini preempting Hitler's rise bringing Winston Churchill and Britain to their knees etc.-and conquers Australia where he massacres six million whites.</p><br/><br/><p>The most remarkable of the six illustrations offered here initialed at the lower left "C.P.C." depicts a domestic scene showing Karakhan smoking a cigarette and gazing at his white wife who holds their mixed-race offspring in her arms. A caption appears on the verso-"He's gone completely crazy on the idea of having children with white women." The most notable illustration by von Schmidt features a menacing Soviet perhaps Karakhan again wearing an ushanka hat and fur with binoculars hanging around his neck. This too has a caption on the verso: "Short cut black hair that fitted his head like a skull cap. His thin body high shoulders yellow face close cropped head." Two other illustrations show the Soviet Army marching past a pagoda in Peking and through a Mexican village. In the latter a slain Mexican lies in the streets amidst the Red Army and vanquished local Mexicans. Vultures perch and hover above and in the background a Soviet flag hangs from a building. This particular illustration is by John W. Thomason Jr. 1893-1944 an author and illustrator of several books and magazine stories who served as a lieutenant colonel in the U.S. Marine Corps.</p><br/><br/><p>At the novel's end the narrator-a journalist who resembles Gibbons himself- interviews the imprisoned Red Napoleon after the Red Army's defeat. Karakhan defends his policy of intermixing the world's races to the journalist claiming it must be the way of the future-which has become true in the novel: white people now face a thoroughly miscegenated world. Karakhan is punished by being sent to exile not in Siberia but Bermuda.</p> <br/><br/><p>Von Schmidt's illustrations also appeared in magazines such as Collier's Weekly Cosmopolitan and Saturday Evening Post; he would also contribute sixty illustrations for a deluxe edition of Willa Cather's Death Comes for the Archbishop.</p><br/><br/><p>A striking group of illustrations for the serial publication of Red Napoleon.</p><br/><br/><p>REFERENCES: Gallicchio Marc. The African American Encounter with Japan and China Chapel Hill North Carolina: University of North Carolina Press 2000 Chapter 2; Gibbons Floyd. The Red Napoleon New York: Grosset & Dunlap 1929; Harold von Schmidt at illustrationhistory.org.</p><br/><br/><p>CONDITION: Moderate damp-staining along edges of 2 of the less appealing illustrations; the 4 other illustrations very good with minor wear.</p> [New York, 1920s.] unknown
np. Illustrated, some in color. Includes examples of printing from different fine presses. NOTE: Especially significant is the original signed lithograph by Victoria Hutson. 4to. Original decorated paper boards binding, spine chipped. Limited to 3000 copies. Great articles and wonderful illustrations that will delight any bibliophile. **PRICE JUST REDUCED! REF10
13068NP n/d. Hardcover. fair. 8vo. Oblong. Unpaginated. Purple-paper covered boards. Parts of backstrip missing. Wear to edges. Corners bumped and worn. Discoloration some staining and scuffing to boards. A wonderful collection of 27 original engravings primarily of uniformed First Empire soldiers in social settings by the French artists Horace Vernet Nicholas Toussaint Charlet Jacques Bellange and Villain. Foxing to pages not affecting plates. Text in French. Binding in poor interior in good condition. Extremely scarce. NP hardcover
10379From 'Punch or the London Charivari' 12 October 1867. On paper 52 x 33 cm. Tenniel's monogram with number 58 in bottom left-hand corner. An giant female figure with black mask blazing torch and sash on which is written 'MURDER' directs an assemblage of Fenians and Sheffield trade unionists. The caption reads 'Fenian conspiracies and outrages in Ireland and Manchester - co-incident with the revelations of murderous Trade-unionism at Sheffield and elsewhere - agitated the public mind and seemed like an evocation of the Spirit of Slaughter to trample on the Law. - October 1867.' Image itself clear and complete on lightly aged paper creasing and slight damage to margins and extremities. Two horizontal creases from folding into magazine. From 'Punch, or the London Charivari', 12 October 1867. unknown
