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ria9783111231327_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
ria9783111173108_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
ria9783111173115_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
ria9783111173122_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
ria9783111173245_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
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93098Wien Neff 1986. Kl.8° 31 u. 99 S. Kart. in Schmuckschuber. Tadellos. EA. Das Faksimile frz. der Textbd. dt. 010 Wien, Neff, 1986 unknown
1801387559.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
105104William Reeves. Fine in Fine dust jacket. Hardcover. Hardcover. 370 pages. Book is in FINE condition. Stiff card Dust Jacket. Indentation and mark length of spine else FINE condition also. William Reeves publisher. ; 8vo 8" - 9" tall; 370 pages . William Reeves hardcover
187514164Berlin - Wien: Schlesinger-Haslinger Ca. 1875. Used; Like New/Used; Like New. Score of Liszt's Hungarian Rhapsody no. 12 "A J. Joachim" with the ownership stamp of the important twentieth-century German pianist Elly Ney who has also penned "12. Ungarische Rhapsodie" in blue ink at the head. A few paper repair within edges lightly nicked with small tears spine reinforced with green cloth overall very good. There are no markings within the score. <br style="">Elly Ney was one of the 20th century's outstanding pianists and at 16 won the Mendelssohn prize 1900—in a contest of which the famous Hungarian violinist Joseph Joachim was one of the judges.  The present work by Liszt is dedicated to Joachim. <br>Of Ney's great performing Willhelm Kempff wrote: "My ears still hear her melodious voice with its unmistakable hint of her Rhineland origins which had the gift of establishing immediate contact with everyone she spoke to. This happened even more intensely when she stepped onto the concert platform. Just one mysterious chord Beethoven's D minor sonata for instance and the listener was drawn into her magnetic field. What then ensued cannot and should not be described in words nor should it be scientifically dissected. Those who had ears heard for themselves. But that was by no means the end of the matter. A realisation continued to resonate in her listeners' hearts as it had begun to resonate from the moment this greatest of performers stepped onto the platform - the realisation that artistry of this quality draws its strength from roots that have their being in the unfathomable depths of the human soul."<br style=""> Schlesinger-Haslinger hardcover books
47212220like new. unknown
198631409AMünchen, List, 1986. Ca. 31,5 x 27,5 cm. 346 Seiten, mit zahlreichen Abbildungen. Original-Leinenband mit illustriertem Original-Umschlag.
198412281BStuttgart, Franz Steiner Wiesbaden GmbH, 1984. (= Beihefte zum AfMw, XXIII), Gr.-8° (24,2 x 17,5 cm), (XVIII), 443 Seiten Gelblicher OLn. mit gelbl. OU
1855125775Druck: Weimar, Hof-Buchdruckerei 1855. * 29 Seiten. 16,5 x 13 cm. Bedruckte graue Original-Broschur (fleckig).
244321Leipzig, Breikopf & Härtel, Paris, Fischbacher, 1900, 2 vol. in-8, [2] ff. n. ch., 308 pp. ; 307 pp., brochés.
33 pages. Illustrated with photographs from William Goetz Production. Includes these songs: My Consolation - Song; Moonlight Sonata Op. 27 No. 2; Nocturne Op. 55 No. 1; Song Without end - Song; Pilgrim's Chorus - Tannhauser; Hungarian Rhapsody No. 6; Liebestraum - Loves Dream; Largo. Also includes thematics of additional musical material and synopsis of the story. Average wear. Minimal markings. A sound copy. Book
16102488190627002Muuz 2016-10-22. Audio CD. New. Brand-new unused unopened in perfect condition. Muuz unknown
190043963097219114St. Petersburg Moscow Paris Berlin Leipzig: P. Jurgenson A. Gutheil V. Bessel 1900. Paperback. Good. Collection of 14 rare pre-revolutionary and early Soviet sheet music editions. St. Petersburg Moscow Paris Berlin Leipzig: 1880s–1919. 1. Henryk Pachulski — Two Concert Études Op. 7 No. 2. Phantom. — Moscow–Leipzig: P. Jurgenson. 2. Leopold Godowsky — Renaissance. Vol. II Book 7 — Menuet by C. P. E. Schobert. — Berlin: Schlesinger 1906. 3. Camille Saint-Saëns — Bacchanale from "Samson et Dalila". — Paris: Durand & Fils. 4. Carl Lütschg — School of Études. Book 7. — St. Petersburg: V. Bessel & Co. ca. 1900–1910s. 5. Franz Liszt — Valse-Caprice after Schubert. — Moscow: A. Gutheil ca. 1900–1910s. 6. Franz Liszt — Grand Galop Chromatique Op. 12. — Moscow: A. Gutheil ca. 1900–1910s. 7. Franz Liszt — Valse-Impromptu. — St. Petersburg: A. Johansen ca. 1890–1910. 8. Camille Saint-Saëns — Romance sans paroles. — Moscow: A. Gutheil ca. 1900–1910. 9. Robert Schumann — Novelette in D major Op. 99 No. 9. / Ed. by Rubinstein & Balakireff. — Moscow: P. Jurgenson. 10. Robert Schumann — Aufschwung Op. 12 No. 2. / Ed. by Rubinstein & Balakireff. — Moscow: P. Jurgenson. 11. Frédéric Chopin — Two Nocturnes Op. 48. / Klindworth edition. — Moscow 1919. 12. V. Selivanov — A Little Joke Op. 3 No. 3. / Ed. by M. Pressman. — Moscow: P. Jurgenson ca. 1910–1920. 13. Frédéric Chopin — Polonaise in C minor Op. 40. — St. Petersburg: T. Stellowsky ca. 1880–1890s. 14. Frédéric Chopin — Polonaise Op. 71 No. 2. / Klindworth edition. — Moscow: P. Jurgenson ca. 1900–1915. This extensive collection of fourteen large folio editions represents the cosmopolitan heart of the European and Russian musical worlds at the turn of the century. The text provides a deep dive into the internal logic of the piano virtuoso tradition including the arrangement of Leopold Godowsky’s complex "Renaissance" transcriptions and Franz Liszt’s dazzling Grand Galop Chromatique. These scores document the high editorial standards of pre-revolutionary giants like P. Jurgenson and A. Gutheil as well as international prestige imprints like Durand Paris and Schlesinger Berlin. Notable highlights include scholarly editions of Schumann edited by the pillars of Russian music Anton Rubinstein and Mily Balakirev and an exceptionally rare 1919 Soviet-era Chopin printing from the very early nationalization period. The physical identity of these scores is marked by their large folio dimensions and original covers many featuring the elegant Art Nouveau and late-Victorian graphic design of the 1890s–1910s. The lot includes vital pedagogical materials used in the St. Petersburg Conservatory such as Carl Lütschg’s School of Études and virtuosic concert repertoire that once filled the imperial concert halls. From Stellowsky’s mid-Victorian Chopin imprint to the modern "Phantom" étude by Henryk Pachulski these volumes are essential primary sources for musicologists pianists and collectors. They preserve the exact musical texts and tactile presence of a lost era where Moscow and St. Petersburg stood as equal capitals alongside Paris and Berlin in the global dissemination of classical art. P. Jurgenson, A. Gutheil, V. Bessel paperback
0945193343.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1880066737Leipzig: Breitkopf & Härtel 1880. 215 S.; aus dem Französischen von La Mara d. i. Ida Marie Lipsius; Privateinband etwas späterer Zeit; Titelblatt mit Besitzerstempel stellenweise mässig stockfleckig Kanten teils etwas berieben u. bestossen stabiles Expl. Erste deutsche Ausgabe. Halbleinen. Gut. 249 cm. Privateinband. Breitkopf & Härtel Hardcover
45574082-nnew. unknown
3563757410.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
41340771-nnew. unknown
41340771like new. unknown