1 220 résultats
1952V2284Hamburg (J.P.Toth) 1952. 8°, Originalhalbleder, 786 S.,
1987242597München, Dissertationsdruck Frank, 1987. 227 S. : Noten, graph. Darstellungen ; 21 cm Originalbroschur.
198311983Leipzig, Gustav Kiepenheuer Verlag, 1983. 8°; 197 Seiten, 15 Kunstdruckbilder u. 2 Faksimiles; 1. Auflage Orig.-Leinen mit OU Schutzumschlag am Rücken stark ausgeblichen, papierbedingt gebräunt; Widmung der Autorin auf Vorsatz
197263359Reinbek (bei Hamburg): Rowohlt 1972. 160 S.: zahlr. Ill., Notenbeisp.;; 19 cm. Taschenbuch 0
194965724New York: A. A. Wyn Inc 1949. Vintage Copy. Hardcover. Good in a Good price clipped dust jacket. Toning. Foxing. A few small chips and tears to jacket. ; Great Musicians Series; 12mo - over 6¾" - 7¾ A. A. Wyn, Inc hardcover
201121579München, Siedler, 2011. 8°, 432 Seiten. mit vielen Abbildungen. Orig.Leinen mit Lesebändchen und OSU.
2011300815-1München, Siedler 2011. 431 S. Mit Abb. Original-Leinenband mit Schutzumschlag.
61 S. Mit einigen Faksimile. Hoch Folio. OLn. Deckel gering fleckig. Nr. 3 von einem lim. Auflage von 400 Expl.
199137257RCA Gold Seal, 1991. GD60523 1 CD CD
198237263BMG Classics, 1982. 1 CD CD
201249892Sony Music, 2012. CD Digipack
R130005136RCA. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, festival de musique classique légère.. . . . Classification : 410-33 Tours
93905Paris, Editions Hachette/Pluriel, 1987. 11 x 18, 669 pp., broché, bon état.
392 S. 8°. OLn. Schutzumschlag.
0945193343.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
200733671München ; Zürich : Piper, 2007. 587 S. Ill. 8°. Ill. OPpbd. mit Lesebändchen u. SU.
192943963097841706Leningrad: Triton 1929. Paperback. Good. Лот из 5 редких нотных изданий Ð´Ð»Ñ Ñ„Ð¾Ñ€Ñ‚ÐµÐ¿Ð¸Ð°Ð½Ð¾. Ленинград: Музыкальное издательÑтво «Тритон» 1929–1935. 1. И. С. Бах — БранденбургÑкие концерты: 1. Adagio из Концерта â„–1; 2. Andante из Концерта â„–2. / Переложение Ð´Ð»Ñ Ñ„Ð¾Ñ€Ñ‚ÐµÐ¿Ð¸Ð°Ð½Ð¾ в 2 руки Ю. Ð. Тюлина; под ред. Ðœ. Ð’. Юдиной. — 1932. 2. И. С. Бах — ПрелюдиÑ. / ÐšÐ¾Ð½Ñ†ÐµÑ€Ñ‚Ð½Ð°Ñ Ñ‚Ñ€Ð°Ð½ÑÐºÑ€Ð¸Ð¿Ñ†Ð¸Ñ Ð´Ð»Ñ Ñ„Ð¾Ñ€Ñ‚ÐµÐ¿Ð¸Ð°Ð½Ð¾ ÐлекÑандра Зилоти. — 1934. 3. И. С. Бах — Л. ГодовÑкий — Сарабанда. / Ð”Ð»Ñ Ñ„Ð¾Ñ€Ñ‚ÐµÐ¿Ð¸Ð°Ð½Ð¾ Ñоло. — 1935. 4. Л. ГодовÑкий — РенеÑÑÐ°Ð½Ñ Renaissance. Рамо. ÐÐ»ÐµÐ³Ð¸Ñ â€” Лолли. Жига. — 1935. 5. Ференц ЛиÑÑ‚ — Паганини-Ñтюд â„–2 ми-бемоль мажор. — 1929. . Lot of 5 rare piano editions. Leningrad: Triton Publishing House 1929–1935. 1. J. S. Bach — Brandenburg Concertos: 1. Adagio from Concerto No. 1; 2. Andante from Concerto No. 2. / Arrangement for piano for two hands by Yu. N. Tyulin; edited by M. V. Yudina. — 1932. 2. J. S. Bach — Prelude. / Concert transcription for piano by Alexander Siloti. — 1934. 3. J. S. Bach / Godowsky — Sarabande. / For piano solo. — 1935. 4. Godowsky — Renaissance. Rameau. Elegy — Lolli. Gigue. — 1935. 5. Franz Liszt — Étude de Paganini No. 2 in E-flat major. — 1929. This extraordinary collection of sheet music from the legendary Leningrad cooperative publishing house Triton represents the pinnacle of Soviet piano culture and avant-garde editorial practice during the 1920s and 30s. The text provides a deep dive into the internal logic of the "Leningrad school" of performance including the arrangement of Bach’s orchestral works for the keyboard by Yuri Tyulin under the meticulous editorship of the great Maria Yudina. These editions reflect a period of intense artistic refinement where the boundary between Baroque tradition and Modernist interpretation was actively explored. Notably the lot includes transcriptions by Alexander Siloti—Liszt’s pupil and Rachmaninoff’s cousin—and the hyper-virtuosic "Renaissance" arrangements by Leopold Godowsky which were highly sought after by the elite conservatory circles of the era. The physical identity of these scores is defined by the distinctive often minimalist cover designs characteristic of the Triton imprint which operated as a private-public cooperative before its absorption into State control. From the 1929 Liszt Étude to the mid-30s Godowsky transcriptions these editions document the persistence of world-class pianism and international repertoire in Leningrad. The presence of Maria Yudina’s editorial hand and Siloti’s transcriptions makes this lot a vital primary source for musicologists studying the history of Russian piano performance and the dissemination of Western virtuoso traditions within the early Soviet state. For bibliophiles and collectors of rare musicalia these imprints are a testament to the high aesthetic and technical standards of Leningrad’s pre-war musical publishing. Triton paperback
MUS5055M1950 chez Éditions du cèdre. In-8, broché, 157 pages.
1929013445Cambridge: Washburn & Thomas 1929. 1st Edition. Hardcover. Near Fine/Very Good. Memoir of a Eurocentric American musician who rubbed elbows with all the Continental and expat swells whose lives traversed teh turn of the 19th/20thC. 8vo dark blue half cloth over light blue paper-baked boards with title label front cover gilt title to spine gte sides untrimmed. 132p illustrated with duotone pictures. Apparently unread in uncommon printed dustjacket that shows some surface wear here and there. Washburn & Thomas hardcover
1986Q-063400042XGS LIBRARY 5 1986-11-01. Paperback. New. In shrink wrap. Looks like an interesting title! GS LIBRARY 5 paperback
1986Q-1423465997G. Schirmer Inc 1986-11-01. Paperback. New. In shrink wrap. Looks like an interesting title! G. Schirmer, Inc paperback
19841253196München ; Salzburg: Musikverlag Katzbichler., 1984. 153 S. : Noten. kart.
__3112379616De Gruyter 1911. Hardcover. New. reprint edition. 413 pages. German language. 6.14x1.06x9.21 inches. De Gruyter hardcover
198944390Emi, 1989. CDZ 2521522 CD CD
19541372ABBerlin/Düsseldorf, Dt. Buchvertriebs- u. Verlagsges., 1954. 8°. 350 Seiten. Orig.-Halblederband mit Rückenvergoldung. (Deckel gering fleckig. Exlibris. Vorderes Innengelenk gebrochen und mit Tesa überklebt). - Im übrigen gut.
